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  • Gannett vs. newspapers

    August 20, 2019
    media, US business

    John Temple:

    From 20 feet away, one designer used to tell me, all newspapers look the same: vertical rectangles with black ink on them. But the announcement earlier this month that the country’s two largest newspaper companies have agreed to merge is a reminder that there are actually two very different ways to look at them. To some, local newspapers are simply cash machines, from which investors can make withdrawals until there’s nothing left. To others, they are community trusts, essential civic resources to be sustained.

    The acquisition of Gannett, publisher of USA Today and other papers, by GateHouse Media represents the apotheosis of the newspaper as a financial instrument. GateHouse, the buyer, is the largest owner of U.S. newspapers by titles. Gannett is the largest owner of U.S. newspapers by circulation. The new company, to carry the Gannett name, would have a print circulation of more than 8.5 million.

    Should the Department of Justice approve the deal, it would be allowing the creation of a behemoth that dwarfs other newspaper companies, one that would dominate local journalism in many states, and have unparalleled national reach in print. The new company says its first order of business will be to realize $275 million to $300 million a year in “run-rate cost synergies.” In plain English, that means many journalists will lose their jobs.

    Print advertising and print circulation are declining at a rapid rate, and digital growth is not making up the difference. Gannett and GateHouse are hoping that, together, they can grow efficient enough to survive. But the deal makes me think of two drowning giants grabbing onto each other to try to save themselves. While I long ago learned to be careful about predicting the future in print, my guess is that it won’t be too many years before they pull each other under.
    Just consider these recent findings from the Pew Research Center. U.S. newspaper circulation is now at its lowest level since 1940, even as the national population has grown from 132 million to nearly 330 million. Last year, daily circulation—print and digital—was down 8 percent, and Sunday circulation was down 9 percent. The numbers were even worse for print, which posted 12 and 13 percent declines, respectively. While overall digital advertising spending increased by 23 percent in 2018, that wasn’t enough to offset the losses in print advertising—total ad revenue for newspaper companies was down by 13 percent. In consequence of this decline, newspaper-newsroom employment continues to shrink. It’s down 47 percent since 2004.
    But even if the new Gannett manages to beat the odds and stay afloat, the prognosis for the papers it owns is grim. Gannett papers today largely look and sound the same. They feature similar, centrally produced news reports, and offer little individuality or quirky local flavor.

    Gannett was the pioneer of this approach. As it grew, from the late 1960s until the early 1980s, it boasted that its quarterly profits were always bigger than the one before. The result, according to the Pulitzer Prize–winning journalist Ben Bagdikian in his 1983 book, The Media Monopoly, “Profit squeezes and indifference to comprehensive local news is the norm.” GateHouse came along in the late 1990s and one-upped the earlier generations of newspaper chains. It went bankrupt in 2013 after it had spread across 330 markets in 21 states. The reborn company now operates in 612 markets in 39 states.

    The consequences of this approach for local communities and for the fabric of our country are already clear—and grave. If some of these papers shrivel or even shut down to produce “run-rate cost synergies”—since the merger announcement, GateHouse has already cut staff at four newspapers—we’ll end up with more news deserts, communities without local newspapers. Other papers may be so diminished that they’re local newspapers in name only. That will leave some of the country’s most vulnerable residents without the information to help them participate in public life, including by voting, or the protections that investigative reporting can bring. The decline and failure of local newspapers means fewer eyes on the powerful, higher public borrowing costs, and more.

    Something like this has already happened in recent years to local television news. Sinclair Broadcast Group, the nation’s largest broadcaster, is notorious for distributing packaged segments to all of its stations, and for having its anchors across different markets use exactly the same words, sometimes reflecting partisan positions.

    It’s reasonable to fear that the new Gannett—which would own more than 260 daily news organizations, and hundreds of weeklies—might have a similarly negative impact on even more parts of our country.

    Many dedicated, talented journalists are doing meaningful work today at both GateHouse and Gannett newspapers. I know some of them. In my role at UC Berkeley’s Investigative Reporting Program, I work closely with Gannett journalists I admire. And earlier this year, I was among the judges who gave GateHouse the top award for innovation at a major newspaper conference. Not for its journalism, though. Instead, Gatehouse was recognized for its booming and profitable events business, which it has successfully replicated in many of its markets.

    However, the positive efforts of some at the two companies today don’t lessen the profound reason for concern.

    There has to be a different path forward, one that doesn’t call for emptying newspapers like ATMs, or consolidating them under the control of a massive corporation. Every community deserves to have a place it can turn to each day to understand itself, to see itself reflected truthfully, and where its members can learn about others who are different from themselves and get the information they need to participate in our democracy.

    One promising model is being tested in Pennsylvania. The Philadelphia Inquirer is now a public-benefit corporation, owned by the nonprofit Lenfest Institute for Journalism. Instead of maximizing profit for shareholders, the Inquirer can balance meeting the needs of its community with the need to make a profit. It can seek community support in new ways because it’s acting as a community resource, not a money machine.

    It’s not a given that this approach will succeed. But I think it’s our best hope. I heard Terry Egger, the paper’s publisher and CEO, speak at a conference in Las Vegas this spring. He said he tells his colleagues that they don’t work for any of the company’s print or digital titles—they work for the region’s people. He asks them to ask themselves: How are you making their lives better?

    His message to the community and his staff emphasizes the importance of a free press. It’s a message that he can offer unequivocally because he’s clear about the mission of his news organization. And he’s using it to seek and receive community support, from foundations and individuals.

    It’s possible to imagine a very different kind of network from the one the new Gannett promises to build. Community foundations and leaders around the country, along with people and businesses who care about the health of their local communities, can band together to support their local press.

