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  • Science fiction and today’s reality

    August 21, 2018
    media, US politics

    Science fiction novelist Travis Corcoran won the Libertarian Futurist Society‘s Corcoran Award for his novel The Powers of the Earth. His acceptance speech included:

    Eric S Raymond said it best: “Hard SF is the vital heart of the field”. The core of hard science fiction is libertarianism: “ornery and insistent individualism, veneration of the competent man, instinctive distrust of coercive social engineering”.

    I agree; science fiction is best when it tells stories about free people using intelligence, skills and hard work to overcome challenges.

    This vision of science fiction is under attack by collectivists, and hard SF and libertarian SF are being pushed out of publisher lineups and off of bookstore shelves.

    Very well. We have intelligence, we have skills and we’re not afraid of hard work. Let’s rise to this challenge!

    The Powers of the Earth is a novel about many things.

    It’s a war story about ancaps, uplifted dogs, and AI fighting against government using combat robots, large guns, and kinetic energy weapons.

    It’s an engineering story about space travel, open source software, tunnel boring machines, and fintech.

    It’s a cyberpunk story about prediction markets, CNC guns, and illegal ROMs.

    It’s a story about competent men who build machines, competent women who pilot spaceships, and competent dogs who write code.

    It’s a novel that pays homage to Heinlein’s The Moon is a Harsh Mistress, which in turn pays homage to the American Revolution.

    . . . But the historical inspiration for the novel was not, actually, the American Revolution. It’s the founding of the Icelandic Free State almost a thousand years earlier. The difference is subtle, but important.

    The American Revolution was an act of secession: one part of a government declaring itself independent and co-equal, and continuing to act as a government. The establishment of the Icelandic Free State is different in two important particulars. First, it did not consist of people challenging an existing government, but of people physically leaving a region governed by a tyrant. And second, the men and women who expatriated themselves from the reign of Harald Fairhair did not create a government – they wanted to flee authoritarianism, not establish their own branch of it!

    Thus we get to one of the most important themes of The Powers of the Earth and its sequel, Causes of Separation: the concepts of Exit, Voice, and Loyalty. The tri-chotomy was first codified in an essay—titled “Exit, Voice, and Loyalty: Responses to Decline in Firms, Organizations, and States”—by economist Albert Hirschman in 1970.

    An aside: I love that this essay was penned while Americans walked on the moon.

    Hirschman argued that when a vendor or government fails to deliver, people can either remain loyal, can speak out within the system, or can exit the system.

    The problem we Americans have in 2018 is that there is no more frontier. Like the engineers in Christopher Priest’s “The Inverted World”, we moved west until we hit an ocean, and that has been our doom.

    When there is a frontier, it is impossible to deny that the pie is growing. Want a farm? Go hack one out of the forest. Want a house? Go build one.

    Once the frontier is gone, value can still be created ab initio. The pie is not fixed. For the price of a cheap computer you can create a novel or a software package. With a $100 video camera you can be a garage Kubrick. With a free Craigslist ad you can be a dog-walking entrepreneur.

    . . . But the closing of the frontier made it easier for the collectivists to argue that the pie is fixed. And—worse yet—it made it impossible for the rest of us to get away.

    We’d all love to live in David Friedman’s polycentric legal system, Robert Nozick’s meta-utopia, Moldbug’s patchwork, or Scott Alexander’s archipelago – a place where each of us could live by rules we choose, and people who preferred another set could live by those… but we can’t, and that’s for one reason and one reason alone: the collectivists who can’t bear to let anyone, anywhere, be ungoverned.

    Totalitarian ideologies – Nazism, Communism, Islamofascism, Progressivism – all subscribe to the Mussolini quote “All within the state, nothing outside the state, nothing against the state.”

    The Nazi sees any area not under Nazi control as a threat.

    The communist sees any area not under communist control as a threat.

    The Islamofascist sees any area outside of Dar al Islam as Dar al-Harb—a populace to be subjugated.

    Collectivists sees anything not under collectivist control as a threat—and as an opportunity.

    A threat, because areas not under collectivist control always work better. It is no accident that just as the Soviets jammed broadcasts from the west, Nazis outlawed American music, Chinese built a Great Firewall, so too do progressives shadow-ban free voices on Twitter and Facebook and expel people from conventions.

