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  • Presty the DJ for Jan. 9

    January 9, 2015
    Music

    The number one single today in 1955 was banned by ABC Radio stations because it was allegedly in bad taste:

    The number one album today in 1961 wasn’t a music album — Bob Newhart’s “The Button Down Mind Strikes Back!”

    The number one album today in 1965 was “Beatles ’65”:

    (more…)

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  • Aaron Rodgers, Most Valuable Comedian

    January 8, 2015
    Packers

    The Milwaukee Journal Sentinel did a valuable service for younger readers by reminding them that Packers football wasn’t always as good as it is now:

    In fact, fans younger than 30 pretty much know only winning. Seventeen post-season appearances in the last 22 years (including an NFC Divisional Round game next Sunday at Lambeau Field). Eleven division titles since 1995. Three trips to the Super Bowl. Two quarterbacks, both headed to the Hall of Fame.

    Yes, Packers fans have it pretty good. After all, they could have been born in Oakland or Cleveland. Worse yet, they could be stuck with Jay Cutler.

    “I think us as Packer fans are spoiled rotten,” said Michael Hunt, who played linebacker for Green Bay from 1978 to ’80 and lives in Merrill.

    “I don’t think fans understand how hard it is to (win) year after year, and have a chance to go to the Super Bowl every year,” said Gary Ellerson, a Packers running back for two years in the mid-’80s.

    They have a point. Perhaps many Packers fans take success for granted. Maybe there’s a growing sense of Titletown entitlement, a smidgen of smugness, an undercurrent of complacency that has ever so slightly dulled passions.

    If so, a reminder of the past is in order.

    A friend of mine calls the interminable interregnum between Vince Lombardi and Ron Wolf as the “Gory Years.” The Journal Sentinel refers to it as the Sorry Years:

    From 1968 through 1991, the Packers had four winning seasons. They qualified for the post-season twice and won exactly one playoff game. They went through more than 30 quarterbacks, some of whom seemingly had no idea how to throw a forward pass.

    There were terrible trades and forgettable draft picks. The franchise lacked direction at the top, leadership in the locker room, talent on the field.

    “There was chaos in the organization,” Dave Begel said of the three years (1978-’80) he covered the team for The Milwaukee Journal. “It was a time of chaos. They were a lousy team. They were a terrible football team.”

    The Packers sank so low that Bob Harlan, who spent 37 years with the organization and now is chairman emeritus, wondered if they ever would find a way out of the abyss.

    “I used to go to Super Bowls in the ’70s and ’80s and I’d see those big (inflatable) helmets on the field and I would think, ‘I’m not sure we’re ever going to have this again,’” Harlan said. “It seemed we just could not find a way to be successful.”

    From Hall of Fame quarterback Bart Starr to future Hall of Famer Brett Favre, the list of Packer Quarterbacks In Name Only included:

    • Jim Del Gaizo, 8 games
    • Blair Kiel, 8
    • Rich Campbell, 7
    • Chuck Fusina, 7
    • Don Milan, 7
    • Dennis Sproul, 6
    • Frank Patrick, 4
    • Alan Risher, 3
    • Randy Johnson, 3
    • Vince Ferragamo, 3
    • Bill Stevens, 3
    • Bill Troup, 2
    • Brian Dowling, 2
    • Rick Norton, 1
    • Steve Pisarkiewicz, 1
    • Willie Gillus, 1

    Some of that list have stories attached. Risher and Gillus played on the 1987 lockout team. Campbell was a number-one draft pick despite a throwing motion described by the Journal Sentinel as “unorthodox.” Patrick, who was 6–7 and weighed 225 pounds, was moved by Nebraska from quarterback to wide receiver, then the Packers moved him back to quarterback, only to find out why Nebraska moved him from behind center. Del Gaizo, a left-hander, was traded from Miami for two second-round draft picks, basically because he was the third-string quarterback on the then-NFL champions. Ferragamo got the Los Angeles Rams to Super Bowl XIV, and Pisarkiewicz was a number-one pick of the St. Louis Cardinals (because he apparently was a star at the University of Missouri). Dowling, the quarterback for Yale in the famous 31–31 tie with Harvard in 1968, became the “B.D.” from the Doonesbury cartoon. No, Randy Johnson didn’t later become one of the most intimidating pitchers in baseball.

    The Packers also had Scott Hunter, Green Bay West graduate Jerry Tagge, Jack Concannon, John Hadl (of the infamous Lawrence Welk trade fame — he was acquired for five draft picks, and then was traded away with another player and two more draft picks), Lynn Dickey (before and after his broken leg), David Whitehurst, former UW quarterback Randy Wright, Don Majkowski and, when Majkowski held out, Anthony Dilweg.

