The number one single today in 1964 was performed by the oldest number one artist to date:
The number one single today in 1970:
The number one British single today in 1981:
The number one single today in 1964 was performed by the oldest number one artist to date:
The number one single today in 1970:
The number one British single today in 1981:
Today in 1954, the BBC banned Johnny Ray’s “Such a Night” after complaints about its “suggestiveness.”
The Brits had yet to see Elvis Presley or Jerry Lee Lewis.
The number one British single today in 1955:
The number one single today in 1964 was from a group that had had number one with three different songs for 14 consecutive weeks:
Today in 1965, what would now be called a “video” was shot in London:
The number one single today in 1966 was presumably played on the radio on days other than Mondays:
Today is the anniversary of the last Beatles U.S. single release, “Long and Winding Road” (the theme music of the Schenk Middle School eighth-grade Dessert Dance about this time in 1979):
The number one album today in 1977 was the Eagles’ “Hotel California”:
Those who are not fans of country music stereotype by creating lyrics like:
My girl left me
My dog died
My truck blew up
Mama’s goin’ back to prison
So let’s all get drunk!
Those who are not fans of today’s country music take the tack with which Peter Lewis begins:
If you know any fans of classic country music, you know how much we like to complain about today’s country scene and how it’s all gone wrong. What used to be a genre full of wry, bittersweet songs about bad luck and heartbreak, has become an endless series of interchangeable party anthems and syrupy love songs. (You could tell a similar story about R&B, but one problem at a time.)
Of course, in today’s world, no one believes anything without an infographic. And after years of waiting for Nate Silver to take an interest, I realized it was up to me to make one.
My initial plan was to take the annual Billboard country #1 hits for the last 50 years, tag every song according to its lyrical content, and then chart the trends over time. I quickly realized that would be way too much work, so I decided to use every tenth year as a sample: 2015, 2005, 1995, and so on. I made up abbreviated tags to summarize each type of song as I was going through the lists, like WCYBT (why can’t you be true) or CGOY (can’t get over you), and then tried to hammer them into a few larger categories.
What I learned is that there are four main types of country song, two sad types and two happy ones. After removing one instrumental track and a few novelty songs (mostly about truck drivers), the rest of the list fell into one of these four buckets:
1. It’s all over
What unites these songs is a core theme of regret or loss. Usually what’s over is a romantic relationship, but it could be about anything else good that the singer has lost, often by actively screwing it up. I JustCan’t GetOver You and You’ll Get Yours are among the subtypes; common elements include drinking, cheating, bad luck and bad decisions. In some ways this was once the quintessential country song, the one that spawned jokes like “What do you get when you play a country song backwards? You get your girl back, your job back, your dog, your truck, your house…”
2. It’s not working out
Again it’s usually about a relationship, but a little earlier in the timeline — and the main theme here is frustration. Subtypes include You Don’t Love Me Anymore, Why Can’t You Be True, Don’t Leave Me, and Why I’m Leaving You.
3. Love and devotion
I actually tagged most of these as SLS, for “sappy love song,” but decided to go with a more neutral label. It’s not so different from the same category of pop song, although some variations are particularly popular with country singers, including They Said We’d Never Make It (who did?), Back Together, and assurances of fidelity (maybe because so many country songs in the first two categories are about cheating).
4. The right way to live
The other type of upbeat country song, which turns out to be a key part of this story, has a dominant theme of pride and homespun wisdom. Other than the generic party anthem mentioned above, variants include Things Were Better Back Then, Me and My Rowdy Friends, and Let’s Get Back to Basics.
Diagnosis
There are still some common threads in the genre; one thing I noticed in going through the newer songs is how the old lyrical templates from the first two categories have been updated to be more positive. For example, “I’m over you (but clearly I’m not),” as practiced by George Jones, Connie Smith, Tammy Wynette and many others, has had the subtext stripped away in this song by Cole Swindell to become “I’m really over you, time to party” — which completely misses the central joke of the premise (why would you be singing about someone if you’re really over them?) and just comes off as mean-spirited. Or the classic “don’t screw up your life like I did,” often delivered by an old man in a bar (here are two examples from Vern Gosdin and Robbie Fulks), which has been inverted in this song by Lee Brice to make the old man a positive role model and source of trite life advice.
In any case, that chart pretty much speaks for itself: modern country fans are more interested in healthy relationships, motivational speeches and having a good time than sadness and misery. And on a certain level, who can blame them? But that tiny uptick in sad songs last year offers a ray of hope for those of us who still like a few tears in our beer now and then.
This also got picked up by MetaFilter, which included this comment …
A guy I know who works in Nashville pointed out to me that all the producers who were doing hair metal in the ’80s ended up doing country in Nashville in the 2000s. That probably explains something, but I’m not sure what. Maybe nothing? Hard to tell, without doing the same analysis for rock and pop that he’s done with country. I’d be interested in that analysis. Is it just country fans who are getting more into “healthy relationships, motivational speeches and having a good time”, or is it everybody?
… answered by Lewis:
Don’t know, but I’ve seen a few studies suggesting that pop songs are actually getting more sad over time, both in terms of more minor-key songs and more downbeat lyrics — here’s a recent podcast that discusses some of the lyrics research — so that could suggest that country music is even more of an outlier. I do feel subjectively though that country’s not the only genre that’s gotten happier, I mention R&B in the post as another potential example..
Someone else asked about the “damned drinking songs.”
I spent most of January working with someone who listened to country music all day–specifically, to a station that played the same twenty songs, over and over again, all day every day. It was my first major exposure to modern country music. One of the things that struck me (aside from how abjectly terrible and derivative the songs were), was that roughly half of them included some reference to drinking. Sometimes just a line about getting a beer with the boys, but drinking to forget also seemed to be a reoccurring theme.
Unrelatedly, there’s an actual song called She Thinks My Tractor’s Sexy and I honestly cannot tell if it’s supposed to be an ironic send-up of country music themes or like a proud embrace of stereotypes or what. I’m guessing proud embrace, but it kinda breaks my irony meter.
Someone else found the need to inject politics:
I wonder whether this could be connected to the polarisation in American politics/culture/society between the blue-state/coastal/secular/liberal folks and the red-state/conservative/religious folks, with each consuming their own media and regarding the other as an alien enemy. As such, if country-listening folks are a fortified camp at war against the other side, country music (the musical genre that defines them) could be pressed into service to rally the troops and reinforce shared values that differentiate Us from Them; something that songs about The Right Way To Live are much more suited for than melancholy ballads about having lost everything.
This is probably a minority opinion today, but current country music is, to me, much better to listen to than steel guitars, fiddles and twangy singing of the heartbreaks and sucky life of the songwriter. (I am also, as you know, one of those cretins who doesn’t generally listen to the words of songs, which is how I am able to listen to music that doesn’t correspond to my worldview but sounds good to me.) Life is hard enough without being reminded of it on every song on the radio or your favorite MP3 playback device. I prefer to listen to music that doesn’t make me want to drive into a bridge support at 100 mph.