    An opportunity, because of what totalitarians do when they see a patch of freedom: they try to take it over. “All within, nothing outside”.

    When the patch of freedom is a state, we get the long march through the institutions, as outlined by communist Antonio Gramsci and refined by communist Rudi Dutschke. First they become teachers, then they influence the students, then they take over the courts . . . and then it’s not too long until some O’Brien is holding up four fingers to some Winston Smith, crushing out the last of the wrongthink.

    When the patch of freedom is a subculture the mechanism is different—it’s discussed in the brilliant essay “Geeks, MOPs, and sociopaths in subculture evolution” by David Chapman.

    One core attribute of totalitarians is that they don’t create, they steal. And because they steal, they are both confused by and hate those who do create. As Barrack Obama said “You didn’t build that.” As the internet meme says: “You made this? <pause> I made this.”

    Since the first Worldcon in 1939 science fiction has been a libertarian territory under attack from authoritarians. Futurian Donald Wollheim was a communist, and argued that all of science fiction “should actively work for the realization of the . . . world-state as the only . . . justification for their activities”.

    Wollheim failed with his takeover in 1939—he was physically removed from Worldcon—but he started a Gramscian long march through the institutions, and it worked. In the current year conventions, editors, and publishing houses are all cordy-cepted. The sociopaths have pushed the geeks out and have taken over the cultural territory.

    “You made this? <pause> I made this.”

    When the state tries to take your home, they come with guns, and you have to fight them with guns, if at all.

    When a subculture tries to take your home, they come with snark and shame and entryism . . . and you fight them by making better art.

    The bad news for us libertarians is that the cities we built have fallen. The publishers? Gone. The bookstore shelves? Gone.

    But what of it? We have Amazon, we have print on demand, we have Kickstarter.

    And, most importantly of all, we have the vital heart, the radiant core of science fiction: we can tell great stories about ornery individualism, about competent men and women using skills and hard work to overcome challenges. This is the one thing the collectivists can never steal from us, because it is antithetical to their nature.

    There is not an ocean in front of us, dooming us to captivity—there is only sky. The frontier is still open.

    Onward!

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  • Presty the DJ for Aug. 21

    August 21, 2018
    Music

    We begin with two forlorn non-music anniversaries. Today in 1897, Oldsmobile began operation, eventually to become a division of General Motors Corp. … but not anymore.

    (more…)

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  • Four years ago and last week

    August 20, 2018
    Wisconsin politics

    Gov. Scott Walker said last week that he is likely to start out the gubernatorial race behind.

    There has been concern in Republican circles about the larger turnout for Democrats than Republicans in last week’s primary. And Republicans certainly need to get out and get out the vote.

    Keep in mind, though, that (1) Democratic turnout may well have included people who intend to vote Republican in November but voted Democrat because of (2) the gubernatorial race and because (3) they intended to vote for whoever won the U.S. Senate Republican primary.

    For those who panic about polls three months before an election, read this from last week and this from November 2014.

     

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  • About us “enemies”

    August 20, 2018
    media, US politics

    Ripon Commonwealth Press publisher Tim Lyke:

    You know why Ripon claims to be the actual birthsite of the Republican Party?

    The name.

    The “Republican” label was suggested to Alvan Bovay by a newspaper editor.

    In 1850 Bovay moved with his family from Utica, N.Y., to Ripon, Wis., a community comprised of 13 houses. Under his leadership, “Bovay’s addition” grew as he practiced law, co-founded a college and transformed his tiny town into a major bulwark against the spread of slavery.

    In 1852 he returned to New York, where he informed New York Tribune editor Horace Greeley of his plans to start a new party. Excited by his pal’s plans, Greeley recommended Ripon’s movement be dubbed the “Republican” party.

    So there you go.

    An ink-stained wretch gave a name to the abolitionist party rooted in that little white schoolhouse off Blackburn Street.

    Greeley’s role is but a thread in an American tapestry whose fabric is bound by journalists sharing facts and shining lights to make the powerful accountable to the people.

    This is as well publicized as Bob Woodward and Carl Bernstein going door-to-door to ask close-lipped Committee to Re-Elect the President staffers how campaign contributions were ending up in a White House-controlled slush fund.

