Today is the 64th anniversary of what I used to consider the greatest radio station on the planet in its best format:
Today is the 64th anniversary of what I used to consider the greatest radio station on the planet in its best format:
First: Today is, or was …
The number one album today in 1965 received no radio airplay on any pop radio station:
The number one British single today in 1968 was based on, but didn’t directly come from, a movie made in Italy with an American star:
Today in 1938, CBS (radio, obviously, because there was no TV yet) broadcasted The Mercury Theater on the Air production of “The War of the Worlds,” from H.G. Wells’ novel.
Some number of listeners who missed the opening (such as those listening to the NBC Red Network’s “Chase and Sanborn” show with ventriloquist Edgar Bergen who changed the channel when Nelson Eddy started signing) thought the simulated news bulletins were actual news bulletins about the Martian invasion, or an invasion by Nazi Germany. Half an hour into the broadcast, the CBS switchboard lit up, and police arrived at the studios. As he had planned, Welles concluded the broadcast by calling it the equivalent “of dressing up in a sheet, jumping out of a bush and saying, ‘Boo!’”
Then, the actors and producer John Houseman (before he became a law school professor and pitchman for Smith Barney) were locked into a storeroom while CBS executives grabbed every copy of the script. And then the reporters showed up.

At WGAR radio in Cleveland, host Jack Paar (yes, that Jack Paar) reassured callers that Martians were not actually invading. Paar was immediately accused of covering up the news.
The number one single today in 1971:
A low, low moment in rock history: Today in 1978, NBC-TV broadcast “Kiss Meets the Phantom of the Park”:
(The entire movie, believe it or don’t, can be viewed on YouTube.)
Today in 1926, Radio Corporation of America — then owned by General Electric Co., Westinghouse, AT&T and United Fruit Co. (now known as Chiquita Brands International) — created the National Broadcasting Co. …
… which later returned to RCA’s parent, General Electric Co. (from whose name came the famous NBC chimes), and now is part of what used to be Universal Studios …
… and is part of Comcast cable TV …
In a possibly strange way, that makes every Universal-owned show on NBC “pure NBCUniversal,” or something.
Today is the 64th anniversary of what I used to consider the greatest radio station on the planet in its best format:
First: Today is, or was …
The number one album today in 1965 received no radio airplay on any pop radio station:
The number one British single today in 1968 was based on, but didn’t directly come from, a movie made in Italy with an American star:
Today in 1938, CBS (radio, obviously, because there was no TV yet) broadcasted The Mercury Theater on the Air production of “The War of the Worlds,” from H.G. Wells’ novel.
Some number of listeners who missed the opening (such as those listening to the NBC Red Network’s “Chase and Sanborn” show with ventriloquist Edgar Bergen who changed the channel when Nelson Eddy started signing) thought the simulated news bulletins were actual news bulletins about the Martian invasion, or an invasion by Nazi Germany. Half an hour into the broadcast, the CBS switchboard lit up, and police arrived at the studios. As he had planned, Welles concluded the broadcast by calling it the equivalent “of dressing up in a sheet, jumping out of a bush and saying, ‘Boo!’”
Then, the actors and producer John Houseman (before he became a law school professor and pitchman for Smith Barney) were locked into a storeroom while CBS executives grabbed every copy of the script. And then the reporters showed up.

At WGAR radio in Cleveland, host Jack Paar (yes, that Jack Paar) reassured callers that Martians were not actually invading. Paar was immediately accused of covering up the news.
The number one single today in 1971:
A low, low moment in rock history: Today in 1978, NBC-TV broadcast “Kiss Meets the Phantom of the Park”:
(The entire movie, believe it or don’t, can be viewed on YouTube.)
Today in 1926, Radio Corporation of America — then owned by General Electric Co., Westinghouse, AT&T and United Fruit Co. (now known as Chiquita Brands International) — created the National Broadcasting Co. …
… which later returned to RCA’s parent, General Electric Co. (from whose name came the famous NBC chimes), and now is part of what used to be Universal Studios …
… and is part of Comcast cable TV …
In a possibly strange way, that makes every Universal-owned show on NBC “pure NBCUniversal,” or something.
In my 20 years of writing right-leaning columns at mainstream publications, I’ve made two arguments over and over. First, I’ve tried to convince my fellow journalists that liberal media bias is real. And second, I’ve tried to convince conservatives that, though it’s real, it’s not the conspiracy they imagine.
This is a hard moment to make that latter point. Frankly, if we had been colluding to cover up the decline of a Democratic president, who then undid all our efforts by going on national television and breaking the story himself … well, how much different would our coverage have looked? And if he hadn’t self-immolated at the debate, wouldn’t our readers still be in the dark?
That said, it really wasn’t a conspiracy. For one thing, mainstream outlets did report on the president’s age, even if too gently. Why were we so gentle? Well, there’s a broad journalistic norm against picking on physical characteristics (which is why even certified Donald Trump-hating columnists have made remarkably few cracks about his comb-over)
Obviously, it was a mistake to treat age, which affects job performance, like hairstyling, which doesn’t. But that error was bipartisan — over the years, I’ve heard a lot of people talking about Trump’s senior moments without ever putting those thoughts on the page.
If Trump had slipped as visibly and publicly as President Biden, it’s possible we would have covered that more aggressively. But there was a paradox — the reporters watching him most closely were seeing tiny, incremental changes, without necessarily being struck, as were people who infrequently tuned in, with the cumulative magnitude of the decline. Also, Biden’s White House was simply more skilled at deflecting journalists who did notice: masters of killing stories with kindness and punishing reporters who wrote things they didn’t like.I’m told that journalists who started asking about Biden’s age would suddenly be given access to normally unavailable senior staffers for denials, then deluged by allies insisting he was at the top of his game in private. It was genuinely hard to know how to balance those testimonials against reports of possibly isolated lapses.
