• An unpatriotic definition of “patriotism”

    May 7, 2019
    US politics

    The Washington Times:

    Cory Booker says an appeal to “patriotism” should be enough to convince Americans that higher taxes and his leadership are needed in 2020.

    The New Jersey Democrat told CNN’s Jake Tapper over the weekend that Americans who want “the best for the country” can be convinced that ousting President Trump and raising taxes are economically good ideas as election season heats up.

    “What do you say to somebody who says, ‘yeah, I’m not crazy about Trump, but the economy has done so much better and Republicans keep telling me, the Democratic nominee is going the raise my taxes and he is talking about raising taxes, so that might hurt the economy, hurt my bottom line,’” Mr. Tapper asked the presidential hopeful over the weekend. “What’s the counterargument?”

    “We live in a nation with far more patriotism than people are expressing,” the Democrat replied Saturday from his home in Newark. “What I mean is folks want the best for the country. We know if your family doesn’t have a great public school, great health care, we’re all suffering and creating greater costs. … We’re all hurting because we have not envisioned an economy that invests in each other.”

    Mr. Booker’s comments come against a political backdrop in which the unemployment rate — the lowest since December 1969 — sits at 3.6%.

    In Booker’s case “patriotism” is a synonym for “sacrifice.” Sometimes this approach works for Democrats. Bill Clinton got elected president by convincing a plurality of American voters that the economy was going poorly when it wasn’t, and that sacrifice in the form of tax increases was necessary. That got him elected; it also turned his party from the majority in Congress to the minority in Congress.

    Americans are perfectly willing to sacrifice when warranted, as shown in world wars I and II, Korea, Vietnam and various conflicts since Vietnam. Surrendering to the authority of government is not necessarily a warranted sacrifice, however, and it’s really not patriotic at all. (Clinton claimed you could not love your country and hate your government. As with many other things, notably his personal conduct, he was wrong.)

    Booker also feels that national gun registration is patriotic, as CBS News reports:

    Democratic presidential candidate and New Jersey Sen. Cory Booker introduced a sweeping gun violence prevention plan. If elected, the campaign announced Monday that on day one of his presidency, Booker will use executive action to close gun sales loopholes and to make investments in communities affected by gun violence.

    The plan, which is the most extensive gun violence prevention proposal put forth by a presidential candidate to date, prioritizes a gun licensing program whereby gun owners would be required to obtain a gun permit and pass an FBI background check. Under the proposal, the gun permit would be valid for up to five years. …

    The Democratic presidential hopeful’s proposal also includes banning assault weapons, high-capacity magazines and bump stocks and closing multiple gun loopholes, including one known as the “Boyfriend Loophole.” According to the Giffords Law Center, federal law currently offers some protection to spouses of domestic abusers, banning those who have been convicted of domestic abuse or who are subject to domestic violence court orders from owning guns. But those protections don’t extend to partners who are not spouses.

    Booker proposes extending the ban to any dating partner or former dating partner who is convicted of a misdemeanor abuse crime.

    Booker’s definition of “patriotism” flies in the face of history. This country began in large part because of a revolt against taxes. Remember no taxation without representation? And as the legend goes …

    Sacrificing your constitutional rights is also not patriotic in any sense, but a politician who seeks to take away your constitutional rights is committing treason. Booker, like most politicians, fails to grasp the purpose of the Bill of Rights — to protect citizens’ constitutional rights from being usurped by government. This country would not be particularly distinguishable from other countries were it not for our Constitution and our rights. Those are what Americans have fought and died for for more than 200 years, not so that a politician could espouse taking away what we have so he can have more power.

     

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  • Trump vs. Putin: The reality

    May 7, 2019
    US politics

    Tom Woods:

    The latest from the reality-optional caucus is that Vladimir Putin is sure to interfere in the 2020 election on behalf of Donald Trump.

    I don’t think these people realize how delusional they sound to the rest of mankind.

    Just one of the many reasons this idea is ridiculous: Trump’s Russia policy has been bellicose by any standard.

    The blogger Moon of Alabama assembled some news items that appear to support this view.

    Thus:

    “Trump deploys TANKS to Estonia as NATO builds up HUGE army on Russian border” – Express, Feb 7 2017

    “Trump launches attack on Syria with 59 Tomahawk missiles” – CNBC, Apr 6 2017

    “U.S. Rejects Exxon Mobil Bid for Waiver on Russia Sanctions” – NYT, Apr 21 2017

    “Trump to promote U.S. natgas exports in Russia’s backyard” – Reuters, Jul 3 2017

    “Trump Urges East Europe to Loosen Russia’s Grip With U.S. Gas” – Bloomberg, Jul 6 2017

    “Trump signs bill approving new sanctions against Russia” – CNN, Aug 3, 2017

    “Justice Dept Asks Russia’s RT to Register as Foreign Agent” – Newsmax, Sep 13 2017

    “US ‘to restrict Russian military flights over America’” – Independent, Sep 26 2017

    “Trump signs into law U.S. government ban on Kaspersky Lab software” – Reuters, Dec 12 2017

    “Trump gives green light to selling lethal arms to Ukraine” – The Hill, Dec 20 2017

    “U.S. Punishes Chechen Leader in New Sanctions Against Russians” – NYT, Dec 20 2017

    “Sputnik Partner ‘Required To Register’ Under U.S. Foreign-Agent Law” – RFERL, Jan 10 2018

    “Trump says Russia is helping North Korea avoid sanctions” – CBSNews, Jan 17 2018