    Happily, now that people who know what they’re doing run the Packers, fans have enjoyed the work of one near-future Hall of Fame quarterback, Brett Favre, and one farther-future Hall of Fame quarterback, Aaron Rodgers. Notice as well they both have personalities. Rodgers’ is more subtle than Favre’s, but, the Wall Street Journal reports:

    The only time Rodgers isn’t on the same page with his teammates is when he is telling jokes. Rodgers’s attempts at humor are so layered and dry, those who know him say, that the only thing more common than a playbook in the Packers’ locker room is the clueless comment, Is he joking?

    “His jokes are what we call ‘Algebra 2,’ ” said Daryn Colledge, a Miami Dolphins offensive lineman and former Packers teammate. “I think a lot of people don’t get it.”

    Rodgers’s sense of humor, though inscrutable, serves as a calming influence in Green Bay. After a 1-2 start this season, Rodgers famously told fans to “R-E-L-A-X”—a statement later backed up by the Packers’ 12-4 final record. In the locker room, Rodgers uses quips and stunts to tell his teammates the same. The comedic results are mixed.

    Scenes like the following are common in Green Bay. Last week in a team meeting, Rodgers displayed a photo, randomly, of a figure in American history and asked rookie center Corey Linsley to identify him. There was no apparent purpose to this, but Linsley correctly identified John F. Kennedy.

    “What’s his middle name?” Rodgers asked.

    “I don’t know,” Linsley said. “Frederick?”

    Half the room giggled. Half was confused. It was, teammates agree, kind of weird. (Linsley clarified that he is now aware of Kennedy’s middle name, Fitzgerald.

    Then there is Rodgers’s habit of quoting “The Princess Bride.” While the 1987 romantic comedy is widely considered a classic, the allusions are lost on Rodgers’s 20-something teammates. (At 31, Rodgers is older than all but three guys on the team.) His favorite line to blurt out, he said, is from the character Vizzini: “Let me put it this way. Have you ever heard of Plato, Aristotle, Socrates? Morons.”

    “They probably don’t get the reference, no,” Rodgers said.

    “He does make jokes that fall on deaf ears,” said fullback John Kuhn. “But that’s what happens when you make a lot of jokes.”

    Teammates say that Rodgers, during pregame walk-throughs, will stare at players with an angry look until the player expresses concern. Then Rodgers will laugh.

    “It takes a really long time to figure it out,” Linsley said of Rodgers’s humor.

    Rodgers’s jokes, teammates say, are almost entirely for his own entertainment. To them, that suggests a confidence that puts them at ease. “He’s about as relaxed and calm in this locker room as you can get,” said Packers offensive tackle Bryan Bulaga. “His demeanor has an effect on us. There’s never any panic in this locker room. Everything about him says, ‘Take a breather; we are going to be all right.’ ”

    There is anxiety in the Green Bay locker room, but it is from players dreading falling victim to one of Rodgers’s quips.

    During midweek meetings, in between breakdowns of offensive plays, Rodgers will award a “Man of the Week” award, in which he scours Google Images for less-than-flattering photos of teammates. He found one of tight end Andrew Quarless while he played at Penn State and blasted it on the video board in the meeting room. “He spends a lot of time on the Internet, trying to find anything,” Quarless said.

    Rodgers spent plenty of time this season making fun of video that emerged of backup quarterback Matt Flynn, who danced on teammates’ shoulders at a Pearl Jam concert in October. “I’m out where people can see me, seeing my favorite band, trying to get the crowd pumped up. Why am I supposed to be embarrassed?” Flynn said. “He’s trying to roast everyone and it doesn’t work on me. Anything people think I’m embarrassed by I am actually proud of.”

    Nothing, Bulaga said, compares with the oddness of the Saturday meetings that Rodgers runs with the offense.

    “He has these little gigs every Saturday, he has 10 to 15 minutes to do whatever he wants,” Bulaga said. That means Rodgers focuses on football and addressing the entire offense on what needs to be done—until he starts getting weird. In one meeting this season, Rodgers randomly began to show what he called great commercials of the year. Bulaga knew what was coming, even if no one else did. It was all a setup to eventually show Bulaga’s commercial for cellphones featuring coach Mike McCarthy.

    “There is no self-doubt in [Rodgers],” Bulaga said.

    Rodgers’s eccentric sense of humor can be effective on opponents, too. Tampa Bay Buccaneers defensive lineman Michael Johnson said that Rodgers’s on-field demeanor is so biting and confusing that he compared him with Clive Owen’s mysterious character in the caper movie “Inside Man.” Buccaneers linebacker Mason Foster said that Rodgers is likely to throw for a big play, then calmly walk by you and ask how your alma mater is doing.