It’s not as if rock or pop are suffused with originality either. At least half, and probably more than half, of rock and pop songs since the beginning of the rock era in the 1950s have to do with love and/or sex, including lack thereof or end thereof. The other half is comprised of partying, cars (’60s), protest (late ’60s and early ’70s), shaking your booty (’70s), angst (particularly ’80s and ’90s) and weird stuff (“MacArthur Park, “Mexican Radio,” etc.).
There may be a legitimate observation about how country songs sound alike …
… but country is far from the only offender in that regard:
It may also be true that country singers are more likely to get airplay if they look like, say, Carrie Underwood or Miranda Lambert instead of Betty Friedan or Hillary Clinton. This is not a new thing. For that matter, none of the male country singers of today look like Willie Nelson or Mick Jagger.
Because apparently everything today must be political, someone named Machine Trooper writes:
There is a surging groundswell in the grass roots of America. I’ve noticed it (I daresay I’ve been a part of it) for the last few years. It is pushing back against the left-wing cultural svengalis and their Narrative. It’s not huge or sensational (yet), but it is widespread.
Anti-war protestors in the 1960s had a saying that went something like this: “What if there was a war, but nobody showed up?” Well, I’ll tell you what happens when one side doesn’t show up: that side loses.
For generations centrists and everyone right-of-center simply have not shown up for the culture wars. Predictably, the leftists have blitzed right through battlefields of opinion and ideas unopposed–like the Red Army rolling through eastern Poland in 1939–so that their monopoly on the flow of information, including creative expression, was ironclad.
It took some irritated computer nerds to show us that the left is far from invincible.
In fact, #gamergate showed the world that the SJWs, feminists and Marxists (cultural and otherwise) are not only vulnerable, they’ve become arrogant from never being challenged for so long, and prove to be weak, inept cowards when confronted by a smart, determined opposition. They are beatable. Very much so.
But you have to actually show up to the fight if you’re going to beat them.
In greater and greater numbers, the right wing is finally showing up to fight in the war for the mind and soul of our posterity.
One of the armies joining battle now is the Conservative/Libertarian Fiction Alliance.
Looking for a good book to read, but tired of sucker punches and nihilistic misery when all you want to do is relax? You’re in luck … Behold! A gallery of conservative and libertarian-friendly fiction.
The CLFA has expanded from Facebook into their own website, and are compiling a wish-list library of books written by non-leftists (or at least sans the ubiquitous leftist Narrative rammed down our throat at every turn).
Books need not be political or moral message fiction; we’re mainly looking for good, entertaining stories that happen to embrace things we love, like individualism, self-reliance, the importance of liberty, and so on. Sometimes these books are even written by self-proclaimed leftist authors. But whatever – a good story is a good story!
Hoowah. At least one of my favorite books was written by an author who I later met, and it turned out we were quite at odds, politically.But by whatever arrangement of circumstances, he told a great story.
It’s nice to read a novel with a political slant that cuts against The Narrative. But often, it’s even nicer to read a book that’s apolitical–no message or counter-message; just a good story, told well. But even those are more and more difficult to find, so it pleases me that such books won’t be excluded from the CLFA gallery.
(BTW, have you ever noticed how right-wingers are open about their political biases, but left-wingers pretend to be impartial centrists and throw a fit when you call them out ontheir biases? Hmm…there’s at least one blog post in that curious state of things.)
CLFA’s gallery of fiction is in its infancy right now, but already it is proving to be as diverse as the right wing writ large. Authors run the gamut from “social libertarians” and “establishment conservatives” all the way to radical “religious right” rebels like me. You’ll find not only tradpubbed popular authors like Larry Correia and Andrew Klavan, but plenty of indie authors you’ve been missing out on until now.
The CLFA has also organized its own award. I believe this is the second year of said award. The finalists have been chosen for 2015 and voting begins in June to determine the winner.
WWII was the last time the USA fought a war with the intention of pursuing absolute victory. It wasn’t just the soldiers, sailors and marines committed to the war effort–the wives, children, parents, grandparents and 4Fs also did what they could. They bought War Bonds, collected cans, organized bake sales, wrote letters to GIs overseas, and fed them or danced with them when they came home.
If you are a reader, consider doing your part on the home front of the Culture War. When you’re looking for a good book, go somewhere like the CLFA first. (And buy using their links, to help them offset the cost of their website–and provide them incentive for the time and effort they put into doing this for us.) If you’re going to spend your “voting dollars” on a book anyway, why not vote for books written by authors who are fighting to take our culture back? When you discover a good read, don’t just finish it and go about your business–write a review and increase the book/author’s chances of being discovered by others who would appreciate it like you did. Then tell another reader about your discovery.
It’s natural to assume that documentary films and nonfiction books would be the most influential weapons in the culture war, but they’re not. Entertainment, in its various forms (fiction, movies, music, etc.) has been an enormous influence on how people think. Consider which political faction has dominated entertainment; then examine the state of our culture today. If that dominance isn’t challenged now, while it’s still possible, you are only going to get more of the same and worse…but to a greater degree.
The soldiers on our side in this war are marching to the sound of the guns. Your support would be dearly appreciated, down in the trenches.
There is a kind of joke called the “Russian reversal,” overattributed to Russian comedian Yakov Smirnoff, that goes something like: “In America, you pick government; in Soviet Russia, government picks you!” We conservatives and libertarians may not have chosen to participate in a cultural civil war, but as Gen. Douglas MacArthur was fond of saying, in war there is no substitute for victory.
The number one British album today in 1972 was a Tyrannosaurus Rex double album, the complete title of which is “My People Were Fair and Had Sky in Their Hair … But Now They’re Content to Wear Stars on Their Brows”/”Prophets, Seers & Sages: The Angels of the Ages.” Really.
I came up with the brilliant insight yesterday that choosing between Hillary Clinton and Donald Trump is like choosing between Nazi Germany and the Soviet Union.
(You can decide which applies to which. I may have been inspired by an earlier Facebook comment that compared those two to Benito Mussolini and Josef Stalin.)
I don’t write this because I was a fan of either Ted Cruz or John Kasich or any other presidential candidate. I only voted for Cruz to block Trump from getting the Republican nomination. Kasich might make a good president if given the opportunity, but it seems as if his inner asshole came out to campaign. For being the candidate most devoted to the Constitution, Cruz comes across as amazingly unlikable.
Never in this nation’s history have we had two worse major party candidates for president than now. Neither has the slightest clue about how to improve Barack Obama’s crappy economy. Comrade Sanders is merely wrong on everything that remotely involves economics, or for that matter math. I do not pretend to understand sympathy for Sanders based on his honesty if he is consistently wrong.