“But the videos!” my conservative readers are sputtering, and fair enough — yet video clips can mislead unless you know the context. (Remember the Covington Catholic fiasco?) The White House made it hard to get that context; staff rarely leaked, and anyway, few people outside Biden’s inner circle saw him enough to form a complete picture of his condition. The inner circle, meanwhile, is dominated by people who have been with the president for years.
A few phenomenally dogged reporters persisted anyway. But they weren’t rewarded for it because there seemed to be no audience for coverage of Biden. Articles languished unread, and Biden books weren’t selling.
Not good enough, I can hear my conservative readers saying. Okay, the White House made it difficult to get the story — but if Trump were president, reporters would have been more skeptical of White House spin, more motivated to crack the wall of silence to meet audience demand. And all I can say to that is: Yeah, you’re right.
The media’s treatment of Biden wasn’t a conspiracy to protect a Democratic president, but it looks like one because that was its practical effect. None of our decisions were entirely driven by partisanship. But if we’re honest, many of them were unduly influenced by it.
Because there are 10 times as many Democrats as Republicans in mainstream newsrooms, journalists tended, with a few noble exceptions, to give a Democratic administration trust it didn’t deserve. The president’s invisibility was a giant red flag; they treated it as a restful break from having to monitor Trump’s ravings 24/7. As Biden’s decline grew more visible, people kept respectfully airing the administration’s insultingly implausible claims: that there was a secretly brilliant president flitting around the back corridors of the White House like Batman, while the videos of that same president acting befuddled on world stages were “cheap fakes.”
And when journalists did cover the issue, many outlets that had been pitilessly clear about Trump’s defects apparently couldn’t bring themselves to be quite so blunt about a president they liked — in part because that would make their friends mad, as well as the White House. A lot of articles about Biden’s age ended up so couched in ethereally vague language about “questions” and “concerns,” so defensively swaddled in equivocal context that the necessary SOS didn’t get through.
As a result, viewers of Fox News understood the president’s condition better than our audiences, which ought to be a huge wake-up call for us. We don’t have the exact problem conservatives imagine, but we do have a problem. And the only way to fix it is to add more viewpoint diversity to our newsrooms.
We should do this not for the benefit of conservative journalists, or politicians, but for the benefit of our readers. When our newsrooms lopsidedly support one party, our readers miss much of the story — in this case, nearly all of it. We need conservatives inside the building, helping us overcome our natural biases, instead of outside, complaining about them. We owe our readers, and our country, nothing less.
I’m not sure how much of this explanation I buy. I am also sure that, people in my line of work being as arrogant as they are, they will ignore this advice and then wonder why people don’t trust the news media anymore.
From NBCUniversal:
American Wire listed some Twitter reactions:
Let me guess: the main theme will be about how reporters aren’t Leftwing enough!
They could just as well have picked NYT or Wapo, and not a “dying Midwestern town.” It’s not the geographic region that’s relevant—it’s the fact that the entire corrupt industry is dying.
That’s the most depressing premise I’ve ever heard, mostly because it’s too true to life. The death of print journalism is funny, let’s watch them convulse?
so basically a true story of journalism in 2024?
If you can’t find enough programming to keep from re-making a re-make, then maybe you don’t need to exist as a streamer.
my immediate take (and not being in the writers room so what do I know!): there’s comedic gold in adhering more closely to reality rather than this “volunteer reporter” idea (like 3 local reporters making like 30k a year trying to do the work that 20 people used to do).
Evidently the last commenter has not heard of the Reader Inc. Editorial Training Center created by the late Thomson Newspapers chain. And in the wake of the Great Recession media outlets were seeking stories without offering pay. (For that matter well before that I was told I shouldn’t get paid for broadcasting games at one radio station, which ended my work at that radio station.)
The response does reflect reality:
I had one day where I covered an arson fire, a solid waste management meeting and a high school softball game. Then got yelled at by the publisher for claiming mileage.
I’m not sure who would find that funny besides people still working in the news media. Imagine the humor of getting hired at a job where you have no employee benefits other than mileage (which was reduced to $5 per week because, you guessed it, I was driving too much) and vacation (one week after one year). I also heard of a media outlet — I forgot if it was a weekly newspaper or small radio station — that would pay mileage to the event, but not back, on the logic that the employee would be going back to the office or home anyway.
The crazy part about this is you might think that publishers (who usually come from the sales side) would retire wealthy upon selling their newspapers. I can think of four publishers, two of whom I worked for, who sold out to bigger companies. All four didn’t live very long after retiring — from less than 20 years to one year. I don’t think any of the four got what most people other than their former employers got “rich” by selling out.
The economic model of small-town businesses, which includes weekly newspapers, has always involved smaller amounts of money than those unfamiliar with newspapers might believe. For decades two-thirds of newspaper revenues came from their advertisers, mostly retail. You can imagine what happened when the retail advertising base started to erode with changes in business. That, however, doesn’t mean subscribers have been willing to pick up the financial slack. And to this day few media outlets have been able to figure out how to handle the Internet and make money off it.
Another Facebook Friend (who is the wife of an actual friend of mine) is sure it won’t be funny because in the woke era nothing is funny. The irony may be that over my career I have gotten to know a lot of people, both in the media and those on the other end of notebooks and microphones, who would be funny to portray. But a lot of them, particularly those who get their paychecks from the media, would be too politically incorrect (not necessarily due to their politics but due to their personal quirks) to portray today.