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  • Journalism, Wisconsin style

    November 5, 2018
    media, Wisconsin politics

    The Badger Institute has two observations about Wisconsin print media.

    First, Mike Nichols:

    In 1997, back in another life, I was a reporter covering City Hall for the Milwaukee Journal Sentinel. Like many of my colleagues, I prided myself on keeping my political opinions out of my stories and tried my best to keep them out of the newsroom.

    The truth was, though, that covering local government in Milwaukee had solidified my conservative leanings. I’ve never understood why most reporters — front-row witnesses to the fallibility of government officials and big government programs — remain stalwart liberals.

    But they do.

    Which is why the then-editor of the paper about fell off her chair when I told her, in the course of an interview for a job as a columnist in conservative Waukesha County, that I had voted for Bob Dole.

    The confession, which I didn’t make lightly, didn’t work. I didn’t get the job, although later, her successor, a very even-handed and wise editor by the name of Marty Kaiser, let me write a different column. Marty has left the Journal Sentinel and so, it seems, has any real effort for the paper, now owned by Gannett, to remain objective, focus on anything much of real interest to readers in the center or on the right or even be transparent about the source of the money for many of its stories.

    Dan Benson’s article about Gannett’s reliance on stories from the Wisconsin Center for Investigative Journalism proves that. The University of Wisconsin-Madison should not be donating space in its journalism program to this group, and “mainstream” papers should disclose the group’s major funders and left-leaning bias every time they publish a WCIJ story.

    As an old newspaper hack who worked in a newsroom where we never would have considered handing over news space to an outside group — especially one with a history of questionable funding sources — I find the lack of transparency surprising to say the least.

    Though, I concede, probably not to everyone.

    It’s clear that the Gannett newspapers, at least the one in Milwaukee, have a progressive mindset. Story choices seem largely driven by identity politics and racial and gender score-keeping.

    I happen to be writing this on a Friday morning and have the Journal Sentinel on my desk. In addition to an even-handed treatment of the Kavanaugh-Ford hearing the day before and a column by Jim Stingl, the front page was burdened by a story on “greater gender equity” in films at the 2018 Milwaukee Film Festival.

    Page 2 was taken up with a PolitiFact story pointing out that U.S. Sen. Tim Kaine, the former Democratic nominee for vice president who said that Donald Trump “would be a disaster for the economy,” was “no doubt” right when he also said that the “national economy was strong in its largest expansion of private-sector jobs before President Trump came into office.”

    Page 3 included a story about “implicit bias” that causes people to categorize by race and gender.

    That’s just one day.

    None of this will change. Papers no longer have the revenue to pay veteran staff to produce an array of stories that editors can choose from or bury, kill or play up. Journalism mostly attracts young, underpaid liberals who likely get little direction from overworked editors. When they come in at the end of the day with stories that don’t break any real news but do fill a hole, the hole must be filled.

    But here I am complaining about old news and writing about it at the same time. The question is how to move forward in a world where the old, basically objective platforms have moved left while social media is too disjointed and cluttered and unreliable to fill much of the void.

    At the national level, The Wall Street Journal asks the questions and tells the stories that The New York Times can’t see or get.

    We badly need something like that, something sustainable in digital form, here in Wisconsin. We’re proud of what we’re doing here with Diggings. But it’s just a start.

    Now, Dan Benson:

    On Aug. 20, the Milwaukee Journal Sentinel and the 10 other Gannett-owned newspapers in Wisconsin published an article from the Wisconsin Center for Investigative Journalism charging that the Republican-led Legislature, in an effort to limit input from the public and Democrats, took significantly less time than in the past to approve laws such as Act 10.

    Assembly Speaker Robin Vos (R-Rochester) calls the study on which the story was based “politically motivated and superficial.”

    Walker administration spokeswoman Amy Hasenberg questions the newsworthiness of the study.

    “Normally, people criticize the government for moving too slowly. … This must be the first piece I’ve seen criticizing one for getting too much done for the people it serves,” Hasenberg says.

    The authors of the article, who are not employed by Gannett but regularly feed stories to the Gannett newspapers, defend their motives not by answering the criticisms directly but with the simple bromide that the Wisconsin Center for Investigative Journalism (WCIJ) is “independent, nonpartisan and nonprofit.”

    But is it? And do those descriptions mean it’s unbiased?

    The newspaper industry’s decline is well-documented. For more than a decade, it has been hemorrhaging readers and revenue. There are far fewer print journalists than there were just a few years ago. Newspaper downsizings and closings are frequent occurrences.

    Once-grand newspaper office buildings and their newsrooms are now veritable ghost towns — filled more with memories of clacking typewriters, ringing telephones and bellowing editors than with working journalists.

    In 1990, nearly 458,000 people were employed nationally in the newspaper industry. By March 2016, there were about 183,000, a plunge of almost 60 percent, according to the Bureau of Labor Statistics.

    While some national papers such as The New York Times tout increased subscriptions, most large metro dailies are not so fortunate.

    The Journal Sentinel and the 10 other newspapers in the Gannett Wisconsin group — which include the Appleton Post-Crescent, Green Bay Press-Gazette, Oshkosh Northwestern and Sheboygan Press — are no exception.

    According to Gannett’s statement of ownership, management and circulation published on Oct. 3, the Journal Sentinel’s Sunday circulation has fallen under 143,000. The Milwaukee Journal’s Sunday peak was 600,000 in 1985; the Journal Sentinel’s Sunday circulation after the 1995 merger of The Journal and the Milwaukee Sentinel was 466,000. The Journal Sentinel’s daily circulation is now about 99,000, down from a 1985 peak of 375,000 for The Journal and 328,000 for the Journal Sentinel in 1995.

