• The media, Obama then and Trump now

    November 28, 2018
    media, US politics

    David French:

    I knew it. I knew the instant I saw Twitter erupt in outrage at the use of tear gas to disperse a crowd of people charging our southern border that someone would find an example of the Obama administration doing the same thing. And sure enough, there it was, shared far and wide within minutes, a San Diego Union-Tribune story from November 25, 2013:

    A group of about 100 people trying to illegally cross the border Sunday near the San Ysidro port of entry threw rocks and bottles at U.S. Border Patrol agents, who responded by using pepper spray and other means to force the crowd back into Mexico, federal officials said.

    Twitter existed in 2013. I was on it, and I certainly don’t recall an eruption of outrage, followed by days of think-pieces explaining the horrors of pepper spray and the deep betrayal of American values.

    In fact, that November incident was hardly unique. As the Washington Times reports, “the same tear-gas agent that the Trump administration is taking heat for deploying against a border mob this weekend is actually used fairly frequently — including more than once a month during the later years of President Barack Obama’s administration.”

    But that was then. Sensible people understood that you can’t just let a mob rush the border, and Border Patrol agents can and should use non-lethal means to protect themselves from rocks and bottles. And the pictures of kids in cages in the Obama era?

    Well, there was an “enormous spike” in kids crossing the border, and we “didn’t have enough shelter facilities.” So kids had to be put in Border Patrol lock-ups. But that was temporary. The Obama administration took good care of kids after they left the lock-up, right? Well, not exactly. Some children faced a terrible nightmare. Here’s a paragraph from a 2016 Senate report:

    Over a period of four months in 2014, however, HHS allegedly placed a number of UACs [Unaccompanied Alien Children] in the hands of a ring of human traffickers who forced them to work on egg farms in and around Marion, Ohio, leading to a federal criminal indictment. According to the indictment, the minor victims were forced to work six or seven days a week, twelve hours per day. The traffickers repeatedly threatened the victims and their families with physical harm, and even death, if they did not work or surrender their entire paychecks. The indictment alleges that the defendants “used a combination of threats, humiliation, deprivation, financial coercion, debt manipulation, and monitoring to create a climate of fear and helplessness that would compel [the victims’] compliance.” [Emphasis added.]

    One of the more frustrating aspects of our current political debate is the extent to which differences from administration to administration are exaggerated and distorted. Let’s take, for example, media coverage of the Obama administration. To this day, the inaccurate picture of his presidency haunts American discourse. While there are obvious differences with the Trump administration, Obama was not exactly the man who many millions of Americans think he was.

    He was a peace president who ordered ten times more drone strikes than George W. Bush. He was the peace president who left office with American boots on the ground in Afghanistan, Syria, and Iraq, and scattered across North Africa. His administration refueled Saudi jets to enable the indiscriminate Saudi bombing campaign in Yemen. Oh, and he droned American citizens abroad without even a nod to due process.

    He was the environmentalist president so hostile to fossil fuels that he presided over an extraordinary boom in domestic oil production:

    He was the compassionate president who admitted a grand total of fewer than 2,000 Syrian refugees in the first five years of the Syrian civil war. He was the compassionate president whose deportations peaked at an average of 34,000 people in fiscal year 2012.

    I share these facts not to argue that there aren’t distinct and important differences between Barack Obama and Donald Trump. There are. And those differences manifest themselves in each of the policy categories outlined above. But when discussing differences, gravity and proportion matter. And they matter greatly.

    Indeed, I’d argue that both conservative and liberal media outlets had an interest in amplifying Obama’s progressive credentials and advancing a fundamentally flawed narrative about the nature and character of his presidency. Exaggerating his progressive virtue (or vice) kept partisans engaged. It kept ramping up the stakes of our political conflicts, and it contributed immensely to the Flight 93 mentality that dominates politics today.

    How much time did conservative media spend debating Obama’s willingness to use the phrase “radical Islamic terrorism” even while he was droning, bombing, and shelling terrorists from Afghanistan to Libya? How much time did the liberal media spend amplifying Obama’s desire for peace with Iran even as he helped Saudi Arabia wage its proxy war against Iran in Yemen, at a simply enormous toll in innocent human life?