    “He went to Cal, so he just walks up and asks me how Washington is doing,” Foster said. “In between plays.”

    The major flaw in this story is that it includes no mention of Rodgers’ famous photobombs of each week’s team captain photo, which can be found on, of course, its own website:

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  • A Democrat you could vote for?!

    January 8, 2015
    US politics

    Yahoo! News! has a story! about Democrat! Jim Webb!

    “I’m not running against Hillary Clinton,” Jim Webb told me this week, when I tried to draw him out on the presumed Democratic front-runner. “I’m not even running at the moment, and she isn’t, either.”

    That’s all technically true, but Webb’s recent announcement that he was taking the first official step toward a 2016 presidential bid nonetheless set off a round of commentary about the contrast between him and his former Senate colleague. On the FiveThirtyEight blog, Harry Enten concluded that Webb could be “the ideal Clinton challenger.” Al Hunt of Bloomberg News said Webb could be Clinton’s “worst nightmare,” while William Greider wrote in The Nation that Webb might become “a pivotal messenger” for the left.

    Such predictions are easily made and seldom remembered. They don’t tell you much about whether Webb, who has as varied an experience in public service and foreign policy as anybody else out there, can really mount the kind of semi-serious challenge to Clinton that Bill Bradley did to Al Gore in 2000, or whether he’ll end up being something more like this year’s Wesley Clark.

    Webb has some things going for him, starting with unusual courage for a politician. He went through Vietnam, and he loves his second career as a writer of books and screenplays, and those two things have always seemed to make him more impervious to the consequences of conviction than most other politicians, who cling to their seats with a kind of irrational tenacity.

    To Webb, there are worse things in life than losing an election or even being drummed out of your party, and that counts for a lot when you have a looming presence like Clinton who’s going to scare away most of her more obvious challengers.

    And despite what he may say about not comparing himself to Clinton, Webb has the beginnings of a two-pronged progressive critique. On economic policy, Webb will say the party — personified by the Clintons — has been too much in the grasp of big financial institutions and too little beholden to wage earners. He’s a little like Elizabeth Warren this way, only with more backwoods steel than Cambridge preachiness.

    He’s also a sharp critic of the foreign policies pursued by both George W. Bush and Barack Obama, which he says have led us into wars — and kept us in them — without clear objectives or strategies. This puts him squarely at odds with Clinton, the former secretary of state, who was known to be one of the administration’s more ardent interventionists.

    All that will sound pretty enticing to liberals looking for some viable alternative, and it should. But then you come around to Webb’s long-held and thoughtful views on the party’s core theme of social justice. And here’s where that whole savior-of-the-left thing gets a little complicated.

    Democrats, as you probably know, have been losing white voters, and especially white male voters, by pretty staggering margins in recent elections, particularly in rural parts of the country. According to exit polling, the party’s candidates won only 34 percent of white men last November; the 30-point spread between the two parties was the largest in 20 years.

    Go to any activist meeting or liberal dinner party, and chances are you will hear a pretty consistent narrative to explain this trend. Basically, it goes like this: White men, and especially Southern white men, are just inherently racist and afraid of social change, and so they’re easily manipulated by Republicans and have turned their backs on Obama. But that’s really OK, because the demographics of the country are rapidly shifting, and very soon there will be enough black and Latino voters — not to mention women of all races — to tip the balance of any national election into the Democratic column.

    Webb finds this theory downright offensive. In his view, Democrats have focused so much of their rhetoric and their programs on racial minorities that they’ve basically forgotten about all those white, working-class voters who face some of the same economic hardships but feel like all the focus is on the poor.

    “I think this is where Democrats screw up, you know?” Webb told me. “I think that they have kind of unwittingly used this group, white working males, as a whipping post for a lot of their policies. And then when they react, they say they’re being racist.”

    Back in 2010, under a Wall Street Journal headline that referred to the “myth of white privilege,” Webb called for an end to federal affirmative action programs that aren’t need-based, saying they no longer helped African-Americans and only served to embitter white voters. More recently, including in our conversation, he has obliquely assailed “interest groups” that divide the parties by race.

    Twice I asked Webb which interest groups he had in mind, but he demurred. “I think it’s pretty clear, if you look at the policies of the Democratic Party, how they shape their strategic agenda,” Webb said. I was left to conclude that he was talking about the influence of civil rights or pro-immigration groups (which seemed odd, really, since in reality those groups have about a tenth of the power that teachers, trial lawyers and organized seniors exercise over Democratic politics).