    I was the founding editor of one such news organization, Honolulu Civil Beat. We started it as a for-profit company. But after a few years, its board concluded that it needed to take a different path. As a nonprofit, it could develop deeper ties to the community that would give it a greater likelihood of sustainability.

    Today I serve as an adviser to the Colorado Media Project, an effort to help meet the information needs of Coloradans by strengthening the state’s news ecosystem. This effort was triggered by the gutting of The Denver Post by its hedge-fund owner, Alden Global Capital; the rebellion of its editorial page; and the departure of many of its best journalists to form a new local-news organization, The Colorado Sun.

    The state, and nation, are facing a crisis in local media. Our answers don’t have to be newspapers as we’ve known them until now, ink on paper. Despite what my designer friend told me years ago, newspapers were never just that. They were reflections of the fabric of their community. Some, frankly, didn’t live up to their calling. Others punched above their weight class. But no matter what, we almost always knew that a community would be worse without them.

    What we need is not a giant local-news company along the lines of the new Gannett, structured to reduce expenses and buy time until it finds a way to ride the digital wave. What we need instead is a network of local-news organizations that can offer tools that enable local people to focus on the important job of telling their communities’ stories.

    The result may look like a vertical rectangle covered in black ink, or take an entirely different form. But what will really differentiate it is its commitment to the service of a common cause, one that’s essential if the United States is to thrive in the 21st century.

    Everyone who subscribes to the Green Bay Press–Gazette, The Post~Crescent in Appleton, the Wausau Daily Herald or the seven other Wisconsin dailies owned by Gannett know what having Gannett as your publisher is like. (Gannett purchased eight dailies from Thomson, which was no one’s idea of a quality newspaper publisher either, in 2000.) The smaller the newspaper is, the more it is like the next-door newspaper, including a couple pages of rewarmed USA Today news (which I call USA Yesterday) and a generic sports section.

    I was in Appleton in June for the state baseball tournament, held at Fox Cities Stadium in Grand Chute. I picked up The Post~Crescent on two mornings, and found not one word about state baseball, despite the fact it was held down the street from The Post~Crescent’s office.

    How does the Gannett sale apply to the state’s largest newspaper, the Milwaukee Journal Sentinel? Bruce Murphy:

    Back in the fall of 2015, when the purchase of the Milwaukee Journal Sentinel by the Gannett chain was announced, I predicted significant cuts for the newspaper under the new ownership. Looking at the staff count at other Gannett papers, and adjusting for market size, I predicted the Journal Sentinel would lose 35 to 40 editorial staff.

    I was wrong. Back then the Journal Sentinel had 117 editorial staff (editors, writers, photo, design and online people). Today that’s down to 88 staff, a loss of 29 staff, not quite as bad as I predicted. That may be because the JS has always rated near the top among newspapers in market penetration — the percent of residents subscribing to the newspaper — which makes it a slightly larger readership than its metro population might suggest. 

    Still, that was a 25 percent reduction in staff, which is huge, and there is every reason to believe more cuts are to come. That’s because Gannett is having financial problems which may force more cuts, and because it could be absorbed by Gatehouse Media (under a merger plan where Gatehouse would get slightly more stock — just over 50 percent — and thus control the new company). And Gatehouse has a reputation for slashing staff even more aggressively than Gannett has.

    But that deal may not go through, because MNG Enterprises, the owner of Digital First Media, has just purchased 9 percent of the stock of the parent company of Gatehouse Media, with the apparent aim of trying to kill the merger with Gannett. Why? Perhaps because Digital First has also had its eye on Gannett, but back in February Gannett’s board of directors rejected the buyout bid from the hedge fund that owns Digital First Media.

    If Digital First ever got its hands on Gannett that would be disastrous. As L.A. Times reporter Matt Pearce tweeted back when it was bidding for Gannett: “Digital First Media’s hedge fund owner slashes local newsrooms to the bone, soaks them for profits and then spends money on things that aren’t journalism. If they’re knocking on the door, you should lock the deadbolt.”

    With luck Gannett will avoid a buyout that ugly. But it is difficult to see any scenario — even if Gannett continues on its own — under which the JS doesn’t continue to bleed staff. Yet I don’t expect the JS to go out of business. From a market perspective there is sufficient reason to keep the paper going, yet little reason to resist more cuts in staff.

    A newspaper like the Journal Sentinel has little market power in the digital ad world, which is dominated by Google, which makes nearly as much from advertising as the entire media industry. And that doesn’t take into account Facebook’s massive impact on where advertising dollars go.

    Gannett’s strategy has been to build readership, market power and the ability to negotiate for better ad rates by buying up local newspapers, in essence trying to consolidate a declining industry. The company owns at least 104 local newspapers and more than 1,000 weeklies. Gannett’s goal is to gain as many local markets as possible to wrap some local coverage around its national USA Today stories, which can be republished at little cost in all of its local newspapers and weeklies.

    It also consolidates costs by centralizing printing, circulation and copy editing for its newspaper chain. The JS newsroom is managed by the Gannett corporate office in Virginia. The JS website is also managed from the central office based not on the importance of a particular story, but on algorithms measuring traffic and then highlighting the most popular stories.

    In short, there won’t be any sleepless nights at Gannett if a key story in city or county government is missed by the Journal Sentinel. First, because Gannet’s management doesn’t live in Wisconsin. Second, because the most popular stories at the Journal Sentinel are sports stories, typically seven to eight of the top 10 most popular stories on any given day. And third because covering city and county government is labor intensive and you can get as much (and probably more) readership at jsonline.com by simply republishing lifestyle or sports stories from USA Today or any of its 100-plus daily newspapers. 

