• Presty the DJ for Aug. 4

    August 4, 2015
    Music

    Today in 1957, the Everly Brothers performed on CBS-TV’s Ed Sullivan Shew …

    … performing a song about a couple who falls asleep on a date, making others assume that they spent the night together when they didn’t. The song was banned in some markets.

    Today in 1958, Billboard magazine combined its five charts measuring record sales, jukebox plays and radio airplay to the Hot 100. And the first Hot 100 number one was …

    Today in 1967, a 16-year-old girl stowed away on the Monkees’ flight from Minneapolis to St. Louis. The girl’s father accused the Monkees of transporting a minor across state lines, presumably for immoral purposes.

    Today in 1970, Beach Boy Dennis Wilson married his second wife.

    Possibly connected: Jim Morrison of the Doors was arrested for public drunkenness after being found passed out on the front steps of a house.

    (more…)

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  • F for federal, and failure

    August 3, 2015
    US politics

    Chris Edwards of the Cato Institute:

    Most Americans think that the federal government is incompetent and wasteful. Their negative view is not surprising given the steady stream of scandals emanating from Washington. Scholarly studies support the idea that many federal activities are misguided and harmful. A recent book on federal performance by Yale University law professor Peter Schuck concluded that failure is “endemic.” What causes all the failures?

    First, federal policies rely on top-down planning and coercion. That tends to create winners and losers, which is unlike the mutually beneficial relationships of markets. It also means that federal policies are based on guesswork because there is no price system to guide decision making. A further problem is that failed policies are not weeded out because they are funded by taxes, which are compulsory and not contingent on performance. Second, the government lacks knowledge about our complex society. That ignorance is behind many unintended and harmful side effects of federal policies. While markets gather knowledge from the bottom up and are rooted in individual preferences, the government’s actions destroy knowledge and squelch diversity.

    Third, legislators often act counter to the general public interest. They use debt, an opaque tax system, and other techniques to hide the full costs of programs. Furthermore, they use logrolling to pass harmful policies that do not have broad public support.

    Fourth, civil servants act within a bureaucratic system that rewards inertia, not the creation of value. Various reforms over the decades have tried to fix the bureaucracy, but the incentives that generate poor performance are deeply entrenched in the executive branch.

    Fifth, the federal government has grown enormous in size and scope. Each increment of spending has produced less value but rising taxpayer costs. Failure has increased as legislators have become overloaded by the vast array of programs they have created. Today’s federal budget is 100 times larger than the average state budget, and it is far too large to adequately oversee. Management reforms and changes to budget rules might reduce some types of failure. But the only way to create a major improvement in performance is to cut the overall size of the federal government.

     

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  • Six years of Obamanomics

    August 3, 2015
    US business, US politics

    Barack Obama’s economics has gotten us this, the Wall Street Journal says:

    One measure of America’s lowered expectations is that so many economists cheered Thursday’s second quarter growth estimate of 2.3%. It’s a rebound from the first quarter slump! The consumer is resilient, net exports are up, the plow-horse marches on! All true, but those silver linings obscure the larger reality that six long years after the recession ended in June 2009 the American economy has become a slow-growth machine.

    That’s the story underscored by the annual government revisions in historical GDP that accompanied the second-quarter report. The news, which most Americans have long felt in slow-growing wages, is that the worst expansion in 70 years has been even weaker than we thought.

    The gnomes at the Bureau of Economic Analysis ran the numbers based on new data and analytical methods and downgraded the recovery since 2011 nearly across the board. From 2011 through 2014, the economy grew at a paltry annual rate of 2%, down from the previous estimate of 2.3%. This means the overall U.S. economy is smaller—with GDP slashed by $105 billion in 2013 and $71 billion in 2014 to $17.35 trillion.

    Those numbers are abstractions, but another way to put it is that national income, corporate profits and personal income were all revised down. From 2011 through 2014, the average annual growth of real disposable personal income was slashed to 1.5% from 1.8%. That’s a giant cut in the standard of living.

    Since the recession ended in June 2009, the economy has grown at an annual rate of about 2.1%. That’s 0.6-percentage points worse than even during the much-maligned George W. Bush expansion. Growth averaged more than 3% from 2003-2006, but the best growth during the Obama years has been 2.5% in 2010, and in both 2011 and 2013 it nearly slipped back into recession.