Trump has accomplished nothing that doesn’t require millions of taxpayer dollars and paid-off politicians. Anyone who claims to be a dealmaker is someone without core values (except self-interest), scruples and morals. Trump will lose so badly that he will drag down Republicans from coast to coast. (Though not, happily, Gov. Scott Walker, who as the governor with the most veto power of any governor will be able to declare stupid Democratic ideas — and I apologize for repeating myself in those past three words — dead on arrival.)
The electoral college math for Trump is nearly insurmountable, beginning in Wisconsin, reports Craig Gilbert:
The battleground state of Wisconsin is a microcosm of the stark challenge that faces presumptive GOP nominee Donald Trump in trying to overcome his deep unpopularity with key voting groups this fall.
Trump, whose rivals Ted Cruz and John Kasich dropped out this week, has trailed Democrat Hillary Clinton by an average of 10 points in three Wisconsin polls conducted this year by the Marquette Law School.
His average positive rating in those polls (the share of registered voters who view him favorably) is 25%.
His average negative rating is 65%.
Those numbers are unheard of for a major party nominee. …
The last GOP nominee, Mitt Romney, lost Wisconsin by seven points in 2012, despite the presence of home-state congressman Paul Ryan on the ticket.
Trump’s numbers at this point in the race are far worse than Romney’s ever were. In late March of 2012, Romney had a 32% positive and 47% negative rating in Wisconsin. Trump’s rating at the same point in the calendar four years later was 22% positive and 70% negative.
Unlike Romney, Trump has shown glaring weakness among his own party’s voters in the state, falling in the April 5 Wisconsin Primary by 13 points to Cruz and losing by landslide margins in the state’s most Republican counties.
Trump’s problems are similar to the obstacles he faces in many other battleground states, the polling suggests, though they seem especially large in Wisconsin.
One obvious ray of hope for Trump is that Clinton, the presumptive Democrat nominee, also has a negative image among Wisconsin voters.
But her numbers are not as bad as Trump’s, and she has led him comfortably in hypothetical fall matchups.
It is bad enough for Clinton that 42% of Wisconsin voters say they are “very uncomfortable” with her as president.
But 56% say they’re “very uncomfortable” with Trump.
Trump is struggling badly in Wisconsin with some very large and important demographic groups.
In a March 24-28 Marquette survey of 1,405 registered voters, Trump’s negative rating with women was 77%.
His negative rating with independents was 69%.
His negative rating with moderates was 80%.
His negative rating with suburban voters was 72%.
His negative rating with college-educated voters was 78%.
Clinton has a negative image with all of the same groups, but her negatives are lower than Trump’s. And unless things change, Trump’s unpopularity could wipe out the advantage a Republican nominee should expect among at least some of those groups.
For example, Romney beat Barack Obama by 5 points among suburban voters and 7 points among rural voters in Wisconsin in 2012, according to exit polls. Even that wasn’t enough, because he lost so badly among urban voters.
In Marquette’s polling, Trump has little or no edge over Clinton with rural and suburban voters.
Romney lost college-educated voters by 7 points to Obama, about the same as his losing margin statewide. But in Marquette’s polling, Trump is losing college voters by 22 points.
Along with his problems with swing voters, Trump has encountered real resistance within his own party in Wisconsin. Remarkably for a party frontrunner, Trump had a negative image among Republican voters in Marquette’s most recent poll: 36% viewed him favorably, 51% unfavorably. On April 5, Wisconsin dealt him what was arguably his worst primary loss, his problems compounded by the opposition of Walker, other party leaders, conservative activists and conservative media here.
Trump lost by roughly 40 points in the state’s Republican “heartland,” the ultra-red suburban counties outside Milwaukee.
Hillary Clinton is the most hate-filled presidential candidate since, well, Barack Obama. Hillary doesn’t even pretend to tolerate anyone who doesn’t share all of her political views. Seeing Obama or Hillary regard conservatives is being able to read Adolf Hitler’s thoughts about non-Aryans. Hillary is, as proven earlier by her comments about eliminating coal energy, as big a liar and flip-flopper as Trump.
Trump supporters willfully ignore Trump’s flip-flops on everything from abortion to immigration to taxes (including, yesterday, the minimum wage) by claiming that Hillary would choose left-wing Supreme Court justices. That last part is accurate. The claim that Trump would not choose left-wing Supreme Court justices cannot be proven.
The numerous reasons to vote for neither include Damon Root‘s observations:
The impending presidential contest between Hillary Clinton and Donald Trump is depressing for many reasons. One reason it that both candidates have abysmal records on free speech and they both seem fundamentally hostile to very idea of the First Amendment placing any constitutional limits on government power.
Consider Hillary Clinton. As my colleague Matt Welch has documented, Clinton’s “long war on free speech” includes censorship crusades against rap music, video games, movies, and television. And we’re not just talking about ratings systems and warning labels here. She’s also supported federal laws that would penalize the makers and distributors of so-called offensive entertainment. Clinton is also in favor of empowering the federal government to spy on private communications through such tools as anti-encryption back doors on iPhones and other devices.
And then of course there is Hillary Clinton’s well-known view that federal authorities should be able to prevent her political opponents from distributing a documentary film that’s critical of her in the days before a federal election. That particular issue was litigated before the U.S. Supreme Court in a little case called Citizens United v. FEC. Among other things, Citizens United featured Clinton and her pro-censorship allies squaring off against the American Civil Liberties Union, which supported Citizens United and its First Amendment right to distribute a documentary film about a political candidate in the United States of America.
Now consider Donald Trump, who has effectively become the GOP nominee thanks to Ted Cruz dropping out of the race last night. Trump’s hostility to constitutionally limited government is well known (Trump has even cheered Franklin Roosevelt’s notorious internment of Japanese Americans). But Trump seems particularly antagonistic towards the First Amendment. For example, among other foul proposals, Trump has advocated the forced closing of mosques, a truly authoritarian measure that is plainly at odds with the First Amendment and its protections for religious liberty. Trump also wants the government to censor parts of the internet in order to eliminate speech that he thinks is dangerous (as does Hillary Clinton). What’s more, Trump favors gutting libel law so that it will be easier for him to sue—and thus silence—any critics who dare to write unkind things about him. Just like the biggest left-wing advocates of political correctness on campus, Trump wants to trash the First Amendment in order to create a “safe space” for himself.
Hillary Clinton and Donald Trump have a lot in common when it comes to free speech and the First Amendment, and none of it is good.
But hardly surprising, is it, given the big-money donations of Trump to Clinton, which he has never said were a mistake.
It is said that votes for president are a choice between the lesser of two evils. I am #NeverTrump and #NeverHillary. It is evil to participate in evil. As Charles Spurgeon wrote, “Of two evils, choose neither.”
I am absolutely going to vote in November. I am absolutely not voting for Trump or Hillary under any circumstances.
The Daily Caller reports on what happens to Hillary Clinton when she is confronted by her own words:
A teary-eyed West Virginia coal worker confronted Hillary Clinton at a campaign event on Monday over the Democratic presidential candidate’s promises to dismantle the coal industry.
