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  • The stupidest thing the Wisconsin GOP has ever done

    July 6, 2015
    media, Wisconsin politics

    This past weekend — Independence Day weekend, ironically — I got a lesson that however cynical I am about politics and politicians, including those I vote for, I’m not cynical enough.

    Tucked into the current version of the 2015–17 state budget passed by the Legislature’s Joint Finance Committee was a provision that would have gutted the state’s Open Records Law for the benefit of legislators.

    The Wisconsin Newspaper Association describes the provision thusly:

    “The Legislature is attempting to change for its purposes the very definition of “public record,’” said Wisconsin Newspaper Association Executive Director Beth Bennett. “The ‘legal privilege’ these lawmakers seek is tantamount to a blank check to close the government to scrutiny from citizens and the press.” Read the full WNA press release here.

    Attorney General Brad Schimel calls the move “a step in the wrong direction.”

    The Wisconsin Freedom of Information Council calls the move “an assault on Wisconsin’s long and proud tradition of open government.“

    That news broke late last week. The Wisconsin State Journal reported this Independence Day night:

    In the face of withering criticism, Gov. Scott Walker and the Republican leaders of the Legislature announced Saturday that a provision added to the state budget to gut the open records law “will be removed from the budget in its entirety.”

    Walker made the announcement Saturday afternoon in a joint statement with Senate Majority Leader Scott Fitzgerald, R–Juneau, Assembly Speaker Robin Vos, R–Rochester, and Joint Finance Committee co-Chairs, Sen. Alberta Darling, R–River Hills, and Rep. John Nygren, R–Marinette.

    “We are steadfastly committed to open and accountable government,” the statement said. “The intended policy goal of these changes was to provide a reasonable solution to protect constituents’ privacy and to encourage a deliberative process between elected officials and their staff in developing policy. It was never intended to inhibit transparent government in any way.”

    The statement said the Legislature will form a Legislative Council committee to study the matter outside of the budget process.

    No one claimed responsibility for requesting the language be added to a sweeping omnibus amendment the Legislature’s budget committee passed late Thursday. And it’s unclear what role, if any, Walker played in the drama over the past few days.

    But amid near-universal condemnation of the move and bipartisan demands that the language be withdrawn or that Walker use his partial veto power to strip it out of the budget if it passed, the governor and the leadership conceded defeat on the issue.

    Republican leaders have refused to say who initially sought the changes or why.

    Among other things, the revisions would have rendered secret virtually all records and communications by lawmakers and policymakers at the state and local levels.

    Drafting files for legislation would have no longer been public, and legislators would have been granted a “legal privilege” or right to refuse to disclose any communication that occurred during the lawmaker’s term in office.

    The measure, which Darling and Nygren allowed to be added to the omnibus motion, stunned advocates of open government and prompted many lawmakers, including some Republicans, to pledge not to vote for a budget that contained the items.

    It is, first, unbelievable that Walker, who supposedly is running or president, allowed this to get as far as it did. Reporters who cover the White House have called it the most secretive and least media-helpful White House of all time. Hillary Clinton will never win anyone’s Freedom of Information award (one word: “Benghazi”). And yet the state GOP apparently was fine with being on the state level what the White House is on the federal level in terms of working away from public view and scrutiny.

    There are at least three ironies about this. I believe this was prompted by the experience of state Sen. Jon Erpenbach (D–Middleton), who was communicating via state email with state employees about the Act 10 public employee collective bargaining reforms. The Wisconsin Institute for Law and Liberty sued Erpenbach to see the emails after he refused to release them, in violation of the state Open Records Law. Erpenbach lost. He deserved to lose.

    It is also ironic that one apparent supporter of this hideous legislation, Fitzgerald, is the former owner of the Dodge County Independent News. One wonders what newspaper publisher Fitzgerald would have thought of politician Fitzgerald.

    Then again, this flies in the face of what gubernatorial candidate Walker said to The Lakeland Times in Minocqua in 2010:

    When he says he believes in government transparency, it’s not just a campaign slogan, Walker said.

    “I don’t just say that, I’ve lived it,” he said. “(In Milwaukee County), we have put all government purchases online at no additional cost. Every purchase, everything we enter into our accounting software, automatically in real time goes on to a website that tells the public every purchase by department. Not only a journalist but a citizen journalist or anybody else can track it down.”

    Walker said he does not favor proposed constraints on access to police 911 tapes or to the state’s online circuit court records, and he says he also believes the Legislature itself needs to be more transparent.

    “In fact I’ve even proposed – in terms of the budget process, but it would apply to anything – other things that would help transparency,” he said. “I don’t think there should be any votes in closed caucus, on any issue. If a county board or school board can’t discuss a budget in private, then the state Legislature certainly should not. There should not be any closed caucuses on the budget.”

    What’s more, he said, the budget should only entail budgetary items; there shouldn’t be any nonfiscal items in it.

    “And I would make it, by statute, that the Legislature can’t vote on anything after 10 at night or before 9 in the morning,” Walker said. “They did things this last (budget) at 2 and 3 o’clock in the morning. As I tell my staff, nothing good happens after midnight. But they did it on purpose because not only do they not want average persons to know, they don’t want reporters with deadlines to know – after 10 you miss the nightly TV news and you’re not in print for the daily newspapers. They push it back on a Saturday, hoping people won’t read about things like that.”

