The number one single today in 1963 was recorded by a 15-year-old, the youngest number one singer to date:
The number one British single today in 1967 was that year’s Eurovision song contest winner:
The number one single today in 1985:
The number one single today in 1963 was recorded by a 15-year-old, the youngest number one singer to date:
The number one British single today in 1967 was that year’s Eurovision song contest winner:
The number one single today in 1985:
The explanation for Donald Trump’s success is not simple, but let’s see what we can make of a simple statement. “I love the poorly educated,” Trump said, and both the left and the right chortled. That response is understandable. The idea of President Trump would be laughable had it not become a distinct possibility.
The response is also not wrong. The fact that the campaign for the most powerful position on Earth produces front-runners like Trump and Hillary Clinton is a wonderful argument for limited government. It is a stunning indictment of the notion that we should allow much in our lives to be directed by politics and elections. But there is also a trap in dismissing Trump’s supporters as fools or haters. To be sure, they are badly mistaken, and there is certainly a good measure of racial resentment, if not racism, in Trump’s appeal.
But things happen for a reason. Populism, however ugly and ignorant, needs some real grievance upon which to work.
Trump’s invocation of the “poorly educated” was neither the cynical admission of a con artist (although he is that) or simply a statement of solidarity with those who resent our elites. It was a dog whistle directed at those who believe that politics as usual has left them behind.
On the left, there are both sympathetic and unsympathetic explanations for Trump’s success. The unsympathetic explanation is that this is all conservatism come home to roost. In this view, the American right has always been about hate and Trump is simply serving it up in larger and undiluted doses.
There are two problems with this explanation. The first is that it assumes a large number of people are motivated by nothing other than hate and ignorance. This is almost always a mistake. The other is that the organized right — consisting of movement conservatives — regards Trump as antithetical to everything that they believe in: limited government, individual freedom, free markets.
The more sympathetic explanation sees Trump’s support as a conscious rejection of traditional conservative policies. Trump voters, according to this view, have decided that they don’t want lower taxes and smaller government. They want redistribution of income but are simply seeking it in the wrong place. Today’s Trumpkins could be tomorrow’s Sandernistas.
I don’t think so. Trump’s supporters may not be Randian libertarians, but they don’t seem interested in a handout. They may feel that the political establishment has little regard for the working class, but they see the Democrats as a coalition of people who are not like them: racial and sexual minorities, union members, government workers and limousine liberals.
I don’t pretend to fully understand what’s going on. Part of it may be no more sophisticated than the sad fact that you can fool some of the people for quite some time. But the misguided and tragic support for Trump might also be a response to the failings of politicians on the left and the right. The left has lost the white working class because of its unconcealed contempt for the great unwashed who cling to their God and their guns. It is beside itself because a football team is named the Redskins, while it regularly makes sport of rednecks. It has forgotten that the American working class is not a European proletariat. Joe and Jill Sixpack understand, at some level, that American exceptionalism has worked for them, even if all of their aspirations have not yet been achieved. Denmark doesn’t look good to them.
But, in the wake of the financial crisis and a perception (however unfair) that capitalism failed to deliver, some Republicans feel the GOP has been indifferent to them. Trump’s working-class voters believe that Republicans, like the Democrats, are also on “someone else’s side,” i.e., business and the wealthy. It would be easy — and not completely wrong — to say that politicians must accept where people are. But I’d like to believe that reason and evidence still have space to work. And that’s exactly what happened in Wisconsin. In theory, our Rust Belt state should have been, like Michigan and Illinois before us, Trump territory. But Trump lost here on April 5, and it was no accident. While his core supporters did not waiver, conservatives in Wisconsin were largely united behind a single candidate and motivated by a desire not only to choose a candidate, but to save a movement. No matter what happens nationally,
It would be easy — and not completely wrong — to say that politicians must accept where people are. But I’d like to believe that reason and evidence still have space to work. And that’s exactly what happened in Wisconsin.
In theory, our Rust Belt state should have been, like Michigan and Illinois before us, Trump territory. But Trump lost here on April 5, and it was no accident. While his core supporters did not waiver, conservatives in Wisconsin were largely united behind a single candidate and motivated by a desire not only to choose a candidate, but to save a movement.
