Ripon College, a private residential liberal arts college, is holding its Alumni Weekend this coming weekend.
Chris Rickert of the Wisconsin State Journal feels the need to defend the liberal arts (including a journalism and political science graduate with a history minor whose work you read in this space):
I can’t open the paper lately without reading about how the American economy is doomed unless we get more kids into the so-called STEM fields — science, technology, engineering and math. …
As a graduate and employee in two fields ranked among the most useless of college majors — English and journalism, respectively — I admit I’m a little envious of all the love being showered on STEM.
My personal bias is also that STEM skills started succumbing to the law of diminishing returns some time shortly after the invention of indoor plumbing.
Nevertheless, it’s clear STEM isn’t nearly as important to solving the world’s problems — economic or otherwise — as the so-called “soft” skills: compromise, empathy, the ability to understand different viewpoints, etc. …
A lot of people were opposed to [Gov. Scott] Walker not necessarily because they were pro-collective bargaining but because they felt violated by “lack of process,” said Lisa Derr, who as president of the Wisconsin Association of Mediators knows something about process.
Conflict-resolution consultant Harry Webne-Behrman said it’s important to identify not just the details of a conflict, but how the need for respect, empathy and understanding fuel the behavior of conflict participants.
The STEM fields don’t always teach that, he said. “You’ve got to learn these soft skills.”
And don’t forget the world-saving power of all those non-STEM degrees — literature, philosophy, history and others of the oft-maligned humanities.
“Skills and methods associated with the humanities aren’t soft, despite the convention of referring to them as such,” said Sara Guyer, director of the UW-Madison Center for the Humanities. “The importance of the humanities … is not just about empathy or imagining others, but it is about deepening our real understanding and fostering rigorous, critical analysis.”
This is not to say STEM is irrelevant to the (maybe-not-so) soft skills. …
But personally, I’ve learned more about humanity and its discontents from Jane Smiley novels and David Foster Wallace essays than from any STEM course I ever took.
The path to prosperity may well be paved with STEM graduates — but only if they learn the soft skills and read a few decent books along the way.
One of the good things about being in southwest Wisconsin is getting to listen to maybe the finest morning radio show for a market of this size.
WGLR-FM in Lancaster (for which I have done games and endured jokes about the disaster area that is my golf game) does an excellent job of informing listeners of what is going on in Wisconsin and the Tri-States every morning. (I saw WGLR’s morning host earlier this week, and I told him I wake up with him every morning, and to stop snoring and hogging the covers.) Between 6:30 and 6:45 I hear the important local news, the weather, local sports and even the farm markets. From the farmer’s perspective, of course, higher prices are good, lower prices are not.
WGLR calls itself “97-7 Country.” Back when I was doing games for WGLR, their slogan was “We Cover the Country,” which was preceded by “Music Country.” (In doing a résumé CD for a job I didn’t get — hint: they’re in Minnesota this weekend — I found a copy of WGLR’s old weather sounder that sounds like, and may have been called, fairy dust. It’s one of my ringtones.)
(Sad side note: One of WGLR’s account representatives, Tom Greenwood, died early this week. His funeral is this morning. Tom was known locally for his coverage of car racing. I worked with him on a football playoff game in 1999. The death of someone as close to my age as Tom was and the fact that Tom is, I think, the first person I’ve done games with to pass on is not pleasant to contemplate.)
WGLR does what every radio station really needs to do — be live and local. Those stations that are voice-tracked for hours and hours, and the stations that carry whatever programming the satellite provides (although I do like Tom Kent and Nights with Alice Cooper) are not really serving their listeners.
Regular readers over the past four years know I am a fan of rock music and not country music, although you know I have a favorite country song:
I first moved to southwest Wisconsin in 1988, and appalled my mother by being able to recite most of the words to this:
It blew my mind when a 1990s high school reunion of mine featured line dancing. Independent of the fact that line dancing didn’t exist when we graduated, I doubt you could have found one member of the Madison La Follette Class of 1983 to have admitted listening to country music in the early 1980s.