    “Trump’s ‘energy dominance’ strategy is undercutting Russia’s influence and business in Europe” – Reuters, Feb 9 2018

    “Trump looks to deter Russia, China with $686B ask for Pentagon” – The Hill, Feb 12 2018

    “American General In Syria Confirms US Forces Killed Hundreds Of Russians In Massive Battle” – The Drive, Mar 16 2018

    “Trump orders expulsion of 60 Russian diplomats, closure of Seattle consulate” – CBS, Mar 26 2018

    “Trump vows periodical dispatch of US troops to Baltic states, step up air defense” – Lithuania Tribune, Apr 3 2018

    “Trump opposes Nord Stream II, questions Germany” – AA, Apr 4 2018

    “Trump just hit Russian oligarchs with the most aggressive sanctions yet” – Vice, Apr 6 2018

    “Trump orders missile strike on Syria military targets” – CBSNews, Apr 9 2018

    “Aluminum Stocks Jump As Trump Sanctions Target Putin Pal” – Investors, Apr 9 2018

    “Russia ‘deeply disappointed’ at Trump’s withdrawal from Iran deal” – Times of Israel, May 9 2018

    “Trump to NATO allies: Raise military spending to 4 percent of GDP” – AlJazeerah, Jul 12 2018

    “Trump says U.S. ties to NATO ‘very strong’” – Politico, Jul 12 2018

    “U.S. to sanction Turkey for receiving S-400 missiles” – Ahval, Jul 27 2018

    “Trump administration to hit Russia with new sanctions for Skripal poisoning” – NBC News Aug 8 2018

    “Space Force Is Trump’s Answer to New Russian and Chinese Weapons” – FP, Aug 10 2018

    “US Sanctions Chinese Entity Over Purchase of Russian Fighters, S-400s” – Treasury – Sputnik, Sep 20 2018

    “Trump hints at punitive action against India for buying S-400 from Russia” – India Today, Oct 11 2018

    “Trump Agrees to Boost Pentagon’s Budget to $750 Bln in 2019 – Reports” – Sputnik, Oct 12 2018

    “Trump says US will withdraw from nuclear arms treaty with Russia” – Guardian, Oct 21 2018

    “Haley Condemns ‘Outrageous’ Russian Firing on Ukrainian Ships” – Bloomberg, Nov 26 2018

    “2 Trump Moves Cost This Russian-American CEO $2.3B” – Forbes, Jan 14 2019

    But “Trump is Putin’s puppet,” says every clueless idiot in the world. Well, not the world: the U.S. seems exclusively beset by this particular derangement.

    The heroic Caitlin Johnstone further observes that none of this actual evidence will make any difference, because “Russia conspiracy theories have nothing to do with facts. We can expect to see fact-free allegations that Russia is planning to help Trump win in 2020 getting louder and louder as the election grows nearer. We can expect to see these fact-free allegations bolstered and amplified by western government agencies who need to manufacture support for further escalations against Russia, by the mass media who need ratings, and by the Democratic Party who need to keep their base fixated on insubstantial nonsense while they force an establishment loyalist through their fake primary.”

    The bad news: the reality-optional caucus seems to be growing.

    Trump follows …

     

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  • Presty the DJ for May 7

    May 7, 2019
    Music

    The number one single today in 1966 was presumably played on the radio on days other than Mondays:

    Today is the anniversary of the last Beatles U.S. single release, “Long and Winding Road” (the theme music of the Schenk Middle School eighth-grade Dessert Dance about this time in 1979):

    The number one album today in 1977 was the Eagles’ “Hotel California”:

    (more…)

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  • This is what collusion looks like

    May 6, 2019
    International relations, US politics

    John Solomon of The Hill:

    The boomerang from the Democratic Party’s failed attempt to connect Donald Trump to Russia’s 2016 election meddling is picking up speed, and its flight path crosses right through Moscow’s pesky neighbor, Ukraine. That is where there is growing evidence a foreign power was asked, and in some cases tried, to help Hillary Clinton.

    In its most detailed account yet, Ukraine’s embassy in Washington says a Democratic National Committee insider during the 2016 election solicited dirt on Donald Trump’s campaign chairman and even tried to enlist the country’s president to help.

    In written answers to questions, Ambassador Valeriy Chaly’s office says DNC contractor Alexandra Chalupa sought information from the Ukrainian government on Paul Manafort’s dealings inside the country, in hopes of forcing the issue before Congress.

    Chalupa later tried to arrange for Ukrainian President Petro Poroshenko to comment on Manafort’s Russian ties on a U.S. visit during the 2016 campaign, the ambassador said.

    Chaly says that, at the time of the contacts in 2016, the embassy knew Chalupa primarily as a Ukrainian-American activist, and learned only later of her ties to the DNC. He says the embassy considered her requests an inappropriate solicitation of interference in the U.S. election.

    “The Embassy got to know Ms. Chalupa because of her engagement with Ukrainian and other diasporas in Washington D.C., and not in her DNC capacity. We’ve learned about her DNC involvement later,” Chaly said in a statement issued by his embassy. “We were surprised to see Alexandra’s interest in Mr. Paul Manafort’s case. It was her own cause. The Embassy representatives unambiguously refused to get involved in any way, as we were convinced that this is a strictly U.S. domestic matter.

    “All ideas floated by Alexandra were related to approaching a Member of Congress with a purpose to initiate hearings on Paul Manafort or letting an investigative journalist ask President Poroshenko a question about Mr. Manafort during his public talk in Washington, D.C.,” the ambassador explained.