    Unofficial totals are even worse, with 134,000 subscribers on Sunday and 82,000 daily, according to newsroom sources.

    The drop among the 10 other Gannett Wisconsin newspapers has been precipitous as well, with more than a fifth of their Sunday readers lost since 2015.

    The attempt to shift readers to Gannett’s digital platforms also has been slow going. While hundreds of thousands of print subscribers have been lost, the Journal Sentinel has only 28,000 digital subscribers, newsroom sources say.

    Nationwide, only 18 percent of Americans say newspapers are their primary source of news, while 78 percent of those younger than 50 say they get most of their news through social media.

    Fewer journalists and news outlets with dwindling resources mean less coverage and fewer investigations.

    Nonprofit news operations supported by individuals and foundations, many of which have pet causes or political agendas, have helped fill those gaps. They often offer content to news outlets at no cost.

    Those stories might not be fully vetted by understaffed and harried editors, who also may be sympathetic to the cause or issue raised in the story, be it gun control, environmentalism or women’s rights. And because of their supposed depth, the stories often run on the front pages, not in opinion sections, and sometimes even in the Sunday editions, where newspapers usually publish staff-produced investigations.

    WCIJ’s website touts that from July 2013 through January 2018, its stories were printed, published online or aired 742 times by Wisconsin newspapers, television stations and radio stations. The site also states that more than 300 WCIJ stories have been published by 600 separate news organizations nationwide with a combined reach of 56 million people since 2009.

    A search of the Journal Sentinel website shows that the paper has published or reported on WCIJ articles, either in print or online, at least 10 additional times from January through August 2018.

    Not revealed by the Journal Sentinel, however, is that WCIJ is primarily funded by organizations that closely align themselves with political philosophies or issues typically seen as progressive or left of center.

    One, for instance, is the Chicago-based Joyce Foundation, a leading gun control advocate in the country. Since 2013, the foundation has contributed $250,000 to WCIJ.

    The primary funding source for WCIJ for years, however, was George Soros.

    Soros has been the prime financial engine behind nonprofit journalism around the world.

    In 2017, the 88-year-old Hungarian-American investor and philanthropist donated $18 billion to his Open Society Foundations. The donation depleted his $23 billion fortune at the time, knocking him down from No. 20 to 59 on the Forbes list of the richest people in America.

    Soros is a well-known backer of liberal causes and candidates, having given millions to Moveon.org and the Center for American Progress. He spent $27 million in 2004 in an unsuccessful effort to defeat President George W. Bush’s re-election and another $15 million in an attempt to mobilize Latino voters to support Hillary Clinton in 2016.

    Journalism outlets funded by Soros include ProPublica, National Public Radio, Columbia Journalism Review and scores of nonprofit journalism schools and programs worldwide, including the Wisconsin Center for Investigative Journalism.

    Acceptance of Soros money by journalists who contend they are neutral has been roundly criticized.

    In 2010, Soros, via Open Society, donated $1.8 million to National Public Radio. The Columbia Journalism Review said NPR’s credibility was damaged by taking money from “lefty moneybags George Soros,” while admitting that Soros also contributes to CJR.

    Former Washington Post media critic Howard Kurtz, now with Fox News, criticized the donation to NPR in a Daily Beast article: “No news organization should accept that kind of check from a committed ideologue of any stripe. … the perception is terrible.”

    Other journalism operations or groups to which Soros has donated include the National Association of Hispanic Journalists, the Committee to Protect Journalists, Center for Public Integrity and the Center for Investigative Reporting.

    One analysis estimates that at one point, Soros had spent about $48 million on journalism schools, nonprofits such as WCIJ and like-minded foundations that in turn also fund news projects. Another analysis identifies more than 30 news operations whose boards are populated with editors and higher-ups of Soros-funded organizations. These include The New York Times, Washington Post, The Associated Press, NBC and ABC.

    An analysis by the conservative Media Research Center says that Soros has helped fund 180 separate journalism-related foundations, publications, nonprofits and other outlets worldwide with a combined reach of more than 330 million people every month.

    Soros has been a major funder of WCIJ — a fact the average readers picking up a newspaper over the many years that Gannett has been publishing WCIJ articles would not know. Readers would have to go to the WCIJ website to get that information.

    According to the WCIJ site, Soros’ Open Society Foundations gave WCIJ $185,000 from 2009 through 2011 and upped it to $900,000 from 2012 to 2016, accounting for more than 40 percent of the center’s $2.05 million funding over that five-year period, according to its 2016 tax return. Total contributions to WCIJ in 2017 were $320,857, down from $522,995 in 2016. Donors were not detailed in the 2017 tax return.

    Current WCIJ funding sources are not listed on its website, but Executive Director Andy Hall says in an email that Open Society Foundations has provided no funding since 2016.

    Asked why, Hall replies:

    “WCIJ hasn’t sought OSF funding since 2016. We are not aware of current grant opportunities there.

    “WCIJ would consider seeking revenue from any source if the terms comply with WCIJ’s Policy on Financial Support, which requires, among other things, that WCIJ exercise full journalistic independence and that all donors be publicly identified.”

    Hall did not respond to follow-up questions.

    A list on its website of other WCIJ supporters include the Milwaukee Journal Sentinel, Green Bay Press-Gazette, Appleton Post-Crescent, Wisconsin State Journal, Wisconsin Public Radio, Wisconsin Newspaper Association Foundation and Madison television station WISC-TV.

    An in-kind contributor is the State of Wisconsin, which donates space for WCIJ offices on the University of Wisconsin-Madison campus at 821 University Ave., 5006 Vilas Communication Hall, home of the university’s journalism program. The offices are offered in exchange for the center’s involvement in training journalism students.

    In June 2013, the Legislature’s Joint Finance Committee proposed kicking the center off campus. Gov. Scott Walker vetoed the decision.