    When local and state news stories are published at jsonline, the algorithms take over: they might get buried by the website in half a day. The goal is to direct readers to the most popular stories and that’s typically sports and lifestyle, particularly dining, weather reports and then the national stories done by USA Today. It may also mean grabbing a story from another of its papers that did well and giving it prominence on the JS website.

    The recent decision by the Journal Sentinel to put up a harder pay wall for most local and state stories has blocked all the free riders, reducing the readership even more for those stories, compared to those republished from other Gannett papers that have no pay wall.

    So if you’re Gannett, from an online traffic perspective, whether it’s city, suburban or county coverage or education coverage, none of it matters much. The JS hasn’t had a full-time county reporter since Steve Schultze took a buyout some four years ago. And it barely covers City Hall any more. When future cuts come the 34 staff listed under News and Investigations will likely be the most vulnerable.

    The staff you need to protect are sports reporters and the dining writer, because those stories get way more readership than news. The most important news beat is the state Capitol, because you have more potential readers impacted by state government, and there the newspaper has maintained two reporters. So far. Meanwhile there are 17 staff handling sports for the newspaper.

    All of which I’m sure is killing Journal Sentinel editor George Stanley, who truly cares about covering the news, as well as the paper’s news staff. But when it’s not a priority for the owners, and when a reporter’s important but not-so-sexy story is soon buried on the website, it begins to seem silly to go to all that effort.

    Apparently Murphy is OK with Stanley’s arrogance toward non-liberal readers, which is probably no surprise since Murphy is quite anti-conservative, and, for that matter, so is Journal Sentinel investigative reporter Dan Bice and whatever people make editorial decisions. Be that as it may …

    Meanwhile, Gannett is doing all it can to push readers to drop print subscriptions and switch to digital readership. When everything is centralized and nationalized, an ever-thinner local print edition is not really a priority. Moreover print advertising is dying: the Sunday paper still looks fat, but that’s mostly adverting supplements prepared by businesses who simply pay an insert fee to be stuffed into the paper, which generates much less revenue than a display ad published by the newspaper.

    While I have been describing the approach of Gannett, anyone who takes over that chain will operate similarly because of the brutal dynamics of the online ad market. The media is now competing with the massive international scale of monopoly companies like Google and Facebook, who can deliver ads to huge numbers of people, targeted to exactly the audience you want, say a young urban female interested in rock music. Which means news publications need the most online readership they can get, to give them more market power when competing for advertisers.

    So Gannett or whoever buys the company has every incentive to keep every local newspaper going in those 100-plus cities. Gatehouse does look to combine papers in nearby cities, and should it take over Gannett would probably do some consolation of the latter company’s three newspapers in Wisconsin’s Fox Valley. But Milwaukee is far too large a market and too far from any nearby city to consolidate with another newspaper. Better to keep the JS going and simply trim its staff as needed.

    All of which means the Journal Sentinel won’t go out of business, but will never again be what it once was. The paper is likely to continue losing staff and importance to readers who care about the news.

    Temple poses an interesting idea that may work in some markets. His ignorance of how business works shows in the assumption that “nonprofit” means you don’t have to make a profit. “Nonprofit” means that profits aren’t distributed to owners and it doesn’t pay income taxes. “Nonprofit” doesn’t mean it can spend more money than it brings in, or even spend as much money as it brings in. Any venture that doesn’t bring in more money than it spends is doomed to eventual failure.

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  • Presty the DJ for Aug. 20

    August 20, 2019
    Music

    Today in 1965, the Rolling Stones released the song that would become their first number one hit, and yet Mick Jagger still claimed …

    Today in 1967, the New York Times reported on a method of reducing the noise recording devices make during recording. The inventor, Ray Dolby, had pioneered the process for studio recordings, but the Times story mentioned its potential for home use.

    Ray Dolby, by the way, is no known relation to the other Dolby …

    Today in 1987, Lindsey Buckingham refused to go out on tour with Fleetwood Mac for its “Tango in the Night” album, perhaps thinking that the road would make him …

    The band probably told him …

    … but look who came back a few years later:

    (more…)

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  • A mass murder motive

    August 19, 2019
    Uncategorized, US politics

    The Washington Post:

    Before the slaughter of dozens of people in Christchurch, New Zealand, and El Paso this year, the accused gunmen took pains to explain their fury, including their hatred of immigrants. The statements that authorities think the men posted online share another obsession: overpopulation and environmental degradation.

    The alleged Christchurch shooter, who is charged with targeting Muslims and killing 51 people in March, declared himself an “eco-fascist” and railed about immigrants’ birthrates. The statement linked to the El Paso shooter, who is charged with killing 22 people in a shopping area this month, bemoans water pollution, plastic waste and an American consumer culture that is “creating a massive burden for future generations.”

    The two mass shootings appear to be extreme examples of ecofascism — what Hampshire College professor emerita Betsy Hartmann calls “the greening of hate.”

    Many white supremacists have latched onto environmental themes, drawing connections between the protection of nature and racial exclusion. These ideas have shown themselves to be particularly dangerous when adopted by unstable individuals prone to violence and convinced that they must take drastic actions to stave off catastrophe.

    The alleged El Paso shooter’s document is full of existential despair: “My whole life I have been preparing for a future that currently doesn’t exist.”

    In recent years, the mainstream environmental movement has moved strongly in the direction of social justice — the opposite of what hate groups seek. Now, the leaders of those organizations fear white nationalists are using green messages to lure young people to embrace racist and nativist agendas.

    “Hate is always looking for an opportunity to grab hold of something,” said Mustafa Santiago Ali, a vice president of the National Wildlife Federation and an expert on environmental justice. “That’s why they use this ecological language that’s been around for a while, and they try to reframe it.”

    Michelle Chan, vice president of programs for Friends of the Earth, said, “The key thing to understand here is that ecofascism is more an expression of white supremacy than it is an expression of environmentalism.”

    This is all happening in a rhetorically and ideologically overheated era in which public discourse is becoming toxic, not only in the dark corners of the Internet but among those occupying the highest elective offices. Environmental activists want to create a sense of urgency about climate change, the loss of biodiversity and other insults to the natural world, but they don’t want their messages to drive people into deranged ideologies.

    There is a danger of “apocalypticism,” said Jon Christensen, an adjunct assistant professor at the University of California at Los Angeles who has written extensively on the use and misuse of dystopian environmental scenarios.

    It’s important, he said, to provide people with potential solutions and reasons to be hopeful: “There’s definitely a danger of people taking dire measures when they feel there’s no way out of it.”

    Hartmann, who has tracked ecofascism for more than two decades, echoes that warning, saying environmentalists “need to steer away from this apocalyptic discourse because it too easily plays into the hands of apocalyptic white nationalism.”

    The leaders of several major environmental organizations say that white supremacy is antithetical to their movement.

    “What we saw in the El Paso manifesto is a myopic, hateful, deadly ideology that has no place in the environmental movement,” said Michael Brune, executive director of the Sierra Club.

    Echoing that was Andrew Rosenberg, director of the Center for Science and Democracy at the Union of Concerned Scientists: “We need to speak out so that our members know that under no circumstances are we buying into this kind of philosophy.”

    The alleged gunmen in El Paso and Christchurch did not emerge from the green movement. The documents attributed to them are primarily focused on race, cultural identity, immigration and the fear of a “great replacement” of whites by people of other races. The “eco” part of the equation is arguably an add-on.

    But these people did not come up with their hateful ideologies in a vacuum. They have tapped into ideas about nature that are in broad circulation among white nationalists. Before the Unite the Right rally in Charlottesville in 2017, for example, white nationalist leader Richard Spencer published a manifesto that had a plank on protecting nature.

    Ecofascism has deep roots. There is a strong element of it in the Nazi emphasis on “blood and soil,” and the fatherland, and the need for a living space purified of alien and undesirable elements.

    Meanwhile, leaders of mainstream environmental groups are quick to acknowledge that their movement has an imperfect history when it comes to race, immigration and inclusiveness. Some early conservationists embraced the eugenics movement that saw “social Darwinism” as a way of improving the human race by limiting the birthrates of people considered inferior.

    “There’s this idea coming out of the eugenics movement that nature, purity, conservation were linked to purity of the race,” said Hartmann, the author of “The America Syndrome: Apocalypse, War and our Call to Greatness.”

    Conservationists have a long history of wrestling with questions about immigration and population growth. Some of those on the environmental left have seen the explosion in the human population — which is nearing 8 billion and has more than doubled in the past half-century — as a primary driver of the environmental crisis. That argument has then been adopted by racists.

    The alleged Christchurch shooter began his online screed by writing, “It’s the birthrates. It’s the birthrates. It’s the birthrates,” and then warned of the “invasion” by immigrants who will “replace the White people who have failed to reproduce.”

    The document thought to have been posted by the alleged El Paso shooter cites birthrates among the “invaders” trying to enter the United States and asserts, “If we can get rid of enough people, then our way of life can become more sustainable.”

    This line of thought is dismaying to Paul Ehrlich, 87, a professor emeritus at Stanford University whose 1968 bestseller, “The Population Bomb,” proved hugely influential.

    “They often cite me, even though I’ve spent my life trying to fight racism,” Ehrlich said.

    John Holdren, a Harvard professor who co-authored articles with Ehrlich and later served eight years as President Barack Obama’s science adviser, said the environmental movement grappled decades ago with the perceived racist undertones of the emphasis on population growth.

    “A lot of people felt they were getting burned by talking about population growth and its adverse impact,” Holdren said. As a result, he said, the movement’s leaders began focusing on the education and empowerment of women, which has led to falling birthrates around the world as women take control of their reproductive lives.

    A refrain among environmentalists is that if anti-immigrant groups are genuinely concerned about degradation of the natural world, they’re targeting the wrong people. Climate change hasn’t been driven by poor people struggling to get by. The activities of wealthy nations have been the main historical source of greenhouse gas emissions, the depletion of natural resources and the destruction of habitats.

    Ali, the environmental justice expert, said he often hears people say population growth is the big problem today, and he shoots that down.

    “My response to them is, ‘Who are the people we need to limit? Who are the people making decisions about that?’ . . . Until we have true equity and equality and a balance of power, then we know vulnerable communities are going to end up on the negative side of the ledger, whatever the tough choices are,” Ali said.

    Interesting that the apocalyptic language used by environmentalists for decades is now paying off.

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  • Presty the DJ for Aug. 19

    August 19, 2019
    Music

    How much money would you have paid for tickets for this concert at the Cow Palace in San Francisco today in 1964:

    (more…)

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  • Presty the DJ for Aug. 18

    August 18, 2019
    Music

    How can two songs be the number one song in the country today in 1956? Do a Google search for the words “B side”:

    (Those songs, by the way, were the first Elvis recorded with his fantastic backup singers, the Jordanaires.)

    Today in 1962, the Beatles made their debut with their new drummer, Ringo Starr, following a two-hour rehearsal.

    (more…)

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  • Presty the DJ for Aug. 17

    August 17, 2019
    Music

    The Beatles were never known for having wild concerts. (Other than their fans, that is.)