    [This] chart compares this expansion to the growth periods in the 1980s and 1990s, showing what might have been. Real GDP growth averaged 4.6% in the first six years of the Reagan expansion, and more than 3.6% a year in the first six years of the George H.W. Bush-Bill Clinton expansion (gaining speed after that). Had the current expansion been as robust as the average expansion since 1960, GDP would be some $1.89 trillion larger today, according to Congress’s Joint Economic Committee.

    The slow-growth Obama era has given way to multiple explanations and excuses from the President’s economic advocates. They blame the hangover from the financial crisis (even six years later), foreign economic problems, the failure of government to spend and tax more, an aging population—anything but the policy differences between those previous eras and this one.

    Leading lights on the left have even thrown up their hands to suggest we no longer really know what produces faster growth. Larry Summers calls it “secular stagnation,” as if it’s an illness we somehow caught. Others claim 2%-2.5% growth is about as good as we can now do, so get used to it—and keep interest rates at near-zero for as far as the eye can see.

    This is a false counsel of despair, much as we heard similar advice in the malaise years of the 1970s. There’s no great mystery about why growth has been so slow. The natural dynamism of the U.S. economy has been swamped by waves of bad policies.

    Unprecedented new regulation has hamstrung finance, health care, the coal and power industries, for-profit education, and so much more. Two of the biggest growth exceptions—tech and oil and gas—escaped this maw because drilling is regulated by the states and the FCC only got around to ensnaring the Internet in new rules this year.

    Higher taxes—their anticipation and then the reality in 2013—slowed risk-taking and investment. Profits fell in the first quarter of 2013 thanks to the tax cliff, and growth for 2013 was a mere 1.5% after the latest revisions.

    The Federal Reserve has tried to overcome all this with near-zero interest rates and bond-buying, and it has succeeded in raising asset prices that have further enriched those lucky enough to hold assets. But it hasn’t succeeded in lifting the economy out of its slow-growth trend, and the Fed’s own growth predictions have been revised down year after year.

    ***

    Maybe it’s time to try something new—or, more precisely, return to the policies we know worked so well in the past. Freeze and roll back stifling regulation. Reform the tax code to unleash investment and raise wages. Modernize America’s creaky 20th-century public institutions, including health care, and K-12 and higher education. Welcome the world’s most talented immigrants to our shores. And restore monetary policy to its appropriate job of maintaining price stability.

    Much is being made of the angry middle-class—those supporting Bernie Sanders and Donald Trump—in the waning days of the Obama Administration. But this public frustration is no great mystery. This is what happens after a lost decade of slow growth and stagnant incomes. This is why we can’t afford more of the same policies that have produced this six-year slough.

    The term “recession” means consecutive quarters of economic contraction — negative economic growth. This is therefore not a recession, but most people do not see economic growth taking place. And this doesn’t even mention the underreporting of unemployment, which measured as correctly as the feds want to measure it has been in double digits the entire Obama administration.

     

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  • Presty the DJ for Aug. 3

    August 3, 2015
    Music

    Today in 1963, two years and one day after the Beatles started as the house band for the Cavern Club in Liverpool, the Beatles performed there for the last time.

    Three years later, the South African government banned Beatles records due to John Lennon’s infamous “bigger than Jesus” comment.

    Five years later and one year removed from the Beatles, Paul McCartney formed Wings.

    (more…)

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  • Presty the DJ for Aug. 2

    August 2, 2015
    Music

    Today in 1961, the Beatles made their debut as the house band of the Cavern Club in Liverpool, before they had recorded music of their own creation.

    Birthdays start with Edward Pattern, one of Gladys Knight’s Pips …

    … born one year before Doris Kenner of the Shirelles:

    (more…)

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  • Presty the DJ for Aug. 1

    August 1, 2015
    Music

    Today in 1964, the Beatles’ “A Hard Day’s Night” went to number one and stayed there for longer than a hard day’s night — two weeks:

    If you are of my age, this was a big moment in 1981:

    (more…)

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  • And remember, “mud” spelled backwards is “dum”

    July 31, 2015
    Culture, History, media

    There is only one way to begin this blog:

    Variety reported earlier this week:

    Happy Birthday, Bugs Bunny!

    The world’s favorite rabbit turns 75 this month: July 27, 1940, saw the debut of the cotton-tailed character’s first cartoon short “Wild Hare,” directed by Tex Avery.

