The number one song today in 1960:
The number one song today in 1964:
The number one song today in 1970:
The number one song today in 1960:
The number one song today in 1964:
The number one song today in 1970:
Message to the Swamp: American voters still are supposed to be in charge.
That means they get to decide who gets elected. For example, in 2016, they elected a man named Donald Trump. He is still the president. Go suck an egg if you don’t like it.
It also means that American voters get to choose where our soldiers, sailors and airmen get deployed around the world. They choose that by electing “representatives” to Congress, who vote to declare wars. They also get to choose the commander in chief of America’s mighty military. (Again, see previous paragraph about a man named Donald Trump, who is still president. And feel free to go suck another egg.)
In addition, American voters get to choose — again, through the “representatives” they have elected — how much money we spend on bombs and ammunition and where we deploy them. Most important, American voters choose where all that firepower gets launched and who, exactly, gets killed by American bombs and bullets.
That is the way this is supposed to work.
For more than two years, Britain under Prime Ministers Neville Chamberlain and Winston Churchill begged American President Franklin D. Roosevelt to join the fight against Nazi Germany. Roosevelt was more than sympathetic. But he understood that he could not do so unless and until the American people understood the fight, knew who the enemy was, comprehended the risk of getting involved and supported the mission.
Then — and only then (with a little push from the Japanese navy) — could Roosevelt join Churchill to defeat the greatest threat to the civilized world in the 20th century. And with the approval and enthusiasm of the American voter, the enemy was annihilated.
There are a lot of differences between the global threat Roosevelt defeated in Germany and the global threat Mr. Trump faces now in the Syrian civil war. But one thing remains the same: American voters are still in charge.
Therein lies the great political sickness of our time. American voters of every stripe are nearly unified against U.S. involvement in these endless wars in places like Syria at the very same moment when American politicians in Washington of every stripe are nearly unified in favor of same said wars.
The disconnect between voters back home and politicians in Washington is cavernous. Mr. Trump is one of the only politicians to hear the voice of the people and obey it.
Of course, these very same politicians could be brave adults about it and Congress could vote to declare war in Syria. But that might cost them an election back home.
A common response around here when you suggest that Congress should vote to declare war is: “Declare war on whom?”
Exactly! Even these people don’t know whom to fight over there. Yet it is the American people (and Mr. Trump) who are so deeply immoral for wanting to get out of this insane, faraway fight.
The other explanation you hear from people around here is that we are not really at war over there. Sure, we are helping kill people and all, but we are actually on a “peacekeeping” mission.
OK. That’s probably the biggest reason to get out of Syria. All our “peacekeeping” is not working.
Maybe it’s not professional for one media outlet to criticize another, but whether or not it is, Fox News takes aim at CNN:
CNN’s Democratic presidential debate was criticized by everyone from media watchdogs to the candidates themselves following Tuesday’s showdown — with complaints ranging from perceived favoritism of Sen. Elizabeth Warren to attacks on the specific questions asked by moderators.
The Hill media reporter Joe Concha told Fox News that CNN’s debate enhanced its already not-so-respectable reputation.
“The network is under heavy criticism from the left and right today, and rightly so,” Concha said. “Its pursuit of sizzle over steak and focus on social issues over truly substantiate matters – economy, jobs, opioid crisis, border crisis, all-things China – has damaged the network’s credibility even further.”
CNN partnered up with The New York Times for the event, which was moderated by CNN’s Erin Burnett and Anderson Cooper and Gray Lady editor Marc Lacey. While viewers complained about several issues with the moderators, a question Cooper asked about Ellen DeGeneres and former President George W. Bush’s friendship was perhaps the most lampooned.
“Three hours and no questions tonight about climate, housing, or immigration,” Julian Castro tweeted. “Climate change is an existential threat. America has a housing crisis. Children are still in cages at our border. But you know, Ellen.”
Sen. Kamala Harris also took to Twitter to criticize the moderators, noting there weren’t questions about climate change, LGBTQ rights or immigration.
“These issues are too important to ignore,” Harris wrote.
While Castro and Harris used social media, Rep. Tulsi Gabbard, D-Hi., slammed CNN and The Times directly from the debate stage over what she described as “smears” against her on foreign policy.
“The New York Times and CNN have also smeared veterans like myself for calling for an end to this regime-change war,” Gabbard said. “Just two days ago, The New York Times put out an article saying that I’m a Russian asset and an Assad apologist and all these different smears. This morning, a CNN commentator said on national television that I’m an asset of Russia — completely despicable.”
