• Presty the DJ for July 23

    July 23, 2021
    Music

    Today in 1963, high school student Neil Young and his band, the Squires, recorded in a Winnipeg studio a surf instrumental:

    Today in 1965, the Beatles asked for  …

    The number one single — really — today in 1966:

    Today in 1979, Iran’s new ruler, Grand Ayatollah Seyyed Ruhollah Musavi Khomeini, banned rock and roll, an event that inspired a British band:

    (more…)

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  • Presty the DJ for July 22

    July 22, 2021
    Music

    Birthdays start with the indescribable George Clinton of Parliament Funkadelic:

    Rick Davies played keyboards for Supertramp:

    Estelle Bennett was the older sister of Ronnie Spector, and both were part of the Ronettes:

    Don Henley of the Eagles:

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  • National Propaganda Radio

    July 21, 2021
    media, US politics

    Matt Taibbi, who is not a conservative:

    [Monday’s] NPR article, “Outrage As A Business Model: How Ben Shapiro Is Using Facebook To Build An Empire,” is among the more unintentionally funny efforts at media criticism in recent times.

    The piece is about Ben Shapiro, but one doesn’t have to have ever followed Shapiro, or even once read the Daily Wire, to get the joke. The essence of NPR’s complaint is that a conservative media figure not only “has more followers than The Washington Post” but outperforms mainstream outlets in the digital arena, a fact that, “experts worry,” may be “furthering polarization” in America. NPR refers to polarizing media as if they’re making an anthropological discovery of a new and alien phenomenon.

    The piece goes on to note that “other conservative outlets such as The Blaze, BreitbartNews and The Western Journal” that “publish aggregated and opinion content” have also “generally been more successful… than legacy news outlets over the past year, according to NPR’s analysis.” In other words, they’re doing better than us.

    Is the complaint that Shapiro peddles misinformation? No: “The articles The Daily Wire publishes don’t normally include falsehoods.” Are they worried about the stoking of Trumpism, or belief that the 2020 election was stolen? No, because Shapiro “publicly denounced the alt-right and other people in Trump’s orbit,” as well as “the conspiracy theory that Trump is the rightful winner of the 2020 election.” Are they mad that the site is opinion disguised as news? No, because, “publicly the site does not purport to be a traditional news source.”

    The main complaint, instead, is that:

    By only covering specific stories that bolster the conservative agenda (such as… polarizing ones about race and sexuality issues)… readers still come away from The Daily Wire’s content with the impression that Republican politicians can do little wrong and cancel culture is among the nation’s greatest threats.

    NPR has not run a piece critical of Democrats since Christ was a boy. Moreover, much like the New York Times editorial page (but somehow worse), the public news leader’s monomaniacal focus on “race and sexuality issues” has become an industry in-joke. For at least a year especially, listening to NPR has been like being pinned in wrestling beyond the three-count. Everything is about race or gender, and you can’t make it stop.

    Conservatives have always hated NPR, but in the last year I hear more and more politically progressive people, in the media, talking about the station as a kind of mass torture experiment, one that makes the most patient and sensible people want to drive off the road in anguish. A brief list of just a few recent NPR reports:

    “Billie Eilish Says She Is Sorry After TikTok Video Shows Her Mouthing A Racist Slur.” Pop star caught on tape using the word “chink” when she was “13 or 14 years old” triggers international outrage and expenditure of U.S. national media funding.

    “Black TikTok Creators Are On Strike To Protest A Lack Of Credit For Their Work.” White TikTok users dance to Nicky Minaj lyrics like, “I’m a f****** Black Barbie. Pretty face, perfect body,” kicking off “a debate about cultural appropriation on the app.”

    “Geocaching While Black: Outdoor Pastime Reveals Racism And Bias.” Area man who plays GPS-based treasure hunt game requiring forays into remote places and private property describes “horrifying” experience of people asking what he’s doing.

    “Broadway Is Reopening This Fall, And Every New Play Is By A Black Writer.” All seven new plays being written by black writers is “a step toward progress,” but critics “will be watching Broadway’s next moves” to make sure “momentum” continues.

    “She Struggled To Reclaim Her Indigenous Name. She Hopes Others Have It Easier.” It took Cold Lake First Nations member Danita Bilozaze nine whole months to change her name to reflect her Indigenous identity.

    “Tom Hanks Is A Non-Racist. It’s Time For Him To Be Anti-Racist.” Tom Hanks pushing for more widespread teaching of the Tulsa massacre doesn’t change the fact that he’s built a career playing “white men ‘doing the right thing,’” NPR complains.