    There won’t be much hoopla to celebrate, because Warner Bros. doesn’t observe the birthdays of animated characters. And there’s some logic to that, especially in Mr. Bunny’s case.

    There had been earlier variations: A wisecracking rabbit, voiced by Mel Blanc, debuted in the 1938 “Porky’s Hare Hunt” but the speech patterns and look were very different. In the next few years, WB’s Looney Tunes and Merrie Melodies cartoons featured other rabbits.

    But the 1940 “Wild Hare” was the first one where Bugs looked like himself, sounded like himself and, significantly, it was the first time he uttered the immortal words “What’s up, Doc?”

    Don’t be misled by those earlier rabbits. On Sept. 10, 1940, Variety ran a brief item about the “new character Bugs Bunny” that WB was booking into Fox West Coast theaters. Bugs’ name appeared onscreen for the first time the following year, in “Elmer’s Pet Rabbit,” directed by Chuck Jones. By 1946, WB took out an ad in Variety proclaiming that moviegoers named him their favorite cartoon character in a poll by Showmen’s Trade Review.

    Photo Credit: Variety

    Like all great stars, his popularity had creative peaks and valleys. Highlights include the 1949 “Long-Haired Hare,” directed by Jones, in which Bugs battles with a self-important singer who’s performing an aria from “The Barber of Seville” at the Hollywood Bowl; and Jones’ 1957 “What’s Opera, Doc?” with Bugs and Elmer Fudd in a Wagner spoof that was selected for National Film Registry in 1992. Only Bugs could bring opera to the masses. And then there is the 1955 “Rabbit Rampage,” a meta toon in which he feuds with an unseen animator. A few years later, “Knighty Knight Bugs,” co-starring Yosemite Sam, won the Oscar for best cartoon short.

    In 1987, many decades after his debut, another Variety ad touted that “The Bugs Bunny & Tweety Show” was ABC’s No. 1 kids show, under the headline “Wabbit Wins Watings Wace.”

    Over the years, Bugs survived the bluster of Yosemite Sam, the gun of Fudd, the Tasmanian Devil, Marvin the Martian, Daffy Duck’s competitive streak and dozens of other challenges. If you were in a scrape, Bugs is the cartoon character you’d want by your side — a combo of MacGyver and Groucho Marx, able to build any contraption in a moment’s notice, and throw off wisecracks to boot. And, as a bonus, he might get into drag and sing to you.

    How universal is Bugs? When my age had one digit to it, my father would get my brother and me up to watch Bugs, Daffy Duck, Porky Pig, Elmer Fudd, Foghorn — I say Foghorn — Leghorn, the Road Runner and Wile E. Coyote, and the rest of the Warner Bros. Looney Tunes characters.

    Those cartoons are art. The Verge explains:

    Let’s start with the cartoons themselves. If you want a semi-formal study on why Bugs and his Looney Tunes brethren are so great, you should probably start with Chuck Jones. Jones was one of the most important animators of the last century (he won three Oscars for his work, not that that really matters) and understanding him is to better understand what made Bugs so irresistible:

    Jones gave us the classic “Hunting Season Trilogy” along with what What’s Opera, Doc?, which is widely considered one of the finest cartoons ever made. But he was just one artist who touched on Bugs as a character. Others like Friz Freleng and Bob McKimson also directed classics like Knighty Knight Bugs and Devil May Hare, respectively, that expanded on Bugs’ character. Each one built on the myth. Bugs, minding his own business, would run into some adversary who wanted his hide. Faced with a challenge, Bugs would inevitably triumph with wit and grace.

    And the myth is everything. As a character, Bugs Bunny is king, and he’s as close to an animated culture hero as we’re going to get. Think about it. He’s the person you want to be — the smartest one in the room who’s still effortlessly cool. He’s quick-witted, funny, and even a little cruel, but only to his tormenters. He could hang with Wagner and Rossini, but you never forgot he was from Brooklyn. And he’s the guy you want in your corner when the bullies come calling, because he didn’t need brawn to win. In effect, Bugs embodies a kind of American icon that’s simultaneously exceptional but still the underdog. You can’t help but root for him even if you know he’s going to win.

    That you want to root for him is key. As a culture hero, Bugs punches up. He’s the hunted one, the one tending to his garden when the white guy with a gun or Confederate soldier comes along to ruin his day. He’s rarely ever in an empowered position. So often, he’s lost and disoriented when the bullets start flying. But he is uniquely able to take on the establishment and win. He even cut Florida away from the Union, just to show people he could. Do you really want to mess with him?