DePauw University professor and media critic Jeffrey McCall said the major flaw was that moderators allowed Sen. Elizabeth Warren to dominate the proceedings.
“The time imbalance was so obvious and quite unfair to Gabbard, Castro and the others. That Warren is now or at the top of recent polls is no excuse for allowing such an imbalance,” McCall told Fox News. “A candidate forum is supposed to give all candidates a fair opportunity to engage the dialogue and that absolutely did not happen. The debate moderators apparently don’t own stopwatches.”
McCall said the imbalance “lends credence to the critics who say these forums are all about promoting some candidates over others” and Warren was clearly the favorite.
“The moderators were also quite powerless at times when they tried to move on or determine who would speak next. Candidates tended to ignore the moderators’ directions and interrupt as they wanted,” McCall said, adding that talking over the moderators is nothing new.
“This is standard procedure now in these televised spectacles, but it remains a weakness in the format and relegates moderators to bystanders at times,” he said.
The debate came hours after a secretly recorded video appeared to show a CNN staffer saying the network likes Warren “a lot” and dislikes Gabbard. CNN’s own Twitter account even pointed out that Gabbard received less time than other candidates. According to CNN itself, Warren spoke for over 22 minutes, followed by Biden’s 16-plus minutes, while Gabbard only spoke for roughly eight minutes.
Following the debate, Gabbard’s sister criticized CNN via a tweet sent by the candidate’s verified account that accused the network of cutting off Gabbard to “protect Warren.”
“It was no surprise that CNN began with almost 20 minutes talking about impeachment and defending the Bidens seeing as how CNN’s been obsessed with impeachment for at least three years now,” NewsBusters managing editor Curtis Houck told Fox News.
The Daily Wire reports about this:
The White House issued a statement Monday condemning a graphic parody video showing President Donald Trump shooting members of the media, Democrats, and activist groups, which played at the American Priority Conference over the weekend as part of am “art installation” by professional meme-maker, Carpe Donktum.
The video, which has been on YouTube for sixteen months without much notice, attracted the attention of the New York Times, which posted a blockbuster breaking news report on the film Sunday night. Members of the media were quick to condemn the video, suggesting that it was an open call for violence against journalists and activists, and accusing the White House of promoting and encouraging violence.
The video doesn’t seem particularly well thought-out (Firth’s character is shot in the head at point blank range at the end of the scene), or constructed, and appears meant to “troll” the same news organizations the fictional President Trump takes aim at in the clip.
Outlets like CNN were quick to release statements condemning the video and demanding an apology from Trump.
“Sadly, this is not the first time that supporters of the President have promoted violence against the media in a video they apparently find entertaining — but it is by far and away the worst. The images depicted are vile and horrific,” CNN said in a statement released late Sunday. “The President and his family, the White House, and the Trump campaign need to denounce it immediately in the strongest possible terms. Anything less equates to a tacit endorsement of violence and should not be tolerated by anyone.”
AMP Fest organizers also condemned the video, noting that it’s showing was an “unauthorized” “meme exhibit” and that viewings took place in a “side room.”
“Content was submitted by third parties and was not associated with or endorsed by the conference in any official capacity,” event organizer Alex Phillips said, according to CNN. “American Priority rejects all political violence and aims to promote a healthy dialogue about the preservation of free speech. This matter is under review.”
The Trump campaign issued a confused statement back to CNN, noting that they had nothing to do with the video or its presentation but denounced the depiction of violence, regardless.
One reporter for Reason Magazine inadvertently revealed that room on Twitter while reporting from the conference. The room was empty.
There’s a big empty room here with TVs and projectors playing videos by that “carpe donktum” guy pic.twitter.com/O87stQDfrc
— CJ Ciaramella (@cjciaramella) October 11, 2019
Although demands to condemn the video lest it encourage violence against the media spread like wildfire across Twitter and Facebook, it appears the film clip has been up on YouTube since July of 2018 and, until Monday, had less than 100,000 views — a rather paltry total for a typical Trump parody piece. Once the New York Times called attention to the video, it, too, quickly went viral, in an odd example of the “Streisand Effect.”
The Daily Wire notes that the controversial meme has been on the internet for a year without much notice. Only now, because of the media, do we all get a chance to see the thing that the media says might inspire violence against the media. If they were really concerned about the mystical powers of memes to inspire mass shootings, you’d think they would have just ignored this one and let it remain in obscurity.