    Despite its association with UW-Madison and support from Wisconsin news outlets, the vast majority of the center’s money comes from outside Wisconsin.

    Its largest in-state contributor is the Evjue Foundation, the charitable arm of the self-described progressive Capital Times, according to the WCIJ website. Evjue donated just $20,000 to the center in 2014 and 2015 and increased it to $30,000 in each of the next three years, accounting for less than 10 percent of the center’s funding.

    Despite receiving much of their funding from left-leaning individuals and organizations, most nonprofit journalism operations, such as WCIJ and ProPublica, say they are independent and not influenced by donors.

    Yet over and over, their articles are closely aligned with causes and political viewpoints of its donors, including those of Soros.

    For instance, beginning in November 2014, WCIJ produced more than two dozen stories under a project titled “Scott Walker’s Wisconsin,” which it described on its website as “a collection of the Center’s coverage of Walker’s time as governor, from his attack on public sector unions to his record on the environment.”

    WCIJ is a 501(c)(3) organization, which means it cannot directly engage in campaigning or electioneering. However, the group is legally allowed to have a perspective, and its stories reflect that.

    Coverage has been decidedly critical of Walker’s administration. Stories range from documenting troubles at the Wisconsin Economic Development Corp. to the failed John Doe investigation into Walker’s political campaigns by Milwaukee County District Attorney John Chisholm.

    While journalists should critically examine politicians and their policies, and be lauded for doing so, the series included no stories on how the John Doe probe was thrown out and investigators were disciplined or on any positive accomplishments by the Walker administration, such as huge savings for school districts because of Act 10. The series also failed to include any negative coverage of Democratic Party politics or fundraising. …

    Journal Sentinel Editor and Gannett Wisconsin Regional Editor George Stanley says his papers are careful whenever they publish a WCIJ investigation.

    “Before using any of the Center’s projects, we evaluate them for importance to readers and journalistic standards,” Stanley wrote in an email. “We wouldn’t use one of their reports if we saw any sign that it was not independent reporting.”

    Yet nowhere does the Journal Sentinel include information on who funds WCIJ, absolving itself because the information is available elsewhere, thus leaving it up to readers to do their own research.

    For its part, the Badger Institute, which publishes this magazine as well as other journalism and a wide array of policy research, receives funding from many individuals and foundations.

    Its major funding source for decades has been the Lynde and Harry Bradley Foundation, which, according to its website, supports “the study, defense and practice of the individual initiative and ordered liberty that leads to prosperity, strong families and vibrant communities.” Core Bradley principles include fidelity to the Constitution and commitment to free markets and civil society.

    The Journal Sentinel and other outlets have prominently mentioned in news articles the Bradley Foundation as a funder of groups such as the Badger Institute or its predecessor, the Wisconsin Policy Research Institute. Increasingly — whether due to lack of space, lack of reporters, lack of interest or some other motive — the mainstream press does not seem to publish information from Bradley-funded groups, let alone give Bradley-funded groups space for bylined stories. …

    Asked why the Journal Sentinel does not report that fact for readers, Stanley says the newspaper has, offering as evidence a 2011 Daniel Bice column that essentially was a defense of WCIJ after Republicans in the state Legislature complained about its perceived bias.

    Fred Brown, in his book, “Journalism Ethics: A Casebook of Professional Conduct for News Media,” argues that journalists need to be transparent about their connections and “be up front” about their relationship to funding sources.

    Or as a Columbia Journalism Review article on the 2010 report co-authored by WCIJ stated:

    “Nonprofit journalists should turn their investigative instincts on their donors and themselves. By vetting funders and striving to be as transparent as possible about where the money comes from, news organizations can mitigate the sort of accusations of conflicts of interest they would aim to expose in any other arena. As the report says, ‘It is better to reveal one’s funding sources and be criticized, than not to reveal and have the information surface elsewhere.’ ”

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  • Presty the DJ for Nov. 5

    November 5, 2018
    Music

    Today in 1956, Nat King Cole became the first black man to host a TV show, on NBC:

    The number one single today in 1966:

    Today in 1971, Elvis Presley performed at the Met Center in Bloomington, Minn. To get the fans to leave after repeated encore requests, announcer Al Dvorin announced, “Elvis has left the building.”

    (more…)

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  • Presty the DJ for Nov. 4

    November 4, 2018
    Music

    Today in 1963, John Lennon showed his ability to generate publicity at the Beatles’ performance at the Royal Variety Show at the Prince of Wales Theatre in London. The Queen Mother and Princess Margaret were in attendance, so perhaps they were the target of Lennon’s comment, “In the cheaper seats you clap your hands. The rest of you, just rattle your jewelry.”

    Lennon would demonstrate his PR skills a couple of years later when he proclaimed the Beatles were “bigger than Jesus.”

    The number one single today in 1965:

    The number one single today in 1972:

    Today in 1990, Melissa Ethridge and her “life partner” Julie Cypher appeared on the cover of Newsweek magazine for its cover story on gay parenting.

     

    I bring this up only to point out that Etheridge and Cypher no longer are life partners, Cypher (the ex-wife of actor Lou Diamond Phillips) is now married to another man, and Etheridge became engaged to another woman, but they split before their planned California wedding. And, by the way, Cypher had two children from the “contribution” of David Crosby, and Etheridge’s second woman had children from another man. And, by the way, Newsweek is no longer a weekly magazine.

    (more…)

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  • Presty the DJ for Nov. 3

    November 3, 2018
    Music

    The number one single today in 1956:

    Britain’s number one single today in 1960:

    The number one single today in 1962:

    Today in 1964, a fan at a Rolling Stones concert in Cleveland fell out of the balcony. That prompted Cleveland Mayor Ralph Locker to ban pop music concerts in the city, saying, “Such groups do not add to the community’s culture or entertainment.” Kind of ironic that the Rock and Roll Hall of Fame ended up in Cleveland.