Clinton offered a semi-apology to Bo Copley, a 39-year-old father who lost his job as a foreman in the struggling industry. But the former secretary of state also claimed that her anti-coal comments — which she made at a town hall event in March — were taken out of context.
“We’re going to put a lot of coal miners and coal companies out of business,” Clinton said at the town hall.
“I just want to know how you can say you’re going to put a lot of coal miners out of, out of jobs, and then come in here and tell us how you’re going to be our friend, because those people out there don’t see you as a friend,” Copley told Clinton, referring to dozens of protesters gathered outside of Monday’s round-table session who shouted at the candidate to “Go home!” as she arrived.
Clinton, like most other Democrats, hope to cut the use of coal as an energy source, claiming that it contributes to climate change. Regulations that she and other Democrats support — as well as subsidies provided to other energy businesses — have cut demand for coal and left the industry in shambles.
“I don’t know how to explain it other than what I said was totally out of context from what I meant, because I’ve been talking about helping coal country for a very long time,” Clinton told Copley.
“And it was a misstatement, because what I was saying is that the way things are going now, we will continue to lose jobs.”
More than 11,000 coal workers have lost their jobs in the past year.
“I didn’t mean that we were going to do it, what I said was, that is going to happen unless we take action to try to and help and prevent it,” said Clinton, who has offered proposals she says will help displaced coal industry workers.
Clinton’s confrontation with Copley comes a day after former President Bill Clinton was heckled at a campaign event in the coal mining town of Logan. Protesters disrupted that event, and earlier in the week, the town’s mayor informed the campaign that it was not welcome because of the former first couple’s opposition to coal.
“I do feel a little bit sad and sorry that I gave folks the reason or the excuse to be so upset with me, because that is not what I intended at all,” Clinton said Monday.
She also said that as soon as she realized her comments were coming under fire, she called West Virginia Sen. Joe Manchin.
“I said Joe, ‘I’m so upset about this,’ and I wrote him a letter, and told him that I was very sorry that that was occurring because he knows, and he has known me a long time as he said, he knows that that’s not at all what I was saying or what I meant.”
While Clinton pledged to provide assistance to the region, she did hedge her bets.
“I’m not going to overpromise, I’m not going to say, ‘oh, it will all be perfect,’” she told Copley.
The displaced coal worker also had a pointed exchange with Manchin in which he told the senator that supporting Clinton hurts him politically.
“If I can be candid, I think still supporting her hurts you. It does,” Copley said.
There’s an old quote somewhere that says if you can fake sincerity, you’ve got it made. Hillary has it made.
The number one single today in 1956 was this artist’s first, but certainly not last:
The number one single today in 1962:
I’m unaware of whether the soundtrack of “West Side Story” got any radio airplay, but since I played it in both the La Follette and UW marching bands, I note that today in 1962 the soundtrack hit number one and stayed there for 54 weeks:
As this dystopian election campaign has unfolded, my mind keeps being tugged by a passage in Plato’s Republic. It has unsettled — even surprised — me from the moment I first read it in graduate school. The passage is from the part of the dialogue where Socrates and his friends are talking about the nature of different political systems, how they change over time, and how one can slowly evolve into another. And Socrates seemed pretty clear on one sobering point: that “tyranny is probably established out of no other regime than democracy.” What did Plato mean by that? Democracy, for him, I discovered, was a political system of maximal freedom and equality, where every lifestyle is allowed and public offices are filled by a lottery. And the longer a democracy lasted, Plato argued, the more democratic it would become. Its freedoms would multiply; its equality spread. Deference to any sort of authority would wither; tolerance of any kind of inequality would come under intense threat; and multiculturalism and sexual freedom would create a city or a country like “a many-colored cloak decorated in all hues.”
This rainbow-flag polity, Plato argues, is, for many people, the fairest of regimes. The freedom in that democracy has to be experienced to be believed — with shame and privilege in particular emerging over time as anathema. But it is inherently unstable. As the authority of elites fades, as Establishment values cede to popular ones, views and identities can become so magnificently diverse as to be mutually uncomprehending. And when all the barriers to equality, formal and informal, have been removed; when everyone is equal; when elites are despised and full license is established to do “whatever one wants,” you arrive at what might be called late-stage democracy. There is no kowtowing to authority here, let alone to political experience or expertise.
The very rich come under attack, as inequality becomes increasingly intolerable. Patriarchy is also dismantled: “We almost forgot to mention the extent of the law of equality and of freedom in the relations of women with men and men with women.” Family hierarchies are inverted: “A father habituates himself to be like his child and fear his sons, and a son habituates himself to be like his father and to have no shame before or fear of his parents.” In classrooms, “as the teacher … is frightened of the pupils and fawns on them, so the students make light of their teachers.” Animals are regarded as equal to humans; the rich mingle freely with the poor in the streets and try to blend in. The foreigner is equal to the citizen.
And it is when a democracy has ripened as fully as this, Plato argues, that a would-be tyrant will often seize his moment.
He is usually of the elite but has a nature in tune with the time — given over to random pleasures and whims, feasting on plenty of food and sex, and reveling in the nonjudgment that is democracy’s civil religion. He makes his move by “taking over a particularly obedient mob” and attacking his wealthy peers as corrupt. If not stopped quickly, his appetite for attacking the rich on behalf of the people swells further. He is a traitor to his class — and soon, his elite enemies, shorn of popular legitimacy, find a way to appease him or are forced to flee. Eventually, he stands alone, promising to cut through the paralysis of democratic incoherence. It’s as if he were offering the addled, distracted, and self-indulgent citizens a kind of relief from democracy’s endless choices and insecurities. He rides a backlash to excess—“too much freedom seems to change into nothing but too much slavery” — and offers himself as the personified answer to the internal conflicts of the democratic mess. He pledges, above all, to take on the increasingly despised elites. And as the people thrill to him as a kind of solution, a democracy willingly, even impetuously, repeals itself.
And so, as I chitchatted over cocktails at a Washington office Christmas party in December, and saw, looming above our heads, the pulsating, angry televised face of Donald Trump on Fox News, I couldn’t help but feel a little nausea permeate my stomach. And as I watched frenzied Trump rallies on C-SPAN in the spring, and saw him lay waste to far more qualified political peers in the debates by simply calling them names, the nausea turned to dread. And when he seemed to condone physical violence as a response to political disagreement, alarm bells started to ring in my head. Plato had planted a gnawing worry in my mind a few decades ago about the intrinsic danger of late-democratic life. It was increasingly hard not to see in Plato’s vision a murky reflection of our own hyperdemocratic times and in Trump a demagogic, tyrannical character plucked directly out of one of the first books about politics ever written.