No matter what happens nationally, Wisconsin may have shown the way forward for conservatives. Over the past five years, we have developed a fantastic conservative infrastructure made up of think tanks and advocacy groups that have explained conservative ideas, not just conservative resentment. The activity of these groups has been augmented by conservative talk radio hosts who are a cut above — actually several cuts above — those found elsewhere and nationally. Our conservative politicians have cared about policy, not just the polls.
Here in Wisconsin, we have shown that ideas and reasoned discourse matter. Nationally, I am afraid that conservatives may be facing a time in the wilderness. In Wisconsin, we have demonstrated the way out and have begun to move forward.
I suspect that we have a lot of work to do.
The Democrats’ and Republicans’ mirror images made news for being themselves last week.
Politico reports:
There is “almost the question as to why” cigarettes are legal in the United States, Bernie Sanders said in an interview aired Sunday on NBC’s “Meet the Press.”
The remark came as Sanders explained his opposition to a proposed tax on sugary drinks in Philadelphia, which would fund pre-kindergarten education, reiterating that it is a “totally regressive tax” that results in poorer people paying even more in taxes if they buy a bottle of soda.
When moderator Chuck Todd asked him if he felt the same way about cigarette taxes, Sanders said he did not.
“Cigarette taxes are — there’s a difference between cigarettes and soda,” the Vermont senator said. “I am aware of the obesity problem in this country.”
Todd replied, “I don’t think Michael Bloomberg would agree with you on that one,” referring to the former New York mayor’s infamous effort to limit the size of sugary drinks sold in the city. (The state’s highest court in 2014 ruled that the city had overstepped its regulatory bounds by implementing the rule.)
“Well, that’s fine. He can have his point of view,” Sanders said. “But cigarettes are causing cancer, obviously, and a dozen other diseases. And there is almost the question as to why it remains a legal product in this country.”
I have a hard time believing Sanders opposes “soda taxes.” I do not have a hard time believing that Sanders would favor bans on cigarettes. I do wonder how potential Sanders voters in tobacco states feel about his position. I also wonder how banning cigarettes and legalizing marijuana, both of which are smoked, is logically consistent, as well as Sanders’ apparent amnesia over the most famous attempt to federally ban something bad for you if misused, Prohibition.
Meanwhile, there is The Donald, of whom The Daily Wire reports:
Thursday morning, asked on the Today Show whether he believed in raising taxes on the wealthy, Donald Trump, the frontrunner for the GOP nomination for president, gave a reply that illuminated how much of a Democrat in GOP clothing the Orange-Haired One is, replying, “I do, I do.”
As time passes, Trump is becoming almost indistinguishable from Bernie Sanders. Daily Wire Editor-in-Chief saw this back in February, in a piece delineating how alike the two men were on numerous policies. For the sake of solely concentrating on their similarities vis-à-vis economic policy, here’s Shapiro’s section on that:
They’re both anti-establishment candidates who bash Wall Street. Here’s Trump from his victory speech last night:
It’s special interests’ money, and this is on both sides. This is on the Republican side, the Democrat side, money just pouring into commercials. These are special interests, folks. These are lobbyists. These are people that don’t necessarily love our country. They don’t have the best interests of the country at heart.
Here’s Sanders from his victory speech last night:
We have sent a message that will echo from Wall Street to Washington, from Maine to California, and that is that the government of our great country belongs to all of the people and not just a handful of wealthy campaign contributors, and their Super PACs.
Of course, when Trump says he believes in raising taxes on the wealthy, he also believes he will cunningly outsmart the system. As he said in January, “I mean, I pay as little as possible. I use every single thing in the book.”
Trump has boasted that his tax plan would help working people, but that simply is another Trumpian lie. As Robert Shapiro, chairman of economics and security advisory firm Sonecon, pointed out, “To the extent he says he’s fighting for working people, his tax plan refutes that — it’s a complete refutation. He’s fighting for himself, and those like him, at the very top of the income distribution. That’s what his policies do.” Shapiro added, “He’s actually going to provide a much larger tax break to hedge funds and private equity fund general partners than what the carried-interest loophole does.” …
Trump may say he’s for raising taxes on the wealthy just to curry favor with Democrats and establishment Republicans, but it simply isn’t true. And by saying he would do so, any credibility of Trump being a conservative is ripped to shreds.