    It’s also as local as our editor Ian Stepleton creating three-ring binders to organize invoices and escrow account disbursement requests he collected to show Ripon taxpayers how their $6 million were frittered away by a Milwaukee attorney to pay his own law firm; analyze Midwest pizza/pasta bars; research Ripon traffic patterns; make a down payment on brew-pub equipment; hire someone to visit the nation’s top spas; and pay two consultants  to read books about women’s shopping habits.

    Because we have elected an egotist-in-chief who surrounds himself with sycophants reinforcing his belief that rules don’t apply to him personally, professionally or legally, he brands journalists of all stripes who report on his actions as the “enemies of the American people” who are “dangerous and sick” purveyors of “fake news.”

    Attacking reporters is a bipartisan sport. Bernie Sanders calls them “corporate media.” Hillary Clinton decries their “shoddy reporting.” And who said, “My instinct is everybody hates [the] media right now?”

    Barack Obama.

    People who buy ink by the barrel have thick skin.

    Many realize that some of their wounds are self inflicted, given the shortened news cycle, the blurring of news reporting and analysis, and their bull-headed inability to admit that bias and error infect their reporting because they are human.

    But news consumers?

    The day 50+1 percent believe that the press is their adversary is the day a pillar of democracy will topple, flattening the governed under the unchecked weight of those who  govern with impunity and immunity.

    Washington Post Publisher Ben Bradlee was called names we can’t print when he dared publish the truth about Watergate and later, the U.S. role in expanding the Vietnam War.

    I was honored a few years ago to meet this tenacious newspaperman, who history and Hollywood have long since vindicated.

    Power corrupts even the best leaders.

    That’s why James Madison realized government needed independent voices to check its worst instincts.

    If America is at war with that concept, then we deserve whatever authoritarian we elect to unilaterally destroy our Republican party, our nation and our world order.

    The press can be fallible, ignorant, sloppy, sensationalistic, exploitative, rude, profane, irresponsible.

    And when it falls short, readers and viewers can take it to task by changing channels or letting their subscription lapse.

    But when the government falls short, the public may never know it if the press are silenced by a president who divides the nation by stomping on those who refuse to kiss his feet.

    Then the new slaves will be the American people.

    Where is the next Alvan Bovay who will rise up to free people being enslaved by lies, insults and ignorance?

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  • Presty the DJ for Aug. 20

    August 20, 2018
    Music

    Today in 1965, the Rolling Stones released the song that would become their first number one hit, and yet Mick Jagger still claimed …

    Today in 1967, the New York Times reported on a method of reducing the noise recording devices make during recording. The inventor, Ray Dolby, had pioneered the process for studio recordings, but the Times story mentioned its potential for home use.

    Ray Dolby, by the way, is no known relation to the other Dolby …

    Today in 1987, Lindsey Buckingham refused to go out on tour with Fleetwood Mac for its “Tango in the Night” album, perhaps thinking that the road would make him …

    The band probably told him …

    … but look who came back a few years later:

    (more…)

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  • Presty the DJ for Aug. 19

    August 19, 2018
    Music

    How much money would you have paid for tickets for this concert at the Cow Palace in San Francisco today in 1964:

    (more…)

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  • Presty the DJ for Aug. 18

    August 18, 2018
    Music

    How can two songs be the number one song in the country today in 1956? Do a Google search for the words “B side”:

    (Those songs, by the way, were the first Elvis recorded with his fantastic backup singers, the Jordanaires.)

    Today in 1962, the Beatles made their debut with their new drummer, Ringo Starr, following a two-hour rehearsal.

    (more…)

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  • “The BEST MUSIC … ALL SUMMER LONG!”

    August 17, 2018
    Music

    Back when WLS radio in Chicago was a rock station that could be heard over most of the nation, during the summer WLS would run a top-of-the-hour jingle that started with the headline and then the singing of “Music Radio, WLS, Chicago!’

    Then would be played what Inside Radio writes about now, referring to Portable People Meters, a measure of radio or TV audience:

    All indications point to another battle between classic hits and classic rock to be crowned the Format of The Summer of 2018. June and July PPMs show what has become an annual trend: As the temperature rises, so do ratings for the two formats. In June the classic hits format saw its highest 6+ share (5.9) in PPM markets since Nielsen began tracking national format ratings. Classic rock has also begun its share ascent, moving from a 4.9 share in the first five months of the year to a to a 5.2 in June. The Format of the Summer is based on the format with the most uplift in audience between June and August, compared to the first five months of the year. Classic rock has been named the summer’s fastest-growing format for the past two years, while classic hits took the title in the two years prior, 2014 and 2015. …

    Inside Radio caught up with a number of programmers specializing in these gold-based formats to see why the heat brings the ears to classic hits and classic rock stations over the summer months. “Classic rock has always been a ‘windows in the car down, hair blowing in the wind, singing every word loudly, taking you back nostalgically to a great point in your life’ kind of format,” explains WCSX Detroit PD Jerry Tarrants. The longer summer days, he says, increase TSL from the station’s P1’s. That, along with an influx of tune-in from P2 and P3 listeners, “certainly works to our advantage.” he said.

    Summertime activities also lead to more tune-in opportunities. Cumulus Media VP/Programming classic hits Brian Thomas notes, “People are outside, at the beach, on the boat or having a BBQ and love to hear the classic hits they know. All the songs are familiar.”

    Adds Scott Jameson, VP/classic rock for Cumulus, “Many markets have limited warm weather seasons, so it’s a great time to activate the audience on many levels. When you add it up, the energy and activity of the summer many times translates to higher ratings.”

    Jim Ryan, classic hits formatcaptain at Entercom, doesn’t believe listeners flock to classic hits or classic rock stations simply because of the summer months, but he does think that “they are more inclined to stay with the format in the warmer months.” Expanding upon Jameson’s thoughts about parts of the country that get all four seasons, Ryan added, “Between November elections and winter snowstorms, there is more of a need to sample news radio stations and those are our people.”

    Without a doubt, the summer months change people’s perspective. Long summer days turn into warm summer nights and radio serves as an ideal companion.

    “I try to drive tempo more in the warmer months because people want the music on the radio to reflect their mood,” Ryan says. “When someone is up and happy they are more inclined to turn up and sing along with songs like ‘You Shook Me All Night Long’ rather than ‘Who’s Crying Now.’” Thomas agrees: “The audience wants to have fun. Bring on the party.”

    Jameson sees a difference in the mindset of the audience during summer, “particularly in Midwest and northern markets where warm weather doesn’t last long,” he explains. “With kids out of school and parents looking for things to do, rock formats provide a great soundtrack for a variety of activities.”

    The summer months, with their built-in long holiday weekends – Memorial Day, Fourth of July and Labor Day – lend themselves to specialty programming that fits in nicely with the classic hits/rock formats. “I advise the classic rock stations I work with to develop creative ways to re-package the format using these holidays as a backdrop,” Jameson tells Inside Radio. “Gold-based stations don’t have the luxury of exposing new music, so we need to find clever ways to allow old music to sound fresh again. Whether it’s a ‘Rock n’ Roll 500’ over Memorial Day or ‘Four on the Fourth,’ it lets the format breathe a bit and listeners love the various themes.”

    Thomas says “specialty weekends bring in big audience for classic hits. We see this in every market where the station that does a Memorial Day Top 500 scores big.”

    Tarrants likes to keep the specialty weekend themes going throughout the year, not just when the temperature gets above 80 degrees. “In Michigan we experience such significant changes in seasonal climate it allows us some good opportunities to emotionally charge our listeners with some creative imaging all year,” he explained. “We do as much fall/winter seasonal pieces as we do summer.”

    Besides theme weekends, Ryan brings back the tempo of the music and how it shifts from season to season. “In every category in my music scheduling program, you will find ballads on top,” Ryan said. During the warm weather months, he finds himself “skipping over those big time… Save those ballads for a rainy Monday night.”

    Thomas, who previously programmed WCBS-FM before joining Cumulus, says, “We have joked that once it hits 70 degrees in Chicago or 75 when I was in New York we don’t play anymore slow songs, especially on the weekends.” This is something he has seen AC stations do as well, with “no slow songs weekends.”

    Tarrants adds, “Musically when the weather breaks in the spring, I will groom the library… throttling back the darker songs and accelerating the brighter fun-filled themed titles.”

    The Milwaukee radio market proves this point. In the July Nielsen ratings classic hits WRIT (95.7 FM) was rated first by a sizeable margin above news/talk WTMJ (620 AM), with classic rock WKLH (96.5) third.

    That’s somewhat the case in Madison too. The spring ratings showed classic-hits WOLX (94.9 FM) first, contemporary hits Z104 second, news/talk WIBA (1310) third, alternative Triple M fourth, and classic rock WIBA-FM fifth.

    What is the difference between classic hits and classic rock? The always accurate Wikipedia defines “classic hits” as “rock and pop music from the early/mid 1960s through the mid/late 1980s (occasionally early/mid 1990s in some markets),” and “a contemporary version of the oldies format.” “Classic rock,” meanwhile, is “developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format features music ranging generally from the mid-1960s to the late 1980s, primarily focusing on commercially successful hard rock popularized in the 1970s.”

    WIBA-FM in Madison was an AOR station in the 1980s, and has basically not changed the music it plays since the 1990s. WOLX converted from elevator music to be one of Wisconsin’s first oldies stations in the late 1980s, when much of the music it plays now was on such pop stations as Z-104.

    Here are a few YouTube opinions:

    Why might songs of the ’70s or ’80s be more popular than songs of today? Maybe because, despite the unquestionable technological improvements of today, the music then was better … perhaps because the artists and producers had to work harder at it. This New York Times slideshow shows how summer music was quite diverse — as measured by average volume of the song, creative sound, energy, danceability and use of acoustic instruments instead of e-instruments — in the 1980s and 1990s …

    … specifically 1988 …

    … and quite non-diverse in terms of sound this decade:

    There are some songs that, regardless of when they were recorded, say summer, beginning with the official start of summer when …

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  • The aftermath of Dump On Trump Day

    August 17, 2018
    media, US politics

    Non-conservative Jack Shafer wrote before yesterday’s coordinated media attack on Donald Trump — I mean defense of the free press:

    Nothing flatters an independent journalist less than the sight of him forming a line to drink from the same fountain as his colleagues. Such a spectacle will unfold on Thursday, August 16, as 200 or more editorial pages will heed the call sounded by Boston Globe op-ed page editor Marjorie Pritchard to run editorials opposing President Donald Trump’s unrelieved press-bashing. Participating dailies include the Houston Chronicle, the Minneapolis Star Tribune, the Miami Herald and the Denver Post, as well as the Globe. Joining the movement are the American Society of News Editors and the New England Newspaper and Press Association. Dan Rather is on board, as is the Radio Television Digital News Association.

    “Our words will differ. But at least we can agree that such attacks are alarming,” Pritchard’s appeal declared.

    It goes without saying that press bashing, Trump-style, is alarming. His critiques rarely point to genuine inaccuracies in the press. Instead, his method is to dismiss any news that impedes his agenda or disparages him as fake and dishonest. With demagogic bluster, he routinely deploys “enemies of the people” rhetoric against journalists, which some say has inspired physical threats against journalists. Early this month, he tweeted that reporters are “dangerous & sick” and accused them of causing war (!) and purposely causing “great division & distrust.” Early in his presidency, Trump said, “I’ve never seen more dishonest media than, frankly, the political media.”

    Most journalists agree that there’s a great need for Trump rebuttals. I’ve written my share. But this Globe-sponsored coordinated editorial response is sure to backfire: It will provide Trump with circumstantial evidence of the existence of a national press cabal that has been convened solely to oppose him. When the editorials roll off the press on Thursday, all singing from the same script, Trump will reap enough fresh material to whale on the media for at least a month. His forthcoming speeches almost write themselves: By colluding against me, the fake media proved once and for all, that they are in cahoots with the Democrats and have declared themselves to be my true political opposition …

    The Globe’s anti-Trump project is also an exercise in redundancy, not to mention self-stroking. Most newspapers have already published a multitude of editorials and columns rebuking the president for his trash-talking of the press. Most major editorial boards opposed Trump’s election, according to this tally by Business Insider. The largest of the 19 newspapers to endorse Trump was the Las Vegas Review-Journal, owned by one of his faithful donors, Sheldon Adelson. More than 240 endorsed Hillary Clinton. Editorial-page sentiment against Trump remains largely unchanged since the election, making the call for a collective reprimand all the more pointless.

    Another problem with a nationally coordinated pro-press catechism is that the audience likely to reap the greatest benefit from the haranguing—Trump and many in his base—tends not to read newspapers in the first place. While there’s always value in preaching to the choir—that’s why churches hold services every Sunday—the combined weight of 200 pro-press editorials is not likely to move the opinion needle or deter Trump from defaming and threatening reporters.

    Most newspaper editorials are already a watered-down product of groupthink. It’s unlikely that expanding the size of the group and encouraging everybody to bake and serve a tuna-fish casserole on the same day will produce editorials that are more interesting and persuasive than the normal fare.

    But maybe I’m wrong. If a single day of pro-press editorials is a good idea for a collective assignment, then maybe newspapers should set aside next Saturday for 200 editorials on tariffs and next Sunday for 200 editorials on global warming and next Monday for 200 editorials on Afghanistan. Surely these issues are as compelling and urgent as press freedom.

    For all its faults, the American press refuses the commands from critics who would have it operate like some monolithic entity. Almost daily, our best newspapers express their independence by rejecting the marching orders issued by corporations, politicians and governments. Editorial pages of America, don’t unite! Think for yourselves! Reject this stupid pro-press assignment!

    I did.

    The Los Angeles Times …

    More than 300 newspapers around the country will participate today in a group protest of President Trump’s frequent attacks on the news media. Each of the papers will publish editorials — their own separate editorials, in their own words — defending freedom of the press.

    The Los Angeles Times, however, has decided not to participate. There will be no free press editorial on our page today.

    This is not because we don’t believe that President Trump has been engaged in a cynical, demagogic and unfair assault on our industry. He has, and we have written about it on numerous occasions. As early as April 2017, we wrote this as part of a full-page editorial on “Trump’s War on Journalism”:

    “Trump’s strategy is pretty clear: By branding reporters as liars, he apparently hopes to discredit, disrupt or bully into silence anyone who challenges his version of reality. By undermining trust in news organizations and delegitimizing journalism and muddling the facts so that Americans no longer know who to believe, he can deny and distract and help push his administration’s far-fetched storyline.”

    We still believe that. Nevertheless, the editorial board decided not to write about the subject on this particular Thursday because we cherish our independence.

    The Los Angeles Times editorial board does not speak for the New York Times or for the Boston Globe or the Chicago Tribune or the Denver Post. We share certain opinions with those newspapers; we disagree on other things. Even when we do agree with another editorial page — on the death penalty or climate change or war in Afghanistan, say — we reach our own decisions and positions after careful consultation and deliberation among ourselves, and then we write our own editorials. We would not want to leave the impression that we take our lead from others, or that we engage in groupthink.

    The president himself already treats the media as a cabal — “enemies of the people,” he has called us, suggesting over and over that we’re in cahoots to do damage to the country. The idea of joining together to protest him seems almost to encourage that kind of conspiracy thinking by the president and his loyalists. Why give them ammunition to scream about “collusion”?

    We mean no disrespect to those who have decided to write on this important subject today. But we will continue to write about the issue on our own schedule.

    … and the San Francisco Chronicle participated by saying they weren’t participating:

    One of our most essential values is independence. The Globe’s argument is that having a united front on the issue — with voices from Boise to Boston taking a stand for the First Amendment, each in a newspaper’s own words — makes a powerful statement. However, I would counter that answering a call to join the crowd, no matter how worthy the cause, is not the same as an institution deciding on its own to raise a matter.

    Our decision might have been different had we not weighed in so often on Trump’s myriad moves to undermine journalism: from calling us “enemies of the American people” to invoking the term “fake news” against real news to denying access to reporters who dare do their jobs to slapping tariffs on newsprint to requesting the prosecution of reporters who reveal classified information to threatening punitive actions against the business interest of owners of CNN and the Washington Post.

    The list goes on.

    It’s worth pausing to note the role of the editorial board. At The Chronicle, as with most American newspapers, the position on the unsigned pieces on the editorial page reflect the consensus of a board that includes the publisher and the editors and writers in the opinion department. That operation is kept separate from the news side, where editors and reporters make their judgments without regard to the newspaper’s editorial positions. This includes the endorsements we make in elections.

    I am well aware that this “separation of church and state” — as we call it — is well understood and enforced within the building, but is not universally known or accepted by Americans, especially on the far left and right, who might be skeptical of mainstream media.

    This brings me to my other concern of the Globe-led campaign: It plays into Trump’s narrative that the media are aligned against him. I can just anticipate his Thursday morning tweets accusing the “FAKE NEWS MEDIA” of “COLLUSION!” and “BIAS!” He surely will attempt to cite this day of editorials to discredit critical and factual news stories in the future, even though no one involved in those pieces had anything to do with this campaign.

    Yes, those of us in the journalism profession dohave a bias that the health of our democracy depends on vigorous reporting that can keep the people in power accountable. That is no less essential whether an elected official is Republican or Democrat, hostile or friendly to the press.

    Our editorial page will continue to speak out against this president’s war on the free press. Our silence on Thursday is testament to our commitment to do it in our own way, on our own timetable.

    The New York Post managed to not make it just about Trump:

    The Boston Globe has asked for a coordinated response today from newspapers across the country, to oppose President Trump’s labeling journalists as an “enemy of the people.”

    Who are we to disagree? We support a free and vibrant press, a nation where the powerful are held to account by the Fourth Estate. Journalists are not the enemy of the people; we’re advocating for the people. We stand with our colleagues.

    Will this make a difference? Not one whit.

    Nor will it stop Nancy Pelosi from claiming that NBC is trying to undermine her because it quoted elected officials, or Gov. Andrew Cuomo from accusing a NY1 reporter of bias because he asked a question.

    And it certainly won’t deter Mayor Bill de Blasio, who despises a free press as vehemently as does our president. De Blasio has bashed the Times and Crain’s, accused Bloomberg News of being biased, wished for the death of the Daily News and, oh, said the world would be a better place without The Post.

    It may be frustrating to argue that just because we print inconvenient truths doesn’t mean that we’re fake news, but being a journalist isn’t a popularity contest. All we can do is to keep reporting.

    Trump and de Blasio will continue to bash the press because it riles up their bases. When you can’t argue the merits, you blame the messenger.

    We have faith. As the Bard put it, “At the length truth will out.”

    Facebook Friend Michael Smith adds:

    I know the press thought unifying 300+ newspapers behind a single theme was a great idea but it also revealed the very reason President Trump called them “the enemy of the people”. I noted in an earlier post (from my blog post of 6 years ago) that even Democrat pollster Pat Caddell called the press the same during the Benghazi scandal.

    What this little stunt revealed is how much power the press has to spread lies of commission and omission, half-truths and rumors. Today, a lot of the reporting amounts to outlets reporting on what another news outlet reported – reporters reporting on other reporters, so a single voice gets pushed through the biggest megaphone in America.

    When you have that big a megaphone, one would think the press would feel an overwhelming responsibility to get it right – but they don’t. They report based on preconception and an agenda, one designed to bring this administration down. Printing and reporting incomplete and in some cases, false information, not only makes them the enemy of the people (who count on them for accurate and factual information) but it disgraces their profession.

    Can you imagine how long a broadcast meteorologist would last if they only reported the weather based on what they wanted it to be rather than what the science told them? If that person was consistently wrong, it wouldn’t be long before nobody would watch or trust that person’s forecasts.

    The press is reporting the weather they way they want it to be rather than what it is and rather than recognizing their error and correcting it, they are choosing to tell America why we should just believe them when they tell us it is sunny and the rain is pouring down. It doesn’t matter if 300 weather “experts” are telling you the sun is out and you are getting wet. Quantity of opinion doesn’t make something real.

    Once again, the press sent a strong message to the public – but as is becoming all too common these days, it wasn’t the message they thought they were sending.

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  • Presty the DJ for Aug. 17

    August 17, 2018
    Music

    The Beatles were never known for having wild concerts. (Other than their fans, that is.)

    Today in 1960, the Beatles played their first of 48 appearances at the Indra Club in Hamburg, West Germany. The Indra Club’s owner asked the Beatles to put on a “mach shau.” The Beatles responded by reportedly screaming, shouting, leaping around the stage, and playing lying on the floor of the club. John Lennon reportedly made a stage appearance wearing only his underwear, and also wore a toilet seat around his neck on stage. As they say, Sei vorsichtig mit deinen Wünschen.

    Four years later, the council of Glasgow, Scotland, required that men who had Beatles haircuts would have to wear swimming caps in city pools, because men’s hair was clogging the pool filters.

    Today in 1968, the Doors had their only number one album, “Waiting for the Sun”:

    (more…)

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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