    Reached by phone last week, Chalupa said she was too busy to talk. She did not respond to email and phone messages seeking subsequent comment.

    Chaly’s written answers mark the most direct acknowledgement by Ukraine’s government that an American tied to the Democratic Party sought the country’s help in the 2016 election, and they confirm the main points of a January 2017 story by Politico on Chalupa’s efforts.

    In that story, the embassy was broadly quoted as denying interference in the election and suggested Chalupa’s main reason for contacting the ambassador’s office was to organize an event celebrating women leaders.

    The fresh statement comes several months after a Ukrainian court ruled that the country’s National Anti-Corruption Bureau (NABU), closely aligned with the U.S. embassy in Kiev, and a parliamentarian named Serhiy Leshchenko wrongly interfered in the 2016 American election by releasing documents related to Manafort.

    The acknowledgement by Kiev’s embassy, plus newly released testimony, suggests the Ukrainian efforts to influence the U.S. election had some intersections in Washington as well.

    Nellie Ohr, wife of senior U.S. Justice Department official Bruce Ohr, acknowledged in congressional testimony that, while working for the Clinton-hired research firm Fusion GPS, she researched Trump and Manafort’s ties to Russia and learned Leshchenko, the Ukrainian lawmaker, was providing dirt to Fusion.

    Fusion also paid British intelligence operative Christopher Steele, whose anti-Trump dossier the FBI used as primary evidence to support its request to spy on Trump campaign adviser Carter Page.

    In addition, I wrote last month that the Obama White House invited Ukrainian law enforcement officials to a meeting in January 2016 as Trump rose in the polls on his improbable path to the presidency. The meeting led to U.S. requests to the Ukrainians to help investigate Manafort, setting in motion a series of events that led to the Ukrainians leaking the documents about Manafort in May 2016.

    The DNC’s embassy contacts add a new dimension, though. Chalupa discussed in the 2017 Politico article about her efforts to dig up dirt on Trump and Manafort, including at the Ukrainian embassy.

    FEC records show Chalupa’s firm, Chalupa & Associates, was paid $71,918 by the DNC during the 2016 election cycle.

    Exactly how the Ukrainian embassy responded to Chalupa’s inquiries remains in dispute.

    Chaly’s statement says the embassy rebuffed her requests for information: “No documents related to Trump campaign or any individuals involved in the campaign have been passed to Ms. Chalupa or the DNC neither from the Embassy nor via the Embassy. No documents exchange was even discussed.”

    But Andrii Telizhenko, a former political officer who worked under Chaly from December 2015 through June 2016, told me he was instructed by the ambassador and his top deputy to meet with Chalupa in March 2016 and to gather whatever dirt Ukraine had in its government files about Trump and Manafort.

    Telizhenko said that, when he was told by the embassy to arrange the meeting, both Chaly and the ambassador’s top deputy identified Chalupa “as someone working for the DNC and trying to get Clinton elected.”

    Over lunch at a Washington restaurant, Chalupa told Telizhenko in stark terms what she hoped the Ukrainians could provide the DNC and the Clinton campaign, according to his account.

    “She said the DNC wanted to collect evidence that Trump, his organization and Manafort were Russian assets, working to hurt the U.S. and working with Putin against the U.S. interests. She indicated if we could find the evidence they would introduce it in Congress in September and try to build a case that Trump should be removed from the ballot, from the election,” he recalled.

    After the meeting, Telizhenko said he became concerned about the legality of using his country’s assets to help an American political party win an U.S. election. But he proceeded with his assignment.

    Telizhenko said that, as he began his research, he discovered that Fusion GPS was nosing around Ukraine, seeking similar information, and he believed they, too, worked for the Democrats.

    As a former aide inside the general prosecutor’s office in Kiev, Telizhenko used contacts with intelligence, police and prosecutors across the country to secure information connecting Russian figures to assistance on some of the Trump organization’s real estate deals overseas, including a tower in Toronto.

    Telizhenko said he did not want to provide the intelligence he collected directly to Chalupa, and instead handed the materials to Chaly: “I told him what we were doing was illegal, that it was unethical doing this as diplomats.” He said the ambassador told him he would handle the matter and had opened a second channel back in Ukraine to continue finding dirt on Trump.

    Telizhenko said he also was instructed by his bosses to meet with an American journalist researching Manafort’s ties to Ukraine.

    About a month later, he said his relationship with the ambassador soured and, by June 2016, he was ordered to return to Ukraine. There, he reported his concerns about the embassy’s contacts with the Democrats to the former prosecutor general’s office and officials in the Poroshenko administration: “Everybody already knew what was going on and told me it had been approved at the highest levels.”

    Telizhenko said he never was able to confirm whether the information he collected for Chalupa was delivered to her, the DNC or the Clinton campaign.

    Chalupa, meanwhile, continued to build a case that Manafort and Trump were tied to Russia.

    In April 2016, she attended an international symposium where she reported back to the DNC that she had met with 68 Ukrainian investigative journalists to talk about Manafort. She also wrote that she invited American reporter Michael Isikoff to speak with her. Isikoff wrote some of the seminal stories tying Manafort to Ukraine and Trump to Russia; he later wrote a book making a case for Russian collusion.

    “A lot more coming down the pipe,” Chalupa wrote a top DNC official on May 3, 2016, recounting her effort to educate Ukrainian journalists and Isikoff about Manafort.

    Then she added: “More offline tomorrow since there is a big Trump component you and Lauren need to be aware of that will hit in next few weeks and something I’m working on you should be aware of.”