    Today in 1960, the Beatles played their first of 48 appearances at the Indra Club in Hamburg, West Germany. The Indra Club’s owner asked the Beatles to put on a “mach shau.” The Beatles responded by reportedly screaming, shouting, leaping around the stage, and playing lying on the floor of the club. John Lennon reportedly made a stage appearance wearing only his underwear, and also wore a toilet seat around his neck on stage. As they say, Sei vorsichtig mit deinen Wünschen.

    Four years later, the council of Glasgow, Scotland, required that men who had Beatles haircuts would have to wear swimming caps in city pools, because men’s hair was clogging the pool filters.

    Today in 1968, the Doors had their only number one album, “Waiting for the Sun”:

    (more…)

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  • What happiness is not

    August 16, 2019
    Culture, media

    Earlier this week I pointed out the numerous flaws in a “news” release ranking states as places for journalists to work. (Which included a huge math error.)

    Maybe I was grumpy about that because I had to write a story about making objective and societal the subjective and individual definition of happiness. (Really.)

    The good thing about my job is that while I am required to write objectively about what I cover, I can also add my two cents worth in the appropriate place. Which I did.

    Several years ago I passed on an opinion from a Roman Catholic priest who quoted C.S. Lewis as saying that there is no right to happiness, only to, as the Declaration of Independence says, pursue happiness. He concluded:

    So we do not have a right to be happy. The assumption that we do lies behind the utopian turmoil of our times. The attempt to guarantee our right to be happy invariably leads to economic bankruptcy and societal coercion. By misunderstanding happiness and its gift-response condition, we impose on the political order a mission it cannot fulfill. We undermine that limited temporal happiness we might achieve if we are virtuous, prudent, and sensible in this finite world.

    The column mentions retired UW Band director Mike Leckrone’s phrase “moments of happiness.” (Which he didn’t come up with until after I graduated. Which makes me think my leaving may have been one of his “moments of happiness.”) The column mentions that in the past few months I’ve had a few, including two sportscasting firsts (announcing the right team in a state football championship game and announcing an Illinois substate game), performing at Leckrone’s final three UW Varsity Band concerts, and seeing Chicago with my trumpet-, trombone- and guitar-playing sons.

    I suppose my own definition of temporal happiness could be listening to this and this while driving a Corvette with Mrs. Presteblog as passenger on a beautiful summer day, perhaps on the way to or from eating a bacon cheeseburger, steak or shrimp, on the way to or from announcing a sporting event. But I think the aforementioned priest has it right when he says that there is no guarantee of earthly happiness.

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  • Woodstock? Sorry. Can’t make it.

    August 16, 2019
    History, media, Music

    This weekend is the 50th anniversary of the Woodstock music festival.

    About which Steven Hayward writes:

    Forget asking about citizenship status on the next Census. I’ve always wanted to have the Census ask: “Were you at Woodstock in 1969?” The event was such an icon for the appalling baby boomer generation (to which I sadly belong) that I estimate that you’d get 5 million Yes responses to the question. Maybe that many people believe they were there by astral projection during an acid trip or something.

    There was an attempt to organize a 50-year anniversary festival at Woodstock for this weekend, but the effort fizzled. One practical problem, I imagine, is that no vendor could be found to produce enough LSD suppositories.

    It is a good time to go back and take in the nonsense written about Woodstock by the mainstream media at the time, and reflect how nothing has changed when it comes to media idiocy and superficiality.

    Woodstock set off a fresh round of self-congratulation about the idealism of the young generation.  The absence of destructive chaos was taken as evidence of the moral superiority of the counterculture’s rejection of middle class materialism.  It was, in Abbie Hoffman’s words, “the birth of the Woodstock Nation and the death of the American dinosaur.”  “This festival will show,” Woodstock organizer Michael Lang said, “that what this generation is about is valid …  This is not just about music, but a conglomeration of everything involved in the new culture.” The New York Times thought Woodstock was “essentially a phenomenon of innocence,” while Time magazine chirped that Woodstock

    may well rank as one of the significant political and sociological events of the age. . . [T]he revolution it preaches, implicitly or explicitly, is essentially moral; it is the proclamation of a new set of values … With a surprising ease and a cool sense of authority, the children of plenty have voiced an intention to live by a different ethical standard than their parents accepted.  The pleasure principle has been elevated over the Puritan ethic of work.  To do one’s own thing is a greater duty than to be a useful citizen.  Personal freedom in the midst of squalor is more liberating than social conformity with the trappings of wealth.  Now that youth takes abundance for granted, it can afford to reject materialism.

    “To do one’s own thing is a greater duty than to be a useful citizen”?? Yup—that pretty much sums up the ethos of modern liberalism. Or as Harry Jaffa put it more bluntly, the core principle of modern liberalism is “every man his own tyrant.”

    The New Left was not thrilled with the spin surrounding Woodstock because it suggested that the revolution of youth was far less political than cultural.  After all, the New Left has struggled to get a mere 10,000 to come to Chicago the summer before. “Our frivolity maddened the Left,” one concertgoer remarked.  “We did not even collect pennies for SANE [Society for the Abolition of Nuclear Energy].” Abbie Hoffman had been booed when he attempted to offer some political remarks: The Who’s Pete Townshend whacked Hoffman with his guitar to get him off the stage. But the ever-protean ideological Left managed to adapt.  Leftist writer Andrew Kopkind wrote that Woodstock represented

    a new culture of opposition. It grows out of the disintegration of old forms, the vinyl and aerosol institutions that carry all the inane and destructive values of privatism, competition, commercialism, profitability and elitism. . .  For people who had never glimpsed the intense communitarian closeness of a militant struggle—People’s Park or Paris in the month of May or Cuba—Woodstock must always be their model of how good we will all feel after the revolution … [P]olitical radicals have to see the cultural revolution as a sea in which they can swim.