    Mixed in with Ibram Kendi recommendations for children’s books, instructions on how to “decolonize your bookshelf” and “talk to your parents about racism” (even if your parents are an interracial couple), and important dispatches from the war on complacency like “Monuments And Teams Have Changed Names As America Reckons With Racism, Birds Are Next,” “National” Public Radio in the last year has committed itself to a sliver of a sliver of a sliver of the most moralizing, tendentious, humor-deprived, jargon-obsessed segment of American society. Yet without any irony, yesterday’s piece still made deadpan complaint about Shapiro’s habit of “telling [people] what their opinions should be” and speaking in “buzzwords.”

    This was functionally the same piece as the recent New York Times article, “Is the Rise of the Substack Economy Bad for Democracy?” which similarly blamed Substack for hurting “traditional news” — and, as the headline suggests, democracy itself — by being a) popular and b) financially successful, which in media terms means not losing money hand over fist. There, too, the reasons for the rise of an alternative media outlet were presented by critics as a frightening, unsolvable Scooby-Doo mystery.

    It’s not. NPR sucks and is unlistenable, so people are going elsewhere. People like Shapiro are running their strategy in reverse and making fortunes doing it. One of these professional analysts has to figure this one out eventually, right?

    Cockburn of The Spectator:

    ‘Hey, that’s some nice Facebook traffic you’re getting. Would be a shame if something happened to it.’

    That’s the tone, more or less, from a Monday NPR article ‘profiling’ Ben Shapiro’s phenomenally successful Daily Wire news brand.

    The average New York Times article on Facebook collects just under 2,000 likes, shares, and comments. The average Daily Wire link receives nearly 40,000. At the peak of the 2020 election, Daily Wire articles averaged almost 100,000 engagements. No other publication comes close.

    And all of this really bothers NPR. For 2,000 petulant words, NPR does everything it can to imply that the Daily Wire should be kicked off Facebook. Why? Because…because…it’s just not fair! Why do people read their articles more than ours?

    That’s the guts of the entire temper tantrum posing as an article. NPR gets very angry at the public for not liking the ‘right’ news outlets and basically calls for Big Tech to decide what people are supposed to read. And they do it with the same cudgel they’ve become so fond of in the past year: kvetching about ‘misinformation’.

    The articles the Daily Wire publishes don’t normally include falsehoods (with some exceptions), and the site said it is committed to ‘truthful, accurate and ethical reporting.’

    As NPR’s quoted experts explain, only covering specific stories that bolster the conservative agenda (such as negative reports about socialist countries and polarizing ones about race and sexuality issues) and only including certain facts, readers still come away from the Daily Wire‘s content with the impression that Republican politicians can do little wrong and cancel culture is among the nation’s greatest threats.

    Grrr! The conservative outlet promotes conservatism! Why can’t they be 100 percent fair and unbiased, like all the publications that deep-sixed Hunter Biden’s laptop for partisan political purposes? Why can’t they do responsible and accurate reporting like the Washington Post, which won a Pulitzer Prize for writing approximately infinity articles about Russian collusion? Why can’t they be more like the bravely non-partisan New York Times, which forced out an editor for publishing an op-ed by a sitting US senator stating a view that more than half the country agreed with? Why can’t they come up with rhetorical innovations like ‘mostly peaceful protests’ in order to lie to the public about what’s happening right in front of their faces?

    And speaking of Pravda-esque sleight of hand, NPR’s article delivers this gem from William and Mary academic Jaime Settle, who explains how even telling the truth is actually ‘misinformation’ if it makes NPR’s Facebook shares look bad.

    ‘They tend to not provide very much context for the information that they are providing,’ Settle said. ‘If you’ve stripped enough context away, any piece of truth can become a piece of misinformation.’

    Soon, NPR is reduced to basically suggesting that Facebook’s news consumers are touched in the head:

    ‘On its “About” page, the site declares, “The Daily Wire does not claim to be without bias,” [but] It’s not clear that the millions of people engaging with the site’s news stories every month recognize that.

    ‘The Daily Wire‘s content looks no different in Facebook’s newsfeed than an article from a local newspaper, making it potentially difficult to distinguish between more and less reliable or biased information sources. “This is about what we end up consuming inadvertently,” Settle said.’

    To borrow a word from Taylor Lorenz, does NPR think that Facebook users are r-slurred? They use the Daily Wire because they can’t tell the difference between it and the ‘right’ news sources?