But this controversy is interesting for a different reason. The meme makes use of a scene from the film “Kingsman: The Secret Service,” released back in 2015. In the original scene, Colin Firth’s character murders an entire church full of people in the Deep South. He shoots a woman in the face at point blank range, guns down dozens of other churchgoers, cuts someone’s head off, lights another guy on fire, and impales someone with a stake. But this is supposed to be alright, I guess, because everyone has been driven insane by a toxic gas. Plus, the church is a Westboro Baptist-stlye collection of crazy racists and homophobes.
Still, if a jokey meme showing Trump shooting news logos is “problematic” and even “dangerous,” then isn’t the original jokey scene showing a guy murdering churchgoers also problematic and dangerous? Yet, unsurprisingly, the media had little to say about the fictional bloodbath when it was first filmed. In fact, what little they did say was outright celebratory. The Washington Post, which labeled the Trump meme “vile and horrific,” used very different words to describe the scene on which it’s based. In a 2015 review of the film, Washington Post writer Michael O’Sullivan was positively rapturous, calling the cartoonish carnage “balletic” and a “masterclass.” A more recent article in The Ringer says the church massacre is the most “well regarded” moment in the film. The site concurs that the scene is indeed a “masterclass.” We should also note that the movie received generally positive reviews at the time of its release, earning a very respectable 74 percent on Rotten Tomatoes.
Personally, I don’t care much about the original scene or the meme. Both are probably in poor taste, but they’re too over the top and absurdly gratuitous to have any sort of profound impact on the viewer. I doubt that anyone will be inspired to shoot up a church because of “Kingsman,” just as I doubt that anyone will be inspired to kill media members because of this meme or any meme. But if you take the position that the meme is awful, vile, evil, and dangerous, then you must say the same about the scene that made the meme possible. If you claim that the meme encourages violence against the media, then you must claim that the original scene encourages violence against Christians. There is just no way to separate the two.
The situation for the original scene is not improved much by the fact that the victims are all Westboro racists. First of all, that’s how Hollywood sees all Christians. For Hollywood, there really is no difference between a Westboro church and any other church. Especially in the south. Second, making them bigots was obviously a cheap narrative trick designed to give the viewer permission to take delight in their mass execution. In reality, we would hopefully all agree that it is not okay to randomly mow down racists at church. Or maybe we can’t agree about that. Either way, there is no reason to panic over the meme if you didn’t panic when the movie came out four years ago.
I’m also still waiting to see the media’s condemnation of this …
… but I’m not holding my breath. Fictional depictions of deaths of Republican politicians are apparently OK.
The number one single today in 1964:
The number one single today in 1966:
Today in 1971, Rick Nelson was booed at Madison Square Garden in New York when he dared to sing new material at a concert. That prompted him to write …
If I told you the number one British album today in 1983 was “Genesis,” I would have given you the artist and the title:
William McGurn:
For the sake of argument, let’s stipulate that Donald Trump is everything Democrats say he is: a president who abuses his national-security powers by siccing a foreign government on his political rival, a racist/bigot/nativist constantly using “dog whistles” to stoke division, a man uniquely unfit to sit in the Oval Office.
Assume Mr. Trump is all these things. With an election scarcely a year away, the question then becomes: Why impeach him now? Surely a president as abominable as this ought to be easy to defeat at the polls. Mr. Trump would appear to be especially vulnerable, given that last time he lost the national popular vote and won several battleground states by razor-thin margins.
The answer speaks as much to what Democrats think of Trump voters—they don’t trust them—as it does to what they think of Mr. Trump. In this sense, the push for impeachment now may reflect a lack of Democratic confidence that they can persuade enough of the voters who went for Mr. Trump last time to give them the margins they need for victory come November 2020.
The lack of confidence extends to doubts about each of their leading candidates. It’s no secret that many Democrats worry Joe Biden isn’t up to the job of taking on Mr. Trump. So long as Ukraine is in the news, stories about Hunter Biden’s sweetheart deal with a Ukrainian gas company will be in the news as well. Other Democrats, meanwhile, worry that Elizabeth Warren is too far left to win. And Bernie Sanders’s heart attack probably spells the end of any chance he might have had at the nomination.
A year ago, House Judiciary Committee Chairman Jerrold Nadler told Roll Call that before using impeachment to overturn the results of the last election, Democrats would have to answer this question: “Do you think that the case is so stark, that the offenses are so terrible and the proof so clear, that once you’ve laid it all out you will have convinced an appreciable fraction of the people who voted for Trump, who like him, that you had no choice? That you had to do it?”