    A surprisingly sympathetic account of Woodstock in National Review noted that Woodstock was “a moment of glorious innocence, and such moments happen only by accident, and then not often. . .  [T]hese accidental bursts of aimless solidarity do not last forever.” In fact the purported innocence and new moral world of Woodstock would prove as evanescent as the summer showers that cooled off the concertgoers at Max Yasgur’s farm. A few months later the attempted sequel to Woodstock at California’s Altamont Pass ended violently when the Hells Angels hired as stage security proved they were not yet ready to be part of the Age of Aquarius. The Hells Angels beat a concertgoer to death just a few feet in front of Mick Jagger, who was in the middle of singing “Sympathy for the Devil.”  In contrast to the encomiums to Woodstock, there was little media commentary suggesting that Altamont showed a dark side of the counterculture.

    Good riddance to the whole scene I say.

    P.S. I do recall a line from Jay Leno back when there was a 30th anniversary concert at Woodstock: “They had to fly in five helicopters of food. And that was just for David Crosby.” Heh.

    A more current statement about Crosby would be that they would have to make accommodations for his second liver.

    One of the comments about Hayward’s piece:

    Two friends were discussing the summer of ’69. One mentioned he attended and enjoyed Woodstock. The other said he didn’t go as he was kinda busy at the time. “Oh, doing what?”…. “Vietnam.” I swear there was then an audible Pacman death sound effect.

    And …

    I almost made it to Woodstock. I got within around 50 miles from the farm but detoured and entered West Point on July 3. It was very hot and humid in Beast Barracks but they let us Plebes eat a real meal the day of the moon landing. Yeah, it was a great summer.

    Be that as that may (I didn’t go; I was 4), I do not write today to denigrate Woodstock, because there is one aspect I find slightly outrageous and considerably more humorous — the bands that did not go to Woodstock, and why they didn’t.

    The list begins with Chicago, which certainly would have fit …

    … but didn’t get the chance because promoter Bill Graham booked the group into one of his clubs. That made them unavailable, and Graham substituted the group he was promoting, Santana. As bass player/singer Peter Cetera later put it, “We were sort of peeved at him for pulling that one.”

    Graham did make it up to the group later:

    The rest of the list starts with Ultimate Classic Rock:

    Jethro Tull

    Reason: Fear of Naked Ladies

    “I asked our manager Terry Ellis, ‘Well, who else is going to be there?’ And he listed a large number of groups who were reputedly going to play, and that it was going to be a hippie festival,” Jethro Tull‘s Ian Anderson once told SongFacts, “and I said, ‘Will there be lots of naked ladies? And will there be taking drugs and drinking lots of beer, and fooling around in the mud?’ Because rain was forecast. And he said, ‘Oh, yeah.’ So I said, ‘Right. I don’t want to go.’ Because I don’t like hippies, and I’m usually rather put off by naked ladies unless the time is right.”

    Jeff Beck Group

    Reason: They Broke Up

    Jeff Beck and an all-star band that featured Rod Stewart, Nicky Hopkins, Aynsley Dunbar and Ronnie Wood were actually scheduled to play — only to split up just before Woodstock. Seems Beck simply disappeared on a plane back home, according to Rod Stewart in his autobiography ‘Rod,’ because he was worried about a possible marital infidelity. Not that Stewart was that concerned about missing out. “Ah, well,” he writes. “Seen one outdoor festival you’ve seen them all.”

    Led Zeppelin

    Reason: They Had A New Jersey Show

    Led Zeppelin was invited, of course. But manager Peter Grant apparently decided that headlining their own concert was preferable. Instead, the band headed off to the Asbury Park Convention Hall in New Jersey, just south of Woodstock, for two of the festival’s four days. Grant, in ‘Led Zeppelin: The Concert File,’ said “I said no because at Woodstock we’d have just been another band on the bill.

    Iron Butterfly

    Reason: They Wanted a Helicopter

    Riding the popularity of In-A-Gadda-Da-Vida, Iron Butterfly decidedly overreached with its pre-appearance demands — supposedly asking for such niceties as a helicopter ride in from a New York airport, an immediate start time on stage upon arrival, complete payment upon completion of set and an immediate return helicopter ride for airport departure. The story is they were told that promoters were considering it, but ultimately it seems nobody ever called Iron Butterfly back. “Apparently the agent had a real attitude,” festival co-creator Michael Lang has said, “and we were up to our eyeballs in problems.”

    The Beatles

    Reason: Yoko?

    Rumors of the Beatles‘ appearance at Woodstock were everywhere, likely fueled by their surprise 1969 rooftop concert in London. Reasons as to why they ultimately did not play are just as rampant. One theory has John Lennoninsisting that Yoko Ono appear on stage. Another cited immigration problemsfor Lennon. Still another, that the group simply couldn’t get together at that late stage.

    Bob Dylan

    Reason: Sick Kid

    Another huge star, another raft of innuendo. Bob Dylan reportedly said no because one of his kids fell ill. There was also a rumor that he had become annoyed with the gathering hippies around his home, which stood near the town of Woodstock. Whatever the reason, it didn’t keep him from playing another huge festival — and just two weeks later — at the Isle of Wight. Dylan reportedly left for England aboard the Queen Elizabeth 2 on August 15, 1969, the day the original Woodstock Festival started. Dylan then moved away from upstate New York, complaining that his house was being beseiged by “druggies.”

    The Rolling Stones

    Reason: Filming a Forgotten Movie

    The Rolling Stones declined because Mick Jagger was in Australia that summer, filming a forgotten movie called ‘Ned Kelly.’ You don’t remember ‘Ned Kelly’? It’s the poorly received 1970 Tony Richardson-directed biopic of a 19th-century Australian bushranger. Also, Keith Richards‘ girlfriend Anita Pallenburg had just given birth to son Marlon that week in London.

    Joni Mitchell

    Reason: Silly Scheduling Issue

    Joni Mitchell reportedly wanted to play Woodstock, but was dissuaded from making the trip by manager David Geffen, reportedly because he wanted her fresh for an appearance on ‘The Dick Cavett Show.’ In a twist, she would end up performing on that TV program with two other participants in the Woodstock festival – David Crosby and Stephen Stills of Crosby Stills and Nash, and Jefferson Airplane. Worse still, she’d be forced to write ‘Woodstock,’ one of her better-known songs, based on boyfriend Graham Nash‘s account of the event.

    The Doors
    Reason: Thought Monterey Was Better
    The Doors apparently gave Woodstock strong consideration, only to decline the invitation. Not because of a scheduling conflict, however. Robby Kriegerwould later say, “We never played at Woodstock because we were stupid and turned it down. We thought it would be a second class repeat of Montery Pop Festival.” John Densmore, however, had other ideas. He was actually at the festival. Densmore appears side stage during Joe Cocker‘s set in the concert film.

    Roy Rogers

    Reason: Hated the Idea

    The revelation that old-timey TV cowboy Roy Rogers had actually been invited, as well, remains something of a shock. Apparently, as Michael Lang relayed in an interview for the expanded Woodstock DVD, the idea was for Rogers to close out the festival with a rendition of ‘Happy Trails.’ It didn’t happen, of course, but only because “his manager didn’t think it was such a great idea.” Hard to argue with that, isn’t it?
    Rogers may sound crazy, but remember that Sha Na Na was there.
    11 Points contributes a few more, including alternate explanations:

    Frank Zappa and the Mothers of Invention – too much mud

    Zappa turned down the gig last minute because he heard rain was coming and didn’t want to play around all that mud. (Bad for the festival, good for one of his future children who no doubt would’ve gotten a name like Runny Soil Zappa or Muddlicious Orthopedic June Caralarm Zappa.) …

    The Doors – fear of getting shot by someone in the crowd

    Apparently, by 1969, Jim Morrison had such a raging case of agoraphobia that he refused to play outdoors because of a genuine belief that it would give snipers too good of a shot. Really. And, at that point, he still wasn’t The Saint so he couldn’t just roam around in disguise.

    The Beatles – Yoko wasn’t invited too

    One of the biggest questions in music history is “Why weren’t the Beatles at Woodstock?” It’s up there with “Who was so vain that they probably thought this song was about them?”, “Did Rob Base just say he ‘can’t stand sex’?” and “Did New Kids On The Block really think people wouldn’t notice that Hangin’ Tough and You Got It (The Right Stuff) are the same basic song?” And there are three theories why the Beatles didn’t end up as a part of the festival…

    (1) John couldn’t get a visa to come to the U.S. because of his drug arrests. (And Nixon didn’t like him.) (2) Other than their B-Sharps-inspiring rooftop concert in January of 1969, they hadn’t played a show together since 1966. (3) John agreed to play but only if Yoko’s Plastic Ono Band also got an invite… and the Woodstock organizers said hell no.

    I’d say #1 is the most boring theory, #3 is the most entertaining theory… and #2 is probably the most accurate theory. …

    Eric Clapton – in England with Steve Winwood working really hard on getting their new band off the ground

    Woodstock caught Clapton at an awkward time. The Yardbirds were long dead, Cream was recently dead, and Clapton decided to pour all of his effort into launching his new supergroup, Blind Faith. So, rather than play Woodstock, Clapton and his Blind Faith bandmade Steve Winwood decided to have a retreat to really work on their music. It didn’t work — Blind Faith would barely last another few months.

    I will draw a parallel to this in a few years when LeBron James and Dwyane Wade skip the 2012 Olympics to practice working together over the summer when they realize their results produced by their superteam is less than the sum of its parts.

    Woodstock Story adds:

    Procol Harum were invited but declined because the festival was happening at the end of a long tour and the impending birth of band member Robin Trower’s child.

    The Moody Blues were included on the original Wallkill poster as performers, but decided to back out after being booked in Paris the same weekend. …

    Tommy James and the Shondells declined the invitation, Tommy James would later say “We could have just kicked ourselves. We were in Hawaii, and my secretary called and said, ‘Yeah, listen, there’s this pig farmer in upstate New York that wants you to play in his field.’ That’ s how it was put to me. So we passed.”. (Linear notes to “Tommy James and the Shondells: Anthology”).

    Arthur Lee and Love declined the invitation, but Mojo Magazine later described inner turmoil within the band which caused their absence at the Woodstock festival.

    Free was asked to perform and declined.

    Spirit declined and instead launched a promotional tour.

    Mind Garage declined because they thought the festival would be no huge deal and they had a higher paying gig elsewhere. …

    Joni Mitchell was recommended by her agent to appear on the Dick Cavett show rather than at the Woodstock festival. It is also believed that Mitchell was discouraged from performing at another festival after a particularly nasty crowd at the Atlantic City Pop Festival who actually made her cry. …

    Lighthouse the Canadian band was booked to play, but backed out for fear that Woodstock would be a bad scene.