Mick Staton adds:
I have argued for a long time now that Donald Trump’s “conversion” to Conservatism after a lifetime of being a Liberal Democrat was nothing more than a sales pitch to win him votes in the Republican primary. You don’t just change your mind on every single major political issue (abortion, gun control, taxes, health care, immigration, trade) and expect people to take your word for it.
Now, however, we see more of the real Donald Trump shining through as he is already abandoning conservative positions before he has even won the nomination. During an NBC Town Hall today, Trump made major moves to the left on two key social issues: abortion, and allowing transgender men to use the girl’s bathroom.
When asked about the current issues over the North Carolina law that requires people to use the bathroom based on the gender listed on their birth certificate, Trump sided with the Leftists and the Boycotters and declared that people should be able to use whatever bathroom they feel like. It is absolutely amazing that the “front runner” for the GOP nomination for President sides with the “Social Justice Warriors” against families. …
So for all of you who are supporting Donald Trump, are you now starting to wonder just what kind of President he’s going to be? Do you think he’s going to stand up for religious liberty? Do you think he’s going to put a hard core conservative on the Supreme Court? Seriously, ask yourself this question:
Did a 69 year old man who has been a Liberal Democrat all his life suddenly have a “Road to Damascus” conversion on every single important political issue we face today, right before he decided to run for President, or is a consummate salesman telling you exactly what you want to hear?
Imagine having tickets to today’s 1964 NME winner’s poll concert at Wembley Empire Pool in London:
It’s remarkable to me that the liberal Vox allowed this to be published:
There is a smug style in American liberalism. It has been growing these past decades. It is a way of conducting politics, predicated on the belief that American life is not divided by moral difference or policy divergence — not really — but by the failure of half the country to know what’s good for them.
In 2016, the smug style has found expression in media and in policy, in the attitudes of liberals both visible and private, providing a foundational set of assumptions above which a great number of liberals comport their understanding of the world.
It has led an American ideology hitherto responsible for a great share of the good accomplished over the past century of our political life to a posture of reaction and disrespect: a condescending, defensive sneer toward any person or movement outside of its consensus, dressed up as a monopoly on reason.
The smug style is a psychological reaction to a profound shift in American political demography.
Beginning in the middle of the 20th century, the working class, once the core of the coalition, began abandoning the Democratic Party. In 1948, in the immediate wake of the Franklin Roosevelt, 66 percent of manual laborers voted for Democrats, along with 60 percent of farmers. In 1964, it was 55 percent of working-class voters. By 1980, it was 35 percent.
The white working class in particular saw even sharper declines. Despite historic advantages with both poor and middle-class white voters, by 2012 Democrats possessed only a 2-point advantage among poor white voters. Among white voters making between $30,000 and $75,000 per year, the GOP has taken a 17-point lead.
The consequence was a shift in liberalism’s center of intellectual gravity. A movement once fleshed out in union halls and little magazines shifted into universities and major press, from the center of the country to its cities and elite enclaves. Minority voters remained, but bereft of the material and social capital required to dominate elite decision-making, they were largely excluded from an agenda driven by the new Democratic core: the educated, the coastal, and the professional.
It is not that these forces captured the party so much as it fell to them. When the laborer left, they remained.
The origins of this shift are overdetermined. Richard Nixon bears a large part of the blame, but so does Bill Clinton. The evangelical revival, yes, but the destruction of labor unions, too. I have my own sympathies, but I do not propose to adjudicate that question here.
Suffice it to say, by the 1990s the better part of the working class wanted nothing to do with the word liberal. What remained of the American progressive elite was left to puzzle: What happened to our coalition?
Why did they abandon us?
What’s the matter with Kansas?
The smug style arose to answer these questions. It provided an answer so simple and so emotionally satisfying that its success was perhaps inevitable: the theory that conservatism, and particularly the kind embraced by those out there in the country, was not a political ideology at all.
I am a guest on News & Notes, former radio newsman Jeff McAndrew’s podcast, at this site. I will not age us by pointing out that I’ve known Jeff since a year beginning with the number “19.”
Discussions include former employers and the growing national disgrace that is our presidential campaign.The fact I managed to talk for 42 minutes despite getting over the Scarlet Plague will surprise no one who knows me.