Of course, rock music owes a lot to country given that rock is an amalgam of country, blues and jazz. Many of the biggest country acts of the ’50s and ’60s spent a lot of time on the pop music charts too:
I got the idea many years ago to take one of the stations that WGLR’s owner now owns and make it a country/rock station. That wouldn’t be that hard, particularly if you pick from ’70s Southern rock:
Readers know that my first criterion for music is how the music sounds. (Which is one reason why I’m not a fan of The Eagles, much of whose ’70s music belongs on country stations, not rock stations.) Five musical ingredients of country that turn me off are twangy guitars, pedal steel guitar, banjos, violins and harmonicas, all of which I prefer in limited quantities. (I’m not a fan of bluegrass.)
The other thing that turns me off is those songs that adhere to the country stereotype of my-girl-left-me my-dog-died my-truck-blew-up let’s-go-get-drunk. (Isn’t there a Cousins Subs commercial with that theme?) There is a country-ish — more appropriately termed rural — dialect in Wisconsin that sounds sort of like a drawl than the speech of, say, someone from Madison. It sounds as if you have to sound like that to be a country act, and I don’t prefer that.
On the other hand, country love songs seem more respectful than, say, your typical Nickelback song. I have never heard a patriotic rock song; I assume it’s more cool for rock singers to rip on their country (for instance, “Born in the USA”) than praise it. There have been country acts that beat on the country that gives them the freedom to beat on their country, but Steve Earle isn’t considered a country act anymore, and Natalie Maines’ mouth torched the Dixie Chicks as a country act forever. (The First Amendment does not include immunity from the consequences of your free expression.)
Having listened to more country music as part of the aforementioned morning show in the past month than in the past few years, the first thing that comes to mind is that country of the last 35 or so years — essentially country from around the time the movie “Urban Cowboy” came out — meets the old standards of pop music: three or so minutes of actual melody. (The more I listen to contemporary hits radio, the more it strikes me as unlistenable, with limitedexceptions, given pop’s current veering between pseudorap and songs that sound as if they’re sung by 15-year-old girls or for 15-year-old girls.)
I guess my challenge is to introduce a new genre to country music similar to brass rock: Brass country, something like …
Isthmus, the People’s Republic of Madison’s alternative weekly newspaper, is not as interesting a read as it used to be when it carried the “Ursula Understands” column written by the late Kathleen Shanahan Foster.
Isthmus also lost any credibility in offering opinions other than its own when it ended the column of non-conservative David Blaska. Proving that blogging well is the best revenge, Blaska moved his blog from Isthmus to IBWisconsin.com. (Where someone else occasionally blogs.)
In the past week, though, it’s been instructive, for those who don’t align themselves with the left and/or avoid Madison like the plague, to read the points of view coming out of Madison in the wake of the June 5 recall election.
Begin with Matt Rothschild, who seems to reverse the famous observation of Cassius to Brutus in Shakespeare’s “Julius Caesar”:
There were many opportunities available to challenge Walker’s policies with mass civil disobedience.
One was when the Department of Administration refused to allow the occupation of the Capitol to continue.
Another was when the Department of Administration closed the Capitol doors.
And certainly when the bill was shoved through, that was an occasion to call for mass civil disobedience.
But the call never came.
Nor were more creative strategies tried. The Teamsters with their 18 wheelers, whose support was so emboldening, could have driven down Interstate 90 and 94 at 45 mph all day long for a week’s time to demonstrate that workers in Wisconsin weren’t going to take this lying down.
No coordinated workplace strategies were adopted.
Every union in the state could have caught the blue flu, so that workers in one trade after another would call in sick on alternating days.
Or unions could have told their members simply to “work to rule” — doing the bare minimum that their contracts required.
But none of these options were taken, and the only channel that all of the people’s energy was poured into was the very narrow and murky channel of the Democratic Party.
There was a failure of imagination, and a failure of nerve and a failure of process. …
And fundamentally, progressives and unionists in Wisconsin also have to wrestle with the obvious problem that union members, to an astonishing degree, actually voted for Walker. According to the exit polls, 38% of union households in Wisconsin voted for him — even more than last time!
Something is seriously wrong with the union movement in Wisconsin when so many of its own members actually vote for the guy who’s got his boot on their throats.
How can that be?
Have members become so disengaged from their unions that they don’t know why they exist?
Rothschild lays out a strategy to have made the Walker margin over Barrett even wider. Does he really believe the millions of Wisconsin workers who are not union members would not have been outraged at rolling sick-ins and working to the rule?
A reader with an apparently tighter grasp of reality than Rothschild (who I’ve known since our joint Wisconsin Public Television appearances in the late 1990s) pointed out:
Yours is an amazing and addictive infatuation with confrontation, boycotts, more trashing of the Capitol, sick ins with fake doctors’ notes, etc. — even truck driver slow downs on the Interstate (my god, I drive back and forth to Michigan every two or three weeks. I cannot tell you how enraged that would make me – at the LEFT, not at Scott Walker). You seem utterly unaware of or indifferent to the seething outrage among the 53% who voted for Walker at the spectacle they had to endure for a year of such things already. You really think more of that would have produced any change at all? How?
Which prompted a thoughtful response:
… some of the anger in the movement can be alienating to some people, and I do think that’s something that should be considered. … I do think that people might keep in mind that they have to sell the issue that is so important to them, and reflect a bit on the best way to do this. … [T]hese are citizens and individuals, not politicians, and when people feel disenfranchised they’re going to express their discontent. We’ve seen that from the other side of the political spectrum as well. Individuals displaying bad behavior is not unique to any partisan position. And it concerns me that the personality of politics might concern some people more than the actual issues. It’s a complicated thing, because as a citizen you have a right to be outraged with your government, and I would argue that you have a responsibility to express that outrage as part of our democracy. So how do you express it in a way that doesn’t alienate people who might otherwise listen? That’s a good question to reflect on I think.
As for union members’ alleged self-betrayal, it may shock Rothschild that many union members are in unions because membership (and dues) is required, not because they’d choose to be a member. How should a union member who’s a hunter have voted? Barrett’s party (and certainly Rothschild’s fellow travelers) are violently anti-firearms and anti-hunting. How should a union member who doesn’t agree with the Democratic Party’s position on abortion rights have voted? How should a union member who thinks he pays too much in taxes have voted?
What Rothschild really fails to grant, however, is that maybe the recall elections failed not because of style, but because of substance. Former Madison mayor Dave Cieslewicz, who has experience in winning and losing elections (to the same candidate, Mayor-for-Life Paul Soglin), pointed out the day after the election:
I have some experience with losing elections. It’s crummy. It feels like somebody died. There’s a period of something very like mourning that you just have to go through.
But eventually you figure out that nobody did die. That life goes on and you love your home, and you want to be a part of your community, and so, eventually, you reengage.
Madison is a successful community — it demonstrates that decades of progressive policies work.
I would argue that Madison works in spite of, not because of, progressive policies. But be that as it may, Cieslewicz followed up with the truth progressives may not be able to handle:
… I am a little alarmed to see so many Democrats at last weekend’s state convention picking up the theme that the only reason they lost was because Wisconsinites don’t like recalls. I’m not saying that they’re echoing what I wrote. They’re coming to this conclusion all on their own and that’s the problem.
So let me clarify. My party lost because the other guy got more votes, and because a majority of Wisconsinites like most of his policies. I believe that in a regular election that was a straight up or down vote on Scott Walker’s policies the result might have been different, but probably not.
This is important, because to the extent that we allow ourselves to fool ourselves that we lost because the other guy had more money (he did, but almost everybody had their minds made up long before the air war started), or our candidate was weak (he wasn’t, Tom Barrett was our best shot), or Republican voting procedure changes suppressed turnout (which was massive), or the Koch brothers did it (these guys have been blamed for everything from high gas prices to the Brewers’ streak of injures, but they’re not that powerful), than we excuse ourselves the necessity of confronting our own unpopularity.
The public isn’t buying what Democrats have to offer and it’s time we stopped whining about it and complaining about how stupid our customers are. UW political science professor Ken Mayer made this point really well in Saturday’s State Journal.
What’s needed is some kind of movement, preferably within but possibly outside of, the Democratic Party. A movement that appeals to the vast majority of people who are not party activists, not especially ideological one way or the other, and just want a government that listens to them and works.