    Less than a month later, the “black ledger” identifying payments to Manafort was announced in Ukraine, forcing Manafort to resign as Trump’s campaign chairman and eventually face criminal prosecution for improper foreign lobbying.

    DNC officials have suggested in the past that Chalupa’s efforts were personal, not officially on behalf of the DNC. But Chalupa’s May 2016 email clearly informed a senior DNC official that she was “digging into Manafort” and she suspected someone was trying to hack into her email account.

    Chaly over the years has tried to portray his role as Ukraine’s ambassador in Washington as one of neutrality during the 2016 election. But in August 2016 he raised eyebrows in some diplomatic circles when he wrote an OpEd in The Hill skewering Trump for some of his comments on Russia. “Trump’s comments send wrong message to world,” Chaly’s article blared in the headline.

    In his statement to me, Chaly said he wrote the article because he had been solicited for his views by The Hill’s opinion team.

    Chaly’s office also acknowledged that a month after the OpEd, President Poroshenko met with then-candidate Clinton during a stop in New York. The office said the ambassador requested a similar meeting with Trump but it didn’t get organized.

    Though Chaly and Telizhenko disagree on what Ukraine did after it got Chalupa’s request, they confirm that a paid contractor of the DNC solicited their government’s help to find dirt on Trump that could sway the 2016 election.

    For a Democratic Party that spent more than two years building the now-disproven theory that Trump colluded with Russia to hijack the 2016 election, the tale of the Ukrainian embassy in Washington feels just like a speeding political boomerang.

    This, of course, is nothing new with Democrats.

     

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  • Presty the DJ for May 6

    May 6, 2019
    Music

    The number one British album today in 1972 was a Tyrannosaurus Rex double album, the complete title of which is “My People Were Fair and Had Sky in Their Hair … But Now They’re Content to Wear Stars on Their Brows”/”Prophets, Seers & Sages: The Angels of the Ages.” Really.

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  • Presty the DJ for May 5

    May 5, 2019
    Music

    Today is Cinco de Mayo, so some Mexican rock would be appropriate:

    The number one single today in 1962:

    I’m unaware of whether the soundtrack of “West Side Story” got any radio airplay, but since I played it in both the La Follette and UW marching bands, I note that today in 1962 the soundtrack hit number one and stayed there for 54 weeks:

    (more…)

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  • Presty the DJ for May 4

    May 4, 2019
    Music

    This is 5/4 Day, so …

    (more…)

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  • Dead shows walking

    May 3, 2019
    media, US politics

    Andrew Ferguson wrote about last weekend’s White House Correspondents Dinner before the dinner:

    Ron Chernow, the best-selling biographer and historian, has agreed to deliver the after-dinner speech at this year’s White House Correspondents’ Dinner, to be held Saturday night at the Washington Hilton. If we were to list the potential victims of our present era of post-humor comedy, his name would be near the top.

    The WHCD is the event the Washington press corps throws every year to celebrate the Washington press corps. (If we don’t do it, it won’t get done.) It is best understood as a provincial trade meeting—a few hundred people in the same line of work crowd together in the poorly ventilated ballroom of a second-tier hotel to hand one another awards over plates of undercooked chicken. What separates the correspondents’ dinner from, say, the annual awards dinner of the Greater Tri-County Regional Conference of Waste Removal Technicians is that, sometime in the 1990s, people from outside the trade began to take an interest in the event.

    At its height a few years ago, even top-chop movie stars (George Clooney, Nicole Kidman) accepted invitations to attend the WHCD. The president used to come. And after dinner, with tummies full and worries about salmonella fading, the tradespersons and their guests would push back from their linen-covered folding tables to enjoy a comedy routine from a famous funny person.

    Or so it’s been until now—until post-humor comedy thrust poor Chernow into the saddle. The quality of the comedy at the WHCD has been declining for years, beginning at least with a canned Jay Leno routine in 2010 and tumbling down to a set of stillborn one-liners by Larry Wilmore in 2016. Most agree that bottom was touched last spring by the comedian Michelle Wolf, who took to the podium after dinner to deliver 20 minutes of jokes that bore very few joke-like features.

    There had been lots of anti-Trump demonstrations lately, Wolf noted, with protesters carrying homemade signs. How many signs? “Poster board is flying off the shelves faster than Robert Mueller can say, ‘You’ve been subpoenaed!’” If there’s humor in Paul Ryan’s circumcision—and I’m willing to be persuaded—she failed to find it. Chris Christie, Wolf suggested, was fat. She provided her own kind of abortion counseling: If you do terminate a pregnancy, she advised, motioning oddly with her elbow, “you’ve gotta get that baby outa there.” At her last line she leaned intimately into the microphone: “Flint still doesn’t have clean water.”

    There was disappointment and even outrage, and offense was taken in quarters where offense is often taken. At the same time, though, some of us began to suspect that Wolf was not just not funny, she wasn’t even trying not to be not funny, if you see what I mean. Take my jokes, she seemed to be saying—please!Wolf’s 20 minutes before the WHCD marked her as a champion and exemplar of the post-funny school of comedy.

    Typically slow on the uptake, I first learned about this evolution in humor the way I learn about too many things, from the daily news briefing that The New York Times drops in my email queue each morning. Along with a summary of news from all over and pleas to listen to podcasts and view video, the Times provides a few lines under the heading “Late-Night Comedy”—a joke cribbed from the monologue of a late-night talk-show host the evening before. The Times obviously assumes that most of its readers are in bed by the time Colbert or Coco or Corden hits the airwaves, and the Times is almost certainly right about that. It also assumes readers will appreciate a little day-brightener from the comedians, and here the Times is on much shakier ground.

    The one quality that unites these late-night jokes is that they scarcely ever make me laugh—or you either, I’m guessing. Usually I’m a cheap date for comedians, a regular Rudy Roundheels; anybody from the Three Stooges to Mrs. Maisel can get a laugh out of me. At first, I thought that the consistently unfunny lines in the Times briefing reflected poor selection—maybe a couple of tin-eared interns had been given the wrong editorial assignment. But when you follow through and click on the links, which take you to the full monologues stored in a corner of the vast Times ecosystem called “Best of Late Night,” your heart goes out to the interns. What a job. Good thing they get paid! (They do, don’t they?)

    The jokes, seen in context, don’t get any funnier. Very often, they are simple statements of fact, with minimal humorous adornment. James Corden mentions that Google will soon allow you to store your driver’s license on your phone. “You have to admit,” he says, “Google is definitely making it easier and more convenient—for your personal information to be stolen by Google.” If there’s a joke in here, I suppose it rests on the word stolen, casting Google’s innovation in a larcenous light. But it’s simply true that Google makes a living using the information we hand to it on our digital silver platters. It’s not news, but if you tried hard you might make it funny.

    But nobody seems to be trying. Corden’s line about Google is unusual in the late-night world only in that it’s about something other than politics, or, more specifically, President Donald Trump. Any bit of news can be made to be about Trump. The Times points me to Seth Meyers, who notes that a Dominican singer recently tried to break a world record by performing for 100 hours straight. Seth’s hot take: “‘Big deal, try performing for 14 years,’ said Melania.” (The Times, as America’s newspaper of record, adds helpfully: “referring to first lady Melania Trump.”)

    Again, a simple statement of fact is enough to substitute for a real joke. On TheLate Show With Stephen Colbert, Stephen Colbert (who else?) bravely “takes on” congressional Republicans and their never-ending quest to dismantle the Affordable Care Act. “Remember ‘repeal and replace?’” Colbert joshed. His audience showed premonitory signs of volcanic laughter. “‘We’re going to repeal and replace’? Well, after nine years, they still haven’t gotten around to the ‘replace’ part. [Lava gurgling from the audience.] They have no plan. [Burbling …] In fact, there is no plan to make a plan.” Krakatoa! Too true! But … true is all it is. The two-step formula of a stand-up joke, setup followed by punch line, has been edited down to the first step and left at that. Colbert notes a string of superlong (long for Twitter) tweets from Trump. “Brevity is the soul of wit,” Colbert points out with a pedantic lift of the eyebrow. “And he is evidently witless.” Late night is where punch lines go to die, to drown in the bathtub of literal-mindedness.

    Of all the comedians the Times directs me to, none tries harder not to be funny than Samantha Bee of TBS. Not long ago, Bee gave a six-minute monologue on the resignation of Kirstjen Nielsen, the former secretary of homeland security. Knowing its readers are busy, busy, busy, the Times decided to summarize Bee’s monologue like so:

    But [Bee] also worried that President Trump might replace Nielsen—who oversaw the administration’s notorious policy of separating migrant families trying to enter the country—with someone even more willing to enforce hard-line border policies. Before her ouster, Nielsen and Trump had been clashing over whether to embrace harsher measures, some of which Nielsen reportedly believed might fall outside the limits of the law.

    Note well that this is not meant to be a news report. It’s the summary of a comedy routine. If possible, the routine itself is even more not-funny than the summary. It is lightened only by Bee’s comic affect. She poses her head at a slight angle to the camera, rolling her hands, as if she’ll take off for the stage door the minute the audience decides to come after her. Really, she doesn’t need to worry.

    It’s tempting—isn’t it always?—to blame everything, including this descent into humorlessness, on Trump. It’s not quite right to say, as is often said, that Trump has no sense of humor. You could say he has a sense of what a sense of humor is, even if his own preference is for a pigtail-yanking, pull-my-finger kind of humor, full of ridicule, mugging, sarcasm, and broad-brush caricature. His campaign rallies are like overlong stand-up routines without any jokes, just as late-night comedians’ stand-up routines are coming to resemble campaign rallies, also without the jokes.

    Trump’s audiences, no less than Colbert’s, are primed to laugh whenever the signal is given. Trump’s jokiness is outward-directed, always. You notice you never hear the president laugh; his own amusement with the world, his own desire to amuse, doesn’t emerge from a place deep enough for laughter, and it is always aimed away from himself. Real comedy is beyond him. Who knew it would be beyond comedians?

    It’s much more likely that Trump is a symptom, or at least a correlate, rather than a cause of whatever has drained the funny from traditional joke telling. The explanation may be as simple as this: We have witnessed the death of an art form. Stand-up joke telling has died in the same way that some of us of a certain age have watched the Broadway musical die, and as our lucky grandparents before us watched the operetta die. (I would have paid to see that.) Jokes that nearly everyone understands as jokes require shared assumptions, even a broad reservoir of lightheartedness and goodwill, and we no longer share those in our fractured republic. Humor has been privatized.

    While feeling terrible for the Times interns, we should reserve some sympathy for the comedians and their writers. They must be miserable. Colbert, the Jimmies Kimmel and Fallon, Corden, and the others have shown genuine comedic gifts in earlier phases of their career. Surely they don’t pay top dollar to hire subpar writers to furnish them with non-jokes and pull their slack marionette strings. It can’t be fun, much less funny, feeding line after line to a studio audience only to elicit what Seth Meyers—in an earlier, funnier phase of his career—called “clapter.” Meyers coined the term to describe a reaction that’s 2 percent laughter and 98 percent applause, a way for an audience to let the joke teller and one another know that they’re all on the same team. Still, the videos on the Times’ “Best of Late Night” page show the studio audiences clapting to the point of seizure, five nights a week. I can’t imagine how they keep it up. Maybe they get a popper of amyl nitrate with their Late Show tote bags.

    That prompted Warren Henry to write of Ferguson:

    He diagnoses polarization as late-night’s cause of death: “Jokes that nearly everyone understands as jokes require shared assumptions, even a broad reservoir of lightheartedness and goodwill, and we no longer share those in our fractured republic. Humor has been privatized.” This theory rings partly true, but Ferguson already captured the better explanation: “nobody seems to be trying.” This is what television writers say while admitting their shows have become unwatchable.

    At Mel magazine, one network late-night writer tells author Miles Klee: “[E]very single person in late night knows it’s a dumb factory of lazy ideas… [The host] makes fun of it, the head writers make fun of it, the staff writers watch the tapings and just lament it all. But the alternative is taking a risk, and network TV just isn’t about that.”

    Sadly, the television writers (and Klee) suggest two solutions to the awfulness of late-night shows that would only make them worse.

    First, writers suggest the shows are not sufficiently leftist. The aforementioned scribe told Klee “the late night writers’ rooms are all extremely homogeneous groups of cynical, miserable white comedy dudes who figure out the ‘formula’ for the show early on and then never really work harder than they need to. Which makes sense, because the other big thing is that the people who make the actual decisions on these shows are all older, white dudes who are out of touch (but don’t think they are) and are never thinking in terms of comedy or upending power or doing anything interesting with the format…”

    Similarly, a mid-level TV writer opined: “They think [joking about] ‘covfefe’ is brave… These are people whose version of ‘liberal’ just means not being white trash. And not calling their coworkers gay slurs.” Klee suggests the shows cannot compete with “the scabrously funny, unbroadcastable sh– people tweet about the president 24/7.”

    In reality, leftists on Twitter are grossly unrepresentative, even of Democrats. The only group arguably more out of touch than the progressive white dudes running late-night television are their lefty writers. Late-night appeals to a slice of Boomer “Resistance” types. Dialing the noise up to 11 would only make the appeal of these shows more selective.

    Furthermore, actual funny people understand limits force them to be more creative, and being funny is the point of comedy. Consider Jerry Seinfeld, explaining why he does not swear or do sex jokes: “A person who can defend themselves with a gun is just not very interesting. But a person who defends themselves through aikido or tai chi? Very interesting.”

    Or Donald Glover, talking about his FX show: “The No. 1 thing we kept coming back to is that it needs to be funny first and foremost. I never wanted this sh– to be important. I never wanted this show to be about diversity; all that sh– is wack to me. There’s a lot of clapter going on.”

    Puritantial social justice mobs are almost never funny—except as a target for comedy. And mocking them is more transgressive than typical late-night fare.

    The second solution writers suggest is imitating John Oliver’s “Last Week Tonight” on HBO. Oliver is less banal than the competition and tries to “compartmentalize” Trump talk in the opening minutes of his program. But he has the same problems Ferguson identifies, and the ratings to prove it. (Klee claims “[y]ou get real information there,” as if that is praise of a comedy show.)

    Ironically, few have critiqued late-night better than Michelle Wolf, who got “comedy” canceled at the WHCD. In an episode of her now-defunct Netflix show, she parodied the genre to devastating effect: “Well, I just finished the monologue, I addressed all the news this week, and now I’m at a desk. So you know what that means, it’s Segment Time! That’s right, this is the time of the show where we do a viral segment, and since this is a comedy show in 2018, you know one thing for sure—this comedy segment’s gonna be sincere and angry. And you can also tell that it will be funny, because I’m sitting down, there will be graphics, and facts, and. So pencils out, Wolf Pack! The comedy lesson starts right now.”

    Wolf’s conclusion was just as sharp: “Writing jokes is hard. It’s really hard. You know what’s easier? An earnest plea. So I’m gonna throw my pen down on the desk, and I’m gonna shake my head in crestfallen bewilderment. I’m gonna look you in the eye, and I’m gonna tell you that Trump! Is! Bad! The news! Is! Bad! Which means that I, a comedian, have to do you, the news’s, job. Not because I want to, not because it makes me feel important, or gives me a false sense that I’m making a change, but because they’re out there doing their horse-and-pony show.”

    Unfortunately, Wolf learned this only by making all of these mistakes at the WHCD.

    Polarization contributes to the death of late-night comedy, but mostly because it is another rationalization for those unwilling to make any effort to appeal to people who are not exactly like them. Laziness is the central characteristic of the age of infotainment. Conflating news and entertainment means less effort goes into reporting.

    It has turned cable news shows into boring simulacra of sports shows, and sports shows into boring simulacra of political debate. Programs like “The Daily Show” used to parody news shows. Now they have mated with what they parodied, to predictable, boring, lazy results.

    There is, of course, no substitute for Johnny Carson:

    Why? Here’s one answer:

    David Letterman was funny on NBC. He was less funny, and decreasingly funny, on CBS. I have occasionally watched Conan O’Brien …

    and Jimmy Fallon …

    … and that’s it.

     

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  • The best of Chicago (according to me)

    May 3, 2019
    Music

    Over the last year between the 50th anniversary of Chicago’s forming and its first album, “Chicago Transit Authority,” various music publications have come out with their definition of the top songs in Chicago history.

    Between that and Chicago’s upcoming appearances in Madison May 12 and Appleton May 14, I figured I’d create my own list, based only on my own musical preferences (so note the paucity of ballads, even though some people mistakenly believe Chicago does nothing but ballads) and nothing else. (Which, you might notice, are generally based on how the song sounds, not the words or whatever message the song is intended to have.)

    First, the less-than-top-10, not necessarily in order of enjoyment:

    Number 10 is arguably Chicago’s first song — the first track from their first album:

    Number nine is from the ’80s:

    Number eight is from their first album, CTA for short:

    Number seven is the first Chicago song I remember being a Chicago song:

    Number six is from “Hot Streets”:

    Number five comes from “Chicago III”:

    Number four …

    … and number three come from CTA:

    Number two, from “Chicago II,” is a song about writing a song:

    And number one …

    … and, well, number 1A …

    … since “Make Me Smile” and “Now More Than Ever” are the first and last movements of “Ballet for a Girl from Buchannon.” (“Colour My World” was in our wedding.)

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  • On World “Press” “Freedom” Day

    May 3, 2019
    International relations, media, US politics

    The Wisconsin Newspaper Association announces:

    As World Press Freedom Day approaches on Friday, May 3, news organizations around the world are encouraged to join in the “Defend Journalism” campaign.

    The campaign is intended to stand up for free, independent and quality journalism. Special editorial coverage dedicated to the campaign will be amplified by UNESCO.

    This year’s theme for World Press Freedom Day is “Media for Democracy: Journalism and Elections in Times of Disinformation.” Organizations are encouraged to promote the key messages:

    • Facts, not falsehoods should inform citizens’ decisions during elections.
    • Technology innovations should be used to help achieve peaceful elections.
    • Transparency and the right to information protect the integrity of elections.
    • Journalists should be able to work without fear of attacks.
    • Internet shutdown compromise democracy.
    • An open and accessible internet for all.
    • Fair and independent reporting can counter incitement and hate.
    • Informed citizens that think critically can contribute to peaceful elections.
    • Media contributes to peaceful, just and inclusive societies.

    More from World News Publishing Focus:

    News organisations across the globe are encouraged to participate in the “Defend Journalism” campaign surrounding #WorldPressFreedomDay to stand up for free, independent and quality journalism, and to dedicate special editorial coverage in the build-up to May 3. UNESCO will amplify their content, as they have done with media partners in previous years.

    UNESCO is providing news organisations with materials such as banners for print, digital, and social media in the six official UN languages to build momentum around #WorldPressFreedomDay.

    The global conference for the Day will take place in Addis Ababa, jointly organised by UNESCO, the Government of Ethiopia and the African Union Commission.

    This year, the annual World Press Freedom Prize will be awarded to the two Reuters journalists, Wa Lone and Kyaw Soe Oo, imprisoned in Myanmar.

    First: UNESCO, for those unaware, is the United Nations Educational, Scientific and Cultural Organization. The U.S. and Israel left UNESCO earlier this year over UNESCO’s organizational bias against Israel, which is only our longest-standing ally in the Middle East. But that’s not the only problem with UNESCO, as Time Magazine reports:

    The Trump administration’s statement cited “mounting arrears at UNESCO, the need for fundamental reform in the organization, and continuing anti-Israel bias at UNESCO” as reasons for the decision. Those rationales echo arguments made by the administration of president Ronald Reagan in December 1983, when the U.S. previously announced a decision to pull out of UNESCO: “UNESCO has extraneously politicized virtually every subject it deals with. It has exhibited hostility toward a free society, especially a free market and a free press, and it has demonstrated unrestrained budgetary expansion.” …

    When 37 nations created UNESCO as a human rights organization promoting education, science and cultural causes in November 1945, “it was essentially a western entity, dominated by western funding,” says political scientist Jerry Pubantz, co-author of To Create a New World? American Presidents and the United Nations and co-editor of The Encyclopedia of the United Nations. School systems in Europe were undergoing “denazification” and, as part of that process, the U.S. wanted to be sure that they taught World War II accurately. UNESCO was a way to influence those curricula. Likewise, during the Cold War, American officials imagined UNESCO as an advocate for free speech in an era of communist propaganda.

    But, as more members joined the group — about 160 members by July 1983 — U.S. policy makers grew worried their voices would be drowned out. The newest members were “largely the decolonized new independent states of Africa and Asia” who “tended to be less supportive of American policies, and more supportive of the Soviet bloc’s position,” says Pubantz.

    In addition, some U.S. officials soured on the group because, despite the new members, they felt the U.S. was left footing a disproportionate amount of the bill for UNESCO’s work. Or Jeane Kirkpatrick, who represented the U.S. at the U.N. put it, “The countries which have the votes don’t pay the bill, and those who pay the bill don’t have the votes,” as TIME reported in a Jan. 9, 1984, article.

    That feature, “Waving Goodbye to UNESCO,” summed up specific events that contributed to the decision to pull out of UNESCO:

    The first real scuffle came in 1974, when UNESCO voted to exclude Israel from a regional working group because it allegedly altered “the historical features of Jerusalem” during archaeological excavations and “brainwashed” Arabs in the occupied territories. Congress promptly suspended UNESCO‘s appropriations, which forced the agency to soften its sanctions. In 1976 Israel was readmitted; in 1977 U.S. funding resumed.