    (more…)

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  • The hazards of firing your coach

    November 2, 2018
    Packers

    Lost between the Brewers’ season and the start for the Bucks is the underwhelming 3–3–1 start for the Packers, a mark likely to drop to 3–4–1 after Sunday’s Patriots game.

    So, of course, there are calls to fire coach Mike McCarthy. My opinion in such circumstances is to …

    FIRE EVERYBODY!

    But a Facebook Friend who, unlike 99 percent of football fans, played both college (Badgers) and NFL football, passed on a post in a couple of parts I found at FootballsFuture.com about firing McCarthy if the Packers don’t make the playoffs:

    • I have a suggestion.  Fire Mike McCarthy and then hire Mike McCarthy.  God you guys.  Be careful what you wish for.  We already have a very good HC.  I understand the frustration we had a lost season last year.  This year also not so great.  Last year Aaron was gone.  This year Aaron is playing on a bad leg.  It’s not MM it’s Aaron.  Team is making good progress.  Pettine is turning the Defense around.  On Offense they are OK but not great.   A lot of this is because of Aaron.  Give him major credit for playing through the injury but it is clearly affecting his play.  MM had the team ready to go.  We have had a few bad breaks this year.  Is what it is.  Firing the HC is not the answer IMO.  If they were coming out flat like that first half of the opener  I’d be on board.  The team is playing hard.  MM has not lost them.  Listened to Aaron’s presser see no problems there.  Barring a complete collapse I’d like to give him at least another season to turn this thing around.

    (The first sentence sounds stupid, but that actually happened once in the NFL. Los Angeles Rams owner Dan Reeves — unrelated to the Broncos, Giants and Falcons coach — fired coach George Allen Dec. 31, 1968 for what Reeves called a “personality conflict,” despite Allen’s 11–1–2 and 10–3–1 records the previous two seasons. Twelve days later, after several players threatened to retire, Reeves, who had said that “winning with Allen wasn’t fun,” rehired his former coach. Allen was fired two seasons later, then rehired by the Rams’ next owner seven years later, only to be fired during the preseason due to a revolt by the players.)

    • Moving on from MM isn’t the problem – moving on to who is the problem. Do you want a guy like Dan Devine, Bart Starr, Forrest Gregg, Lindy Infante, Ray Rhodes, or Mike Sherman? All of those guys were supposedly solutions to the problem. It’s a fricken crapshoot. LIS elsewhere, loosely speaking, 90% of head coaches fail. For every Sean McVay there are 10 Marc Trestmans. Watch some games from last year and ask yourself if it was coaching or talent. That’s the best argument I can give. I’m glad I don’t have to make the decision. Choose poorly and you burn up the rest of Rodgers’ career. I think I want to see one more year with the revamped receiving corps and a draft with two number picks that doesn’t suck azz like TT’s last few drafts which depleted the roster.
    • 11 of the past 15 years we have drafted above # 20.   Be careful blaming either the GM or the Head coach for the lack of talented difference – makers. Ted made great picks in bad positions in the beginning but then had three bad years in a row. With his philosophy on FA it is no surprise that I believe we have below level talent in a lot of spots. A dearth of talent with respect to ones opponents will begin to weigh heavily. I think we would be in the middle of a long drought without Rodgers. I thin MM has done well with what he has had. I favor keeping him with two # 1s and Gutekunsts new FA philosophy.

    From the resignation of Packers general manager/coach Vince Lombardi to the hiring of general manager Ron Wolf is known as the Gory Years for good reason. Packers.com writer Cliff Christl was asked why the Packers were so bad between Lombardi and Wolf, and Christl gave this answer:

    Twenty-four years of mediocrity (1968-91) can’t be explained in black-and-white terms. It’s an all-gray story and the fault lies everywhere.

    I recall writing at some point in the 1980s that the Packers had become victims of their own inertia. The point I was trying to make was that no matter what they did, it made no difference. They were stuck in a rut and couldn’t get out of it for more reasons than one could ever address in a forum such as this.

    I remember having lunch with Wolf soon after he was hired. He had been a good source of mine for years when he was in Oakland and Tampa Bay. Anyway, at that lunch, he asked me what I thought about having some of the Packers’ former greats serve as honorary captains for games the next season. I didn’t say it, but my initial reaction was: Are you kidding me? For 13 years, while Bart Starr and Forrest Gregg were coaching, one of the most often heard complaints was that the Packers were living in the past and unable to cut ties with the Lombardi era. Now, here was Wolf, with no previous ties to the franchise, primed to make it his cross to bear.

    But that’s what it took for change to occur. Wolf went further than Starr or Gregg ever did to promote the Packers’ rich tradition and feed off their glorious past. And he got away with it because he was an outsider. Not only that, it played a huge part in his effort to restore the Packers’ image and credibility across the country.

    That’s why I wouldn’t blame the executive committee any more than the coaches or players for how bad things got. At the same time, that’s where I’d start because the committee was 0-for-4 when it came to hiring coaches.

    Although Vince Lombardi might have named Phil Bengtson as his coaching successor without consulting anyone, the executive committee gave Bengtson the added title of general manager a year later. That made a bad mistake worse. Hiring Devine and Starr as combination GMs/Head Coaches were terrible mistakes. Stripping Starr of his GM title in 1980 and then not following through on the decision by hiring a credentialed GM only complicated a bad situation.

    Four years later, the executive committee signed off on hiring Gregg as coach and all but paved the way for his paranoia to run amok.

    Gregg admitted as much to me during an interview in his second to last season as Packers coach. In Cleveland, where he cut his teeth as a head coach, Gregg’s personnel director, Bob Nussbaumer, was caught spying on him at the behest of owner Art Modell. Worse yet, Gregg felt he was undermined by a handful of veteran players there.

    Still haunted by those memories almost a decade later, Gregg said it was a factor in some of the most important decisions he made in Green Bay. “You bet your sweet apple pie it was,” he confessed to me in 1986.

    More than a year earlier, Gregg had hired Chuck Hutchison, one of his former players and assistant coaches, to be his right-hand man in Green Bay’s front office. What’s more, Gregg insulated himself from some of the competent holdovers from the Devine and Starr regimes, creating schisms in the Packers’ personnel department and other areas of the front office that festered for up to another eight years.

    In an interview last fall, Packers radio play-by-play man Wayne Larrivee questioned me about the executive committee’s interference during those dark days in the ‘70s and ‘80s. My answer was something to this effect: I know Bob Harlan has talked about that being a problem, but I don’t buy it. I told Larrivee that Harlan was just being kind. The problem was incompetence, not interference, all the way up the ladder.

    Just recently at a meeting, I informed Bob of what I said. He laughed and acknowledged that I was spot on.

    The only coach during those two decades who might have suffered from interference was Devine. Bengston, Starr, Gregg and Lindy Infante were victims of their own flaws, not executive committee interference.

    Given Devine’s apocalyptically disastrous decision to send five draft picks (including “a-one and-a-two and-a-three”) to the Los Angeles Rams to acquire the recently benched John Hadl (who played for the Rams between Allen and Allen) as quarterback, maybe the Executive Committee should have interfered more with Devine.

    Lombardi replaced himself as coach with defensive coordinator Phil Bengtson, who was fired in 1971 because he didn’t have anywhere near Lombardi’s success. (For one thing, GM Lombardi’s players got old and neither he nor Bengston successfully replaced most of them.) Devine, previously the Missouri coach (and chosen after Allen turned down the Packers supposedly because his wife didn’t like cold weather and instead of Penn State coach Joe Paterno), produced one playoff season, then left for Notre Dame perhaps a season before he would have been fired, replaced by former Packer quarterback Bart Starr, for whom it’s a stretch to say he was qualified to be the head coach or GM, particularly given the nonexistent draft picks Devine left him.

    As with Devine, Starr had one playoff season, though he had three near-playoff seasons, the last of which resulted in his replacement by his former teammate Forrest Gregg …

    … who unlike Starr had head coaching experience (including leading Cincinnati to a Super Bowl), but like Starr had no GM experience. Gregg duplicated Starr’s last season twice, then blew up the roster but failed to improve the roster, then left for his alma mater, Southern Methodist University. Gregg’s replacements were GM Tom Braatz and coach Lindy Infante (Gregg’s offensive coordinator in Cincinnati), who produced one near-playoff season, but that was it.

    Wolf waited until the day after the 1991 season ended, then fired Infante. Wolf hired the right coach, Mike Holmgren (Wolf’s second choice when Bill Parcells turned him down, as Lombardi was the second choice after Iowa’s Forest Evashefski turned them down), but had to replace Holmgren when Holmgren decided he wanted to be a GM/coach too. Wolf’s next, Ray Rhodes, lasted one 8–8 season. Hire numb3er three, Mike Sherman, lasted one season as coach, then got promoted to GM/coach (wrongly, but for understandable reasons) when Wolf retired. Sherman’s GM replacement was Ted Thompson, who was Sherman’s boss for one season before firing him and hiring McCarthy.

    With a new general manager, Brian Gutekunst, there is historical precedent for McCarthy’s firing if for no other reason than Wolf and Thompson wanting their own coach. But as the first Facebook post says, be careful what you wish for. Gregg was not a better hire than Starr, and the NFL has a long list of coach firings that were not improvements, unless you believe that Ed Biles was a better coach than Bum Phillips, or that Barry Switzer was a better NFL coach than Jimmy Johnson.

    There is a school of thought to fire McCarthy and replace him with one of his coordinators, both of whom, Joe Philbin on offense and Mike Pettine on defense, are former NFL head coaches. The head coaching records of Philbin (24–28 in Miami) and Pettine (10–22 in Cleveland) do not suggest them as promising repalcements for McCarthy.

    If the Packers intend on firing McCarthy, that’s an obvious sign that the Packers are starting over, which means forget about 2019 and probably 2020. Recall that McCarthy took two seasons to get to the playoffs with Brett Favre, and needed two more seasons with Aaron Rodgers to get to the playoffs. So McCarthy’s firing, if it takes place, would be a sign that Rodgers, arguably the best in the NFL (though the Patriots’ Tom Brady has four more Super Bowl wins), is not long for the franchise. The chances of the Packers’ successfully twice replacing a quarterback who at one time was the best in the league is not good.

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  • Same band, different music

    November 2, 2018
    Music

    Ranker has an interesting, though not entirely accurate, list of bands that changed musical genres, including …

    Many bands changed their sound over the course of their careers. Whether it’s due to personal growth, members leaving, or pressure from their label, bands that switched genres aren’t uncommon. Pop stars explore different sounds all the time. But it’s different when a band switches genres and then becomes massively successful.

    When a band’s breakthrough hit sounds totally different than their earlier output, it can be jarring for fans and critics alike. Sometimes the new direction is a natural progression, and older fans are completely okay with it. Other times, fans get a little heated. This is a list of 19 bands that changed genres before they made it big.

    Fleetwood Mac

    Even if you’re not familiar with their catalog, you might at least know singer Stevie Nicks from her appearances on American Horror Story: Coven. But before Stevie joined Fleetwood Mac in 1975 and brought along a poppier sound, the band released several albums as a blues band. “Black Magic Woman,” which was released in 1968, was a modest hit in the UK. Their early blues albums performed well in England, but they never achieved much crossover success in the US.