The number one single today in 1960:
The number one single today in 1970:
The number one album today in 1987 was U2’s “The Joshua Tree”:
The number one British single today in 1955:
The number one British single today in 1959:
The number one single today in 1961:
The number one British single today in 1964 was written by John Lennon and Paul McCartney, but not performed by any of the Beatles:
The number one British single today in 1969:
The number one single today in 1977:
This was shocking news yesterday for those around my age, from the Minneapolis Star Tribune:
Legendary Minnesota pop musician Prince was found dead Thursday morning at his Paisley Park recording studio complex in Chanhassen, the Associated Press has confirmed from his publicist. He was 57.
Immediately upon hearing the news, mourners began lining up with flowers and stuffed animals outside the studio on Audubon Road, some sobbing and embracing. Shocked condolences flooded social media. Lawmakers paused for a moment of silence at a state legislative hearing.
Fans touched a star bearing his name painted on the First Avenue music club in downtown Minneapolis, the “Purple Rain” site where he played often early in his career.
“Our hearts are broken,” First Avenue said on Facebook. “Prince was the Patron Saint of First Avenue. He grew up on this stage, and then commanded it, and he united our city. It is difficult to put into words the impact his death will have on the entire music community, and the world. As the tragic news sinks in, our thoughts are with Prince’s family, friends, and fans.”
Former KMSP anchor Robyne Robinson, who interviewed Prince several times and maintained a personal relationship, said she was working with University of Minnesota to give Prince an honorary music degree in June and Prince had tentatively agreed.
“He was a genius,” she said, tearfully. “He was an amazingly generous man to this community and to his people. There’s no one that will match his brilliance. His genorisity was really endless … I’ll be a fan until the day I die.”
Prince’s childhood friend and early bandmate André Cymone said he traded messages with him from Los Angeles last weekend after the reports of his illness on a plane flight.
“He said he was doing OK and we’d try to hook up next time he was in LA,” said Cymone, whose mother took Prince into her home in his midteens when his relationship with his parents got too strained. “I’m just devastated now. I’m in utter disbelief. It’s such a tragedy.” …
The news of his death came less than a week after Prince’s private plane made an emergency landing early Friday morning in Illinois as he was returning to the Twin Cities from two shows in Atlanta on Thursday.
Afterward, a source close to Prince told the Star Tribune that the singer was dehydrated on the flight home. Prince himself wanted to clarify the situation on Saturday, saying, “Wait a few days before you waste any prayers.”
Prince was inducted into the Rock ‘n’ Roll of Fame in 2004. Standing just 5 feet, 2 inches tall, he seemed to summon the most original and compelling sounds at will, whether playing guitar in a flamboyant style that openly drew upon Jimi Hendrix, switching his vocals from a nasally scream to an erotic falsetto or turning out album after album of stunningly original material. Among his other notable releases: “Sign O’ the Times,” “Graffiti Bridge” and “The Black Album.”
He was also fiercely protective of his independence, battling his record company over control of his material and even his name. Prince once wrote “slave” on his face in protest of not owning his work and famously battled and then departed his label, Warner Bros., before returning a few years ago.
Prince’s protectiveness of his independence extended to the ability of anyone to hear his work online without paying for it. I wasn’t able to find much online beyond the NFL Films account of Prince’s Super Bowl XLI performance in, yes, rain. Those of my age will recall when for a few years he was called “The Artist Formerly Known as Prince,” with an unpronounceable symbol, in said dispute with said record company.
On Milwaukee details the meeting with a Wisconsin rock group and what could have been:
Shortly after Prince’s sudden and tragic death early this afternoon, OnMilwaukee happened to meet up with Milwaukee musician (and OnMilwaukee contributor) Victor DeLorenzo, who had a fun story and a few thoughts to share about the late musical icon.
OnMilwaukee: Do you have any Prince stories?
Victor DeLorenzo: Well, the one incredible Prince story I have to relay is the time when the Violent Femmes were in Los Angeles, and we were working on a record that eventually became “Why Do Birds Sing?” We were working on some of the recording with Prince’s engineer, Susan Rogers, and we had a great time with Susan. We were doing final mixes over at a studio called Larrabee, and this was a studio complex – we were in one studio, and in the studio next to us, Prince was in the studio.
So jokingly we said to Susan one afternoon when we were working, “Hey, why don’t you go next door and ask Prince if he’s got a song for us?” After doing this a number of times, she finally said, “OK, alright, I’ll go bother him!” So she goes over there.
