I want to begin this piece with a word of praise for Nancy Pelosi. In an interview with the Washington Post , she rejected (for now, at least) calls to impeach Donald Trump. But it’s not just what she decided that’s important; it’s also how she explained it. Here were her key words: “Impeachment is so divisive to the country that unless there’s something so compelling and overwhelming and bipartisan, I don’t think we should go down that path, because it divides the country.”
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No comments on The other side
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Daniel McCarthy asks a good question:
The normally sober Associated Press is reporting the Senate’s vote to overturn Trump’s declaration of emergency in the southern border as ‘a stunning rebuke’ and ‘a remarkable break between Trump and Senate Republicans.’ But it isn’t.
The 12 Senate Republicans who joined forces with every Democrat in the vote to annul Trump’s declaration did so for predictable ideological reasons. Libertarian-leaning Republicans such as Rand Paul, Mike Lee, and Pat Toomey voted to overturn the emergency on ‘constitutionalist’ grounds, seeing the National Emergencies Act of 1976 as constitutionally dubious or worse and rejecting the mechanism by which it allows the president to appropriate funds.
Most of the rest of the Republicans voting to put a stop to the president’s declaration represented the party’s establishment wing — the likes of Susan Collins and Lisa Murkowski on the party’s left or Rob Portman, Roy Blunt, and Lamar Alexander in its dying center. Mitt Romney’s vote with this group isn’t a surprise: he’s set out since his election last November to be every liberal’s favorite Republican and a champion of the NeverTrump cause. Marco Rubio, who still courts the right, nonetheless voted the way his rather liberal record on immigration would have suggested.
In short, this vote expressed old divisions in the GOP, not a sudden turn against President Trump. The important thing to note is that these divisions are persistent — there remain libertarian/constitutionalist, moderate/establishment, and basically neoconservative factions in the party. Together with the Democrats they still can’t stop Trump’s emergency declaration: a two-thirds majority in both chambers would be needed to overturn Trump’s inevitable veto of the cancellation bill, and a veto-proof majority isn’t available in either the House or the Senate, let alone both.
Trump remains the strongest force in the GOP, and this vote doesn’t suggest he’s losing ground, even if the defection of Jerry Moran or Tom Wicker on this vote wasn’t a forgone conclusion the way Rand Paul’s or Susan Collins’s was. Ben Sasse, a Republican who talks a lot about his principles and independence, didn’t break with the president, and neither did Ted Cruz, who keeps close track of how the right is moving. If a revolt were really underway, they would have been part of it.
The trouble for Trump’s agenda lies in the future: whenever he leaves office, who will lead his coalition? His mix of immigration restrictionism, trade protectionism, and foreign-policy restraint is accepted by congressional Republicans, but few of them seem as committed to it as the smaller factions are to their alternative positions. Yet those smaller factions have their own limitations — the establishment Republicans are not replenishing their ranks, Mitt Romney notwithstanding, and the constitutionalists may have had their ‘libertarian moment’ five or ten years ago, when the Tea Party was the expression of the populist right and Rand Paul seemed poised to be a top-tier 2016 contender.
The perseverance and ideological focus of the constitutionalists with the right-wing visceral appeal of Trump would make for a formidable combination. Either alone, however, leaves the GOP’s future in question — a return to establishment Republicanism or neoconservatism 1.0 seems implausible, but a drift into inertia is all too likely if there’s not more to Trumpism than Trump. The obstacle for those who want to see something like Trump’s agenda prevail isn’t the handful of Republicans who openly oppose it, but the large number who only passively support it.
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Today in 1965, the members of the Rolling Stones were fined £5 for urinating in a public place, specifically a gas station after a concert in Romford, England.
Today in 1967, Britain’s New Musical Express magazine announced that Steve Winwood, formerly of the Spencer Davis Group, was forming a group with the rock and roll stew of Jim Capaldi, Chris Wood and Dave Mason, to be called Traffic …
… which made rock fans glad.
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Prof. Donald DeMarco:
In his book Religion and the Modern State, the eminent Catholic historian Christopher Dawson (1889-1970) may have startled many readers when he made the comment that “European culture had already ceased to be Christian in the 18th century.”
To be sure, Christianity was not extinguished at that time. Rather, it lingered on, not as a dominant cultural force, but nonetheless influential in the lives of individuals and in the commitments of small communities.
For Dawson, the dominant faith of the succeeding century was liberalism, which lived off the capital it inherited from Christianity. It emphasized rights but not duties, freedom but not responsibilities, justice but not truth, conscience without principles, sex without procreation and compassion without real love. But liberalism, one-sided as it is, cannot sustain itself and inevitably tends toward a form of uniform or monolithic secularism.