    Several personnel changes brought about a new pop sound, and Nicks announced herself as a formidable presence on her very first album with the band, 1975’s Fleetwood Mac, by writing and performing two of the band’s most famous singles: “Rhiannon,” which she sings in the AHS clip linked above, and “Landslide.” The band became wildly popular in the US, and Nicks’s second album with them, Rumours, has sold over 40 million copies worldwide and is the eighth-best-selling record of all time.

    Yes, the same group that did …

    … also did …

    Genesis

    This entry is a little different from the rest on the list: despite the fact that you may know them only as “that band my dad likes,” there are two very distinct versions of Genesis. And both of them were really successful.

    From 1967 to 1975, Genesis was fronted by Peter Gabriel. During the Gabriel era, the band had a considerably more theatrical sound and look, and was more popular in their native UK than the US. Genesis helped pioneer the genre of prog. Gabriel’s last album with the band, The Lamb Lies Down on Broadway, was a concept album about a young Puerto Rican man named Rael living in New York City. “The Carpet Crawlers,” one of the singles from the album, shows off the band’s sound at the time. After Gabriel left to spend more time with his family, drummer Phil Collins took over on lead vocals and shifted the band’s sound.

    The Collins era of Genesis produced most of their iconic songs, like 1983’s “That’s All.” Collins’s lyrics were more straightforward, dealing with aspects of everyday life. Gabriel’s prog influences faded, and Collins took the band in a more commercial rock direction. While the band continued on until 1997, fans are still deeply divided over the Gabriel and Collins eras. Despite the division, Genesis was inducted into the Rock and Roll Hall of Fame in 2010.

    “Shifted the band’s sound” is an understatement.

    Journey

    It’s probably a safe bet that if you heard Journey’s first single, “To Play Some Music,” (which you probably haven’t, because it didn’t even chart) with no context, you’d have a hard time identifying them as the same band that later released “Don’t Stop Believin’.” Before Journey became a universal guilty pleasure, they released two poorly-received jazz fusion albums. Pressure from their record label caused them to switch up their sound and bring in a powerhouse singer; they first brought in Robert Fleischman, who lasted less than a year, before settling on Steve Perry. With Perry, the band went on to achieve massive success as a rock band with songs like “Wheel in the Sky” and “Any Way You Want It.”

    Until now I had never heard this:

    Too bad they went away from that to how people now know Journey. (Just go to your local high school if you want to hear “Don’t Stop Believin’.”)

    Bee Gees

    The Bee Gees were actually really popular as a folk band in the late 1960s. Many of their songs relied on Robin Gibb’s straightforward vocals, which reflected the kind of music that was popular at the time. They had multiple songs and albums that hit the top 20 of the Billboard charts (including “New York Mining Disaster 1941,” which was their first big hit), so the fact that they’re now almost exclusively remembered as 1970s disco megastars shows just how influential their new sound was.

    The Bee Gees broke up in 1970, but after reforming later that year, they found that their folk sound wasn’t connecting with audiences the way it used to. They turned to disco to try and regain their former popularity. Their secret was Barry Gibb: with arguably one of the most iconic falsettos of all time, Gibb turned the tides of public favor and crafted the iconic disco sound the Bee Gees are known for. They wrote and recorded the soundtrack for Saturday Night Fever, the hugely successful 1977 John Travolta film, which included the hit “Stayin’ Alive.” The soundtrack went on to become the highest-selling soundtrack of all time until Whitney Houston’s soundtrack for The Bodyguard surpassed it in 1992.

    The problem with that last paragraph is that it completely ignores the post-folk pre-disco Bee Gees, without which the group’s involvement with “Saturday Night Fever” may never have occurred …

    … along with what followed “Saturday Night Fever”:

    Iron Maiden

    British heavy metal titans Iron Maiden have always had a pretty metal aesthetic (see the torture device the band is named after), but their first album had a decidedly punk sound, even if the band will never admit it. Iron Maiden, the band’s first album, was plagued with production and personnel problems. The band was unhappy with the production on the album and blamed producer Will Malone. Steve Harris, the band’s bassist, told Guitar World, “We were all young and naïve and we didn’t know about producers and what they do – or don’t do, really. And [Malone] was just a waste of time. He didn’t do anything. He just sat there with his feet up reading Country Life. So in the end we just bypassed him and dealt straight with the engineer.” The low production value is what lent songs like “Sanctuary” their punk sound.

    But current lead singer Bruce Dickinson told Spin, “The first Maiden album sounded punky because it sounded like a sack of s–t. He hates that record. The first singer [Paul Di’Anno] gave it a little bit of that kind of vibe, but the punk thing was nailed to the band by the press. The band absolutely hated it, because there was no way on God’s green earth Maiden were ever, even remotely, a punk band.” If classics like “The Trooper” are any indication, Iron Maiden may be the only band on this list that was ever accidentally a different genre.

    Black Keys

    This is another case where the band simply evolved and matured beyond their original sound. As a blues duo, the band released eight albums, but the earlier ones were, well, a lot bluesier than the later ones. Consider “I’ll Be Your Man,” from their first album, and “Fever,” from their most recent album, Turn Blue. “Fever” has a much more accessible blues-pop sound, which is apparently what audiences wanted to hear, because in addition to winning heaps of Grammys, Turn Blue debuted at No. 1 on the Billboard 200.

    Dexys Midnight Runners

    The band best known for “Come On Eileen,” a divisive earworm of a song, started out as a semi-political soul group. Dexys Midnight Runners has gone through numerous lineup changes over the years, with singer Kevin Rowland being the only consistent member. He was frequently argumentative with the music press, often taking out ads in magazines and newspapers to espouse his thoughts. Rowland wrote songs about issues facing Irish immigrants in Britain, which led many critics to brand them as overly serious.

    He was also insistent that the band have a consistent look, though that look changed a few times over the years. When “Come on Eileen” was released, the band was wearing overalls and no shoes, which in combination with the use of violin in the song, gave them a decidedly pop-country feel. According to Rowland, “I told everyone that Eileen was my childhood girlfriend. In fact she was composite, to make a point about Catholic repression.” But whatever point he was trying to make got overshadowed, as the band became a one-hit wonder with a pop song that most people think is just about a guy trying to convince a woman to go out with him.

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  • Presty the DJ for Nov. 2

    November 2, 2018
    Music

    Wisconsinites know that the first radio station was what now is WHA in Madison. Today in 1920, the nation’s first commercial radio station, KDKA in Pittsburgh, went on the air.

    The number one British single today in 1956 is the only number one song cowritten by a vice president, Charles Dawes:

    The number one song today in 1974:

    The number one British album today in 1985 was Simple Minds’ “Once Upon a Time” …

    (more…)

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  • What Wisconsin Democrats seek to undo

    November 1, 2018
    Wisconsin politics

    Tony Evers’ campaign for governor and every Democrat’s campaign for the Legislature is an effort to undo everything that has happened in this state since the 2010 election.

    First (not necessarily in chronological order), Act 10, of which M.D. Kittle writes:

    Gov. Scott Walker knows he has a tough campaign battle ahead against Democrat opponent Tony Evers, superintendent of the state Department of Public Instruction. 

    But Walker, a two-term Republican who has survived three gubernatorial contests in nearly eight years (including his unprecedented victory in the 2012 recall election), says he can beat Evers and the predicted “Blue Wave” if his campaign focuses on the success stories of his tenure. 

    The campaign will surely point out the positive impacts Walker’s landmark Act 10 reforms of 2011 have had on Wisconsin taxpayers. 

    As MacIver News Service has reported, the public sector collective bargaining reforms have saved local and state governments well north of $5 billion. Most recently, MacIver News reported on new numbers from the state Department of Administration that show Wisconsin school districts alone have saved more than $3.2 billion in benefits costs, thanks to Act 10. 

    What hasn’t been as widely known or appreciated – until now – is how much money taxpayers in Wisconsin’s 422 public school districts have saved through a key Act 10 provision that opened up bidding to new insurers for the first time in years.

    Once effectively locked into no-competition contracts, districts have largely moved to more taxpayer-friendly health plans, ultimately freeing up more money for education.

    Act 10 also changed expectations. No longer would the entire burden of ever-escalating premiums be placed solely on the backs of taxpayers. 

    Public employees are required to contribute at least 12 percent of wages to their health care costs. That provision has delivered huge cost savings to taxpayers.

    Before Act 10, 43 percent of all school districts in the state paid their employees’ entire premium on single plans. That number has dropped to 6.4 percent, according to the latest data. 

    “(School Districts) were able to use our reforms in bidding on health care insurance and making other changes, and asking for reasonable contributions for health care premiums for insurance that is far better, more generous for these employees than many employers have in the state,” Walker told MacIver News Service this week on the Vicki McKenna Show. “Our reforms put more actual dollars into state aid to our schools than ever before.”

    Evers last year joined a crowded field of Democrats running for governor promising to work toward repealing Act 10.

    The Republican-led biennial budget for 2017-19 includes record education spending, including a $639 million increase. Evers early on called the budget a “pro-kid budget.” He stopped calling it that after he declared his campaign for governor. The superintendent of the state Department of Public Instruction doesn’t much care for Walker referring to himself as the “education governor.” 

    Evers has pledged to make the “largest investment in early childhood education that our state has ever seen.” He also wants to see the state pick up a larger share of education funding. Such pledges, it appears, would require a huge infusion of tax dollars. 

    Walker said results-driven education budgeting isn’t just about spending, it’s how you spend. 

    “We do believe in education. That’s why I am the education governor,” he said. “I just believe it should go in the classroom to generate positive results for our students because they are the ones who are going to help us build the workforce of the 21st century.” 

    One of the biggest things “the education governor” did was expand private school choice, and the Milwaukee Journal Sentinel reported earlier this year:

    Private schools, most of them faith-based, continue to flock to Wisconsin’s taxpayer-funded statewide voucher program that serves students outside of the Racine and Milwaukee school districts, according to new state data.

    According to the state Department of Public Instruction, 222 schools have signed up to take part in the Wisconsin Parental Choice Program, an increase of 68 schools from this year and nine times the 25 that enrolled when the program debuted in 2013-’14.

    School choice advocates celebrated the numbers, saying demand for the program remains strong.

    “The more people find out about the program, the more popular it becomes,” Jim Bender, School Choice Wisconsin, said in a statement responding to the data.

    The Journal Sentinel story then said:

    Public education proponents voiced concerns that the program diverts funding from public schools, many of which are already strained by declining enrollments, which limit state funding, and revenue caps that control how much they can levy from taxpayers.

    “The more schools are added to the Choice program, the more it continues to shrink the overall piece of the funding pie everyone gets,” said Kim Kaul, executive director of the Wisconsin Alliance of Rural Schools.

    “We are now funding around 700 schools out of the same pot of money we used to fund 424 schools.”

    Maybe Kaul and said alliance should ask themselves why parents are choosing to not educate their children in public schools. (Some are doing something about that, such as creating new programs, in response to private schools’ opening within their school district boundaries.) Kaul’s argument could also be made for every other case of government spending, as in spending for schools insteadf of health care, or schools instead of roads, or schools instead of environmental protection, or anything else favored by some interest group. The goal should be to educate kids, not educate kids only in public schools and make their parents pay twice for their education.