We are nowhere close to meeting the Nadler standard. True, public support for impeachment is up since news of Mr. Trump’s phone conversation with his Ukrainian counterpart broke. A FiveThirtyEight.com average of all the impeachment polls finds 46.5% for and 44.8% against. More telling is the divide the numbers show when they are broken down by party. While 79.1% of Democrats want impeachment, the number drops to 41.3% for independents and only 12.5% for Republicans.
So why the rush? Maybe because in addition to concerns about 2020, there’s an itch to punish Trump voters for what they did in 2016. In other words, it isn’t enough that Mr. Trump be defeated. His whole presidency must be delegitimized—along with the people who voted him in.
In 2016 Hillary Clinton famously expressed this contempt for Trump voters when she told wealthy donors at a Manhattan fundraiser “you could put half of Trump’s supporters into what I call the basket of deplorables.”
She went on. “The racist, sexist, homophobic, xenophobic, Islamophobic—you name it. And unfortunately there are people like that. And he has lifted them up.”
In “Chasing Hillary: Ten Years, Two Presidential Campaigns, and One Intact Glass Ceiling,” reporter Amy Chozick confirms this was no one-off gaffe. Mrs. Clinton, she reports, used the line repeatedly to Democratic audiences she knew would appreciate the sentiment.
“The Deplorables always got a laugh, over living-room chats in the Hamptons, at dinner parties under the stars on Martha’s Vineyard, over passed hors d’oeuvres in Beverly Hills, and during sunset cocktails in Silicon Valley,” wrote Ms. Chozick. The unspoken corollary is that only a morally debased citizenry could have freely chosen Mr. Trump over Mrs. Clinton.
Today few publicly call Trump voters “deplorable.” But the assumption remains. Remember that high-school kid from Covington, Ky., who was accosted by a Native American activist? Simply because he was wearing a “Make America Great Again” hat, the 16-year-old was instantly transformed into the face of white supremacy by a good part of the American media.
When the facts finally emerged, of course, they told a much different story. But what happened to that Covington student could not have happened without many in positions of influence unthinkingly sharing the view that people who wear MAGA hats are what Mrs. Clinton says they are. Trump voters get this, while it doesn’t seem to occur to Democrats that the president’s supporters stick with him in part because they appreciate that the Trump hatred is directed at them as well.
In a poem written after East German workers rose up against their communist overlords in 1953, the playwright Bertolt Brecht suggested that if the government was dissatisfied with the lack of appreciation from its countrymen, perhaps it ought to “dissolve the people and elect another.” He meant it as irony. Some of those pushing hardest for impeachment appear to be taking it more literally.
Since the U.S. Constitution doesn’t specify what is an impeachable offense other than “high crimes and misdemeanors,” theoretically the House can impeach any president for whatever reason a majority of the House conjures up. There is no question, however, whether or not you approve of Trump, that this is this is the same kind of coup attempt Wisconsin Democrats attempted against Gov. Scott Walker in 2012.
The number one song today in 1957 was the Everly Brothers’ first number one:
The number one British single today in 1960 was a song originally written in German sung by an American:
The number one album today in 1967 is about an event that supposedly took place on my birthday:
The number one British album today in 1973 was the Rolling Stones’ “Goats Head Soup,” despite (or perhaps because of) the BBC’s ban of one of its songs, “Star Star”:
Who shares a birthday with my brother (who celebrated his sixth birthday, on a Friday the 13th, by getting chicken pox from me)? Start with Paul Simon:
Robert Lamm plays keyboards — or more accurately, the keytar — for Chicago:
Sammy Hagar:
Craig McGregor of Foghat:
John Ford Coley, formerly a duet with England Dan Seals:
Rob Marche played guitar for the Jo Boxers, who …
One death of note: Ed Sullivan, whose Sunday night CBS-TV show showed off rock and roll (plus Topo Gigio and Senor Wences) to millions, died today in 1974:
We begin with an entry from the It Seemed Like a Good Idea at the Time Dept.: Today in 1956, Chrysler Corp. launched its 1957 car lineup with a new option: a record player. The record player didn’t play albums or 45s, however; it played only seven-inch discs at 16⅔ rpm. Chrysler sold them until 1961.
Today in 1957, Little Richard was on an Australian tour when he publicly renounced rock and roll and embraced religion and announced he was going to record Gospel music from now on. The conversion was the result of his praying during a flight when one of the plane’s engines caught fire.
Little Richard returned to rock and roll five years later.
The number one song today in 1963: