Our first item comes from the Stupid Laws File: Today in 1956, Ohio youths younger than 18 were banned from dancing in public unless accompanied by an adult, the result of enforcing a law that dated back to 1931.
The number one single today in 1965:
The number one British single today in 1971 was the first number one by a singer from his previous group:
Today in 1977, Patti Smith broke a vertebra after falling off the stage at her concert in Tampa, Fla.
Today in 1963, the London Times’ music critics named John Lennon and Paul McCartney Outstanding Composers of 1963. Two days later, Sunday Times music critic Richard Buckle named Lennon and McCartney “the greatest composers since Beethoven.”
The number one album today in 1969 was “Led Zeppelin II” …
… the same day that the number one single was this group’s last:
A horrible irony today in 1964: A plane carrying all four members of the group Buddy and the Kings crashed, killing everyone on board. Buddy and the Kings was led by Harold Box, who replaced Buddy Holly with the Crickets after Holly died in a plane crash in 1959:
Today in 1976, Chicago had its first number one single, which some would consider the start of its downward slope to sappy ballads:
The number one British album today in 1973 was the Rolling Stones’ “Goats Head Soup,” despite (or perhaps because of) the BBC’s ban of one of its songs, “Star Star”:
Who shares a birthday with my brother (who celebrated his sixth birthday, on a Friday the 13th, by getting chicken pox from me)? Start with Paul Simon:
Robert Lamm plays keyboards — or more accurately, the keytar — for Chicago:
Sammy Hagar:
Craig McGregor of Foghat:
John Ford Coley, formerly a duet with England Dan Seals:
Rob Marche played guitar for the Jo Boxers, who …
One death of note: Ed Sullivan, whose Sunday night CBS-TV show showed off rock and roll (plus Topo Gigio and Senor Wences) to millions, died today in 1974:
Those who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.)
Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras …
… but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat & Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player.
While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BS&T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel.
I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and I remember Chicago’s ABC-TV special filmed in Colorado …
… but it wasn’t until my uncle the audiophile played Chicago’s entire 13-minute-long “Ballet for a Girl in Buchannon” on his reel-to-reel tape player, at double-digit volume, that I became hooked on Chicago forever:
Chicago’s appearance at the 2010 EAA AirVenture (and the former Marketplace Today blog was the first media outlet in the entire world to announce Chicago was coming to EAA) is the third time I’ve seen them in concert. I remember thinking as they ended their set having not played either “Make Me Smile” or “25 or 6 to 4” that they couldn’t possibly do a concert without them, could they? And then they returned for their encore with, yes, the whole 13-minute “Ballet” and ended with “25 or 6 to 4.”
(Readers also know my father, who was in southern Wisconsin’s first rock and roll band — which had no brass section — had a Walter Mitty moment when he played one song with Ray Charles in the first Dane County Coliseum concert. I’ve been to three Chicago concerts — half of the University of Wisconsin Marching Band was at the first — and the group has never asked me to jump on stage and play. As with the lack of a Corvette in my garage, life is unfair.)
Chicago and Blood Sweat & Tears are the best known, but not the only, brass rock groups in existence. Earth Wind & Fire, which came onto the scene a few years after Chicago and BS&T, could be termed “brass funk”:
Other groups cannot be called “brass rock” groups, but they have brought in brass from time to time (including, in the case of Three Dog Night’s “Celebrate,” Chicago trumpet player Lee Loughnane, trombone player James Pankow, and sax player Walter Parazaider). That includes the Beatles and the Rolling Stones:
And every once in a while in the ’60s and ’70s, a trumpet player released a song that got radio airplay. Herb Alpert and the Tijuana Brass released a lot of singles, but his music doesn’t seem like “rock” to me. Still …
Those readers who played in middle school or high school bands (the third generation in our family starts this fall) know that band geeks (another word is often used in place of “geeks,” but I’m not repeating it) are well down on the coolness scale in their school. (However, stick it out and get admitted to UW–Madison, and you could be a member of the University of Wisconsin Marching Band, only the greatest marching band on the planet.) Groups like those noted here are the sort of music to which high school band members can aspire. You can play football only until your 30s, but note that Chicago is still touring more than 40 years after the band first formed.