    Speaking of paying, there are the several tax cuts passed since Walker has been in office. None were supported by Democrats. Apparently Evers must have figured out he was behind in the race because he came out magically with his 10 percent “middle class” tax cut, of which no specifics have been forthcoming. Anyway, what Evers says about taxes is not believable given that he has laid out plans to increase taxes by between $4.5 million and $7.2 billion.

    (Evers claims he can increase school spending by $1 billion and not increase taxes. He has not said what he plans to cut to reach that $1 billion.)

    There was also the $100-per-child tax rebate early this year and the sales tax holiday in early August, neither of which were supported by Democrats.

    Walker also made Wisconsin the next to last state in the U.S. to approve concealed-carry. Evers claims he doesn’t want to change the law, but his party has a difference of opinion, and there is no doubt a Democratic governor and Democrat-controlled Legislature would not change CCW, but end CCW.

    There is also Foxconn, about which Democrats have been lying for months even though they’d be dislocating their shoulders patting themselves on the back had they gotten Foxconn. Foxconn, remember, receives no money from the state until those 13,000 jobs get created. Anyone who tells you otherwise is either mistaken or lying.

    These and other things have happened to benefit this state (like record low unemployment and, finally, wage growth) during the past eight years. Voting for Democrats means that everything you have read here goes away in the next four years, replaced by, once again, the tyranny and thuggery of teacher unions and the destruction of this state’s economy by the environmentalist left. That is the bottom line of Nov. 6.

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  • Compare and contrast

    November 1, 2018
    Wisconsin politics

    Marquette University, Oct. 29, 2014:

    A new Marquette Law School Poll finds Republican Gov. Scott Walker leading Democratic challenger Mary Burke 50 percent to 43 percent among likely voters in the Wisconsin governor’s race. Another 3 percent say that they are undecided or that they do not know whom they will support, while 1 percent say that they will vote for someone else. Likely voters are those who say that they are certain to vote in the November election.

    Among registered voters in the poll, Walker receives 46 percent and Burke 45 percent, with 4 percent undecided and 1 percent saying that they will vote for someone else.

    Walker won with 52.3 percent of the vote to Burke’s 46.6 percent.

    Marquette University, Nov. 2, 2016:

    A new Marquette Law School Poll finds 46 percent of Wisconsin likely voters supporting Democratic candidate Hillary Clinton and 40 percent supporting Republican Donald Trump in the race for president. Libertarian Gary Johnson is supported by 4 percent and Green Party candidate Jill Stein by 3 percent. Six percent do not express a preference, saying that they will vote for neither candidate, will not vote or don’t know how they will vote. …

    The new survey, the final Marquette Law School Poll to be conducted before the Nov. 8 election, additionally finds a very close U.S. Senate race in Wisconsin, with 45 percent of likely voters supporting Democrat Russ Feingold and 44 percent supporting Republican Ron Johnson. Libertarian candidate Phil Anderson has 3 percent support, while 5 percent do not express a candidate preference, saying that they will vote for none of the candidates, will not vote or don’t know how they will vote. In the poll conducted Oct. 6-9, Feingold held 46 percent to Johnson’s 44 percent, with Anderson at 4 percent and 5 percent without a preference.

    Trump won Wisconsin with 47.22 percent to Clinton’s 46.45 percent. Johnson won the Senate race with 50.2 percent to Feingold’s 46.8 percent.

    Marquette University, Oct. 31:

    A new Marquette Law School Poll of Wisconsin voters finds a tie in the state’s race for governor, with incumbent Republican Scott Walker and Democrat challenger Tony Evers each receiving 47 percent support among likely voters. Libertarian candidate Phil Anderson receives 3 percent, and only 1 percent say they lack a preference or do not lean to a candidate. One percent declined to respond to the question. Likely voters are defined as those who say they are certain to vote in the Nov. 6 election. In the most recent Marquette Law School Poll, conducted Oct. 3-7, Walker was supported by 47 percent, Evers by 46 percent and Anderson by 5 percent among likely voters.

    In the race for Wisconsin’s U.S. Senate seat, Democratic incumbent Tammy Baldwin leads among likely voters with 54 percent supporting her, while 43 percent support Republican challenger Leah Vukmir. Only 2 percent say they lack a preference or do not lean toward a candidate and 1 percent did not respond. In early October, Baldwin was supported by 53 percent and Vukmir by 43 percent.

    In the race for Wisconsin attorney general, Republican incumbent Brad Schimel is the choice of 47 percent and Democrat Josh Kaul is the choice of 45 percent of likely voters. Seven percent lack a preference in this race and 2 percent did not respond. In the early October poll, Schimel held 47 percent and Kaul 43 percent of likely voters.

    Among all registered voters surveyed in the poll, Walker receives 47 percent in the race for governor, with Evers receiving 44 percent and Anderson at 5 percent.

    In the Senate race, among all registered voters, Baldwin receives 52 percent and Vukmir 42 percent.

    For attorney general, registered voters give Schimel 45 percent and Kaul 43 percent.

    Draw your own conclusions.

     

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  • Presty the DJ for Nov. 1

    November 1, 2018
    Music

    Today begins with a non-music anniversary: Today in 1870, the U.S. Weather Bureau was created, later to become the National Weather Service.

    Tomorrow in 1870, the first complaints were made about the Weather Bureau’s being wrong about its forecast.

    Today in 1946, two New York radio stations changed call letters. WABC, owned by CBS, became (natch) WCBS, paving the way for WJZ, owned by ABC, to become (natch) WABC seven years later. WEAF changed its call letters to WNBC.

    (more…)

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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