Chanting that “The People, United, Will Never Be Defeated’ just doesn’t cut it among the big middle. That kind of stuff just turns them off.
The Democratic Party and its allies were never better organized and focused than they have been the last eighteen months. This result wasn’t about the techie side of politics. It was about substance. And it’s substance that we need to change.
What the public doesn’t get from either party right now and from most interest groups is honest discussion of the issues in language that doesn’t condescend or pander.
Give me a politician who says what he thinks and makes a case that what he thinks is intelligent. Give me a politician who isn’t afraid to disagree with his own friends and supporters when he thinks they’re wrong. Give me a politician who reaches out to the other side and tries to understand them, not just vilify them.
That’s the style of politics that the vast middle wants. Is my party capable of giving it to them?
Which prompted this comment:
Kudos to you Dave, it’s about time a Democrat said this out loud. Ever since What’s The Matter With Kansas was published that was all you heard, that voters were stupid and voting against their own interests. But what they actually meant was that voters were voting against what leftists thought was their best interests and the leftists were getting it wrong.
The ability of political partisans to self-deceive — not to mention the ability of some true believers to believe any opinion other than theirs is wrong — may be why those who consider themselves political independents are growing in number.
It also demonstrates that Democrats and leftists need a columnist, commentator or blogger willing to criticize not merely the Democratic Party (which Rothschild did) but Wisconsin’s whole left side when they’re wrong. (Yes, Wisconsin’s right side needs one too.)
I will be on Wisconsin Public Radio’s Joy Cardin program Friday doing the 8 a.m. Week in Review segment. (Which will be replayed at 9 p.m.)
Wisconsin Public Radio’s Ideas Network can be heard on WHA (970 AM) in Madison, WLBL (930 AM) in Auburndale, WHID (88.1 FM) in Green Bay, WHWC (88.3 FM) in Menomonie, WRFW (88.7 FM) in River Falls, WEPS (88.9 FM) in Elgin, Ill., WHAA (89.1 FM) in Adams, WHBM (90.3 FM) in Park Falls, WHLA (90.3 FM) in La Crosse, WRST (90.3 FM) in Oshkosh, WHAD (90.7 FM) in Delafield, W215AQ (90.9 FM) in Middleton, KUWS (91.3 FM) in Superior, WHHI (91.3 FM) in Highland, WSHS (91.7 FM) in Sheboygan, WHDI (91.9 FM) in Sister Bay, WLBL (91.9 FM) in Wausau, W275AF (102.9 FM) in Ashland, W300BM (107.9 FM) in Madison, and of course online at www.wpr.org.
Before I say anything on the air or online I should attach the disclaimer that the views you’ll hear Friday are mine only, and not the views of any past, present or potential future employer of mine.
Liberals behind the recall like to throw around the phrase “civil war” because it fits the purpose of their campaign: Almost everybody hates war and (thus sayeth the Lord) peacemakers are blessed. So, recallistas are working to create the impression that there’s a civil war on, and in the meantime Barrett gets to appear Christ-like. …
But is the recall really a civil war?
Only a fool would deny Wisconsin is politically divided. But it takes a bigger fool to say the state’s divisions appeared only when Scott Walkermoved into the governor’s mansion. In the past decade and a half alone the state has seen two close calls on the presidential level. During the same time, control of the state Senate changed hands four times. Lest we also forget we saw tight elections for state attorney general in 2006 and a state Supreme Court seat in April 2011.
Where was Tom Barrett to stop those civil wars?
Politics — and political fighting — is in the Badger State’s DNA. One of my favorite books on Wisconsin political history is Wisconsin Votes: An Electoral History, a 2008 release by Robert B. Fowler, professor emeritus of political science at the University of Wisconsin-Madison. It’s a well-researched chronicle of the state’s long voting history from statehood to today. (Fowler has even published online addendums for the 2010 and 2011 elections). One of the many things you will discover by reading it is that since the start of the 20th century the state has always been a political battlefield.
Fowler points out that the first fights were intra-Republican Party — between what were called “stalwart” Republicans and a new breed of “progressive” Republicans led by Robert La Follette. After World War II, the fight moved to the modern-day Democrat vs. Republican dynamic we know today. That was when any remaining “progressive” Republicans joined with New Deal Democrats to create the modern Democratic Party of Wisconsin.
The bottom line — we’ve been fighting since the beginning. Only the labels have changed. …
Coups are defined as sudden and decisive actions in politics resulting in a change of government illegally or by force through a small group. When labor-backed demonstrators occupied the state Capitol in February 2011, Madison certainly looked like any big city in a third world country. When labor leaders used that occupation to argue that the state had become ungovernable, they seemed merely hypocritical. When they leveraged that argument—and millions of dollars in campaign slush funds—to push for the recall of the governor, well, that’s when we had ourselves a very American coup.
Watching the recallistas in action, one can see how their entire campaign platform has nothing to do with reuniting the state, ending the civil war or mending political fences. They just want Scott Walker gone — and with him any hope of permanently dismantling the public-employee machine that used to run the state’s politics.
George S. Will, who on ABC-TV’s “This Week” called Tuesday’s recall election the second most important in the country this year, has another description of the recall:
This state, the first to let government employees unionize, was an incubator of progressivism and gave birth to its emblematic institution, the government employees union (in 1932 in Madison, the precursor of the American Federation of State, County and Municipal Employees) — government organized as a special interest to lobby itself to expand itself. But Wisconsin progressivism is in a dark Peter Pan phase; it is childish without being winsome. …
In justifying a raucous resistance to, and then this recall of, Walker, the government employees unions stressed his restriction of collective bargaining rights. But in the May primary, these unions backed the candidate trounced by Barrett, who is largely ignoring the collective bargaining issue, perhaps partly because most worker protections are embedded in Wisconsin’s uniquely strong civil service law. Besides, what really motivates the unions and elected Democrats is that Walker ended the automatic deduction of union dues from government employees’ pay. The experience in Colorado, Indiana, Utah and Washington state is that when dues become voluntary, they become elusive.
So, Barrett is essentially running another general-election campaign, not unlike that of 2010 — except that the $3.6 billion deficit Walker inherited has disappeared and property taxes have declined. By re-posing the 2010 choice, Wisconsin progressives’ one-word platform becomes: “Mulligan!”
The emblem displayed at some anti-Walker centers is an outline of Wisconsin rendered as a clenched fist, with a red star on the heel of the hand. Walker’s disproportionately middle-aged adversaries know the red star symbolized murderous totalitarianism, yet they flaunt it as a progressive ornament. Why?
Because it satisfies the sandbox socialists’ childish pleasure in naughtiness, as does their playground name-calling (Walker is a “Midwest Mussolini”) and infantile point-scoring: When the Milwaukee Journal Sentinel endorsed Walker, Wisconsin’s Democratic Party chair fulminated that six decades ago the Sentinel (which merged with the Journal in 1995) supported McCarthy. …
A January poll found that even 17 percent of Democrats think that recalls are justified only by criminal behavior, not policy differences. If, however, Walker loses, regular Wisconsin elections will henceforth confer only evanescent legitimacy. If he wins, progressives will have inadvertently demonstrated that entrenched privilege can be challenged, and they will have squandered huge sums that cannot finance progressive causes elsewhere. So, for a change, progressives will have served progress.
To date, as I predicted, I have seen only The Capital Times in Madison endorse Tom Barrett Tuesday. The Ripon Commonwealth Press is not:
The desire to answer injustice with retribution argues against giving voters a recall for a reason other than moral malfeasance.
Today’s recall against Gov. Walker, in 12 months and six days, could be transformed into an effort to unseat Gov. Barrett.
Aside from encouraging ongoing political instability and the spending, nay wasting, of millions of dollars to sully reputations, recalls risk encouraging timidity in politicians, often at the very time circumstances require bold, politically unpopular decision making.
Recall attempts recall courage.
They recall trust. They recall patience. And in their place?
Cynicism. Distrust. Revenge.
While Section 12 of Article XIII of the Wisconsin Constitution permits recalls against publicly elected officials, common sense argues that the recall is a dangerously divisive, politically immobilizing, outrageously expensive tool. …
The ability to organize has given workers the collective leverage they’ve needed to force their employers to sit down and negotiate with them regarding pay, benefits, working conditions and employment policies.
But over time the exploited learned to do their own exploiting.
A former Ripon mayor not too long ago, upon being asked whether city workers enjoyed a “Cadillac” health insurance plan, was quoted in this newspaper as saying, “No. It’s a Rolls-Royce plan.”
And a Ripon Superintendent of Schools quietly bemoaned the fact that teachers for years have been intractable in their allegiance to WEA Trust, despite the district offering comparable health insurance benefits at a lower cost that, if accepted, would either have saved taxpayers money or enabled the district to minimize layoffs.
Local units of government now are able to exercise the judgment they should never have lost of being able to act on an individual’s employment status based on merit rather than tenure and seniority.
That’s how it is in the non-unionized private sector, where accomplishment can be rewarded, mediocrity addressed and the worst employees can be fired.
Let us stipulate that in the view of the Times, Scott Walker is a skunk and a cad. And let us stipulate that everything bad in Wisconsin, all the ill feeling and all the turmoil is entirely because this sinister enemy of all that is noble and good has been riding roughshod over every decent principle in public life.
But what Times readers will not learn from this piece is that the skunk is winning. Walker is overwhelmingly favored to win on June 5, with polls consistently giving him a significant lead over his opponent. In seven pages of focused, detailed coverage of the politics of the Wisconsin race, the piece has no room for this simple yet somehow telling detail.
The Times knows very well that Walker is kicking butt in Wisconsin. Blogger Nate Silver tells readers exactly this at his NYT blog 538. …
It isn’t just that recent Times articles about Wisconsin have studiously tiptoed around the opinion polls that point to a solid Walker lead. Dan Kaufman’s weeper doesn’t give readers any idea why anybody in Wisconsin supports Walker or why even the Democrats now accept that the public supports Walker’s union legislation and aren’t making an issue of it in the campaign. …
Read the piece and see for yourself. It is long, exhaustive and deeply misleading. This goes beyond bias; it is the most foolish and self-defeating propaganda. If you want to know why liberals are so frequently surprised by events that other people saw coming, why so many well educated and well meaning people are so pathetically clueless about American politics and American culture — read this piece.
If there were an anti-Pulitzer Prize for the worst journalism of the year — this would be a contender.
One of my goals in life is to be compensated more than once for the same piece of work.
I first pulled this off during my college days, when stories I wrote for the Monona Community Herald were stories I also turned in for my public affairs reporting class. The instructor, a New York Times foreign correspondent, knew I was doing this. It strikes me now as having been professionally judged twice — by the Herald, which paid me every two weeks to write; and by someone who had covered the Soviet Union’s invasion of Czechoslovakia. (Which is not the same thing as the Town of Cottage Grove board, but that’s not the point.)
Then after I started in southwest Wisconsin, I announced games for the local radio station that I also wrote about for the newspaper. Later on, I was a stringer for the Dubuque Telegraph Herald covering meetings I would also write about for the Grant County Herald Independent. Think of it as early multitasking.
I am not a person who reflexively believes the way things used to be is better than the way things are today. For one thing, history, good or bad, does not go backwards.
I am, for better or worse, a child of the TV generation. When our oldest son, Michael, started watching TV, it amused us greatly that he was watching the same PBS shows, “Sesame Street” and “Mister Rogers’ Neighborhood,” that we watched growing up. (It wouldn’t surprise me, though I don’t remember it, if I watched episode number one of “Sesame Street,” portions of which, of course, can be viewed on YouTube.) I’m sure pediatricians or psychologists would be horrified to learn that, when I was seven years old, I was a religious watcher of “Hawaii Five-O,” on CBS Tuesdays at 7:30 p.m. and then, once the “Family Hour” was instituted, 8 p.m. (More on Five-O later.)
Cable TV has been a bonanza (not to be confused with “Bonanza”) of old TV over the years, having taken on what broadcast stations used to do during off-network hours. (Old reruns on broadcast TV have largely been replaced by original-run syndicated programming.) One highlight of going to my in-laws was the ability to watch weekend reruns of “Emergency!” and “The Green Hornet,” which at the time were on channels we didn’t get where we lived.
On a different weekend in southwest Wisconsin, another channel was showing a marathon of the old cartoon show “The Banana Splits,” with four people costumed as lifesize stuffed animals. (I apologize in advance for inserting the theme music, “Tra-la-la La-la-la-laaa tra-la-la la-la-la-laaaaaa,” into your brain for the next several days.)
One of the voice talents on the show was the great ventriloquist Paul Winchell, who gained anonymous notice later as the voice of Tigger and Dow Bathroom Cleaner’s “scrubbing bubbles.” TNT used to have a morning segment called “Lunchbox TV,” featuring reruns of “Starsky and Hutch,” “CHiPs” and “Kung Fu.”
While my early watching was usually cartoon-related, most of my TV watching has been in some variation of the action/adventure genre. Early on, I developed a two-pronged formula as to whether the series was worth my watching: (1) cool wheels, well before I could drive (including, in the case of “Star Trek,” space vehicles), and (2) cool theme music, before I’d developed appreciation for music. That might be the only explanation for why I watched “The A-Team,” although George Peppard did appear to be having the time of his life as the head of said A-Team.
For us old TV buffs, WBAY-TV RTN was a godsend, until it went away. Then came WGBA-TV’s Me TV, which on Sundays includes one of the great dramas, “The Fugitive” (the finale of which was the highest rated TV show in history until someone shot J.R. Ewing), “The Rockford Files” (a series I thought as a nine-year-old was edgy because the title character said “damn” and “hell” a lot), “Get Smart” (two words: Mel Brooks) and “Hawaii Five-O,” and “Mission: Impossible” weekdays, and “The Wild Wild West” (a science fiction Western, if that makes any sense) on weekends.
If I were programming “Steve TV,” using the aforementioned formula, the program schedule would include:
“Hawaii Five-O” (9 p.m. weeknights), which has the best opening sequence, bar none, in the history of TV. It was “Miami Vice” 15 years before “Miami Vice,” crime in lush locales. The irony is that, if you ask any Hawaii tourism official of the 1970s, “Hawaii Five-O” did more than almost anything to attract tourism to Hawaii, even though the show depicted the state as riven with crime and even espionage. (One of the stars once pointed out that if the show had been realistic, Five-O would have solved every crime the state has ever had about halfway through the series.)
“Magnum P.I.” (10 p.m. weeknights), which replaced “Hawaii Five-O” on the CBS schedule using the same Hawaii studios “Five-O” used. Star Tom Selleck was a star worth emulating in the 1980s, although no one at my part-time newspaper job was impressed when, one day, I drove to work in my mother’s red Chevy Camaro (the closest thing I could find to a Ferrari 308GTSi) wearing a Hawaiian shirt. Like “Hawaii Five-O,” the depiction of Hawaii, where everything grows all year and frost is the name of an old poet, makes those in the less-than-great white north pine for tropical climates.
“Emergency!”, one of the many Jack Webb productions. This one was different from Webb’s “Dragnet” and “Adam-12” (which I religiously watched before “Hawaii Five-O”) in that it lasted an hour and wasn’t about Los Angeles police. It was about Los Angeles County firefighters and paramedics, complete with a cool rescue squad truck, and the paramedics got to do all kinds of dangerous things in the wonderful (though noticeably smoggy) southern California climate, supported by doctors at an L.A.-area hospital. (Why this series has not been remade in the post-9/11 era, where there is much more interest in emergency services as TV show themes, is beyond me.)
“Starsky and Hutch,” a series about two hip plainclothes detectives who drove around in a vehicle guaranteed not to attract bad-guy attention, a red Ford Gran Torino with a huge white Nike-like swoosh on the side. (Similar to the “Magnum P.I.” Ferrari.) The first season, where the title characters were cops instead of social workers with badges as they became later in the series, featured theme music by Lalo Schifrin, who, though he didn’t compose many TV themes or movie scores, composed some great ones, including “Mission: Impossible,” “Mannix,” “Bullitt” and “Dirty Harry.”
I’m a fan of the more obscure series too. “It Takes a Thief” starred Robert Wagner as a rich jewel thief who steals things for the government. (And you thought stealing stuff for the government was limited to the Internal Revenue Service and the Department of Revenue.) The classicthememusic was from jazz composer Dave Grusin. I doubt anyone remembers another Jack Webb offering, “Chase,” which featured not just cool theme music but, in the same series, a fast car, a helicopter, a motorcycle and a police dog. (Nirvana for pre-teen boys.) A couple years later, NBC-TV replayed a one-season series, “Hawk,” about a half-American Indian New York City police detective, because of its star, who, 10 years after the series first aired on ABC, was the top-grossing box office star in the U.S. — Burt Reynolds. Even more obscure was a series I remember watching, though I remember almost nothing about it — “Bearcats,” about two guys “looking for adventure” around the turn-of-the-century West, traveling from place to place in an old Stutz Bearcat.
How do we know these and other TV series were superior to much of what’s on TV today? Because Hollywood keeps remaking TV of the ‘60s and ‘70s as movies, even series that were not perhaps crying out to be redone as movies, such as “The Incredible Hulk.” Since the 1980s, we have seen the movie returns of “The Untouchables,” “Mission: Impossible,” “The Saint” (think of the original British TV series as Roger Moore’s audition to replace Sean Connery as James Bond), “The Avengers” (perhaps the worst remake, because while Uma Thurman was a fine replacement for Diana Rigg, Ralph Fiennes is no Patrick Macnee), “The Wild Wild West” (again victimized by bad casting, because Will Smith reminds no one of original star Robert Conrad), “I Spy,” “The Mod Squad,” “Charlie’s Angels,” “S.W.A.T.,” “Starsky and Hutch,” and “Get Smart,” an unappreciated classic in its time. Dick Wolf, the creator of the “Law & Order” franchise, brought back “Dragnet” for two seasons as a one-hour drama, but although I enjoyed it (hearing the announcement “sentenced to death by lethal injection” at the end was a particular thrill), few other viewers apparently did.
Most of those remakes are not popular among the series’ original fans. In the case of “Starsky and Hutch,” the producers made fun of the original series, and if you do that, you’re making fun of the original series’ fans, whether or not the original premise strained credulity. The movie casting of Ben Stiller as Starsky and Owen Wilson as Hutch was just ridiculous. (Having Hutch sing “Don’t Give Up on Us,” the only successful single of original costar David Soul, was a nice touch, though.) If you watch any remake directed by Brian De Palma (who redid “The Untouchables” and the first “Mission: Impossible”), you know that any similarity between the original and De Palma’s remake is limited to the title.
Most of the remakes miss the spirit of the originals, which were created in the old Television Code days, when writers and directors couldn’t go nearly as far as TV goes today and thus had to be more inventive. The quality of most series usually drops the longer the series goes on (particularly “Star Trek,” most of the third season of which could qualify as the worst program in the history of entertainment) when, as a Star Trek chronicler once put it, format becomes formula. At some point, the powers that be in TV entertainment decided that what viewers wanted was more reality — flawed heroes, storylines unresolved after just one episode, social commentary, and more downer episode endings — when, not to be Pollyanniaish about it, most viewers want escapism out of their entertainment. (This is probably not an original theory, but the more grim the daily news is, I’d suggest, the more escapism people want.) Call me a philistine, but the longer the classic series “M*A*S*H” went, the less interested I was in it as the series became more socially profound and less funny. (The fact the series lasted approximately four times as long as the actual Korean War didn’t help either.) A series that was supposed to emulate “Emergency!”, “Third Watch,” was unwatchable because the creators (who formerly worked on “ER”) decided instead to foist enough angst on each character to make them, or the viewer, look for their stash of cyanide tablets.
A lot of fans of old series (many of whom expand on the original through writing fan fiction) want to bring back their favorite series, only to be disappointed by the failure of the comeback (proposals to bring back “Hawaii Five-O” have languished for more than a decade) or to be disappointed in the comeback, since obviously different people (namely actors, writers and producers) are involved. History, good or bad, does not go backwards, even on TV.
Readers wondering how I introduced myself to my new readers at The Platteville Journal, head over to swnews4u.com … now that I’ve figured out how to post to swnews4u.com.