Could it be that the Donald has emerged from the populist circuses of pro wrestling and New York City tabloids, via reality television and Twitter, to prove not just Plato but also James Madison right, that democracies “have ever been spectacles of turbulence and contention … and have in general been as short in their lives as they have been violent in their deaths”? Is he testing democracy’s singular weakness — its susceptibility to the demagogue — by blasting through the firewalls we once had in place to prevent such a person from seizing power? Or am I overreacting?
Perhaps. The nausea comes and goes, and there have been days when the news algorithm has actually reassured me that “peak Trump” has arrived. But it hasn’t gone away, and neither has Trump. In the wake of his most recent primary triumphs, at a time when he is perilously close to winning enough delegates to grab the Republican nomination outright, I think we must confront this dread and be clear about what this election has already revealed about the fragility of our way of life and the threat late-stage democracy is beginning to pose to itself.
Plato, of course, was not clairvoyant. His analysis of how democracy can turn into tyranny is a complex one more keyed toward ancient societies than our own (and contains more wrinkles and eddies than I can summarize here). His disdain for democratic life was fueled in no small part by the fact that a democracy had executed his mentor, Socrates. And he would, I think, have been astonished at how American democracy has been able to thrive with unprecedented stability over the last couple of centuries even as it has brought more and more people into its embrace. It remains, in my view, a miracle of constitutional craftsmanship and cultural resilience. There is no place I would rather live. But it is not immortal, nor should we assume it is immune to the forces that have endangered democracy so many times in human history.
Part of American democracy’s stability is owed to the fact that the Founding Fathers had read their Plato. To guard our democracy from the tyranny of the majority and the passions of the mob, they constructed large, hefty barriers between the popular will and the exercise of power. Voting rights were tightly circumscribed. The president and vice-president were not to be popularly elected but selected by an Electoral College, whose representatives were selected by the various states, often through state legislatures. The Senate’s structure (with two members from every state) was designed to temper the power of the more populous states, and its term of office (six years, compared with two for the House) was designed to cool and restrain temporary populist passions. The Supreme Court, picked by the president and confirmed by the Senate, was the final bulwark against any democratic furies that might percolate up from the House and threaten the Constitution. This separation of powers was designed precisely to create sturdy firewalls against democratic wildfires.
Over the centuries, however, many of these undemocratic rules have been weakened or abolished. The franchise has been extended far beyond propertied white men. The presidency is now effectively elected through popular vote, with the Electoral College almost always reflecting the national democratic will. And these formal democratic advances were accompanied by informal ones, as the culture of democracy slowly took deeper root. For a very long time, only the elites of the political parties came to select their candidates at their quadrennial conventions, with the vote largely restricted to party officials from the various states (and often decided in, yes, smoke-filled rooms in large hotel suites). Beginning in the early 1900s, however, the parties began experimenting with primaries, and after the chaos of the 1968 Democratic convention, today’s far more democratic system became the norm.
Direct democracy didn’t just elect Congress and the president anymore; it expanded the notion of who might be qualified for public office. Once, candidates built a career through experience in elected or Cabinet positions or as military commanders; they were effectively selected by peer review. That elitist sorting mechanism has slowly imploded. In 1940, Wendell Willkie, a businessman with no previous political office, won the Republican nomination for president, pledging to keep America out of war and boasting that his personal wealth inoculated him against corruption: “I will be under obligation to nobody except the people.” He lost badly to Franklin D. Roosevelt, but nonetheless, since then, nonpolitical candidates have proliferated, from Ross Perot and Jesse Jackson, to Steve Forbes and Herman Cain, to this year’s crop of Ben Carson, Carly Fiorina, and, of course, Donald J. Trump. This further widening of our democracy — our increased openness to being led by anyone; indeed, our accelerating preference for outsiders — is now almost complete. …
Many contend, of course, that American democracy is actually in retreat, close to being destroyed by the vastly more unequal economy of the last quarter-century and the ability of the very rich to purchase political influence. This is Bernie Sanders’s core critique. But the past few presidential elections have demonstrated that, in fact, money from the ultrarich has been mostly a dud. Barack Obama, whose 2008 campaign was propelled by small donors and empowered by the internet, blazed the trail of the modern-day insurrectionist, defeating the prohibitive favorite in the Democratic primary and later his Republican opponent (both pillars of their parties’ Establishments and backed by moneyed elites). In 2012, the fund-raising power behind Mitt Romney — avatar of the one percent — failed to dislodge Obama from office. And in this presidential cycle, the breakout candidates of both parties have soared without financial support from the elites. Sanders, who is sustaining his campaign all the way to California on the backs of small donors and large crowds, is, to put it bluntly, a walking refutation of his own argument. Trump, of course, is a largely self-funding billionaire — but like Willkie, he argues that his wealth uniquely enables him to resist the influence of the rich and their lobbyists. Those despairing over the influence of Big Money in American politics must also explain the swift, humiliating demise of Jeb Bush and the struggling Establishment campaign of Hillary Clinton. The evidence suggests that direct democracy, far from being throttled, is actually intensifying its grip on American politics. …
What the 21st century added to this picture, it’s now blindingly obvious, was media democracy — in a truly revolutionary form. If late-stage political democracy has taken two centuries to ripen, the media equivalent took around two decades, swiftly erasing almost any elite moderation or control of our democratic discourse. The process had its origins in partisan talk radio at the end of the past century. The rise of the internet — an event so swift and pervasive its political effect is only now beginning to be understood — further democratized every source of information, dramatically expanded each outlet’s readership, and gave everyone a platform. All the old barriers to entry — the cost of print and paper and distribution — crumbled.
So much of this was welcome. I relished it myself in the early aughts, starting a blog and soon reaching as many readers, if not more, as some small magazines do. Fusty old-media institutions, grown fat and lazy, deserved a drubbing. The early independent blogosphere corrected facts, exposed bias, earned scoops. And as the medium matured, and as Facebook and Twitter took hold, everyone became a kind of blogger. In ways no 20th-century journalist would have believed, we all now have our own virtual newspapers on our Facebook newsfeeds and Twitter timelines — picking stories from countless sources and creating a peer-to-peer media almost completely free of editing or interference by elites. This was bound to make politics more fluid. Political organizing — calling a meeting, fomenting a rally to advance a cause — used to be extremely laborious. Now you could bring together a virtual mass movement with a single webpage. It would take you a few seconds.
The web was also uniquely capable of absorbing other forms of media, conflating genres and categories in ways never seen before. The distinction between politics and entertainment became fuzzier; election coverage became even more modeled on sportscasting; your Pornhub jostled right next to your mother’s Facebook page. The web’s algorithms all but removed any editorial judgment, and the effect soon had cable news abandoning even the pretense of asking “Is this relevant?” or “Do we really need to cover this live?” in the rush toward ratings bonanzas. In the end, all these categories were reduced to one thing: traffic, measured far more accurately than any other medium had ever done before.