    This appears to have been prompted by the unidentified author’s, or authors’, desire to keep away from public view the various pre-introduction versions of legislation, including legislation written in some form by such groups as the American Legislative Exchange Council. Democrats and their apparatchiks have been complaining about ALEC’s supposed influence in legislation, as if only ideas created in Wisconsin have any merit. (The groups complaining the loudest, including Zero Wisconsin Now, are groups who have spent the 2010s losing elections and legislative votes.)

    Well, so what? Being in power means you have to withstand the scrutiny of the opposition, whether you like it or not, whether the opposition has any valid points or not, and whether the opposition is fair or not. That also applies to dealing with the news media. It demonstrates a lack of intellectual courage to not be able to argue legislation on its merits when someone complains about the source of said legislation, as if, for instance, fiscal responsibility is a concept that should be foreign to Wisconsin. (The apparent idea of changing the wording of the Wisconsin Idea could have, for instance, been justified as (1) the need to make the UW System adhere to the educational, economic and vocational realities of the 21st century, or (2) with easy-to-obtain examples of how UW System professors teach only from the left-side pages of the textbook, making the term “sifting and winnowing” less correct than one assumes its author had in mind.)

    Democrats are having a field day with this, which is unsurprising, yet hypocritical. They can vote against it now and take full advantage of it should it become law. The beneficiary of this is not specifically Republicans; it’s incumbents, who would be able to do their work away from the eyes of, among others, potential future challengers. (Which is why I now believe the state Open Meetings and Open Records laws need to be in the state Constitution, to make it nearly impossible to eviscerate the concept of open government.)

    I am sure some readers of this blog hate the news media and could not care less if the Legislature makes it more difficult for the media to do their jobs. There are those in the Republican Party who think the media has it in for them and therefore are perfectly willing to stick it to the likes of Daniel Bice of the Milwaukee Journal Sentinel, Chris Rickert of the Wisconsin State Journal, every person getting a paycheck from The Capital Times, radio’s Sly, Wisconsin Public Radio, and so on. It could even be argued that the media has brought this on itself by being insufficiently critical toward Democrats, and being knee-jerk critical of Republicans, particularly on the opinion page, and well before Walker’s election in 2010.

    Here is why those of you who see your views in the previous paragraph are mistaken. In the same way that the First Amendment applies to all Americans, not just the news media, the state Open Records and Open Meetings laws apply to all Wisconsinites, not just those who oppose what’s going on in a particular political body, and not just the news media. It is also rather arrogant to assume that the GOP will remain in control in Madison for perpetuity, or until you are past caring. Republicans would be screaming bloody murder if legislative Democrats had tried this the last time they controlled all of state government, in 2009 and 2010, and rightly so.

    Remember Recallarama? The reason why Wisconsinites know who signed the recall forms, and now are able to question whether state and local government employees or news media who wanted Walker and other Republicans recalled are able to perform their jobs impartially is because of an Open Records Law request. The same Open Records Law allows Wisconsinites to find out how much every single employee of government is paid with their tax dollars. That is why such non-Democrats as Right Wisconsin and Jerry Bader and numerous conservative groups were appropriately swift to condemn the JFC vote and to urge Walker to veto it from the budget. That is also why there was no one I saw, in the Legislature, media or anywhere else, willing to defend this disaster.

    Independent of whether policy items belong in the budget at all (they don’t, but both parties add them to state budgets with voter impunity), this proposal should not be in the budget, or anywhere else. Walker and Republican leaders had better be telling the truth that changes to the Open Records Law are dead. The people paying for government have an absolute right to know what government, including government employees and politicians, are doing with their tax dollars.

     

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  • U.S. v. Hillary Rodham Clinton

    July 6, 2015
    US politics

    James Taranto:

    The New York Times’s Michael Schmidt has been doing some excellent reporting on the Hillary Clinton email scandal, but one has to wonder if his editors are holding him back. Buried on page A14 of today’s paper is a story that begins as follows:

    Hillary Rodham Clinton told reporters last month that the memos about Libya she received while secretary of state from Sidney Blumenthal, a longtime adviser whom the Obama administration had barred her from hiring, had been “unsolicited.”

    But email records that Mrs. Clinton, according to officials briefed on the matter, apparently failed to turn over to the State Department last fall show that she repeatedly encouraged Mr. Blumenthal to “keep ’em coming,” as she said in an August 2012 reply to a memo from him, which she called “another keeper.”

    All or part of 15 Libya-related emails she sent to Mr. Blumenthal were missing from the trove of 30,000 that Mrs. Clinton provided to the State Department last year, as well as from the 847 that the department in turn provided in February to the House committee investigating the 2012 attacks in Benghazi, Libya. The emails were reviewed by a reporter.

    Much more interesting than the content of the emails, though, is the confirmation that Mrs. Clinton was not telling the truth when she said the following at her March 10 press conference:

    After I left office, the State Department asked former secretaries of state for our assistance in providing copies of work-related emails from our personal accounts. I responded right away and provided all my emails that could possibly be work-related, which totalled roughly 55,000 printed pages, even though I knew that the State Department already had the vast majority of them. We went through a thorough process to identify all of my work-related emails and deliver them to the State Department.

    Schmidt had already broken on Friday (albeit back on page A18) the story that “15 emails … were missing from records that she has turned over.” But the even more damning detail is mentioned only in passing in both stories — in the third paragraph of today’s, and the sixth paragraph of Friday’s, to wit:

    Of the 15 Blumenthal emails in question, only nine were missing in their entirety. Printouts of the other six were turned over with parts missing, which would mean they were identified as official emails and then redacted by somebody in Mrs. Clinton’s employ. That points even more clearly to an active effort at withholding evidence than do entirely missing emails, which might be put down, however unconvincingly, to mere sloppiness.