She’s gone about ten minutes, and we’re thinking, “Wow, what’s going to happen? What if he wants to come over and meet us? Or if he has a song?” Suddenly, she comes back into the studio we’re working in, and she says, “Prince has a song for you. He’s sending someone over to his archive, and they’ll get a cassette over to you later this afternoon.”
So this cassette arrives, and it’s a song called “You’ve Got A Beautiful Ass.” And I think it did come out on one of his collections or compilations or outtakes or what have you. We had this cassette, and we listen to it, and I can remember the chorus: “You’ve got a wonderful ass; you’ve got a beautiful ass.” Or something to that effect. I think Gordon still probably has the cassette. But another mistake in a long line of many made by Violent Femmes, we never recorded it.
Did you guys consider it?
We did consider it! But at that time, we were thinking, “Wow, if we record something like this, is it going to be able to really get out there – even if we say it’s a Prince song – because of the subject matter and that?” Even though we’d had songs like “Girl Trouble” (sic) and “Add It Up” (sic) and all this other stuff, we still kind of thought, “Is that the right thing for us right now when we’re trying to get something really on the radio?”
Did you think at the time that he was messing with you?
No!
You thought that was a song that he really thought would be great for you guys.
Yeah, and I wish I had the cassette, because the song was really cool! I really liked the song.
So he actually did put some thought into that.
Yeah! It was like what I was just reading today; he’s got an archive of I don’t know how many thousands of songs that are just finished that are just sitting there. And that’s what Susan Rogers told us too. He would come in there to the studio and just record all the time. He would be there every day, just working on stuff.
She would set up mics on the drum set; he would go out and play the drums first. Then he’d come in and play the bass to the drums. Then he’d do the guitars and do some keyboards. And then he’d say, “OK, Sue, it’s time for me to do my thing.” And then she would set up a mic behind the console, and she would leave for an hour or so. And he would sit there, and he would do all his vocals by himself.
Would it have made a difference if the interaction had happened sooner? You were saying you were mixing the record by then, so basically the record was done. Would it have mattered if it could’ve been an album track?
I like to think that anything could’ve happened the moment that cassette got into our hands. But, as you said, yes, the record was in the final stages of being mixed – even though we did take that whole record and remix it here in Milwaukee with Dave Vartanian. We didn’t track anything brand new; the record itself was finished.
But who knows? If things would’ve gone another way, maybe we would’ve made time to do just a recording of that track and release it just as a single.
In a more overarching way, what does Prince leave us with? I mean, this was not your average, ordinary musician; this is a guy who made a major contribution.
I think what I most appreciate about Prince and his music is the mystery that was involved. I liked the fact that he infused so many different styles of music into his own and that he, much like a ’30s or ’40s Hollywood movie star, really banked on that persona of his, and the sexuality and the mystery surrounding it. So he was being sexy, but not in an overtly masculine or feminine way, which was very progressive at that time. Long before Madonna did her sex book or anything like that, this was something middle America had to confront.
And being from Minneapolis! How amazing that you have these two cultural icons – Bob Dylan and Prince – coming out of Minnesota.
And both craftsmen.
Right! And prolific! Both so prolific.
Nick Gillespie defines Prince’s role in the ’80s, including the overheating over song lyrics:
Prince is dead and we look to see who might replace him and see no one on the horizon. As Brian Doherty so aptly puts it, “he was a bold rebel in terms of image and message, playing with still-prevalent social confines of propriety in behavior, dress, and comportment, mixing sex and religion like they were his own personal possession he was generous enough to share with us, destroying color lines in pop music and its fandom.”
More than Michael Jackson and arguably even more than Madonna—to name two other ’80s icons who challenged all forms of social convention in a pop-music setting—Prince took us all to a strange new place that was better than the one we came from. (In this, his legacy recalls that of David Bowie.)
In the wake of the social progress of the past several decades, it’s hard to recapture how threatening the Paisley One once seemed, this gender-bender guy who shredded guitar solos that put Jimi Hendrix or Eric Clapton to shame while prancing around onstage in skivvies and high heels. He was funkier than pre-criminality Rick James and minced around with less shame and self-consciousness than Liberace. Madonna broke sexual taboos by being sluttish, which was no small thing, but as a fey black man who surrounded himself with hotter-than-the-sun lady musicians, he was simultaneously the embodiment of campy Little Richard and that hoariest of White America boogeymen, the hypersexualized black man.
No wonder he scared the living shit out of ultra-squares such as Al and Tipper Gore. In 1985, the future vice president and planet-saver and his wife were, as Tipper’s 1987 best-selling anti-rock, anti-Satanism, anti-sex manifesto put it,Raising PG Kids in an X-Rated Society. Tipper headed up the Parents Music Resource Center (PMRC), whose sacred document was a list of songs it called “The Filthy Fifteen.” These were songs that glorified sex, drugs, Satan, and masturbation and could pervert your kid—or even lead them to commit suicide. At number one on the list was Prince’s “Darling Nikki,” from his massive soundtrack record to Purple Rain (jeezus, wasn’t that movie a revelation? Of what exactly, I can’t remember, but finally, it seemed, a rock star had truly delivered on the genius we all wanted to see emerge from pop music into film). …
In 1985, the Senate wasted its time and our money by holding a hearing on the dread menace of dirty lyrics and the whole bang-the-gong medley of backward masking, rock-induced suicide, and sexual promiscuity. Just a few years later, Al and Tipper would reinvent themselves as diehard Grateful Dead fans, the better to look hip while campaigning with Bill and Hillary Clinton (another couple of revanchist baby boomers who burned a hell of a lot time in the 1990s attacking broadcast TV and basic cable asimpossibily violent and desperately in need of regulation).
But before pretending to grok the Dead, Al would showboat at “the first session on contents of music and the lyrics of records,” where he appeared as a witness in favor of the PMRC’s record-labeling system. Strangely enough, Al stressed—in front of a Senate subcommittee, mind you—that the government need not be involved.
The two most important things I have learned which have changed my initial attitude to this whole concern are, No. 1, the proposals made by those concerned about this problem do not involve a Government role of any kind whatsoever. They are not asking for any form of censorship or regulation of speech in any manner, shape, or form.
What they are asking for is whether or not the music industry can show some self-restraint and working together in a manner similar to that used by the movie industry, whether or not they can come up with a voluntary guide system for parents who wish to exercise what they believe to be their responsibilities to their children, to try to prevent their children from being exposed to material that is not appropriate for them.
The second thing I have learned over the past several months is that the kind of material in question is really very different from the kind of material which has caused similar controversies in past generations. It really is very different, and I think those who have not become familiar with this material will realize that fact when they see some of the examples that involve extremely popular groups that get an awful lot of play, some of the most popular groups around now. …
Tipper devoted an entire chapter of her book to “Playing With Fire: Heavy Metal Satanism” and called attention to the threat of…Dungeons and Dragons. “Many kids,” she wrote, “experiment with the deadly satanic game, and get hooked.”
If all of this seems so, so, so long ago—and it does, thank god—we owe a huge debt to Prince and the people like him who soldiered on, expressing themselves as they saw fit, in free and unfettered ways. In fact, Prince did it not just with the content of his art, as he also experimented with new, direct ways of distribution, too, while (stupidly, IMO) eschewing the shift to digital and taking on what was at the time the most-powerful music label in the business. Depending on who you are, you might hate all or some of his music, or think his creative streak dried up somewhere around the time he became The Artist Formerly Known as Prince or started scrawling “SLAVE” on his cheeks…
Yeah, sure, maybe.
But there’s no denying that those of us who actually believe in free expression are standing on the tiny shoulders of Prince as surely as we are on the broad shoulders of Thomas Jefferson or George Mason. And upon Prince’s death, we owe it ourselves not only to praise his artistry and risk-taking but to shame the Al and Tipper Gores of the world, who tried so hard and so pathetically to force their narrow vision of what is right and proper upon this world of tears that beautiful, weird, and even dirty music makes slightly more bearable for a few minutes.
(See? Conservatives knew Al Gore was an idiot well before Earth in the Balance.)
Prince was described online yesterday as my generation’s Elvis. That’s a hard comparison to make, though his music appealed over more than one genre (had he done just rock he could certainly have stood up with any ’80s guitarist), he wrote songs for other acts, he made movies, and he sold bazillions of records. He was also a performer whose concerts (none of which I saw) were worth whatever you had to pay to see them.
There was no one else like Prince.