And what mainly fuels this is precisely what the Founders feared about democratic culture: feeling, emotion, and narcissism, rather than reason, empiricism, and public-spiritedness. Online debates become personal, emotional, and irresolvable almost as soon as they begin. Godwin’s Law — it’s only a matter of time before a comments section brings up Hitler — is a reflection of the collapse of the reasoned deliberation the Founders saw as indispensable to a functioning republic.
Yes, occasional rational points still fly back and forth, but there are dramatically fewer elite arbiters to establish which of those points is actually true or valid or relevant. We have lost authoritative sources for even a common set of facts. And without such common empirical ground, the emotional component of politics becomes inflamed and reason retreats even further. The more emotive the candidate, the more supporters he or she will get. …
Trump, we now know, had been considering running for president for decades. Those who didn’t see him coming — or kept treating him as a joke — had not yet absorbed the precedents of Obama and Palin or the power of the new wide-open system to change the rules of the political game. Trump was as underrated for all of 2015 as Obama was in 2007 — and for the same reasons. He intuitively grasped the vanishing authority of American political and media elites, and he had long fashioned a public persona perfectly attuned to blast past them.
Despite his immense wealth and inherited privilege, Trump had always cultivated a common touch. He did not hide his wealth in the late-20th century — he flaunted it in a way that connected with the masses. He lived the rich man’s life most working men dreamed of — endless glamour and women, for example — without sacrificing a way of talking about the world that would not be out of place on the construction sites he regularly toured. His was a cult of democratic aspiration. His 1987 book, The Art of the Deal, promised its readers a path to instant success; his appearances on “The Howard Stern Show” cemented his appeal. His friendship with Vince McMahon offered him an early entrée into the world of professional wrestling, with its fusion of sports and fantasy. He was a macho media superstar.
One of the more amazing episodes in Sarah Palin’s early political life, in fact, bears this out. She popped up in the Anchorage Daily News as “a commercial fisherman from Wasilla” on April 3, 1996. Palin had told her husband she was going to Costco but had sneaked into J.C. Penney in Anchorage to see … one Ivana Trump, who, in the wake of her divorce, was touting her branded perfume. “We want to see Ivana,” Palin told the paper, “because we are so desperate in Alaska for any semblance of glamour and culture.”
Trump assiduously cultivated this image and took to reality television as a natural. Each week, for 14 seasons of The Apprentice, he would look someone in the eye and tell them, “You’re fired!” The conversation most humane bosses fear to have with an employee was something Trump clearly relished, and the cruelty became entertainment. In retrospect, it is clear he was training — both himself and his viewers. If you want to understand why a figure so widely disliked nonetheless powers toward the election as if he were approaching a reality-TV-show finale, look no further. His television tactics, as applied to presidential debates, wiped out rivals used to a different game. And all our reality-TV training has conditioned us to hope he’ll win — or at least stay in the game till the final round. In such a shame-free media environment, the assholes often win. In the end, you support them because they’re assholes.
In Eric Hoffer’s classic 1951 tract, The True Believer, he sketches the dynamics of a genuine mass movement. He was thinking of the upheavals in Europe in the first half of the century, but the book remains sobering, especially now. Hoffer’s core insight was to locate the source of all truly mass movements in a collective sense of acute frustration. Not despair, or revolt, or resignation — but frustration simmering with rage. Mass movements, he notes (as did Tocqueville centuries before him), rarely arise when oppression or misery is at its worst (say, 2009); they tend to appear when the worst is behind us but the future seems not so much better (say, 2016). It is when a recovery finally gathers speed and some improvement is tangible but not yet widespread that the anger begins to rise. After the suffering of recession or unemployment, and despite hard work with stagnant or dwindling pay, the future stretches ahead with relief just out of reach. When those who helped create the last recession face no consequences but renewed fabulous wealth, the anger reaches a crescendo.
The deeper, long-term reasons for today’s rage are not hard to find, although many of us elites have shamefully found ourselves able to ignore them. The jobs available to the working class no longer contain the kind of craftsmanship or satisfaction or meaning that can take the sting out of their low and stagnant wages. The once-familiar avenues for socialization — the church, the union hall, the VFW — have become less vibrant and social isolation more common. Global economic forces have pummeled blue-collar workers more relentlessly than almost any other segment of society, forcing them to compete against hundreds of millions of equally skilled workers throughout the planet. No one asked them in the 1990s if this was the future they wanted. And the impact has been more brutal than many economists predicted. No wonder suicide and mortality rates among the white working poor are spiking dramatically.
“It is usually those whose poverty is relatively recent, the ‘new poor,’ who throb with the ferment of frustration,” Hoffer argues. Fundamentalist religion long provided some emotional support for those left behind (for one thing, it invites practitioners to defy the elites as unholy), but its influence has waned as modernity has penetrated almost everything and the great culture wars of the 1990s and 2000s have ended in a rout. The result has been a more diverse mainstream culture — but also, simultaneously, a subculture that is even more alienated and despised, and ever more infuriated and bloody-minded.
This is an age in which a woman might succeed a black man as president, but also one in which a member of the white working class has declining options to make a decent living. This is a time when gay people can be married in 50 states, even as working-class families are hanging by a thread. It’s a period in which we have become far more aware of the historic injustices that still haunt African-Americans and yet we treat the desperate plight of today’s white working class as an afterthought. And so late-stage capitalism is creating a righteous, revolutionary anger that late-stage democracy has precious little ability to moderate or constrain — and has actually helped exacerbate.
For the white working class, having had their morals roundly mocked, their religion deemed primitive, and their economic prospects decimated, now find their very gender and race, indeed the very way they talk about reality, described as a kind of problem for the nation to overcome. This is just one aspect of what Trump has masterfully signaled as “political correctness” run amok, or what might be better described as the newly rigid progressive passion for racial and sexual equality of outcome, rather than the liberal aspiration to mere equality of opportunity.
Much of the newly energized left has come to see the white working class not as allies but primarily as bigots, misogynists, racists, and homophobes, thereby condemning those often at the near-bottom rung of the economy to the bottom rung of the culture as well. A struggling white man in the heartland is now told to “check his privilege” by students at Ivy League colleges. Even if you agree that the privilege exists, it’s hard not to empathize with the object of this disdain. These working-class communities, already alienated, hear — how can they not? — the glib and easy dismissals of “white straight men” as the ultimate source of all our woes. They smell the condescension and the broad generalizations about them — all of which would be repellent if directed at racial minorities — and see themselves, in Hoffer’s words, “disinherited and injured by an unjust order of things.”
And so they wait, and they steam, and they lash out. This was part of the emotional force of the tea party: not just the advancement of racial minorities, gays, and women but the simultaneous demonization of the white working-class world, its culture and way of life. Obama never intended this, but he became a symbol to many of this cultural marginalization. The Black Lives Matter left stoked the fires still further; so did the gay left, for whom the word magnanimity seems unknown, even in the wake of stunning successes. And as the tea party swept through Washington in 2010, as its representatives repeatedly held the government budget hostage, threatened the very credit of the U.S., and refused to hold hearings on a Supreme Court nominee, the American political and media Establishment mostly chose to interpret such behavior as something other than unprecedented. But Trump saw what others didn’t, just as Hoffer noted: “The frustrated individual and the true believer make better prognosticators than those who have reason to want the preservation of the status quo.”
Mass movements, Hoffer argues, are distinguished by a “facility for make-believe … credulity, a readiness to attempt the impossible.” What, one wonders, could be more impossible than suddenly vetting every single visitor to the U.S. for traces of Islamic belief? What could be more make-believe than a big, beautiful wall stretching across the entire Mexican border, paid for by the Mexican government? What could be more credulous than arguing that we could pay off our national debt through a global trade war? In a conventional political party, and in a rational political discourse, such ideas would be laughed out of contention, their self-evident impossibility disqualifying them from serious consideration. In the emotional fervor of a democratic mass movement, however, these impossibilities become icons of hope, symbols of a new way of conducting politics. Their very impossibility is their appeal.
But the most powerful engine for such a movement — the thing that gets it off the ground, shapes and solidifies and entrenches it — is always the evocation of hatred. It is, as Hoffer put it, “the most accessible and comprehensive of all unifying elements.” And so Trump launched his campaign by calling undocumented Mexican immigrants a population largely of rapists and murderers. He moved on to Muslims, both at home and abroad. He has now added to these enemies — with sly brilliance — the Republican Establishment itself. And what makes Trump uniquely dangerous in the history of American politics — with far broader national appeal than, say, Huey Long or George Wallace — is his response to all three enemies. It’s the threat of blunt coercion and dominance.
And so after demonizing most undocumented Mexican immigrants, he then vowed to round up and deport all 11 million of them by force. “They have to go” was the typically blunt phrase he used — and somehow people didn’t immediately recognize the monstrous historical echoes. The sheer scale of the police and military operation that this policy would entail boggles the mind. Worse, he emphasized, after the mass murder in San Bernardino, that even the Muslim-Americans you know intimately may turn around and massacre you at any juncture. “There’s something going on,” he declaimed ominously, giving legitimacy to the most hysterical and ugly of human impulses.
To call this fascism doesn’t do justice to fascism. Fascism had, in some measure, an ideology and occasional coherence that Trump utterly lacks. But his movement is clearly fascistic in its demonization of foreigners, its hyping of a threat by a domestic minority (Muslims and Mexicans are the new Jews), its focus on a single supreme leader of what can only be called a cult, and its deep belief in violence and coercion in a democracy that has heretofore relied on debate and persuasion. This is the Weimar aspect of our current moment. Just as the English Civil War ended with a dictatorship under Oliver Cromwell, and the French Revolution gave us Napoleon Bonaparte, and the unstable chaos of Russian democracy yielded to Vladimir Putin, and the most recent burst of Egyptian democracy set the conditions for General el-Sisi’s coup, so our paralyzed, emotional hyperdemocracy leads the stumbling, frustrated, angry voter toward the chimerical panacea of Trump.
His response to his third vaunted enemy, the RNC, is also laced with the threat of violence. There will be riots in Cleveland if he doesn’t get his way. The RNC will have “a rough time” if it doesn’t cooperate. “Paul Ryan, I don’t know him well, but I’m sure I’m going to get along great with him,” Trump has said. “And if I don’t? He’s gonna have to pay a big price, okay?” The past month has seen delegates to the Cleveland convention receiving death threats; one of Trump’s hatchet men, Roger Stone, has already threatened to publish the hotel rooms of delegates who refuse to vote for Trump.
And what’s notable about Trump’s supporters is precisely what one would expect from members of a mass movement: their intense loyalty. Trump is their man, however inarticulate they are when explaining why. He’s tough, he’s real, and they’ve got his back, especially when he is attacked by all the people they have come to despise: liberal Democrats and traditional Republicans. At rallies, whenever a protester is hauled out, you can almost sense the rising rage of the collective identity venting itself against a lone dissenter and finding a catharsis of sorts in the brute force a mob can inflict on an individual. Trump tells the crowd he’d like to punch a protester in the face or have him carried out on a stretcher. No modern politician who has come this close to the presidency has championed violence in this way. It would be disqualifying if our hyperdemocracy hadn’t already abolished disqualifications.
And while a critical element of 20th-century fascism — its organized street violence — is missing, you can begin to see it in embryonic form. The phalanx of bodyguards around Trump grows daily; plainclothes bouncers in the crowds have emerged as pseudo-cops to contain the incipient unrest his candidacy will only continue to provoke; supporters have attacked hecklers with sometimes stunning ferocity. Every time Trump legitimizes potential violence by his supporters by saying it comes from a love of country, he sows the seeds for serious civil unrest.
Trump celebrates torture — the one true love of tyrants everywhere — not because it allegedly produces intelligence but because it has a demonstration effect. At his rallies he has recounted the mythical acts of one General John J. Pershing when confronted with an alleged outbreak of Islamist terrorism in the Philippines. Pershing, in Trump’s telling, lines up 50 Muslim prisoners, swishes a series of bullets in the corpses of freshly slaughtered pigs, and orders his men to put those bullets in their rifles and kill 49 of the captured Muslim men. He spares one captive solely so he can go back and tell his friends. End of the terrorism problem.
In some ways, this story contains all the elements of Trump’s core appeal. The vexing problem of tackling jihadist terror? Torture and murder enough terrorists and they will simply go away. The complicated issue of undocumented workers, drawn by jobs many Americans won’t take? Deport every single one of them and build a wall to stop the rest. Fuck political correctness. As one of his supporters told an obtuse reporter at a rally when asked if he supported Trump: “Hell yeah! He’s no-bullshit. All balls. Fuck you all balls. That’s what I’m about.” And therein lies the appeal of tyrants from the beginning of time. Fuck you all balls. Irrationality with muscle.
The racial aspect of this is also unmissable. When the enemy within is Mexican or Muslim, and your ranks are extremely white, you set up a rubric for a racial conflict. And what’s truly terrifying about Trump is that he does not seem to shrink from such a prospect; he relishes it.
For, like all tyrants, he is utterly lacking in self-control. Sleeping a handful of hours a night, impulsively tweeting in the early hours, improvising madly on subjects he knows nothing about, Trump rants and raves as he surfs an entirely reactive media landscape. Once again, Plato had his temperament down: A tyrant is a man “not having control of himself [who] attempts to rule others”; a man flooded with fear and love and passion, while having little or no ability to restrain or moderate them; a “real slave to the greatest fawning,” a man who “throughout his entire life … is full of fear, overflowing with convulsions and pains.” Sound familiar? Trump is as mercurial and as unpredictable and as emotional as the daily Twitter stream. And we are contemplating giving him access to the nuclear codes.
Those who believe that Trump’s ugly, thuggish populism has no chance of ever making it to the White House seem to me to be missing this dynamic. Neo-fascist movements do not advance gradually by persuasion; they first transform the terms of the debate, create a new movement based on untrammeled emotion, take over existing institutions, and then ruthlessly exploit events. And so current poll numbers are only reassuring if you ignore the potential impact of sudden, external events — an economic downturn or a terror attack in a major city in the months before November. I have no doubt, for example, that Trump is sincere in his desire to “cut the head off” ISIS, whatever that can possibly mean. But it remains a fact that the interests of ISIS and the Trump campaign are now perfectly aligned. Fear is always the would-be tyrant’s greatest ally.
And though Trump’s unfavorables are extraordinarily high (around 65 percent), he is already showing signs of changing his tune, pivoting (fitfully) to the more presidential mode he envisages deploying in the general election. I suspect this will, to some fools on the fence, come as a kind of relief, and may open their minds to him once more. Tyrants, like mob bosses, know the value of a smile: Precisely because of the fear he’s already generated, you desperately want to believe in his new warmth. It’s part of the good-cop-bad-cop routine that will be familiar to anyone who has studied the presidency of Vladimir Putin.
With his appeal to his own base locked up, Trump may well also shift to more moderate stances on social issues like abortion (he already wants to amend the GOP platform to a less draconian position) or gay and even transgender rights. He is consistent in his inconsistency, because, for him, winning is what counts. He has had a real case against Ted Cruz — that the senator has no base outside ideological-conservative quarters and is even less likely to win a general election. More potently, Trump has a worryingly strong argument against Clinton herself — or “crooked Hillary,” as he now dubs her.
His proposition is a simple one. Remember James Carville’s core question in the 1992 election: Change versus more of the same? That sentiment once elected Clinton’s husband; it could also elect her opponent this fall. If you like America as it is, vote Clinton. After all, she has been a member of the American political elite for a quarter-century. Clinton, moreover, has shown no ability to inspire or rally anyone but her longtime loyalists. She is lost in the new media and has struggled to put away a 74-year-old socialist who is barely a member of her party. Her own unfavorables are only 11 points lower than Trump’s (far higher than Obama’s, John Kerry’s, or Al Gore’s were at this point in the race), and the more she campaigns, the higher her unfavorables go (including in her own party). She has a Gore problem. The idea of welcoming her into your living room for the next four years can seem, at times, positively masochistic. …
In his 1935 novel, It Can’t Happen Here, Sinclair Lewis wrote a counterfactual about what would happen if fascism as it was then spreading across Europe were to triumph in America. It’s not a good novel, but it remains a resonant one. The imagined American fascist leader — a senator called Buzz Windrip — is a “Professional Common Man … But he was the Common Man twenty-times-magnified by his oratory, so that while the other Commoners could understand his every purpose, which was exactly the same as their own, they saw him towering among them, and they raised hands to him in worship.”
He “was vulgar, almost illiterate, a public liar easily detected, and in his ‘ideas’ almost idiotic.” “ ‘I know the Press only too well,’ ” Windrip opines at one point. “ ‘Almost all editors hide away in spider-dens, men without thought of Family or Public Interest … plotting how they can put over their lies, and advance their own positions and fill their greedy pocketbooks.’ ”
He is obsessed with the balance of trade and promises instant economic success: “ ‘I shall not be content till this country can produce every single thing we need … We shall have such a balance of trade as will go far to carry out my often-criticized yet completely sound idea of from $3000 to $5000 per year for every single family.’ ” However fantastical and empty his promises, he nonetheless mesmerizes the party faithful at the nominating convention (held in Cleveland!): “Something in the intensity with which Windrip looked at his audience, looked at all of them, his glance slowly taking them in from the highest-perched seat to the nearest, convinced them that he was talking to each individual, directly and solely; that he wanted to take each of them into his heart; that he was telling them the truths, the imperious and dangerous facts, that had been hidden from them.”
And all the elites who stood in his way? Crippled by their own failures, demoralized by their crumbling stature, they first mock and then cave. As one lone journalist laments before the election (he finds himself in a concentration camp afterward): “I’ve got to keep remembering … that Windrip is only the lightest cork on the whirlpool. He didn’t plot all this thing. With all the justified discontent there is against the smart politicians and the Plush Horses of Plutocracy — oh, if it hadn’t been one Windrip, it’d been another … We had it coming, we Respectables.” …
The political Establishment may be battered and demoralized, deferential to the algorithms of the web and to the monosyllables of a gifted demagogue, but this is not the time to give up on America’s near-unique and stabilizing blend of democracy and elite responsibility. The country has endured far harsher times than the present without succumbing to rank demagoguery; it avoided the fascism that destroyed Europe; it has channeled extraordinary outpourings of democratic energy into constitutional order. It seems shocking to argue that we need elites in this democratic age — especially with vast inequalities of wealth and elite failures all around us. But we need them precisely to protect this precious democracy from its own destabilizing excesses.
And so those Democrats who are gleefully predicting a Clinton landslide in November need to both check their complacency and understand that the Trump question really isn’t a cause for partisan Schadenfreude anymore. It’s much more dangerous than that. Those still backing the demagogue of the left, Bernie Sanders, might want to reflect that their critique of Clinton’s experience and expertise — and their facile conflation of that with corruption — is only playing into Trump’s hands. That it will fall to Clinton to temper her party’s ambitions will be uncomfortable to watch, since her willingness to compromise and equivocate is precisely what many Americans find so distrustful. And yet she may soon be all we have left to counter the threat. She needs to grasp the lethality of her foe, moderate the kind of identity politics that unwittingly empowers him, make an unapologetic case that experience and moderation are not vices, address much more directly the anxieties of the white working class—and Democrats must listen.
More to the point, those Republicans desperately trying to use the long-standing rules of their own nominating process to thwart this monster deserve our passionate support, not our disdain. This is not the moment to remind them that they partly brought this on themselves. This is a moment to offer solidarity, especially as the odds are increasingly stacked against them. Ted Cruz and John Kasich face their decisive battle in Indiana on May 3. But they need to fight on, with any tactic at hand, all the way to the bitter end. The Republican delegates who are trying to protect their party from the whims of an outsider demagogue are, at this moment, doing what they ought to be doing to prevent civil and racial unrest, an international conflict, and a constitutional crisis. These GOP elites have every right to deploy whatever rules or procedural roadblocks they can muster, and they should refuse to be intimidated.
And if they fail in Indiana or Cleveland, as they likely will, they need, quite simply, to disown their party’s candidate. They should resist any temptation to loyally back the nominee or to sit this election out. They must take the fight to Trump at every opportunity, unite with Democrats and Independents against him, and be prepared to sacrifice one election in order to save their party and their country.
For Trump is not just a wacky politician of the far right, or a riveting television spectacle, or a Twitter phenom and bizarre working-class hero. He is not just another candidate to be parsed and analyzed by TV pundits in the same breath as all the others. In terms of our liberal democracy and constitutional order, Trump is an extinction-level event. It’s long past time we started treating him as such.