    The full set of 15 emails, Schmidt reports, was “discovered after Mr. Blumenthal turned over to the House committee investigating the Benghazi attacks his own batch of Libya-related email correspondence with Mrs. Clinton.” If Mrs. Clinton told the truth when she said she had destroyed the server that held the emails—a big if, though the assertion doesn’t strain credulity as far as some of her other claims—then there is no way of knowing the extent of the coverup.

    And there never will be. More missing emails may turn up as the committee subpoenas other witnesses, but only if the committee knows whom to call and if Mrs. Clinton’s other correspondents didn’t follow her lead and shred the evidence.

    What does Mrs. Clinton have to say about all this? She seldom deigns to talk to reporters, and Schmidt is no exception, but his Friday piece includes an official denial:

    Nick Merrill, a spokesman for Mrs. Clinton, who is running for president, said that she had given the State Department “over 55,000 pages of materials,” including “all emails in her possession from Mr. Blumenthal.”

    That’s obviously false, unless by “in her possession” Merrill means now, after the obliteration of the server. Yet today’s Schmidt story seems to accept the Merrill claim:

    In sifting through and producing such a large number of emails, it stands to reason that some would be missed. But the fact that some of the missing correspondence contained expressions of gratitude and encouragement to Mr. Blumenthal is being seized on by Republicans, who plan to use the apparent contradiction, and the missing emails, to raise new questions about Mrs. Clinton’s credibility.

    That paragraph more than any other is what makes us suspect Schmidt is the victim of agenda-driven editing on behalf of Mrs. Clinton’s campaign. The first sentence is laughably credulous. The awkward second sentence attempts to frame Mrs. Clinton’s scandalous behavior as a mere partisan dispute — as if the new details about the coverup would not raise “questions about Mrs. Clinton’s credibility” without the mediation of Republicans.

    Today’s Schmidt story contains another denial from Merrill:

    A spokesman for Mrs. Clinton, Nick Merrill, said, “The idea that this runs counter to the assertion that the emails were unsolicited is a leap.”

    “Mr. Blumenthal began emailing of his own accord,” Mr. Merrill said. “Polite acknowledgments are not tantamount to solicitation. And I think that any reasonable person who has ever had an email exchange would agree.”

    Schmidt quotes two of the “polite acknowledgments”: “Greetings from Kabul! And thanks for keeping this stuff coming!” and “This strains credulity based on what I know. Any more info about it?”

    Let us acknowledge that Merrill has a bit of a point here. “Polite” seems to understate Mrs. Clinton’s enthusiasm, but one could argue these aren’t quite “solicitations.” If Mrs. Clinton were on trial for perjury over the statement that Blumenthal’s emails were unsolicited, and we were on the jury, we’d vote to acquit if those two quotes were the extent of the evidence. There’s enough ambiguity to leave some reasonable doubt about her guilt.

    Is that really the ethical standard to which the Democrats plan to hold their candidate for president? Just kidding, we know it is.

    Missing from both of Schmidt’s pieces is any explanation from the Clinton camp of the six emails that were redacted before being turned over, which are very strong evidence of obstruction of justice. Didn’t it occur to Schmidt to ask Merrill about these? Maybe Merrill stonewalled, but that would itself be of interest to the reader. Or did the no-comment get lost somewhere in the editing process?

    So Clinton turned over emails that had been edited before they were turned over. That is what the lawyers call “obstruction of justice.” And the Times is once again covering up for Hillary.

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  • Presty the DJ for July 6

    July 6, 2015
    Music

    Can one wish a happy birthday to an entire band? If so, wish Jefferson Airplane a happy birthday:

    (more…)

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  • Presty the DJ for July 5

    July 5, 2015
    Music

    Today is the anniversary of the Beatles’ first song to reach the U.S. charts, “From Me to You.” Except it wasn’t recorded by the Beatles, it was recorded by Del Shannon:

    Five years later,  John Lennon sold his Rolls–Royce:

    Sharing my daughter’s birthday are Smiley Lewis, who first did …

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  • Presty the DJ for July 4

    July 4, 2015
    Music

    This seems appropriate to begin Independence Day:

    And Independence Day being a Saturday, this is therefore appropriate today:

    This being Independence Day, you wouldn’t think there would be many music anniversaries today. There is a broadcasting anniversary, though: WOWO radio in Fort Wayne, Ind., celebrated the nation’s 153rd birthday by burning its transmitter to the ground.

    Independence Day 1970 was not a holiday for Casey Kasem, who premiered “America’s Top 40,” though it likely was on tape instead of live:

    (more…)

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  • On (the day before) Independence Day

    July 3, 2015
    Culture, History, US politics

    On the eve of our 239th birthday, a Facebook Friend and a Friend of his debate what makes America great, if America really is now great.

    First, Michael Smith:

    I think the thing that sets America apart is that we, as individuals and as a nation, are never satisfied with ourselves. We are always trying to do better, to be…better. I’m not talking about the progressive desire to “improve mankind” or create a blissful “Utopia”, I’m talking about the way blue collar workers hit the job to try to break production records or try to win the weekend softball game. We compete against others – and ourselves – and we use that competition to get faster, smarter and better…and the remarkable thing is that this drive doesn’t flow from the top down, it flows from the individual up. …

    There is no tradition of individualism in Germany, Switzerland or Singapore. Germany has rigid societal and union rules that favor technology and precision over individual creativity (sort of explains the Bauhaus movement). The Swiss share a similar fondness for the narrowness of precision and Singapore still exhibits the “a place for everything and everything in its place” mentality of a British colony – and these are enforced by very, very strict laws. None share the same drive and independent spirit America has.