In Dawson’s words, “Once society is launched on the path of secularization it cannot stop at the half-way house of Liberalism; it must go on to the bitter end, whether that end be Communism or some alternative type of ‘totalitarian’ secularism.”
Liberalism, as we observe it in the contemporary world, stretches what were once Christian values to the point where they begin to war against themselves. The legalization of homosexual practices and same-sex “marriages” offer illuminating examples. The present consortium of what were once considered sexual deviants represent a liberalization of sexuality on the one hand, but an intolerance toward traditionalists on the other, sometimes to the point of violence.
By refusing to capitulate to such intolerant demands, many employers have been heavily fined, and several bakeries, florists and bed-and-breakfast establishments have been driven out of business. Individuals have lost their jobs simply for defending traditional marriage. Hate speech is virtually defined as speaking against the new mores.
In Canada, the issuance of postage stamps and coins to promote same-sex “marriage” is a strong indication of a rejection of any opposition and the cultivation of a totalitarian movement. Asserting that same-sex “marriage” is “equal” means that Christian marriage is no longer distinctive.
The famous Catholic convert Malcolm Muggeridge (1903-1990) has made the comment that whenever there is “some drastic readjustment of accepted moral values” and they become the law of the land, the “consequent change in mores soon becomes to be more or less accepted.”
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The number one British single today in 1959:
Today in 1964, the Beatles set a record for advance sales, even though with 2.1 million sales the group would argue …
The number one single today in 1967:
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Drummer Hal Blaine, who propelled dozens of major hit records during the ‘60s and ‘70s as a member of the “Wrecking Crew,” Hollywood’s elite, ubiquitous cadre of first-call studio musicians, died Monday, according to a statement from family members on his official Facebook page. He was 90.
“May he rest forever on 2 and 4,” read the statement. “The family appreciates your outpouring of support and prayers that have been extended to Hal from around the world, and respectfully request privacy in this time of great mourning. No further details will be released at this time.”
According to a 2017 Modern Drummer feature by Dennis Diken (himself the drummer of the New Jersey band the Smithereens), Blaine appeared on more than 35,000 recordings, including some 6,000 singles.
“Blaine’s drumming could be found on all reaches of the Hot 100 — usually near the top,” Diken wrote.
Keyboardist Don Randi, a fellow member of the Wrecking Crew, told Variety, “He was a trend setter for rock ‘n’ roll drumming.”
He was featured on the majority of Phil Spector’s “Wall of Sound” productions, including the Ronettes’ “Be My Baby,” which featured perhaps the most indelible drum introduction in rock ‘n’ roll history. He also appeared on many of the Beach Boys’ best-known records (standing in for the L.A. band’s Dennis Wilson), including the classic 1966 album “Pet Sounds” and the experimental single from that same year, “Good Vibrations.”
Blaine appeared on such No. 1 hits as the Crystals’ “He’s a Rebel,” the Byrds’ “Mr. Tambourine Man,” Frank Sinatra’s “Strangers in the Night,” Simon & Garfunkel’s “Mrs. Robinson” and “Bridge Over Troubled Water,” the 5th Dimension’s “Aquarius/Let the Sunshine In,” the Carpenters’ “Close to You” and Barbra Streisand’s “The Way We Were.”
The most adaptable of studio percussionists, he also cut dates such notables as Elvis Presley (on both record and movie dates), Sam Cooke, Dean Martin, Jan & Dean, Johnny Rivers, the Monkees, Herb Alpert & the Tijuana Brass, Nancy Sinatra, the Mamas and the Papas, Cher, John Denver and Steely Dan.
In the end it may be easier to list the musicians he didn’t support during his years of work during the heyday of such Hollywood studios as Capitol, Gold Star, United, Western and RCA. His work also encompassed movie soundtracks and TV scores and themes.
One of the most versatile players on the L.A. scene, Blaine credited his popularity as a session man to his sensitivity to a song’s specific demands behind the kit. He told Diken, “I was like a painter as a drummer accompanist. I used my drumsticks sort of like a painter’s brushes. I filled in spaces and colored my work according to that given story.”
Blaine was inducted into the Rock and Roll Hall of Fame as a sideman in 2000 and received a Lifetime Achievement Award from the Recording Academy in 2018. …
Via an introduction from saxophonist Steve Douglas, Blaine became the regular drummer on Spector’s fabled early ‘60s sessions at Gold Star, backing such hit-making acts as the Ronettes, the Crystals, Bobb B. Soxx & the Blue Jeans and Darlene Love.
His generation of informally dressed session musicians included in their number guitarists Glen Campbell, Tommy Tedesco and Barney Kessel, bassists Ray Pohlman, Joe Osborn and Carol Kaye and keyboardists Randi, Larry Knechtel and Al De Lory. They would eventually displace the more conservative studio players who preceded them in the ‘40s and ‘50s — the men Blaine referred to as “the blue-blazer guys.” This shift led to a unique sobriquet for the new Hollywood breed.
“I coined the name the Wrecking Crew,” Blaine told Amendola, “[because] all the guys in the suits would say, ‘Oh, no, these kids in their blue jeans and t-shirts are going to wreck the business.’”
Blaine eventually became an entrenched session animal, playing as many as three AFM studio dates a day and sometimes sleeping in the studio if he had an early morning gig at the same facility.
The vibe of the classic ‘60s studio scene was lovingly recreated in Bill Pohlad’s 2014 Brian Wilson biopic “Love and Mercy,” in which Blaine is portrayed by Johnny Sneed.
He issued four albums of instrumentals under his own name between 1963-68.
Blaine would emerge to play the occasional live gig at the height of his Hollywood popularity. In June 1967, he served as the “house drummer” at the Monterey Pop Festival, backing acts that didn’t feature a self-contained band; there, he supported Rivers, Laura Nyro, the Mamas & the Papas and Scott McKenzie.
However, as Blaine noted in Denny Tedesco’s 2008 documentary “The Wrecking Crew,” the sea change in popular music that emphasized artists who both wrote and performed their own music, like the stars who emerged from the Monterey festival, eventually led to the end of the Wrecking Crew’s glory days in the early ‘70s.
The rock session work largely dried up, and Blaine and some of his contemporaries gravitated more and more to film and TV work. His drumming can be heard on the themes of such sitcoms as “Three’s Company” and “The Brady Bunch.”
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Who is Bubba Clem? Read on:
I host a comedy-driven radio show for guys. Until Sunday, no one confused it with something that should be taken seriously. Given my on-air name, “Bubba the Love Sponge,” I assume most people get the joke. We are rude, sometimes profane.
Tucker Carlson called into my satellite radio show regularly from 2006-11, and like all my guests, he adopted an edgy comic persona for the broadcast. He said really naughty things to make my audience laugh, and they did. The 100 or so shows we made with Mr. Carlson weren’t a secret.
Do I really need to go into the rich history of insult comedy? Lisa Lampanelli, Andrew Dice Clay, Rodney Dangerfield, even Triumph, the Insult Comic Dog. Comedy breaks taboo subjects that release the unspoken into the air in ways that are, dare I say, funny.
To be sure, we say really mean things on my radio show, and we laugh instead of getting mad. Why do we allow things to be said in comedy that wouldn’t be acceptable elsewhere? Believe it or not, scientists have studied comedy for an answer, and they found one. It’s called benign violation. We laugh when social norms are exceeded—the violation. But it’s not permanently harmful—it’s benign. No one called into my show authentically outraged about what Mr. Carlson said—not once—because everyone knew we were goofing in the spirit of the show.
To understand the mood of today, the only name you need to know is Lenny Bruce. A brilliant and shocking comic, Bruce was arrested over and over for obscenity—jailed for saying the wrong words. In New York he was convicted and died before his appeal could be heard.
Mr. Carlson is being smeared by a new generation of speech police for a new crime—refusing to give in to a small group of political activists who love all forms of “diversity” except of political thought. They take his comic words of a decade ago, reframe them as hateful, and require adherence to their demands. They attack the advertisers that simply want a chance to sell things to his audience, and threaten them with reputational destruction by public shaming unless they repudiate him. In the marketplace of ideas, these guys are shoplifters.
This is not only unfair but makes the world a sadder and angrier place. It’s a violation. There is nothing benign about falsely calling a good man a misogynist or a racist to force your politics on the half of the American public that rejects them.
If Mr. Carlson’s detractors think the way to counter his wit is to close him down by blacklisting him, I am afraid they’ll be disappointed. The chest-beating of the thought police will only help him grow. Americans love the underdog, and we love the unfairly maligned. Most of all, we love to be entertained. The people who hate Tucker Carlson are elevating him.
Did you hear the one about the political activists who decided to win on the strength of their own ideas, rather than smearing those they opposed? Me neither—and that’s no joke.
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Since today is the Ides (Ide?) of March, let’s begin with the Ides of March …
… an outstanding example of brass rock.
Today in 1955, Elvis Presley signed a management contract with Andreas Cornelis van Kuijk, an illegal immigrant from the Netherlands who named himself Colonel Tom Parker.
The number two single that day:
The number one British album today in 1969 was Cream’s “Goodbye,” which was, duh, their last album:
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Those spending any time at all on political social media have no doubt seen conventional wisdom that Hillary Clinton lost in 2016, in part, because she failed to visit the swing state of Wisconsin in the last few months of the campaign. It’s a point that has spawned a million “where’s Hillary” jokes, but it isn’t necessarily true.
For one, Clinton did visit Wisconsin several times during the campaign, just not in the closing weeks. She campaigned frequently in the state in both 2008 and 2016, losing big in primaries each time. It’s not as though Wisconsin voters didn’t know her.
Nevertheless, the Democratic National Convention decided to troll Clinton this week, picking Milwaukee as the site for the party’s quadrennial soiree in 2020. Not only are Democrats going to make sure their nominee sets foot in Wisconsin; they’re also bringing the whole cast of characters.
But as was the case with Clinton, mere physical presence likely won’t be enough to win Wisconsin voters over. Taking precedence will be what their candidate stands for.
In making the Milwaukee announcement, Democratic National Committee Chairman Tom Perez suggested convention-goers may eat some vegan bratwurst and drink some “damn fine union-made Milwaukee beer at the end of the night.” But vegan bratwurst — more accurately described as “tofu crammed in a sock” — is about as authentically Wisconsin as the actual proposals the slew of Democratic candidates have thrown around so far.
Take, for instance, the Green New Deal, which would hammer Wisconsin’s agriculture- and manufacturing-based economy. Any proposal ridiculous enough to make House Speaker Nancy Pelosi roll her eyes will have about as much support in America’s Dairyland as skim milk. (Which, in the immortal words of Ron Swanson, is “water which is lying about being milk.”)
Voters might also look askance at a $33 trillion Medicare-for-all plan, when 95 percent of the state’s residents are already insured. Among the accomplishments of Gov. Scott Walker (R) during his tenure was expanding coverage to record levels; throwing out that progress in favor of an untested, budget-annihilating genuflection to European socialism might not be what state voters have in mind.
In 2009, when Democrats controlled both houses of the state legislature and the governorship, they proposed a single-payer health plan in the state. The result? A Walker victory and full Republican control of the Assembly and Senate.
Perhaps the greatest irony is that Milwaukee became a necessary convention venue specifically because of the work Republicans have done in the state over the past eight years. In 2008, Barack Obama won the state by 14 percentage points. By 2016, on the strength of reforms passed by state conservatives, Wisconsin went to a GOP presidential candidate for the first time since Ronald Reagan in 1984. And now, Democrats want it back.
In fact, much of the reason Milwaukee became such an attractive place to hold a convention was due to the work of Walker and other state Republicans. The Democratic National Convention will be held in Fiserv Forum, a new arena that Walker approved just four years ago.
Interestingly, many of the same state Democrats who will feature prominently at the convention next year are the same who marched against Walker’s Act 10 public union reforms eight years ago, predicting doom for the state. Instead, the state has become so attractive, it will be a national showcase of success for the same party that opposed Walker at every turn. In essence, Democrats are beginning this marathon at the 24th mile — crediting them with making Wisconsin a prime spot for a national convention is like crediting the historic success of the “Star Wars” franchise to Adam Driver.
And those government union reforms that Democrats ripped the state apart in an attempt to rescind in 2011 and 2012? New Gov. Tony Evers (D) has introduced his budget plan and hasn’t laid a finger on them. It seems Perez’s suds-based pandering to unions during his announcement might be six years too late.
Of course, like most big cities, Milwaukee is beset with problems, such as crime, joblessness and poverty. And like most big cities, it has been governed by progressives for decades. The city’s current feckless mayor, Tom Barrett, has never seriously been challenged since he took office in 2004.
In the 1980s, faced with high taxes and greater regulation, employers began fleeing the city, leaving large swaths of the city devoid of economic opportunity. To combat that phenomenon, state lawmakers implemented the nation’s first private school choice program — a successful move that Democrats would surely reverse if now given the change. The Democratic convention might be a very inhospitable guest, indeed.
Those issues aside, there is no doubt that in the middle of next year, Milwaukee will be a caloric Armageddon, gleefully stuffing delighted Democrats with beer, cheese and encased meats. The city will be thrilled to have them there. It is their ideas that Wisconsin voters might want to keep away.
Actually, I’d prefer the Democratic (or Republican) convention stay away. The national political conventions are nothing more than a four-day-long taxpayer-funded pep rally for people who want to control your lives and your money. It is another example of the fetish wrong-headed people have for politicians and politics. (Washington was described as Hollywood for ugly people; well, politics is sports for the unathletic and lazy.) These are people I wouldn’t choose to spend two seconds with, and they’re going to be invading Milwaukee … well, actually, adding to the population I already choose to not spend time with that infests Milwaukee.
What exactly takes place of significance? The selection of candidates? Not anymore since primary elections. The platform? That’s written by the presidential candidate and “voted” upon by the sheep on the convention floor.
Then there is Milwaukee. Any community where there are entire sections where if you venture in you may not come out alive is not worthy of your presence or your money.