    By failing to provide perspective, the media creates a sense of outrage when none is justified and inoculates the public against injustice when injustice is real. The Left looks at the tear gas on the border and believes norms are being violated when they’re not. The Right looks at critical reporting about Trump and starts to presume that it’s illegitimate, even if the facts are egregious.

    All too often, we act as if the immense American ship of state lurches from right to left with each new election, when the reality is often that the turns in crucial areas are gradual. Partisans who forget this fact find themselves condemning their opponents for behavior their own side engaged in when confronted by similar challenges. Reality has a way of constraining a government’s options, even when very different people occupy the Oval Office. Comments

    Again, I’m not arguing there aren’t important differences in the presidents. There are, and in some areas those differences are quite profound. It’s worth exposing those differences, and it’s worth debating those differences. At the same time, we cannot abandon historical perspective, a perspective that can and should grant a degree of humility.

    The lesson? Before you express outrage at any politician for his egregious violation of “norms” or his “radical” departure from the rule of law, check recent history. You might be surprised by what you find.


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  • Presty the DJ for Nov. 28

    November 28, 2018
    Music

    The number one single today in 1960:

    The number one (for the second time) single today in 1963:

    The number one single today in 1964:

    The number one British single today in 1970:

    Today in 1991, Nirvana did perhaps the worst lip-synching effort of all time of its “Smells Like Teen Spirit” for the BBC’s “Top of the Pops”:

    (more…)

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  • ‘Javelin’ was right

    November 27, 2018
    US politics, Wheels

    Readers of my previous blog may hazily remember that 2012 Republican presidential candidate Mitt Romney had the Secret Service handle of “Javelin,” after his father, George Romney, who ran American Motors Corp. before he was elected governor of Michigan.

    (I’d say here that we owned a Javelin, but you knew that.)

    On Monday, GM reported plant closings and layoffs, which prompts the Goldwater Institute (whose namesake, Sen. Barry Goldwater, owned both an AMC AMX and a Chevrolet Corvette, so he was the man) to observe:

    “Let Detroit go bankrupt,” former presidential candidate Mitt Romney wrote in 2008, arguing that the federal government should not bail out the failing domestic auto industry for their poor management decisions. Vilified for turning his back on America’s autoworkers, Romney lost the argument, Barack Obama won the election, General Motors got its way, and U.S. taxpayers got stuck with an $11.2 billion bill to keep the company alive.

    Today’s announcement from General Motors that it will close two plants in Metro Detroit and lay off 14,700 workers helps prove Romney right, albeit ten years later. Romney wrote that with a bailout, the American automotive industry’s demise “will be virtually guaranteed” because it would not be forced to undergo radical restructuring to be competitive in the marketplace. By subsidizing failure, the federal government would be gambling with taxpayer dollars and forestalling the inevitable.

    This wasn’t the first time the government had bet heavily on General Motors at citizens’ expense. In a story much like recent efforts by state and local governments to give away billions of dollars to win a new Amazon headquarters, the cities of Detroit and neighboring Hamtramck teamed up in the early 1980s to win a new General Motors factory, chasing the promise of jobs and renewal of depressed and blighted neighborhoods. The Detroit News reports:

    General Motors and Detroit Mayor Coleman Young hatched a plan: If the city would get the land, the auto company would build a state-of-the-art plant, crossing the border with Hamtramck, employing 6,000 people and providing a glittering example of what the auto companies and their suppliers could do in the city of their birth.

    Residents who had lived in the targeted neighborhood would be given offers to sell their homes and move to make way for “progress,” but as the Detroit News reports, not everyone wanted to sell. In the face of protests and a legal challenge, the city moved forward with the plan, and a Michigan Supreme Court decision upheld the city’s decision to raze the site for General Motors. The factory was built, and decades later the court decision was overturned, but today, some 37 years later, that factory will be closed as General Motors fights to save costs.

    One Detroit-area politician is feeling particularly burned by the decision. Rashida Tlaib, a Democrat who was elected to Congress in November, decried the decision on Facebook:

    “[M]ake no mistake, this is a perfect lesson illustrating that corporations are not your friend, and handing them tax breaks and incentives is a losing game. Taxpayers bailed GM out with billions just a few short years ago – and now they cut jobs to make bigger profits?

    “What’s worse, Detroit tore down the vibrant Poletown neighborhood for GM, destroying a community, displacing hundreds of families, and a couple decades later this is how we’re rewarded.”

    Hoping for rewards in exchange for corporate welfare can come with a high cost, and General Motors’ story should be a cautionary tale about government picking winners and losers with taxpayer dollars—and in taking private property for a supposed “public purpose.”

    In a paper for the Goldwater Institute, economics professor Shirley Svorny wrote about the high costs of government subsidization of private businesses—and who pays the cost when if those companies fail:

    There are limited, specific situations where local government can improve on private-sector outcomes. A political decision to redirect tax dollars so that benefits accrue to individual firms is not one of those situations…The company bears none of the costs if it fails in its effort or chooses to move elsewhere. That burden falls on taxpayers.

    The thousands of autoworkers who lost their jobs today—and the homeowners who lost their property to General Motors decades ago—know that lesson all too well.

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  • Presty the DJ for Nov. 27

    November 27, 2018
    Music

    The number one album today in 1965 was Herb Alpert and the Tijuana Brass’ “Whipped Cream and Other Delights”:

    The number one single today in 1966 was this one-hit wonder:

    The number one British album today in 1976 was Glen Campbell’s “20 Golden Greats”:

    (more…)

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  • “I may have reformed myself out of a job”

    November 26, 2018
    Wisconsin politics

    The Milwaukee Journal Sentinel interviews Gov. Scott Walker:

    Gov. Scott Walker on Thursday returned to the public eye since losing an expensive and hard-fought bid for a third term — telling reporters he doesn’t know what’s next but doesn’t see his loss as a “rejection.”

    “It was without a doubt a big election — bigger turnout than ever before — but the numbers we received a week ago Tuesday would have won the election four years ago, would have won the election eight years ago,” Walker said in a 25-minute, wide-ranging interview. “In no way do I see it as a rejection, but rather just a larger electorate than we’ve ever seen in the past.”

    Following Walker’s defeat, some Republicans have questioned the City of Milwaukee’s late counting of more than 47,000 absentee ballots, which propelled Gov.-elect Tony Evers to a win. Walker said Thursday he had a team of lawyers look into it, but said it came down to “incompetence as opposed to corruption.”

    Walker, 51, said he isn’t sure what he will do after leaving public office in January for the first time in two decades, but said he isn’t planning to join President Donald Trump’s administration.

    He said instead of taking a trip to decompress after the Nov. 6 defeat, he spent the time helping his mother move into a new apartment following his father’s death in October.

    “More important than getting away from it all is getting into it,” he said of spending time with his mother after the election loss. “I really don’t have much of an interest at this point in going to Washington.”

    Walker said he would consider proposals from Assembly Speaker Robin Vos (R-Rochester) and Senate Majority Leader Scott Fitzgerald (R-Juneau) to approve in his remaining days as governor, but suggested none of the measures would be major.

    “What have we not done?” Walker said, referring to major legislation altering the state’s landscape for manufacturers, public employees and residents on welfare. “We’ve been such a reformer, I may have reformed myself out of a job.”

    Walker again pushed for lawmakers to pass a $70 million incentive package for papermaker Kimberly-Clark Corp. and said if the Legislature doesn’t act by the end of November, “those jobs will be gone.” …

    On the prospect of Evers rolling back measures Walker championed, including possibly eliminating the state’s job agency Walker created or altering the contract with Taiwanese tech giant Foxconn Technology Group, Walker downplayed the idea of significant change.

    “The state of Wisconsin is not going to go backward,” he said. “If I just chose not to run and decided to serve out my term without an election, I’d be very proud of what we’ve done in this state.”

    Perhaps we should revisit this in four years, when the state will be infinitely worse off and Evers’ incompetence as an administrator (based not on my opinion, but on what people whose jobs include working with Evers and DPI have said) becomes apparent even to Democrats.

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  • Presty the DJ for Nov. 26

    November 26, 2018
    Music

    Today in 1967, the Beatles’ “Hello Goodbye” promotional film (now called a “video”) was shown on CBS-TV’s Ed Sullivan Show. It was not shown in Britain because of a musicians’ union ban on miming:

    One death of odd note, today in 1973: John Rostill, former bass player with the Shadows (with which Cliff Richard got his start), was electrocuted in his home recording studio. A newspaper headline read: “Pop musician dies; guitar apparent cause.”

    (more…)

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  • Presty the DJ for Nov. 25

    November 25, 2018
    Music

    Today in 1969, John Lennon returned his Member of the Order of the British Empire medal as, in his accompanying note,  “a protest against Britain’s involvement in the Nigeria–Biafra thing, against our support of America in Vietnam and against ‘Cold Turkey’ slipping down the charts.”

    The number one single today in 1972 should have been part of my blog about the worst music of all time:

    Today in 1976, The Band gave its last performance, commemorated in Martin Scorsese’s film “The Last Waltz”:

    (more…)

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  • The last Camp Randall whistle

    November 24, 2018
    Badgers

    On Wisconsin magazine, which we UW alumni get:

    As he had done at the end of countless UW Marching Band practices, director Mike Leckrone stood on top of a ladder on a hot, sunny August afternoon. The band’s veterans, along with rookies who had just won a coveted spot, crowded around to listen.

    It had been a year since Leckrone had lost his wife of 62 years, Phyllis. Seven months before that, he had undergone heart surgery. Today, he would tell the band of the decision he had shared with only a few senior university officials: he was ending his remarkable half-century reign. He would lead them through one more football season, followed by hockey and basketball and the spring concert.

    In this moment, Leckrone told his musicians what he expected of them.

    “You must maintain the traditions, the intensity, the desire, and everything that everybody for the last 50 years has brought to this group,” he said. “I would be sorely disappointed if I see that doesn’t happen, because it’s in your hands to do that.”

    Later that day as the news quickly spread, alumni band members began posting decades-old photos of themselves in their band uniforms on Facebook with the hashtag #IMarchedforMike. In September, the annual alumni band day — when former members march during the football pregame and halftime shows — drew record numbers. So many people wanted to play under Leckrone’s direction for one last time that organizers had difficulty creating a routine that would fit more than 500 people on the field, all wearing red T-shirts emblazoned with his name.

    “Any one of us whose paths have crossed Mike’s feel that … he deeply touched us and continues to do so,” Sarah Halstead ’87, a cymbal player who spent four years in the band, said shortly before the alumni band took the field. “We’re here to honor him and, in some way, say, ‘Thank you.’ We’ve heard so many times from him — ‘Just one more time.’ And this really is the last time.”

    It may seem strange to think now, but Leckrone could have spent decades performing the University of Minnesota fight song.

    Every Badger fan who has attended a home basketball, football, or hockey game since 1969 knows the man wielding the baton — a beloved, charismatic musical leader who exhorts crowds to shout, “When you say Wis-con-sin, you’ve said it all!” So it’s hard to picture Leckrone leading a stadium full of Gopher fans through their signature chant of “M-I-N-N-E-S-O-T-A.”

    But in 1968, seeking a step up from his job as marching band director at Butler University, Leckrone looked to the Big Ten and applied for openings at Minnesota and Wisconsin. Both schools turned him down.

    A year later, the UW called and asked if he was still interested. Leckrone said yes, even though it did not have the makings of a dream gig. At that point, the band had cycled through three different directors in as many years. And in the last 20 games, the football team had logged 19 losses and one tie (see page 13). The band’s ranks had dwindled — from around 130 participants to just 96 — and they frequently played to partially empty stands. It was also the height of the antiwar protest era on campus.

    “It wasn’t really politically correct to put on a uniform and march around campus in those days,” says Leckrone, 82, an Indiana native and the son of a marching band director.

    Unimpressed with the band’s lack of energy, Leckrone changed its marching style. He made the switch to a high step, which requires a musician’s knee to hesitate while lifted at 90 degrees, which he calls “stop at the top.” Leckrone stressed pride in the band and worked on small details like the snap of the “horns up” movement. Gradually, more students joined and, by his third year, the band began to transform into a cohesive unit.

    Initially there was some resistance, recalls Ray Luick ’73, the band’s drum major when Leckrone took over. Luick played tuba his freshman year in 1968 before serving as drum major for the next three seasons.

    “He had such a clear idea of what he wanted to do and we didn’t have a clue. Here’s a guy whose lifelong ambition was to be a Big Ten band director, and we were just part of the group he inherited,” says Luick, who returns each year with his drum major baton to lead the alumni band.

    Fifty years after watching Leckrone take over the band, Luick is not surprised to see the director in charge this long.

    “He has never lost the enthusiasm or the realization that this is just a lot of fun for a lot of people,” Luick says. “I think that recognition of how all these insane pieces fit together is very important to him and allowed him not to see this as 50 years of work but a continuation of something he enjoys doing.”

    When he was hired, Leckrone figured he would transition to an administrative role in the School of Music within 10 years. But he enjoyed the marching band so much that, within a few years, he put aside thoughts of taking off the black uniform he wore for football games.

    He says he’s lucky Minnesota turned him down. With a smile, Leckrone explains that Wisconsin has a much better fight song.

    “Part of that is the cleverness [songwriter William] Purdy used in the song. That first four-note interchange — da, da, da, dum — you can turn it into all sorts of musical ideas. It doesn’t sound forced. It has a flow to it,” he says.

    It has been decades since Leckrone struggled to find enough players to fill the band’s ranks. About 300 students make up the current band; 230 march at halftime. Others, usually freshmen, serve as alternates ready to step in for an injured player.

    When you say Wisconsin …
    The UW band first played its rendition of one of its signature songs more than four decades ago, when rowdy Badger hockey fans wanted to hear a polka.

    Leckrone instructed the band to play the Budweiser jingle, but switch up the drum beat to make it sound more like a polka. At the next hockey game, fans chanted, “We want a polka!” The band responded by playing “You’ve Said It All,” also known as “The Bud Song.” Soon, Wisconsin replaced Budweiser in the lyrics, a substitution Leckrone suggested for fear “the crowd would get the wrong idea of the drinking habits of the band or the audience.”

    Fans demanded the song throughout the season as the men’s hockey team played its way to the 1973 NCAA championship. Gradually the band began playing it at other events, including football games. But worried fans, who did not like the way people jumping and dancing to the song made Camp Randall’s upper deck sway, complained to Athletic Director Elroy Hirsch x’45, who asked Leckrone to stop playing it.

    Leckrone had another idea.

    “Wouldn’t it be fun if you make a production of it, and announce the band will not play the song right after the game, but give five minutes for those of you who are faint of heart [to leave the upper deck],” Leckrone says. “Elroy thought it was fun. So we did it, and it just blossomed from there.”
    And so, “You’ve Said It All” became the cornerstone of the Fifth Quarter.

    To his musicians, Leckrone is more than a band director — he’s a mentor and coach who instills the necessity of hard work and having fun. And as the fortunes of Badger sports teams have soared and sunk over the years, there’s always been one constant: the appeal of the band.

    “Mike is without question one of the most beloved figures in the history of UW–Madison. He has made a significant impact on campus, in Madison, throughout the state, and beyond,” says UW Athletic Director Barry Alvarez. “When we speak with officials from bowl games each year, I tell them that Wisconsin will bring the whole package — team, fans, and band. Mike’s leadership of the band has certainly been an important part of that package for our school for many, many years.”

    Although it might look seamless to fans at Camp Randall, each band performance at home games represents much thought, planning, and practice. Leckrone is one of the few — if not the only — college marching band director to continue to arrange all the band’s music as well as write charts for the pregame and halftime shows.

    In addition to leading the marching and pep bands at sports events, Leckrone also teaches classes and conducts the symphonic band. A fan of big band music, his jazz and pop music courses are popular because of his encyclopedic knowledge and his infectious excitement for the tunes of Duke Ellington, Count Basie, Benny Goodman, and other early jazz legends. During a lecture on his favorite jazz artist — trumpeter Bix Beiderbecke — Leckrone has been known to dramatically rip open his overshirt to reveal a “Bix Lives!” T-shirt.
    “It’s pretty amazing to keep up with his schedule. He’s a very energetic guy. I hope I have at least a quarter of his energy when I’m his age,” says assistant director of bands Darin Olson, who’s some 50 years Leckrone’s junior.

    Leckrone knows the students who crowded around his ladder in August are the last group of young adults he’ll lead at the UW. They are the ones who will play his last football games at Camp Randall. They will tell the musicians who join the band next year and the year after that, what it was like to play for a legend.

    He reminded them to keep up the intensity — but, most of all, to have fun.
    “You have provided me with so many moments of happiness,” an emotional Leckrone said during his August address. “I can’t even begin to thank you. I will tell you those moments of happiness have gotten me through difficult times. I hope they can do that for you. Live for those moments of happiness.”

    Then Leckrone climbed down and sang “Varsity” with his band.




    I have heard this phrase “moments of happiness” numerous times this fall. I honestly do not remember him ever saying that in the five years I was in the band. (Which, let us remember, are part of the first half of Leckrone’s epoch at UW.) There was another phrase I do remember, one we came up with — don’t do what he says; do what he means. 

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  • Presty the DJ for Nov. 24

    November 24, 2018
    Music

    The number one single today in 1968:

    The number one single today in 1973:

    The number one British single today in 1976:

    (more…)

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  • The last pregame, halftime and Fifth Quarter

    November 23, 2018
    Badgers

    Madison.com:

    It’s not yet 7 a.m. and students gather at UW-Madison’s practice field, shivering in the dark.

    Without a word from their leader, and while most of their classmates are still asleep, the 260-some members of the UW Marching Band come to attention, ready to rehearse.

    “Gooooood morning, Elm Drive!” band director Michael Leckrone’s voice booms, his headset carrying his game-day greeting to the street just east of the field.

    The students start doing jumping jacks to get their blood pumping. A thermometer reads 37 degrees.

    The band runs through its halftime show, a routine that changes every home game. For this particular game, the Nov. 3 contest against Rutgers, Leckrone came up with “Jersey Boys,” an arrangement filled with plenty of the high kicks and hip-popping that’s made the Badger Band so distinctive.

    The sun rises and Leckrone moves to the tower positioned on the sidelines at the 50-yard line. From his perch, he picks at every imperfection.

    “I sure see a lot of mistakes,” he says with a shake of his head. “Tubas, do it again.”

    He corrects their spacing, fixes the way a particular note is played, reminds them that the balls of their feet, not the center, should hit the lines on the field. He does not praise them.

    “That was better,” he says of their final run-through. “You’re going to get one more chance at 12:30 today.”

    It’s a variation of a common refrain he tells his kids: You only get one chance to get it right.

    And on Saturday, they’ll only get one more chance at Camp Randall under Leckrone, who will direct his last home football game after a 50-year career leading UW-Madison’s marching band.

    A Wisconsin institution

    Nostalgia has laced much of Leckrone’s last football season: In the back of his mind and in his assistants’ and students’ minds is a ticking clock, counting down the days, the rehearsals, the games he has left.

    “Every event, someone will say, ‘This is the last time you’re going to do that,’” Leckrone said. “You’re only going to come on the field three more times. Two more times. Four more times. It’s a constant reminder. As we get closer to ‘the final curtain,’ as Frank Sinatra used to say, I think it’ll be more on my mind than ever.”

    Since his first day — Sept. 1, 1969 — six chancellors and two acting chancellors have come and gone. He’s on his ninth football coach and directed halftime shows for 50 of Camp Randall’s 101 years.

    “He represents the spirit of the university,” said Janice Stone, a former UW band member who has volunteered as one of Leckrone’s field assistants for 27 years. “When I think of the faces of the university, it’s the chancellor and Barry Alvarez and Mike.”

    He’s also a rarity in the college band world: He is the marching band director but he is also the director of bands at UW-Madison, which means he is in charge of instruments, budgets and other administrative work. He also teaches.

    Leckrone considered staying on as a music professor next year — he teaches one music course in the fall and two in the spring — but decided to retire fully at the end of this academic year.

    His wife’s death in August 2017 — the love of his life, whom he met in seventh grade, married at 19 and spent 62 years with — factored into his decision. Since her passing, tucked into his black band jacket on game days is a photo of the two of them, surrounded by palm trees in Pasadena on their first trip to the Rose Bowl.

    Leckrone’s health played a role as well. He had double bypass surgery in January 2017.

    He also didn’t want to hear whispers that his time had passed, like a TV series that should have ended three seasons ago. He wants to end strongly, on a high note, like Johnny Carson on “The Tonight Show.”

    “I wanted to not do it as a last gasp,” he said.

    On Aug. 25, Leckrone told his students that this year would be his last. And he requested that this season be “business as usual.”

    Students wiped away tears as Leckrone took long pauses and announced he would relinquish not only his baton, but an identity that has defined him.

    Not a ‘sweetheart’

    What the Camp Randall crowds see is a nice man who always sports a smile, still does the chicken dance at age 82 and looks as fondly at his students as at his six grandchildren.

    What isn’t seen in the stadium is the hours of nitpicking on the practice field.

    They don’t hear him screeching into his mic, “Hands! Watch the hand positions!”

    They don’t see him throwing his clipboard from the tower only to ask a student to retrieve it after a two-minute diatribe about the trumpet players’ failure to “put some fight into it.”

    They don’t catch that his request to play it “one more time” really means five more.

    They don’t know how much he enjoys blowing his 35-year-old whistle, once, twice, three times in a row, however many times it takes for the students to stop playing so he can tell them what’s preventing them from achieving perfection.

    “I don’t particularly have a reputation for being a sweetheart,” he allowed.

    Halftime shows

    Unlike the football games that sandwich the halftime shows, Leckrone has no final score on which to judge his success.

    Cymbals clanging, drums beating, the Badger Band marches up and down the field as it’s done since 1885.

    Leckrone’s assessment of the Nov. 3 show: “Pretty good,” but he says he likes to withhold judgment until he gets his hands on the film the following Monday.

    Leckrone is always among the last to file off the field. He pats nearly every student’s shoulder or brushes their hand, dishing out a “good job” to those who look like they need it.

    The students’ faces are red and their lungs out of breath after the 10-minute show, but they look pleased with themselves and the crowd’s reaction.

    As Leckrone turns to head back to the end zone, one of his longtime assistants leans in and says to him what Leckrone has tried to forget all season: “Well, one more.”

    ‘Nobody like Mike’

    Leckrone has the longest tenure of any marching band director, past or present, in the history of the Big 10, according to a survey submitted to each institution’s marching band director.

    Mark Spede, president-elect of the College Band Directors National Association, pointed to just one current director with a tenure nearly as long as Leckrone’s. Arthur Bartner started at the University of Southern California in 1970, one year after Leckrone.

    Leckrone was the clear frontrunner at UW-Madison, said H. Robert Reynolds, who led the university’s hiring search for the marching band director in the late 1960s.

    Reynolds drove down to Butler University where Leckrone had worked his way up to band director just a few years after earning his music degree there. It was clear Leckrone had high energy and a special rapport with students.

    Born and raised in Indiana, Leckrone would have been happy staying at Butler for his entire career.

    “But you get ambitious,” he said.

    Reynolds never expected Leckrone to stay so long. Directing marching bands is “a young man’s game” that people usually trade in for teaching or concert band positions.

    Leckrone also didn’t expect to spend 50 years directing. Like many in higher education, he figured the next step in the career ladder was administration.

    He tried it out, about 20 years ago, when he served as assistant director of the School of Music before quickly realizing it wouldn’t work. He missed making music.

    Leckrone specifically requested not to serve on the search committee for his successor. Having the next director looking over his shoulder at the last one wouldn’t work, he said.

    “I think Wisconsin’s been very lucky to have had him for 50 years,” Reynolds said. “And I think this transition is going to be difficult to satisfy the students, the alumni, the crowd at the games. They’re going to expect a Mike Leckrone band. Don’t get me wrong, there’s good marching band directors out there. But there’s nobody like Mike.”

    Ideas unfulfilled

    At 82, Leckrone still works full time, spending a few hours working from his Middleton home in the morning before driving his Ford Escape to campus between 9 and 10 a.m. Among his pre-set Sirius XM radio channels is Frank Sinatra.

    He holds rehearsals from 3:45 to 5:30 p.m. on Tuesdays through Fridays and handles administrative and teaching duties before practice.

    Leckrone gets home at about 6 p.m. and works until 11 p.m. on whatever needs to get done.

    “There’s always the next show, always the next performance you have to get ready for,” he said.

    He has ideas in his head for next year that will go unfulfilled.

    Establishing traditions

    Many Badgers fans come for the football and stay for the band.

    It wasn’t always that way.

    Leckrone took over the band at a “low ebb” in its 133-year history. The football team hadn’t won in 24 consecutive games. With the Vietnam War at its peak, the idea of putting on a uniform and marching around wasn’t popular, and Leckrone fielded fewer than 100 students in his first year.

    Whereas others saw setbacks, Leckrone saw an untapped opportunity, a “sleeping giant.”

    His 50-year career was not without some bad headlines: hazing, lewdness by band members, and an assistant director who resigned after reported inappropriate sexual behavior.

    Leckrone suspended the band from a single home game in 2008, an action he said was wrong in hindsight because it punished all of the students instead of solely the offenders.

    As the Badgers football team’s success grew and universities recognized how much money could be made in college athletics, the unbridled band faced new restrictions.

    “There are times when I would love to play ‘On Wisconsin’ because I think the crowd needs it and the team needs it, but the script says it’s time to show the whirling hamburgers or whatever,” he said, referring to the advertisements shown on the Jumbotron.

    Leckrone is most in his element during the Fifth Quarter, the 15-minute post-game show born in the early 1970s out of Leckrone’s own boredom at playing the same old songs.

    “I realize what I do is not the most important thing in the world,” Leckrone said of his legacy. “I haven’t contributed to any great discoveries. I’ve brought a few smiles to people’s faces.”

    Moments of happiness

    On game days, Leckrone insists on walking from his office to the stadium and back, about two miles round-trip.

    He rests occasionally on a stool in the band’s section, particularly in the second half, but is ready to hop on his ladder and strike up the band whenever the Badgers score.

    Each year’s group of students has its own personality. Some are a little flaky. Some are tricksters, pulling pranks on Leckrone during practice. This year’s bunch, because of the circumstances, is more serious.

    Leckrone has a theory he shares with all of his students about “moments of happiness.”

    “Your mind lives on the moments of happiness,” he says. “They sometimes don’t last long and aren’t as big as we think they are, but if you can find a lot of them, you can live on them.”

    With 1:06 on the clock and the Badgers ahead 31-17, restlessness sets in among the thousands at Camp Randall on Nov. 3.

    Some of the spectators start filtering out of the stadium, hoping to beat the rush in the parking lots. Bucky Badger continues to work the crowd.

    The showman stops watching the game, slowly turning himself around, capturing views of Camp Randall from every angle of his perch at the end zone, taking it all in — a moment of happiness.

    Coda

    After the game, band members gather in the courtyard of the Humanities building, looking up at their leader on the second-floor balcony. At least a hundred others — some parents of the students, others longtime band supporters — squeeze in to listen.

    Gone is the voice that boomed over the stereo waking up Elm Drive, replaced with one speaking so softly that the crowd leans in, straining to hear his second-to-last dismissal speech.

    The next couple of weeks will go by fast, Leckrone tells them, and himself, as he blinks back tears. He repeats one phrase four times: “Don’t take it for granted.”

    Linking arms, the band sings “Varsity,” the tune that caps the end of every dismissal.

    Leckrone says he can’t imagine life beyond this academic year. What will happen when there are no more arrangements to dream up in his head? Where will he watch next season’s football games? What will he do every Tuesday through Friday from 3:45 to 5:30?

    He still has his last home football game on Saturday. There will be hockey games and basketball games and concert requests around the state. And in the spring, he will direct his final concert.

    After dismissal, fans flood Leckrone for hugs and thank him for his service. Young children come up to him for photos or autographs. Much of this season has already felt like the last game, just an extended version of it.

    Leckrone finally returns to his office, Room 4557, where dozens of framed photos and plaques adorn the walls. Two more frames lean against his desk, waiting to be hung.

    “I’m running out of space,” he said. “But I’m running out of time, too.”

     

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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