    I think that is what makes America different, we’ve never found a load we couldn’t lift, a job that was too big or a task too impossible – we’ve won wars because we don’t quit. Once we understand the objective, we don’t just try to achieve it, we try to do it faster. Everything is a challenge to improve and we have the drive to meet every one. The remarkable thing is that for all of our diversity, this is the one thing that has unified us for over 200 years. People want to come to America because of who we are – nobody wants to come to America to fail, everybody wants to succeed…and people who want to succeed have this drive.

    There are forces that try to take that from us, many inside our own country. The downside to being the way we are is that we often set unrealistic and overly ambitious goals for ourselves – and because we do, the world also sets the same goals. We may surpass anything anyone else has ever done by a factor of 2 but because we wanted to do a factor of 3, we and the world assign failure to the effort – our own progressive movement does the same thing. Progressives take perverse joy in our failures while largely ignoring our successes. That’s taken a toll over the years and has caused us some self-doubt…and yet, we still persevere. Being too hard on ourselves is fine for us to do to ourselves, but we don’t cotton to someone judging us who never even tried. As the lone superpower, we are held to impossible standards…but what the world doesn’t get is that pissing us off or trying to embarrass us just makes us try harder. That fuels our drive.

    The answer to your friend’s challenge is this – the fact is that there is no other country close to us. No other country has the across the board tenacity, persistence and unflinching confidence that we can achieve anything we set our minds to. When we see danger, our first response is to run toward it, not away from it. We don’t quit, we don’t give up. We take on the hard tasks. No other country can say that. No other country has the American drive.

    That prompted Melanie Sturm to write:

    Are “life, liberty and the pursuit of happiness” — the national promise Americans celebrate on July Fourth — secure in this year of the Magna Carta’s 800th anniversary? That watershed moment in the annals of human liberty curbed a tyrannical monarch, like the American founding it helped inspire.

    Initially an agrarian backwater in a socially stratified world, America unleashed boundless creativity and industriousness by asserting human equality, becoming history’s greatest economic wonder. While Great Britain’s well-being (real gross domestic product per capita) increased 14-fold between 1800 and 2007, America’s grew 32-fold.

    Today, as Wall Street, Silicon Valley and Washington aristocracies prosper, Americans are suffering crisis levels of job insecurity, economic stagnation and poverty. Will immigrants who’ve left societies, where one’s start predetermined one’s end, discover that social mobility isn’t much better here?

    With the Congressional Budget Office projecting Greek proportions of U.S. debt within 25 years, and a nuclearized Iranian terrorist state looming, are we bequeathing our children lower living standards and a weaker and vulnerable America?

    The author of our Declaration of Independence, Thomas Jefferson, captured the dilemma: “The issue today is the same as it has been throughout all history. Whether man shall be allowed to govern himself or be ruled by a small elite.”

    Echoing Jefferson in his recent Time commentary, former presidential candidate and Colorado Sen. Gary Hart lamented the erosion of America’s founding purpose — the democratic self-governance of a free people.

    “Our European ancestors came to these shores to escape social and political systems that were corrosive and corrupt. Two and a quarter centuries later, we are returning to those European practices,” Hart argued. He concluded, “We are in danger of becoming a different kind of nation, one our founders would not recognize and would deplore.”

    Considering the unaccountability of Washington’s increasingly powerful and unelected ruling elite — from nine Supreme Court justices with lifetime appointments to the colossal administrative state — is government’s power still citizen-driven?

    Are Americans as free to control how we live, what we believe and where we dedicate our labor and its fruits, or must we slavishly defer to elites wielding uninhibited power?

    Given calls to abolish the tax-exempt status of religious institutions whose definition of marriage now diverges from the Supreme Court’s, will individual dissidents be similarly hounded, jeopardizing their careers and reputations?

    If a female photographer can discriminate, choosing not to photo-shoot a bachelor party featuring a female stripper, can a Christian photographer decline to shoot a same-sex wedding?

    Saved twice by the Supreme Court’s judicial rewriting, will Obamacare deliver the affordable, patient-centered health care its supporters promised, or will skyrocketing costs and narrowing provider networks impede access, disproportionately hurting sick Americans?

    An Obamacare and same-sex-marriage supporter, Georgetown University law professor Jonathan Turley, argued, “There are valid concerns when the court steps into an issue with such great political, social and religious divisions.”

    Moreover, in ignoring its constitutional duty to implement laws — writing them instead — the court circumvents the political process our Constitution’s separation of powers was designed to facilitate, undermining the people’s consent upon which government legitimacy depends.

    Unlike the blindfolded Lady Justice on whose objectivity and impartiality our free society relies, the court jeopardizes its integrity and imperils civil society when it operates more like a political institution than a legal one, concerned less with the rule of law and constitutional adherence than winning agendas.

    Thankfully, in South Carolina — the state that moved first to secede from the Union in 1860 because it denied “all men are created equal” — we’re witnessing the ordered liberty our founding ethic was expected to foster.

    They’re showing the world how to “combat hate-filled actions with love-filled actions,” as Alana Simmons, the granddaughter of the murdered Rev. Daniel Lee Simmons Sr. put it. In Charleston’s diverse melting pot, prejudices are dissolving through exposure to disparate voices and moral suasion as freedom of expression is respected.

    Inspired by the magnanimity of grieving Emanuel AME Church families, Gov. Nikki Haley proclaimed “a moment of unity in our state, without ill will.” Declaring no winner or loser in respecting those who wish to display the Confederate battle flag on private property, Haley announced, “It’s time to move the flag from the Capitol grounds.”

    The people of South Carolina are winning as they prove a righteous and thoughtful citizenry dedicated to society’s safety and happiness can indeed self-govern.

    Think Again — as Americans look beyond fireworks this July Fourth, may we see more than political horseraces, perceiving our nation’s enduring notion that free and virtuous citizens — not ruling elites — are our fate’s best masters.

    A comment on Smith’s opinion noted, “Too much individualism leads to a break down in social bonds. Too great a reliance on society breaks down individuals. It’s a balancing act.” The comment quoted Jonathan Haidt’s The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom, which apparently says: “One of the most consistent lessons the ancient sages teach is to let go, stop striving, and choose a new path. Turn inwards, or toward God, but for God’s sake stop trying to make the world conform to your will.”

     

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  • Why your children should read crime fiction

    July 3, 2015
    Culture, media

    Stefan Beck:

    A character in Elmore Leonard’s 1976 novel Swag devises and swears by “ten rules for success and happiness.” He carries them on his person, scrawled “in blue ink on ten different cocktail napkins from the Club Bouzouki, the Lafayette Bar, Edjo’s, and a place called The Lindell AC.” This budding Dale Carnegie is keen on success and happiness in a very specific context: armed robbery. Is his system foolproof? We wouldn’t have much of a story if it were. We sure as hell wouldn’t have a Leonard novel, with poor choices and their nasty results piling up faster than a Detroit snowfall.

    Twenty-five years after Swag’s publication, and perhaps in homage to that book, Leonard offered 10 rules of his own—for writing, that is, not knocking over liquor stores—to the New York Times. Most were standard fare about avoiding adverbs and exclamation points, but the final rule is interesting: “Try to leave out the part that readers tend to skip.” Makes sense, but it also raises the question: Who skips ahead? Most grown-up readers either slog through a book’s slower sections, like the sewer history in Les Misérables, or take their impatience or boredom as a cue to read something else.

    Who skips ahead? Kids do.

    They do this, I suspect, in two situations. One is when they are tasked with reading a grown-up book that they find utterly unendurable. I recall the anguish with which my high school self read Ethan Frome before having the bright idea that I could still pass the quiz if I just read every third page. (It didn’t work.) The other situation is when kids are reading for plot in a book whose language is not captivating enough to keep their eyes from dancing ahead over tone-deaf dialogue, adverbs proliferating like some invasive species, and long passages of unnecessary description.

    You know what I mean: a young adult (YA) novel.

    I have no desire to enter the perennial and presumably click-driven debate over whether adults should read YA. Adults should read whatever they want, whether that means YA or Dummies manuals or Tijuana Bibles or even Thomas L. Friedman. But kids are a different story. The literature they are exposed to will influence not only their adult reading habits but their personalities and inner lives. Today’s parents are likely correct to assume that little Jason or Chloe will not be taught to love reading by Ethan Frome. But there is plenty on the spectrum between Edith Wharton and Divergent, and it is going unnoticed.

    Crime fiction—noir, detective novels, police procedurals, and madcap adventures in the Carl Hiaasen vein—may be the perfect thing to whet a young person’s appetite for reading. At first glance, it is an odd candidate for this task: Isn’t it violent, frightening, and perhaps even a corrupting influence? Isn’t it laced with profanity and, in some cases, sexually explicit?

    Yes, but the same is true of so much of the music, television, film, and even network news that parents are helpless to keep from their children. The same is true, for that matter, of many YA novels with far less literary merit than the best crime writing.

    Parents have always fretted about the moral content of what their kids read. Andrew Levy’s Huck Finn’s America (2014) details the 19th-century panic over dime novels about pirates and banditry. David Hajdu’s The Ten-Cent Plague (2008) details the furor over horror comic books in the 1950s. However one is inclined to regard the sensitivities of those eras, the fact remains that their scandalous productions are seldom revered as art. Raymond Chandler, James M. Cain, Dashiell Hammett, Jim Thompson, Charles Willeford, and Elmore Leonard have, by contrast, all been enshrined in the Library of America.

    These men wrote violent, lurid trash, yet they are now as canonical as Irving, Hawthorne, and Twain. And you can give said trash to your kids without a pang of conscience, knowing that they will encounter in it something of the American literary tradition. That is not, on its own, reason enough to choose crime fiction over either classic literature or YA, and a balanced diet should probably include all of the above. Still, crime fiction combines the best of both the classics and modern YA, while adding some nourishing ingredients of its own.

    The best crime writing is excellent prose at the sentence level, and while it may not be up to the standard of a Melville or Twain (what is?), at least it handily surpasses the best-written YA. The classic opening line of James Crumley’s The Last Good Kiss (1978), a book Otto Penzler of the Mysterious Bookshop and the Mysterious Press considers the ne plus ultra of detective stories, was quoted in several of Crumley’s obituaries:

    When I finally caught up with Abraham Trahearne, he was drinking beer with an alcoholic bulldog named Fireball Roberts in a ramshackle joint just outside of Sonoma, California, drinking the heart right out of a fine spring afternoon.