    Well, as always, if you had a staff of writers working for you, you also could do the right thing and say the right thing at all times.

    The Looney Tunes and Merrie Melodies cartoons entertain all ages because they weren’t written for kids. In the pre-TV days, they were often the first thing someone coming to a movie theater would watch. Warner Bros.’ orchestra, the same musicians who did music for its movies, did the cartoon music as well.

    I once suggested back in my business magazine days that our theme music should have been “Powerhouse,” written in 1937 by Raymond Scott …

    … for obvious reasons.

    And you cannot mention Looney Tunes without mentioning its greatest voice, Mel Blanc:

    Uproxx has a list of Bugs’ greatest moments that includes …

    “Baseball Bugs”

    Believe it or not, there was once a time when baseball was the most popular sport in America. You know, back when people didn’t really have options. In “Baseball Bugs,” our favorite hare faces off against the over-sized Gas-house Gorillas when he takes his heckling a step too far. By breaking both the laws of physics and at least 15 baseball regulations, Bugs plays all nine positions and comes out at the end with a 96-95 victory and one hell of a catch.

    “Super Rabbit”

    Whenever I read old comic books, I usually hear the narration in the same, over-the-top delivery you’ll hear in the classic “Super Rabbit.” (To be honest, that’s mostly because I’m doing it myself; it’s more fun that way.) But if you thought that superhero storylines today were clichéd and campy (Clark really could’ve saved his dad from that tornado), you have no idea how far they’ve come. Even Bugs Bunny cracked a joke at the idea of a pair of glasses being a good way to hide a secret identity.

    “Rabbit of Seville”

    This classic cartoon predates every sitcom you’ve ever watched that decided to randomly throw in a musical episode to switch things up. In “Rabbit of Seville,” Bugs and Elmer Fudd take their never-ending chase to the next level in song.

    “8 Ball Bunny”

    Celebrity cameos aren’t a new concept, by any means. When “8 Ball Bunny” was released in 1950, Humphrey Bogart was one of the biggest stars in Hollywood. So everyone in the audience immediately recognized him when he showed up in the same outfit from The Treasure of the Sierra Madre and asked Bugs for some spare change. If you want to see how much times have changed, bet a millennial to see if they even know who the guy in the fedora is. I’m calling dibs on 20 percent.

    “Knighty Knight Bugs”

    Out of the hundreds of appearances that Bugs Bunny has made in the past 75 years, his work has only gotten one Oscar. In 1959, “Knighty Knight Bugs” won the Academy Award for Best Animated Short. Apparently, the Academy loved seeing Bugs take on Yosemite Sam and his pet dragon in medieval times. Who wants to start a petition for Game of Thrones to add magical rabbits to the story?

    My two favorite Bugs Bunny cartoons are “Hair Raising Hare,” in which Bugs first takes on Gossamer the seven-foot-tall monster with red fur and white sneakers …

    … and “Operation: Rabbit,” in which Wile E. Coyote, Supergenius, figures that maybe rabbits are easier to capture and eat than road runners …

    … and is proven wrong, prompting the headline of this blog. (You’d think after a while the Supergenius might figure out to switch providers from Acme, but apparently not.)

    As for non-Bugs cartoons, my favorite is “Three Little Bops”:

    There are too many things to be said about the rest of Looney Tunes, including such characters as Daffy Duck (whose lack of additional mention no doubt would make him proclaim “You’rrrrrre des-PIC-able!”) …

    There is only one way to end this blog:

     

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  • The historical oxymoron that is “Brewers pitching”

    July 31, 2015
    Sports

    On Wednesday, the Brewers traded center fielder Carlos Gomez to the New York Mets for pitcher Zack Wheeler and infielder Wilmer Flores … for about one hour.

    In one of the more bizarre moments of social media-era baseball, the trade was reported as a done deal, and then it became undone because of, depending on whom you ask, concern about (1) Gomez’s hip or (2) Wheeler’s recovery from Tommy John surgery or (3) the Brewers’ disinterest in adding money to the deal.

    I got into a discussion on Facebook over the merits of this trade, including getting a pitcher who has had Tommy John surgery, getting a .250 hitter, and the Brewers’ historically poor pitching. This was before the trade was canceled because of concerns with either Gomez’s hip or Wheeler’s recovery. I preferred a different Mets pitcher, Noah Syndergaard, though reportedly the Mets aren’t trading him. (Of course, this trade “reportedly” was taking place before it didn’t.)

    I have stated here before that the Brewers pitching is bad far more often than good. In 46 years of existence, the Brewers have, remember, exactly four playoff seasons — 1981, 1982, 2008 and 2011. They have had 12 seasons beyond those four with winning records, plus two .500 seasons. Those winning seasons, by the way, are the only seasons where the Brewers scored more runs than they gave up.

    Admittedly, runs vs. runs given up is about all aspects of the game. So consider the Brewers’ earned run average and the team’s rank in its league. The Brewers have led their league once — 1992 — in ERA. The Brewers have finished second in their league in ERA twice, 1988 (a winning but non-playoff year) and 2008 (the wild card year). The Brewers have never finished third in their league in ERA, and they’ve finished fourth in ERA three times, all non-playoff years. I don’t know how you get in the playoffs with the 12th (1981), sixth (1982) or seventh (2011) best ERA in the league, but somehow the Brewers did.

    In contrast, the Brewers have been 10th or worse in their league in ERA 20 times. (This year so far, they’re 12th; they were 10th last year.) The Brewers have led their league in one stat — games pitched, which combines appearances by starters and relievers — 27 times.

    Admittedly, ERA is an imperfect measure of pitching. In WHIP — walks plus hits per inning — the Brewers have led their league twice, 1988 and 1992. The Brewers’ pitching is a historical failure in most seasons by any measure you care to use.

    Who were the best Brewers pitchers? In the span from Jim Abbott to Jamey Wright:

    • Wins: Jim Slaton, 117. (He’s also the leader in games pitched, innings pitched, and believe it or not, shutouts.)
    • Win-loss record: C.C. Sabathia, who was 11-2 in his half-season in 2008. Zach Greinke was 25-9 in his two seasons, 2011 and 2012. Not surprisingly, only 111 of the Brewers’ 413 pitchers have winning career records. (Slaton does not.) The Brewers have more pitchers who never won a game than pitchers who won more than they lost.
    • ERA: Sabathia had a 1.65 ERA. Rollie Fingers had a 2.54 ERA. (Pitchers with 0.00 ERAs included Terry Francona, Jim Gantner, Mark Loretta, Martin Maldonado and Lyle Overbay, none of whom were actually pitchers.)
    • Saves: Dan Plesac, with 133.

    Pitching is the most important part of baseball. So the Brewers’ chronic inability to develop pitching, or trade for pitchers who perform more than a year or two, means the Brewers are doing something wrong, and have been doing something wrong for a long, long time.

    Pitching is a challenge for other franchises too. (Look about an hour and a half south of Milwaukee for other sad examples.) On the other hand, the Dodgers have been able to develop pitchers for decades. The Orioles once had four 20-game winners on the same team. In the 1990s, the Braves had Steve Avery, Tom Glavine, John Smoltz (acquired as a minor leaguer) and Greg Maddux (free agent signing) for their starting rotation, and dominated the ’90s. The Mets now have the best young starting rotation in baseball, which is why they can try to upgrade their weak offense and apparently poor defense. The Cardinals never lack for starting or relief pitching.

    It is rather unbelievable that Brewers general managers dating all the way back to Marvin Milkes couldn’t generate much home-grown pitching of any quality. The Brewers have had more success importing pitchers (Mike Caldwell from Cincinnati, Pete Vuckovich and Rollie Fingers from St. Louis, Don Sutton from Houston, Ted Higuera from the Mexican League, Sabathia from Cleveland, Shaun Marcum from Toronto) than they have developing their own guys long-term. That approach is more expensive, and lasts less time. (Off that list, only Caldwell lasted as long as eight seasons.)

    Particularly in this free agent era with baseball’s bad economics, in a small market you have to get it right much more often than those markets where you can throw good money after bad. Whatever the Brewers have been doing to develop pitching, it isn’t working.

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  • Presty the DJ for July 31

    July 31, 2015
    Music

    Today in 1964, a Rolling Stones concert in Ireland was stopped due to a riot, 12 minutes after the concert began.

    Today in 1966, Alabamans burned Beatles products in protest of John Lennon’s remark that the Beatles were “bigger than Jesus.” The irony was that several years earlier, Lennon met Paul McCartney at a church dinner.

    (more…)

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  • War now, or nukes later

    July 30, 2015
    International relations, US politics

    Norman Podhoretz:

    Almost everyone who opposes the deal President Obama has struck with Iran hotly contests his relentless insistence that the only alternative to it is war. No, they claim, there is another alternative, and that is “a better deal.”

    To which Mr. Obama responds that Iran would never agree to the terms his critics imagine could be imposed. These terms would include the toughening rather than the lifting of sanctions; “anytime, anywhere” nuclear-plant inspections instead of the easily evaded ones to which he has agreed; the elimination rather than the freezing of Iran’s nuclear infrastructure; and the corresponding elimination of the “sunset” clause that leaves Iran free after 10 years to build as many nuclear weapons as it wishes.

    Since I too consider Mr. Obama’s deal a calamity, I would be happy to add my voice to the critical chorus. Indeed, I agree wholeheartedly with the critics that, far from “cutting off any pathway Iran could take to develop a nuclear weapon,” as he claims, the deal actually offers Tehran not one but two paths to acquiring the bomb. Iran can either cheat or simply wait for the sunset clause to kick in, while proceeding more or less legally to prepare for that glorious day.

    Unfortunately, however, I am unable to escape the conclusion that Mr. Obama is right when he dismisses as a nonstarter the kind of “better deal” his critics propose. Nor, given that the six other parties to the negotiations are eager to do business with Iran, could these stringent conditions be imposed if the U.S. were to walk away without a deal. The upshot is that if the objective remains preventing Iran from getting the bomb, the only way to do so is to bomb Iran.

    And there’s the rub. Once upon a time the U.S. and just about every other country on earth believed that achieving this objective was absolutely necessary to the safety of the world, and that it could be done through negotiations. Yet as the years wore on, it became increasingly clear to everyone not blinded by wishful delusions that diplomacy would never work.

    Simultaneously it also became clear that the U.S. and the six other parties to the negotiations, despite their protestations that force remained “on the table,” would never resort to it (and that Mr. Obama was hellbent on stopping Israel from taking military action on its own). Hence they all set about persuading themselves that their fears of a nuclear Iran had been excessive, and that we could live with a nuclear Iran as we had lived with Russia and China during the Cold War.

    Out the window went the previously compelling case against that possibility made by authoritative scholars like Bernard Lewis, and with it went the assumption that the purpose of the negotiations was to prevent Iran from getting the bomb.

    For our negotiating partners, the new goal was to open the way to lucrative business contracts, but for Mr. Obama it was to remove the biggest obstacle to his long-standing dream of a U.S. détente with Iran. To realize this dream, he was ready to concede just about anything the Iranians wanted—without, of course, admitting that this was tantamount to acquiescence in an Iran armed with nuclear weapons and the rockets to deliver them.

    To repeat, then, what cannot be stressed too often: If the purpose were still to prevent Iran from getting the bomb, no deal that Iran would conceivably agree to sign could do the trick, leaving war as the only alternative. To that extent, Mr. Obama is also right. But there is an additional wrinkle. For in allowing Iran to get the bomb, he is not averting war. What he is doing is setting the stage for a nuclear war between Iran and Israel.

    The reason stems from the fact that, with hardly an exception, all of Israel believes that the Iranians are deadly serious when they proclaim that they are bound and determined to wipe the Jewish state off the map. It follows that once Iran acquires the means to make good on this genocidal commitment, each side will be faced with only two choices: either to rely on the fear of a retaliatory strike to deter the other from striking first, or to launch a pre-emptive strike of its own.

    Yet when even a famous Iranian “moderate” like the former President Hashemi Rafsanjani has said—as he did in 2001, contemplating a nuclear exchange—that “the use of even one nuclear bomb inside Israel will destroy everything. However, it will only harm the Islamic world. It is not irrational to contemplate such an eventuality,” how can deterrence work?

    The brutal truth is that the actual alternatives before us are not Mr. Obama’s deal or war. They are conventional war now or nuclear war later. John Kerry recently declared that Israel would be making a “huge mistake” to take military action against Iran. But Mr. Kerry, as usual, is spectacularly wrong. Israel would not be making a mistake at all, let alone a huge one. On the contrary, it would actually be sparing itself—and the rest of the world—a nuclear conflagration in the not too distant future.

     

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
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    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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