    Before anyone on the left attacks Webb as a former Reaganite and closet conservative, it’s worth remembering that he isn’t saying anything all that different from what Bill Clinton told the liberal base on cultural issues in 1992. In fact, as a candidate, Barack Obama made a similar case for winning back white voters.

    The thing is, both of those men had the luxury of running after their party had lost consecutive presidential elections, and when activists were willing to hear some hard truths if they added up to a winning strategy. This primary season will be a lot more like 2000, when the party’s liberal base was nearly erupting with pent-up fury from having to endure eight years of governing and all the ideological compromise that comes with it.

    The last thing liberals want to hear right now (and especially after the recent uproar over police brutality) is that they’re too focused on racial equality and aren’t being solicitous enough to rural white men.

    Breitbart adds:

    In a 2010 Wall Street Journal column, Webb noted that affirmative action programs have “expanded so far beyond their original purpose that they now favor anyone who does not happen to be white.”

    “These programs have damaged racial harmony. And the more they have grown, the less they have actually helped African-Americans, the intended beneficiaries of affirmative action as it was originally conceived,” he wrote. “Affirmative action was designed to recognize the uniquely difficult journey of African-Americans. This policy was justifiable and understandable, even to those who came from white cultural groups that had also suffered in socio-economic terms from the Civil War and its aftermath.”

    When the mainstream press and Democrats were rushing to judgments about Michael Brown’s death and politicizing it before all the facts were out, Webb was one of the few Democrats who said liberals should be very careful about rushing to judgments. Webb also said that Obama’s executive amnesty, another issue Democrats have used to try to gin up the Hispanic vote while dividing the country, would be an unprecedented overreach of presidential authority.

    Because salad-bowl ethnic interest groups dominate politics on the left, Webb has no shot at winning the nomination should he enter the contest. But because he was against the Iraq War before Howard Dean and spoke about income inequality long before anyone knew that Elizabeth Warren had claimed to be “Native American” throughout her career, Webb, I argued, would be the candidate Hillary Clinton should fear the most.

    Robert W. Patterson adds:

    Ten years ago in his only nonfiction book, Born Fighting, James Webb came to the defense of red-state America, standing unapologetically for the marginalized Scots-Irish stock that heavily populates the South and Midwest. On the wrong side of the cultural divide since his Naval Academy days in the 1960s, the decorated Marine of the Vietnam War identified blue-collar workers, the military services, the Bible Belt, and country music as the heart and soul of America.

    Two years later, Webb upset Republican Senator George Allen of Virginia. But the moment Webb took his seat in the U.S. Senate, the quintessential Southern partisan lost his William Wallace-like fighting spirit and became a reliable cog in the Democratic machine, pleasing his tony Arlington cosmopolitan neighbors, not his embattled Appalachian country kin. As the Daily Caller’s W. James Antle noted, Webb may have talked like Pat Buchanan but voted like Harry Reid on racial preferences, immigration policy, Wall Street bailouts, and ObamaCare. Perhaps sensing the disconnect, he chose not to run for re-election in 2012.

    Now, in the wake of the midterms, Webb seems to be reverting to his better Scots-Irish side, blasting the Democrats last week for turning “into a party of interest groups.” Having just thrown his hat into the 2016 presidential contest, he charged: “The Democratic Party has lost the message that made it such a great party for so many years, and that message was: Take care of working people… who have no voice in the corridors or power, no matter their race, ethnicity or any other reason.”

    Webb, of course, is lifting up the Democrats of long ago, particularly FDR, whose New Deal brought the South into the 20th century. As Born Fighting recounts, nation-building initiatives from the Civilian Conservation Corps to the Tennessee Valley Authority delivered good jobs to the region, ending the meager existence that Southern families like his own — his mother was born in “utter poverty” in Arkansas — had struggled with for generations. Especially resonating with Webb: Roosevelt’s transformation of American industry into the Arsenal of Democracy, laying the foundation of victories not only in World War II but also the Cold War, conflicts that needed Webb’s rebel-yelling folk to win.

    The consummate patriot surely knows that his economic and cultural populism will send the adversarial feminists, multiculturalists, and environmentalists who hijacked the Democratic Party a generation ago into a collective mass seizure.

    Which means that although Webb has little chance of capturing the 2016 Democratic nomination, the winner of the Navy Cross and Silver Star in Vietnam could generate a lot of trouble for Hillary Clinton. As Tony Lee of Breitbart News observes, the former boxer — who battled with Oliver North in the finals of their Naval Academy tournament — could tie up Hillary better than any other Democrat, jabbing her to the right on cultural issues, and to her left on economic ones.

    While that would help Republicans, the GOP would be shortsighted to limit the value of Ronald Reagan’s secretary of the navy to sabotaging Hillary. Webb’s voice and message offer so much more to a party seeking to build upon its midterm gains and reverse its muted performance in recent presidential elections. His advocacy for the American heartland, whose families sacrifice a disproportionate number of sons to fight our wars, would resonate not merely with red-state voters but also their kin in Pennsylvania, Ohio, and Michigan.

    Moreover, Republicans should adopt Webb’s clear preference for New Dealers who valued family-wage jobs over today’s Great Society Democrats demanding more welfare and diversity. Indeed, both Richard Nixon and Ronald Reagan achieved their landslides by keeping faith with Americans in Webb’s orbit, whether as part of Nixon’s “great silent majority” or as Reagan Democrats.

    The GOP could also learn from Webb’s prescient reservations about the Iraq War. He considered the 2003 invasion a costly blunder pushed by neoconservative intellectuals — sometimes called “chickenhawks”— who ignored strategic military advice, and a distraction from the long-term challenges posed by China, Russia, and Iran. …

    Webb seems unaware that the New Deal architects, especially FDR’s labor secretary Francis Perkins, were the original social conservatives, and that the marriage and baby booms that their policies facilitated bolstered the emergence of the high-wage economy during and after World War II in America — and in the South. Nor does he seem to see the links between abortion-on-demand and gender-based affirmative action, articles of faith for Democrats, and the waning of America’s 20th-century golden age.

    Nonetheless, Webb’s bold defense of the neglected working-middle class amid roaring stock markets would make good chapters in the GOP playbook for the 114th Congress — and the 2016 presidential contest. Indeed, if the party of Theodore Roosevelt and Ronald Reagan listened more to fighting Scots-Irish patriots than to libertarian and neoconservative policy wonks, Republicans would discover that reclaiming the red-blooded Americans that James Webb once identified as the “secret GOP weapon” could re-create a center-right governing coalition that would seal their political power for a generation.

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  • Presty the DJ for Jan. 8

    January 8, 2015
    Music

    The Beatles had the number one album, “Rubber Soul” …

    … and the number one single today in 1966:

    (more…)

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  • Two Republicans’ self-generated bad press

    January 7, 2015
    media, US politics

    A new verb has entered our language: To “Delauter,” as in, according to the Fredericksburg (Va.) News–Post:

    Frederick County Councilman Kirby Delauter wrote on social media that he plans to sue The Frederick News-Post if his name or any reference to him appears in print without his permission.

    In a Facebook status posted Saturday, Delauter said he was upset with reporter Bethany Rodgers for “an unauthorized use of my name and my reference in her article” published Jan. 3 about his and Councilman Billy Shreve’s concerns over County Council parking spaces.

    “So let me be clear…………do not contact me and do not use my name or reference me in an unauthorized form in the future,” Delauter, R-District 5, said in a Facebook status update.

    The post had garnered more than 45 “likes” and roughly 50 comments by Monday night. Rodgers responded to Delauter’s post Sunday afternoon, stating she will continue to contact the councilman for comment as well as print his name and reference in the newspaper.

    “First of all, there is no requirement to get a person’s authorization in order to mention them in the paper, particularly if that person is an elected official,” Rodgers wrote in a comment below the original post. “It is not just our right but our responsibility to report on people like you, who occupy positions of trust in our government, and I make no apologies for doing that.”

    Delauter said he would pursue legal action if his name or reference were published again.

    “Use my name again unauthorized and you’ll be paying for an Attorney,” Delauter wrote. “Your rights stop where mine start.”

    Delauter did not respond to multiple calls for comment Monday.

    Terry Headlee, The News-Post‘s managing editor, said the newspaper typically does not seek permission or authorization to publish a person’s name or reference, except in the case of children.

    “Kirby Delauter can certainly decline to comment on any story,” Headlee said. “But to threaten to sue a reporter for publishing his name is so ridiculously stupid that I’m speechless. It’s just a pointless, misguided attempt to intimidate and bully the press and shows an astonishing lack of understanding of the role of a public servant.”

    Shreve, R-at large, told The News-Post in a phone interview he supported Delauter taking legal actions.

    “I did not see his post, but I think The News-Post is extremely biased and someone should sue them,” Shreve said.

    When asked if news media outlets should obtain permission to publish an elected official’s name or reference, Shreve said, “I think media outlets are cowards and they hide behind the label of journalists and that’s a bully pulpit to expand their liberal (agenda).”

    At the risk of getting “sued” because I’m not asking his permission either: Here is Delauter’s message to the reporter, passed on by Eugene Volokh, who didn’t ask for permission either:

    Volokh adds:

    Uh, Council Member: In our country, newspapers are actually allowed to write about elected officials (and others) without their permission. It’s an avantgarde experiment, to be sure, but we’ve had some success with it.

    Red Maryland adds:

    Needless to say, Kirby Delauter doesn’t seem to understand that this is not how any of this works. We have a right to freedom of speech in this country, a right that was created expressly to allow for criticism of elected officials and those who are in the political world. I’m not entirely sure how Delauter made it this far in political life without recognizing that basic and fundamental aspect of American society, nor am I particularly aware as to how he ever won elected office as a Republican without the most basic understanding of the Bill of Rights. Delauter has every right in the world to not talk to Bethany Rodgers (or anybody else, for that matter), but to say that he has legal protection from having his name mentioned in the newspaper is bizarre and chilling.

    Kirby Delauter needs to do the right thing and apologize…..

    Actually, Delauter probably needs to resign. He is violating his oath of office to uphold the U.S. Constitution with this theory of the First Amendment that even politicians who hate the media wouldn’t advocate.

    Maybe Shreve should too. At least he should refrain from providing legal advice, since bias isn’t grounds on which to successfully sue the news media, or, without some sort of action, anyone else.

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  • The Democratic war on the poor

    January 7, 2015
    US politics, Work

    Stephen C. McGuire:

    For the past two election cycles we have been barraged with the claim that the Republican Party is waging a war on women. While that campaign tactic fell flat this year, there is a war being waged that we should all take note of. It is the Democrats’ war on the poor.

    This war is years in the making and is composed of a well-intentioned but hapless series of failed liberal social engineering experiments.

    The forced busing of school children in the 1970s was intended to foster integration and better race relations. In reality, it led to the massive migration of middle-class whites and blacks to the suburbs. The result was urban decay and struggling public school systems.

    Urban renewal programs were another attempt at government-directed neighborhood transformation. Within a few decades, many of the housing projects developed under these programs devolved into crime-ridden, gang-infested, high-rise ghettos that were ultimately torn down.

    One need not even mention our massive, soul-crushing welfare system that so often traps recipients in a cycle of poverty.

    All told, more than $16 trillion has been spent by the federal government over the last 50 years to try to coax people out of poverty by ladling them with government largess. The Democrats’ massively expensive War on Poverty was fought — and poverty won.

    Today’s misguided initiative is a move by Democrats across the nation to legislate a massive increase in the minimum wage. Like the progressive policies of the past, this is viewed as a compassionate measure, helpful to the poor.

    In reality, the current minimum wage proposal would cut off the lowest rungs of the economic ladder, pricing many unskilled workers out of the market. It would continue a move toward automating labor-intensive activities and bankrupt small businesses that would be unable to pass on the higher labor costs to their customers. How deep is the market for a $10 Big Mac?

    The Congressional Budget Office has estimated that increasing the minimum wage to the levels currently under discussion would result in a loss of 500,000 jobs.

    The fundamental flaw in the Democrats’ approach to the alleviation of poverty is that it rests on a government-centric approach. They view wealth as a static fixed pool that just needs to be divided up more “fairly.”

    Not only do the Democrats’ policies for serving the poor actually trap many of the poor in poverty and dependency, but the policies also have a divisive effect on society. The natural reaction of those who receive voluntary private charity is gratitude toward their benefactors. It can engender a desire to work hard to become self-sufficient.

    With government-sponsored welfare, taxpayers are often frustrated by being compelled to pay into programs they believe to be ineffective, if not harmful. The recipients view their benefits not as charity but as an entitlement. This is highly corrosive of the social cohesion.

    Dispose of the canard that Democrats care deeply about the poor and Republicans are hardhearted misers who care only for the rich. A large body of academic research exists demonstrating that those who self-identify as “conservative” donate substantially more of their time, talent and treasure to charitable causes than do those who self-identify as “liberal.” Even excluding donations to religious institutions, conservatives give more generously to secular causes than do liberals.

    We all care about alleviating poverty. The crucial question is determining what set of policies will be most effective.

    The trillions of dollars that have been spent on the War on Poverty, it is written, have accomplished exactly as much as spending nothing on that so-called war would have accomplished. When people refuse to improve their behavior — personal habits that succeed in the workplace such as showing up on time for work and working hard, or not getting yourself pregnant when the father is nowhere in the picture — nothing government does will improve things for the poor.

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  • Presty the DJ for Jan. 7

    January 7, 2015
    Music

    The number one single in Britain …

    … and over here on my parents’ wedding day in 1961:

    The number one single today in 1977:

    (more…)

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  • Offense! Offense! Offense!

    January 6, 2015
    Culture, US politics

    No, Andrew Klavan is not writing about football:

    For American artists, writers, thinkers, moms, dads, coaches, teachers, and other human beings, the work to create a counter-culture to end and replace the poisonous culture of the left continues. As our government and academies and entertainers try to sell us on slave values like Equality, we have to rebuild and promote the concept of Individual Liberty, the central value of free men and women. In place of the whining, manipulative Victim Power of feminists and race-baiters, we have to lift up the idea of Power through Personal Responsibility, the only path to dignity. And in place of the cushioned chains of government-sponsored safety Obama and his corrupt minions try to push on us day after day, we have to teach and defend the fearful glory of Independence.

    And so we will have to offend people. A lot of people. A lot of the time.

    I mention this because I notice the idea has grown up recently — especially among the young — that offending people is wrong per se. This idea — taught at universities and in entertainments and in the media — is wholly false. Rudeness and unkindness are very often unnecessary — much less necessary than many counter-cultural warriors suppose — but offending people is unavoidable. It is a natural outgrowth of telling the truth.

    Speaking generally, people don’t like the truth. It tends to be less flattering than pretty-sounding falsehoods and far more challenging than relativistic blather. Simply to declare the good — liberty, personal responsibility, independence — better than the bad — equality, victimhood, slavish safety — makes people more conscious of their shortcomings and moral failures. That thing that happens where you fearlessly tell the truth and people carry you on their shoulders in thanks and congratulations? That’s a movie scene, not real life. In real life, the aftermath of truth-telling looks a whole lot more like the crucifixion than Mr. Smith Goes to Washington.

    But if we’re going to rebuild American culture…  in the arts, in the history books, in schools, at home… the truth is the only place to start. Dramatic truth, comic truth, historical truth, moral truth. None of it goes down easy. And so you’re going to be hearing “I’m offended,” all day long and into the night. It’s not a sin to offend people. It’s not even a problem really. Getting offended is just one of the ways people react to reality — it’s the way American culture has been teaching them to react for the past forty-five years.

    I feel strongly that a new American culture is already on the way. I read it in books, see it at the movies, read it online and find it in everyday life more and more. My work — and my love — is the arts, but the new culture won’t just be built there. It will be built in the way we treat our spouses, the way we raise our kids, and the way we tell the stories of our country and our lives. For myself, I plan to do all this as honestly as I can, as morally as I can, and as fearlessly as I can.

    If any of what I say or do or make offends you, take a number. And when your number is called, pound sand.

    I don’t believe I have ever said “I’m offended” in response to something someone has said to me. When I make dueling pundit appearances and someone says “I’m offended” about something I said, I assume I’ve won that point, because those who take offense take offense instead of making a counterargument.

    Part of this is our culture’s stupidity about feelings and self-esteem. In an adult world no one would care about your feelings, because your feelings are something you control, not anyone else. Perhaps the answer to hearing “I’m offended” is something along the line of “Good!” or “Ask me if I care about your feelings.”

     

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  • When journalists are confused as spies

    January 6, 2015
    International relations, media

    Columbia Journalism Review printed this opinion, which probably should be prefaced with music:

    The Interview is a dangerous movie. The first victim was Sony, which had electronic files hacked in an intrusion that revealed shocking details: like the fact that one of its executives wanted to cast a black actor as James Bond, and that many people at Sony can’t spell. But another more serious group of victims haven’t yet been mentioned: journalists who work in dangerous parts of the world.

    The film, which was released over the Christmas holiday, depicts two goofy journalists, played by Seth Rogen and James Franco, who score an interview with North Korean leader Kim Jong-un, and who are recruited by the CIA to kill him. Rogen’s character, the producer of a television interview program, was supposedly educated at my alma mater, Columbia School of Journalism, but seemed to have no qualms about crossing what I recall was one of the most indelibly-inked lines of journalism ethics: don’t do the bidding of the CIA.

    Why make a big deal of a movie that’s clearly fiction? Because it plays right into the farcical notions of the world’s tyrannical leaders – that journalists are secretly working for the CIA, an assumption which carries tragic consequences.

    Reporter James Foley, who was beheaded by ISIS earlier this year, was accused of working for MI-6. Newsweek correspondent Maziar Bahari was arrested in Iran on suspicion of being a spy. Washington Post reporter Jason Rezaian is still in an Iranian prison, accused of espionage. Wall Street Journal reporter Daniel Pearl was accused of working for the CIA before his execution. The history of kidnapped journalists—from Terry Anderson in Beirut, to Bob Simon in Baghdad, to David Rohde in Serbia—is filled with tragic tales of reporters being mistaken for spies.

    It doesn’t help when pop culture reinforces the false image of reporters-turned-special agents. Or agents posing as reporters. The critically acclaimed TV show Homeland this past season had the CIA station chief in Pakistan, Carrie Mathison, pretending to be a reporter in order to convince a young man to reveal information about his terrorist uncle. Mathison is a rogue agent, and the mission is not authorized by Langley, but the perception of spies posing as reporters is there for viewers all over the world to see.

    There is good reason for the confusion, since CIA agents did, indeed, use the journalism cover for many years, posing as agents using fake media credentials. And throughout several decades of the Cold War, the agency recruited hundreds of journalists to do their bidding as well. The cleverly-named Operation Mockingbird was run by top agency officials, including Richard Helms, the future CIA director who started his career as a reporter and famously interviewed Adolf Hitler at the 1936 Olympics. There’s no doubt that Helms and others at the CIA realized how the work of journalists is similar to that of spies—getting close to important sources and gathering information from them. In the hyper-patriotic post-war era, it was apparently easy to recruit some of of the top news organizations in the US to participate.

    The Church Commission hearings in 1976 put an end to these practices, and that year then-CIA director George H.W. Bush announced: “Effective immediately, the CIA will not enter into any paid or contract relationship with any full-time or part-time news correspondent accredited by any U.S. news service, newspaper, periodical, radio or television network or station.”

    That would mean that Rogen and Franco’s characters, with their plot to poison the North Korean leader, would have been subverting the law.

    The FBI hasn’t helped matters. In 2007, an agent posed as a reporter with the Associated Press and emailed the teenaged suspect in several bomb threats at a Seattle high school. Appealing to the bomber’s narcissism, the fake reporter asked him to review an article, and by clicking on the link, the high school student revealed his location, leading to his arrest.

    In The New York Times, FBI director James Comey wrote a letter to the editor arguing that the tactic was legal and appropriate, since it did not result in any actual work of journalism. But Comey missed the point. By blurring the line, the FBI added fuel to future suspicions that any journalist could be an undercover agent.

    It is a sad fact that there will surely be more detentions, kidnappings and executions of journalists in the future, and some will likely be accused of being spies. The blame for those attacks will be squarely on the terrorists, but there is no reason for Hollywood to give them any more reason to be confused about what reporters do abroad—report, not spy.

    The list of journalists accused of being spies, including the deceased Foley and Pearl, seems unbelievable. There’s not a single spy skill other than observation that a reporter would seem to possess. A government can use an accusation excuse for whatever ends it feels like, including, in Pearl’s case, executing a Jewish American.

    To suggest that North Korea’s Kim Jong Un will cause problems for journalists because of a movie portrayal of journalists as assassins (pause while I collect myself after amusement over those last three words) requires belief in Kim’s rationality.

    There is, however, the case of Wisconsin’s own Austin Goodrich, as one commenter points out:

    Austin Goodrich, an American spy who used credentials as a journalist, including from CBS News, to establish his cover during cold war postings abroad, died on June 9 at his home in Port Washington, Wis. He was 87.

    The cause was Alzheimer’s disease, his daughter Kristina Goodrich said.

    In the 1950s and 1960s, Mr. Goodrich was far from the only journalist doubling as a secret agent. Several who did so, along with some top news executives, later said that during the cold war the separation between the news media and the government was considerably more negotiable than it subsequently became. However, it was not until the 1970s, after the Senate Select Committee on Intelligence investigated the Central Intelligence Agency, that reports by Rolling Stone magazine and The New York Times revealed that journalists from myriad news organizations had served the agency in various capacities, sometimes with the full knowledge of their employers. Mr. Goodrich became one of the first examples of a journalist-spy to be publicly disclosed.

    The Times reported that at least 22 American news organizations, including CBS News and Time, Life and Newsweek magazines, as well as The Times itself, “had employed, though sometimes only on a casual basis, American journalists who were also working for the C.I.A.,” and that “in a few instances the organizations were aware of the C.I.A. connection, but most of them appear not to have been.”

    That comment was preceded by a comment that half-engaged in paranoia but made one good point:

    If journalists don’t want to be identified as stooges for the state, maybe they should stop acting like it. Be more hostile to authority — government, collaborators, bourgeois sensibilities, and last but not least editors — instead of cozying up to them and glorifying them.

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  • Presty the DJ for Jan. 6

    January 6, 2015
    Music

    First: The songs of the day:

    The number one album today in 1968 was the Beatles’ “Magical Mystery Tour”:

    The number one single today in 1973 included a person rumored to be the subject of the song on backing vocals:

    The number one British single today in 1979 was this group’s only number one:

    (more…)

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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