    Few novelists in the Western canon have written better or more evocative dialogue than George V. Higgins in The Friends of Eddie Coyle (1970): His grim characters never sound like anyone you know, but you know they must be out there somewhere. At the same time, most crime fiction, like YA, is aggressively, unapologetically plot-driven, with nothing to skip, making it ideal for those with Disney Channel attention spans. And needless to say, the sex and violence that might make crime fiction a tough sell for parents make it anything but for kids, who crave a taste of the forbidden.

    Crime fiction presents not only the forbidden but also the merely grown-up. It affords an entrée into the adult world. Its protagonists are not vampires, wizards, or futuristic reality-show contestants but real people with real jobs. Along with private eyes, one finds in the pages of crime literature insurance agents (James M. Cain), process servers and bail bondsmen (Elmore Leonard), profilers and forensic scientists (Thomas Harris), park rangers (Nevada Barr), military policemen (Lee Child), and undercover cops (Matt Burgess). At a time when children are led to believe that they can get rich off an app or a pop single, such exposure to hard, dangerous, selfless work is invaluable.

    Crime writing is, by definition, travel writing—and sometimes time-travel writing—as well. The best crime writers mark their territory and then bring it to life. Dashiell Hammett and James Ellroy can take you to California; James Crumley to Montana; Elmore Leonard to Detroit; James Lee Burke to Louisiana; Charles Willeford and Carl Hiaasen to Florida; Daniel Woodrell to the Ozarks; Dennis Lehane to Boston; and Richard Price to New York City. Get your kids a library card, and they will know their country and its underbelly—and develop a sense of empathy and curiosity—long before the time comes for a college tour.

    By empathy and curiosity, I do not mean gullibility. Crime writers rarely glamorize crime and violence the way television and movies do. They do not present bad guys who are always victims of society and circumstance. Often they fulfill a scared-straight function, showing how one decision born of greed or impatience can send a life into a tailspin of cascading failure. The “ten rules” in Leonard’s Swag are applied selectively, as a teenager would apply them: The thing most likely to go wrong is always brushed aside with a flourish of wishful thinking. This juvenile sense of Teflon untouchability, this inability to know who or what to trust, is what dooms the born loser of a crime novel.

    I didn’t read my first crime novel (Dashiell Hammett’s Red Harvest) until college, where I shared my appreciation for the Continental Op with a friend whose brother worked in private investigation. I wish my teachers had given it to me sooner. It taught me to demand a story from everything that I read. It showed me a moral universe both more ambiguous and more exacting than anything I had hitherto encountered. It taught me that, notwithstanding man’s fallen nature, good and evil are not primitive myths.

    If kids today need to be tricked and conned into reading something worthwhile, something as morally instructive and beautifully written as it is entertaining, then these bloody, crazy books ought to enjoy pride of place in every school library in America.

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  • Presty the DJ for July 3

    July 3, 2015
    Music

    An interesting anniversary considering what tomorrow is: Today in 1978, the U.S. Supreme Court upheld a Federal Communications Commission ruling punishing WBAI radio in New York City for broadcasting George Carlin’s Seven Dirty Words. (If you click on the link, remember, you’ve been warned.)

    Birthdays begin with Fontella Bass:

    Damon Harris of the Temptations:

    (more…)

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  • Hillary and her lapdog media

    July 2, 2015
    media, US politics

    From, of all places, Mother Jones:

    On Tuesday night, the State Department released some 3,000 pages of emails between Hillary Clinton and her aides during her tenure as secretary of state. The correspondence offers a fascinating behind-the-scenes view of American diplomacy in action, as well as the former first lady’s fashion choices. But some of the more intriguing exchanges involved the media—how her team sought to shape the news, the journalists they considered receptive to their message, and the close degree to which Clinton monitored how she was covered.

    Much of this email traffic involved Philippe Reines, a senior advisor and spokesman for Clinton known for his combative exchanges with the press. One email thread that underscored the Clinton team’s focus on message-control came in late May 2009, ahead of a meeting of the Organization of American States. Its member-nations span North and South America and were poised to vote on whether to revoke Cuba’s decades-long suspension from OAS. …

    After OAS members voted to revoke Cuba’s suspension, Clinton wrote to her advisers on June 3, 2009: “CNN is reporting this as being done against my wishes. Any way to salvage?”

    Reines replied with a lengthy email explaining why the narrative was not as “dire as it seems in the moment.” He noted that President Barack Obama would be delivering a major speech in the Middle East the following day that would “blanket coverage and extinguish the Cuba stuff, so we just need to weather the night.”

    He wrote:

    we are suffering from two significant tactical problems: 1) you are here and removed 2) our press corps was out of position today and in flight, so the people we worked on all week and the ones likely to skew our way were replaced by reporters not connected to us. The two issues above will be rectified tomorrow in your two interviews – especially Greta who is malleable. We can use that to make a strong case on the principle, and the simple fact Cuba wasn’t in the OAS yesterday, and won’t be tomorrow. Everyday that passes reinforces that point. The time difference to East Coast will help us in moving whatever is said in these interviews tomorrow.

    In his email, Reines was referring to an interview with Fox News’ Greta Van Susteren, which aired the following day. The topic of the OAS meeting did indeed come up:

    VAN SUSTEREN: I know you’ve been to Honduras. The OAS, after you left—it looks like Cuba’s going to be invited back in.