    Rock Pasta adds another:

    The Byrds

    Like majority of the bands who passed on Woodstock, The Byrds turned down their invitation to play, assuming that Woodstock would be no different from any of the other music festivals that summer. And like most bands who turned it down, they regretted their decision.  Financial reasons were also cited for declining the invitation. Bassist John York recalls,

    “We were flying to a gig and Roger [McGuinn] came up to us and said that a guy was putting on a festival in upstate New York. But at that point they weren’t paying all of the bands. He asked us if we wanted to do it and we said, ‘No’. We had no idea what it was going to be. We were burned out and tired of the festival scene. […] So all of us said, ‘No, we want a rest’ and missed the best festival of all.”

     

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  • The world vs. Christianity

    August 16, 2019
    Culture

    David French:

    It’s happened again. For the second time in three weeks, a prominent (at least in Evangelical circles) Christian has renounced his faith. In July, it was Josh Harris, a pastor and author of the mega-best-selling purity-culture book I Kissed Dating Goodbye. This month, it’s Hillsong United songwriter and worship leader Marty Sampson.

    For those who don’t know, Hillsong United is one of the most popular and influential worship bands of the modern era. It was born at Hillsong Church in Australia and its albums routinely top the Christian charts — in fact, Billboard’s chart history gives it no fewer than eight number-one Christian albums.

    It’s a powerhouse in what my former pastor derisively referred to as the “Jesus is my boyfriend” style of worship music. Their songs featured heartfelt, simple lyrics pledging undying Christian love and devotion. They also happen to inspire millions of Christians across the globe.

    The relative lack of theological depth to much of Hillsong’s music has brought a predictable response to Sampson’s announcement — shallow songs, shallow theology. But I’m not sure that’s right. Of course only Sampson knows his own heart, but I want to focus on something else. Parts of his Instagram announcement of his change of heart just don’t ring true. I won’t paste the entire statement, but this part stood out to me:

    This is a soapbox moment so here I go . . . How many preachers fall? Many. No one talks about it. How many miracles happen. Not many. No one talks about it. Why is the Bible full of contradictions? No one talks about it. How can God be love yet send four billion people to a place, all ‘coz they don’t believe? No one talks about it. Christians can be the most judgmental people on the planet — they can also be some of the most beautiful and loving people. But it’s not for me.

    What is he talking about? “No one talks about” preachers falling, miracles, alleged biblical contradictions, or the challenge of hell? I take a backseat to no one in decrying youth ministries that concentrate more on ultimate Frisbee than on catachesis — or on pastors who focus on self-help to the exclusion of sound doctrine — but you simply cannot grow up in an Evangelical church without discussing many of these topics incessantly.

    Yes, you can pass in and out of church — attend casually without going to Sunday school — and sometimes hear only therapeutic messages from the pulpit, but if you live in the church, as he did, you have real trouble believing his words. You also have seen the same thing many times — adults fall away in the face of the pressures of the world, rationalizing their departure with words that ring true to everyone except Christians who know what the church is really like.

    As our culture changes, secularizes, and grows less tolerant of Christian orthodoxy, I’m noticing a pattern in many of the people who fall away (again, only Sampson knows his heart): They’re retreating from faith not because they’re ignorant of its key tenets and lack the necessary intellectual, theological depth but rather because the adversity of adherence to increasingly countercultural doctrine grows too great.

    Put another way, the failure of the church isn’t so much of catechesis but of fortification — of building the pure moral courage and resolve to live your faith in the face of cultural headwinds.

    In my travels around the country, one thing has become crystal clear to me. Christians are not prepared for the social consequences of the profound cultural shifts — especially in more secular parts of the nation. They’re afraid to say what they believe, not because they face the kind of persecution that Christians face overseas but because they’re simply not prepared for any meaningful adverse consequences in their careers or with their peers.

    C. S. Lewis famously said that courage is the “form of every virtue at its testing point.” In practical application, this means that no person truly knows if he possesses any virtue until it’s tested. Do you think you’re loving? You’ll know you truly love another person only when loving that person is hard. Do you think you’re truthful? You’ll know only when telling the truth hurts. Soldiers are familiar with this phenomenon — most men who travel to the battlefield believe themselves to be brave, but they know they’re brave only if they do their duty when their life is on the line.

    Earlier this summer, I spoke at an event in Georgia and discussed what I called the “courage cure to political correctness.” Are you afraid? Speak anyway, with humility, grace, and conviction. The law protects, but the culture resists you. After I spoke, a man came up to me and said, “That’s fine for you to say, but you don’t know what corporate America is like.”

    I told him that I did know, and that I’ve experienced its bite.

    He said no. He said, “It’s like East Germany now.” I asked him if he had tested that proposition, if he’d shared his beliefs in any meaningful way. He said no. He’d preemptively silenced himself.

    That’s one version of failing in the face of adversity. Another version is represented by the person who simply wilts, who adopts the critiques of the secular world and lobs grenades back at the church as he leaves.

    Are you faithful? I’d submit that you don’t know until that faith is truly tested — either in dramatic moments of crisis or in the slow, steady buildup of worldly pressure and secular scorn. As the worldly pressure and secular scorn continue to mount, expect to see more announcements like Josh Harris’s and Marty Sampson’s. Expect to see more friends and neighbors retreat and conform.  The church has its faults, yes, but the blame will lie less with a church that failed to instruct than with a person who didn’t, ultimately, have the courage to believe.

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  • Presty the DJ for Aug. 16

    August 16, 2019
    Music

    Today in 1962, the Beatles replaced drummer Pete Best with Ringo Starr. Despite those who claim Starr is the worst Beatle musically, the change worked out reasonably well for the group.

    Today in 1970 was the second day of Woodstock:

    (more…)

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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