    In 1980, at the UNESCO general conference in Belgrade, a majority of Communist and Third World nations called for a “new world information order” to compensate for the alleged pro-Western bias of global news organizations. The goals were the licensing of journalists, an international code of press ethics and increased government control over media content. Although UNESCO backed off under pressure from the West, it still allocated $16 million for a two-year program to study “media reforms.”

    The U.S. also chafed at UNESCO‘s increasingly collectivist outlook. The agency’s charter, like that of the U.N., commits its members to support basic human rights. In the past five years, however, the “rights of peoples”—in other words, the state—have taken priority over “individual” rights.

    The Administration was rankled further by what UNESCO bought with its money: a bloated bureaucracy with a taste for the good life. Despite UNESCO‘S stated concern for the Third World, few of its staff are deployed there. Indeed, 2,428 of its 3,380 employees work in the comfortable confines of the Paris headquarters, ,where a mid-level bureaucrat’s salary is about $2,500 a month, tax free. Some staffers are better connected than qualified: the important post of personnel director went to Serge Vieux, the cousin of [UNESCO Director-General Amadou-Mahtar M’Bow’s] wife.

    A final irritant was the autocratic M’Bow, who, according to Western members, pandered to Third World interests in hopes of some day getting enough votes to become U.N. Secretary-General.

    The voters who elected Reagan may have influenced the decision, too. Russell L. Riley, a presidential historian at the University of Virginia, adds that the rationale behind leaving UNESCO jibed with the Reagan administration’s overall economic agenda: “It was an easy way to save a little money and could prove to Americans that we [U.S. government officials] were being fiscally responsible.”

    Increasing government control over the media and press freedom are oxymorons, and UNESCO’s involvement should make everyone suspect of …

    This is the second time in nine months that the media felt the need to rally around and promote itself. The first was due to the orange-haired meanie in the White House, for whom they should be thanking God — or would if they were religious, though they are not — for Trump’s making their work as easy as humanly possible. In the same way that dissent has become patriotic again now that an R and not a D is in the White House, harsh reporting upon said Oval Office occupant and his party is back in style, as it was not between 2009 and 2016.

    Some of the aforementioned “key” messages should be noncontroversial. (Point three was lost on the Obama White House, and appears to be lost on this state’s Evers administration, which bars the MacIver Institute from access because MacIver has the wrong ideology.) Point four, about journalists’ working without fear of attacks (I thought the only thing we had to fear was fear itself), seems more motivated by those mean words of Donald Trump than people like Lyra McKee, who was killed in Northern Ireland by “dissident republicans.” Every time a journalist whines about mean Trump, that journalist demonstrates a lack of backbone (which I suppose reads less harsh than “cowardice”) when journalists elsewhere in the world are reporting at risk to their own lives.

    What about Annapolis? Read here.

    That part about “diverse sources” is ironic given that much of the news media’s current problems have to do with a lack of “diverse” sources — that is, intellectually and ideologically diverse, sources beyond the liberal institutional/governmental status quo. Arguably diversity is less of a media problem than reporters’ inability to relate to their own readers.

    People will jump, and should, all over the part about “just and inclusive societies.” Our job as journalists is to report, not foment societal change, and those in for the latter reason are in journalism for the wrong reasons. Reporting might start societal change, but (1) remember that “change” and ‘progress” are not synonyms and change can be positive or negative, and (2) it is incredibly arrogant for journalists to assume they know where society should change.

    Then there’s this, from Ryan Foley:

    On Sunday’s edition of her weekly syndicated show Full Measure, host Sharyl Attkisson discussed the results of a poll conducted by Scott Rasmussen that reflects very negatively on media credibility. During an on-screen interview with Attkisson, the pollster highlighted the most shocking result of the poll: “78 percent of voters say that…what reporters do with political news is promote their agenda. They think they use incidents as props for their agenda rather than seeking to accurately record what happened” while “only 14 percent think that a journalist is actually reporting what happened.” Rasmussen continued: “if a reporter found out something that would hurt their favorite candidate, only 36 percent of voters think that they would report that.” Rasmussen summed up the results of the poll by declaring that voters see journalists as a “political activist, not as a source of information.” 

    One reason why Republicans and conservatives should support press freedom, including open government records, is in this state, during Act 10 and Recallarama, when, thanks to the fact that election petition signatures are public records (specifically the recall effort against Gov. Scott Walker), we got to find out the people who (1) get government paychecks, (2) are candidates for office, or (3) are in the news media who signed the petitions. That is the public’s right to know.

    There will never be support for press freedom from politicians. There is no question in my mind that all the Democrats jumping on the media bandwagon are hoping they will be treated with the same light touch that the media used on Obama, before him Bill Clinton, and after him Hillary Clinton. (Which has a lot to do with mean orange-hair man now in the Oval Office, but you can tell that to neither Democrats nor journalists.) Reporters worth their salt revel in being hated by politicians of any or no party. Then again, reporters worth their salt don’t hold parties celebrating themselves.

    Something else you may not see acknowledged today is that the First Amendment does not belong merely to the press. (And the news media includes more than however the media defines itself, with the intent of squelching out alternative voices. The marketplace of ideas should decide which news media outlets are legitimate and which are not based on the quality of their work.) Like this state’s Open Meetings and Open Records laws, our First Amendment rights apply to every American, not just to the news media. It would be nice if the news media acknowledged that fact, as well as our other constitutional rights.

     

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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