    CLINTON: No, that wasn’t the outcome.

    VAN SUSTEREN: It wasn’t the outcome? What happened?

    CLINTON: Well, we were very adamantly opposed to those who wanted to lift the 1962 suspension and leave it at that. That was not acceptable to the United States. That’s, unfortunately, the path that they were on earlier. And we made the case to many countries and found a receptive audience that we could agree to lift something from so long ago that was really part of the cold war, but we had to reaffirm the values and principles of the OAS. We had to explicitly reaffirm democracy and human rights. And then we had to have a process.

    So yes, you can lift the suspension, but that’s the beginning, that’s not the end. Then Cuba has to decide whether it wishes to become a member of the OAS. And then the OAS must, according to its practices, purposes and principles, enter into a dialogue with Cuba and make a decision.

    So this was the beginning. Unlike what some had hoped, to have a kind of fait accompli, we were able to create a consensus that the majority of countries in the OAS agreed with the United States.

    VAN SUSTEREN: So we haven’t been snubbed.

    CLINTON: Oh, not at all. In fact, this was a very good example of the kind of diplomatic engagement that we want to be involved with.

    Later that year, Reines emailed Clinton a PDF of the “gorgeous cover” of Time magazine, which carried a cover story by Joe Klein on Clinton.

    “How does the article compare to the cover???” she replied.

    At another point in 2009, Clinton received an email from Lynn Forester de Rothschild, a major fundraiser for her 2008 presidential campaign and a leading PUMA (Party Unity, My Ass) activist who opposed Obama’s nomination that year. Rothschild told Clinton of her recent get-together with Leslie Gelb, the onetime president of the Council on Foreign Relations and a veteran New York Times journalist:

    H,
    I spent yesterday with Les Gelb on Nantucket. He had lots to say which might be of interest, but I thought the most important thing to tell you is to make sure you are aware of the Parade magazine piece he wants to do about you. He would like to do a day in your life, when you meet with members of Congress and international figures. He wants to show the impact you are having domestically and internationally. He said he would give you a veto over content and looked me in the eye and said, “she will like it”. Maybe you know this, but did not want it to fall between the cracks. Enjoy your vacation and love to all of you.
    Xoxo,
    L

    Clinton forwarded Rothschild’s email to her staff: “Pls see below and scheduling options requested. Is this a cover story? Does anyone know?”

    An aide later replied, “Yes, we’re trying to find a date that works for Les, but he is a little, shall we say picky.”

    Clinton responded, “We should create a day–meeting w Webb about Burma, McCain/Lieberman/Graham about Af-Pak, etc. Meeting w Mitchell/Holbrooke etc.” (She was referring to Jim Webb, John McCain, Joseph Lieberman, Lindsey Graham, George Mitchell, and Richard Holbrooke.)

    Gelb did indeed get his day-in-life-with-Hillary piece, which ran in Parade on October 25, 2009.

    “Our 24 hours together would prove both grueling and inspirational, full of diplomatic pageantry, big meetings with policy brainiacs, small sessions with trusted aides, a stream of time-consuming formal duties, and, of course, phone calls and more phone calls,” Gelb wrote. The day included a meeting with Holbrooke, the late diplomat then serving as the special envoy to Afghanistan and Pakistan, who described “a practical way to counter Taliban propaganda and enhance America’s image in Pakistan.” George Mitchell also made a cameo in the story: “On a line electronically secured from eavesdroppers, she converses with George Mitchell, the Middle East envoy (twice).”

    Gelb concluded his story: “The Secretary, with her unfailing smile, repairs to her office for more calls and reading. It’s hard to read the mind of someone frozen in the public spotlight like Hillary Clinton. She has to be perpetually onstage. But what I think I glimpse beneath the unflagging smile and constant concentration is a very tired person—tense, frustrated, but absolutely determined to make her tenure as Secretary of State a success and to accomplish important things.”

    The Founding Fathers did not risk their lives, their fortunes and their sacred honor so the media could act as the PR arm of a presidential candidate. Van Susteren should be ashamed of herself. I doubt Gelb, a longtime lefty, is capable of that.

     

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  • Whom the First Amendment protects, and doesn’t

    July 2, 2015
    Culture, US politics

    James Taranto:

    “The unusual medium used to create a portrait of Pope Benedict XVI … has upset Roman Catholic leaders in Milwaukee,” reports Mitch Smith of the New York Times. Go figure. They’re not talking about Post-it Notes or chewing gum. Niki Johnson’s portrait of the pope emeritus is fashioned from “17,000 stretched-out condoms in a variety of colors.” It is titled “Eggs Benedict.” …

    Johnson says the portrait is “not hate-based,” but rather — in Smith’s paraphrase — “a way to critique Benedict’s views while raising awareness about public health.”

    Good luck with that. Archbishop and blogger Jerome Listecki criticized the Milwaukee Art Museum for accepting the piece: “Would they accept art—pick your favorite religious or historical figures—featuring them in various pornographic poses (which has happened in some international publications)?” he asks, alluding to the French satirical journal Charlie Hebdo.

    This column is interested in the same question, but as regards the New York Times, not the Milwaukee Art Museum. The Times has already answered Listecki’s question in the negative by pointedly refusing to print any of Charlie Hebdo’s controversial cartoons to illustrate stories about January’s Islamic supremacist massacre of Charlie staff. But Smith’s piece is accompanied by a photo of the prophylactic pope portrait.

    The Washington Examiner’s T. Becket Adams and National Review’s Charles Cooke are both critical of the Times’s double standard — but both let the paper off too easy.

    Times executive editor Dean Baquet told Adams in January: “Was it hard to deny our readers these images? Absolutely. But we still have standards, and they involve not running offensive material.” He added: “They don’t meet our standards. They are provocative on purpose. They show religious figures in sexual positions. We do not show those.”

    It is true that some of the cartoons in question depict “sexual positions” and thus are unsuitable for reproduction in a family newspaper for reasons having nothing to do with religion. But some of them are tame. Why not show the latter? In an email to Politico’s Dylan Byers, Baquet claimed: “To really show what the fuss was about you have to show the most over the top drawings. Otherwise, people won’t really understand the story.”

    That answer begs the question somewhat: Even if we accept Baquet’s premise that you can’t “really understand the story” without seeing all the cartoons, it does not follow that seeing some of them brings one no closer to understanding than seeing none of them.

    Even so, most of this can be squared with the Times’s treatment of “Eggs Benedict.” It seems implausible to assert that the portrait is unsuitable for a family newspaper: There is nothing offensive about the image of Benedict, as distinct from the medium. And there’s no question the photo helps the reader understand the controversy.

    But wait. In a subsequent email to Byers, Baquet added: “[We] obviously don’t expect all to agree. But let’s not forget the Muslim family in Brooklyn who read us and is offended by any depiction of what he sees as his prophet. I don’t give a damn about the head of ISIS but I do care about that family and it is arrogant to ignore them.”

    We have it on good authority that there are also Catholic families in Brooklyn.

    Now consider what Phil Corbett, the Times’s associate managing editor for standards, told Adams:

    “I don’t think these situations — the Milwaukee artwork and the various Muhammad caricatures — are really equivalent. For one thing, many people might disagree, but museum officials clearly consider this Johnson piece to be a significant artwork.”

    “Also, there’s no indication that the primary intent of the portrait is to offend or blaspheme (the artist and the museum both say that it is not intended to offend people but to raise a social question about the fight against AIDS). And finally, the very different reactions bears this out,” he added. “Hundreds of thousands of people protested worldwide, for instance, after the Danish cartoons were published some years ago. While some people might genuinely dislike this Milwaukee work, there doesn’t seem to be any comparable level of outrage.”

    So Corbett offers three distinctions: First, that “Eggs Benedict” is “a significant artwork,” while the Charlie Hebdo cartoons are not. De gustibus non disputandum est, but Corbett rather misses the point. The significance of the cartoons lay in their news value, not their aesthetic value — and the Times does purport to be in the news business.

    Second, “there’s no indication that the primary intent of the portrait is to offend or blaspheme.” Let’s note that “primary” does all the work in that sentence and that Johnson’s no-offense-intended assurance strains credulity for us. We shall nonetheless assume arguendo that Corbett is correct on this point, to which we’ll return presently.

    Corbett’s third distinction concerns the difference in the “level of outrage.” Here his empirical basis seems indisputable, but it’s an odd basis for a news organization’s publication decisions. If hundreds of thousands of Catholics did protest “Eggs Benedict,” would the Times then adopt a policy of concealing it? That would be bizarre, given its greatly enhanced news value.

    Which brings us to the example Adams and Cooke miss, one that disproves pretty much every one of Baquet’s and Corbett’s claims about Times standards.

    On Jan. 10, three days after the Charlie Hebdo massacre, the Times published this report by David Dunlap:

    For the first half of the 20th century, an eight-foot-tall marble statue of the Prophet Muhammad overlooked Madison Square Park from the rooftop of the Appellate Division Courthouse at Madison Avenue and 25th Street.

    Sixty years ago, the statue was quietly removed, in an episode that now looks, in light of recent events in Paris, like the model of tact, restraint and diplomacy.

    What had spared the sensibilities of Muslim passers-by from 1902 to 1955 was that “Muhammad,” by the Mexican sculptor Charles Albert Lopez, was among nine other lawgivers, including Confucius and Moses. …

    “They probably didn’t know he was there,” George T. Campbell, the chief clerk of the Appellate Division, First Department, said in 1955, when the statue was finally removed out of deference to Muslims, to whom depictions of the prophet are an affront.

    (For the same reason, The New York Times has chosen not to publish photographs of the statue with this article.)

    The statue of Muhammad was certainly not “provocative on purpose” (Baquet) or intended “to offend or blaspheme” (Corbett). The building’s designers would not have erected the statue unless they considered it “a significant artwork” (Corbett). Dunlap’s story was illustrated by a photo of the courthouse statuary as it looks today. How can readers “really understand the story” when the Times won’t “really show what the fuss was about” (Baquet)?

    Actually, that last question is based on a false premise. As best we can tell, there was no fuss. “While some people might genuinely dislike this [statue], there doesn’t seem to be any comparable level of outrage” (Corbett).

    When it comes to religiously offensive images, it seems clear the Times has at least two separate policies: With respect to Islam, nothing may be published that has the remotest possibility of giving offense. With respect to Christianity, anything goes, at least if it is consistent with the paper’s other standards.

    Why? Maybe the motive is ideological (Muslims are “oppressed,” hence due more deference than “dominant” Christians), maybe practical (fear of terrorism). Our guess: a bit of the former, a lot of the latter. Either way, why conceal the policy in a web of falsehood and illogic? What’s the point of a newspaper that doesn’t tell the truth?

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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