    Please. The truth is the exact opposite. The Daily Wire, and every other conservative outlet thriving on Facebook, is doing well because it is very obviously not part of the sanctimonious, equivocating, censorious, hypocritical, hysterical, deceptive, propagandistic orgy of self-righteous school-marmery that passes for ‘mainstream’ media. Unlike the typical NPR reporter, actual news consumers know the press is biased, so they at least want to pick an outlet that isn’t biased against them.

    If the standard press wants their articles to be shared more, they could start by not being a never-ending cascade of moralizing lectures and psy-ops promoting foreign wars or polyamory. But that would be difficult. It takes decades of responsible practice to build up trust from the general public. It only takes a few days to simply call your rivals ‘misinformation’ and get them banned.

    Wisconsin Public Radio (for whom, you may recall, I was a participant on its Friday morning political pundit panel, previously) recently ran a piece quoting UW–Milwaukee Prof. Mordecai Lee, a former state legislator, that Gov. Tony Evers won the budget battle with the state Legislature, despite the fact that the budget the Legislature created and passed is what Evers signed (with 50 Evers vetoes).

    The WPR commenters all agreed with Lee, which means they are ignorant because no one, impartial or not, could look at that budget and say that Evers had anything to do with it other than signing it.

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  • Presty the DJ for July 21

    July 21, 2021
    Music

    Today in 1970, after Joe Cocker dropped out due to illness, and unable to get Jimi Hendrix, promoter Bill Graham (possibly at Hendrix’s suggestion) presented Chicago in concert at Tanglewood, a classical music venue in Lenox, Mass.:

    I would have loved to go to this concert, but I was 5 years old at the time, and I doubt my parents would have allowed me to go to Massachusetts.

    The number one song today in 1973:

    The number one R&B song today in 1979:

    Today in 1980, AC/DC released “Back in Black,” their first album with new singer Brian Johnson, who replaced the deceased Bon Scott:

    (more…)

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  • The past isn’t what it used to be

    July 20, 2021
    Culture, US politics

    Jonah Goldberg:

    Joe Biden loves to say, “America is back.” He used it to announce his incoming national security team last November. “It’s a team that reflects the fact that America is back, ready to lead the world, not retreat from it.”

    Last February, there were a slew of headlines about his first big foreign policy speech along the lines of this from the Associated Press:

    “Biden declares ‘America is back’ in welcome words to allies.”

    In that speech, Biden told diplomats at the State Department, “when you speak, you speak for me. And so—so [this] is the message I want the world to hear today: America is back. America is back. Diplomacy is back at the center of our foreign policy.”

    That phrase—as well as those Biden-tells-allies-America-is-back headlines—keeps coming to mind every time I read about the inexorable advance of the Taliban in Afghanistan. For the Afghans, America was “here,” and now it’s leaving. I wonder how “America is back” must sound to the people feeling abandoned by America in general, and the guy saying it in particular.

    I’m not trying to pull on heart strings, so I won’t trot out the girls who will be thrown back into a kind of domestic bondage or the translators and aides who rightly fear mass executions may be heading their way. All I’ll say is that their plight does pull on my heart strings.

    But let’s get back to this “America is back” stuff. For Biden, it seems to have two meanings. One is his narrow argument that we are rejoining all of the multilateral partnerships and alliances that Trump pulled out of or denigrated. Fair enough. I can’t say this fills me with joy, even though I disliked most of that stuff from Trump (the two obvious exceptions being getting out of the Paris Accord and the Iran deal). I think diplomacy often gets a bad rap. But I also think diplomacy is often seen as an end rather than a means. We want diplomats to accomplish things, not to get along with each other just for the sake of getting along. For too long, Democrats have cottoned to a foreign policy that says it’s better to be wrong in a big group than to be right alone.

    But there’s another meaning to “America is back.” It’s an unsubtle dig at Trump and a subtle bit of liberal nostalgia all at once. It’s kind of a progressive version of “Make America Great Again.” It rests on the assumption that one group of liberal politicians speaks for the real America, and now that those politicians are back in power, the real America is back, too. But the problem is, there is no one real America. There are some 330 million Americans and they, collectively and individually, cannot be shoe-horned into a single vision regardless of what labels you yoke to the effort.

    Liberals were right to point out that there was a lot of coding in “Make America Great Again.” I think they sometimes overthought what Trump meant by it, because I don’t think he put a lot of thought into it. He heard a slogan, liked the sound of it, and turned it into a rallying cry—just as he did with “America first,” “silent majority,” and “fake news.” Still, when, exactly,  was America great in Trump’s vision? The consensus seems to be the 1950s, a time when a lot of good things were certainly happening, but a lot of bad things were going on that we wouldn’t want to restore.

    Liberal nostalgia is a funny thing. Conservative nostalgia I understand, because I’m a conservative and I’m prone to nostalgia (even though nostalgia can be a corrupting thing, which is why Robert Nisbet called it “the rust of memory”). Conservatives tend to be nostalgic for how they think people lived. Liberals tend to be nostalgic about times when they had power.

    Consider the New Deal. Being nostalgic for the New Deal certainly isn’t about how people lived, not primarily. America was in a deep depression throughout the New Deal. Breadlines and men holding signs saying “will work for food” are probably the most iconic images of that time. Who wants to return to that? And yet, liberals will not banish it from their collective memory as something like the high water mark of American history. That’s why they keep pushing for new New Deals and slapping the label on new programs that consist of spending money we don’t have.

    The only thing that competes with the New Deal in the liberal imagination is the 1960s in general and the civil rights movement and Great Society in particular. I’m reminded of a Washington Post interview with Howard Dean in 2003 in which he explained his nostalgia for that era:

    “Medicare had passed. Head Start had passed. The Civil Rights Act, the Voting Rights Act, the first African American justice [was appointed to] the United States Supreme Court. We felt like we were all in it together, that we all had responsibility for this country. … [We felt] that if one person was left behind, then America wasn’t as strong or as good as it could be or as it should be. That’s the kind of country that I want back.”

    “We felt the possibilities were unlimited then,” he continued. “We were making such enormous progress. It resonates with a lot of people my age. People my age really felt that way.”

    That’s not how people his age felt back then. It’s how a certain group of liberals felt because they were winning. The 1960s and the 1930s were times of massive civic strife marked by race riots, domestic bombings, assassinations, and anti-war protests. But liberals were in charge, felt like history was on their side, and they had a lot of “wins” as Donald Trump might say.

    The current obsession with the “new Jim Crow” seems like a perfect example of how liberal nostalgia distorts and corrupts. As I write today, I’m not a fan of the arguments coming out of the GOP or the Democrats. But the simple fact is that we don’t live in the 1960s—or 1890s—anymore. Whatever the future holds, it will not be a replay of that past. And that’s overwhelmingly for the good.

    I always find it funny that the same people who ridicule “excessive” fidelity to the timeless principles of the Founding as archaic are often also the same ones who worship at the altar of the New Deal and the Great Society. The Founders didn’t know about mobile phones and the internet! Well, neither did the New Dealers or the Johnson administration. But that doesn’t matter because the part they really liked and yearn to restore is timeless: people in Washington deciding how Americans everywhere else should live and work.

    I don’t know how the White House’s new collaboration with Facebook to combat “misinformation” will actually play out and I’m not fully up to speed on what the administration really intends to do. Though—given press secretary Jen Psaki’s comment that “you shouldn’t be banned from one platform and not others,” etc.—it doesn’t sound good. But I think David French’s gut check is exactly right: “Moderation is a platform decision, not a White House decision. Trying to force more moderation is as constitutionally problematic as trying to force less moderation.”

    The principle at the heart of that speaks not just to social media regulation, but to all of the competing efforts from right and left to throw aside the rules in a thirsty search to rule.

    Listeners of The Remnant know that I often find myself suffering from a peculiar form of nostalgia, for want of a better word. The title of my podcast comes from an essay by Albert Jay Nock, who was one of the “superfluous men” of the long Progressive Era that stretched—with a brief, and partial, parentheses under the sainted Calvin Coolidge—from the end of the Teddy Roosevelt administration to the end of the Franklin Roosevelt administration. I don’t agree with Nock, or the other superfluous men, on everything—they were a diverse lot. But the thing that connected them all—hence their superfluousness—was how they felt that they were standing on the sidelines as the major combatants at home and abroad competed over how best to be wrong, how to stir up populist anger for their agendas, and, most of all, how to use the state to impose their vision on the “masses.” The remnant was the sliver that wanted no part of any of it.

    “Taking his inspiration from those Russians who seemed superfluous to their autocratic nineteenth-century society and sought inspiration in the private sphere, even to the point of writing largely for their desk drawers,” writes Robert Crunden, Nock’s biographer. “Nock made the essential point: ransack the past for your values, establish a coherent worldview, depend neither on society nor on government insofar as circumstances permitted, keep your tastes simple and inexpensive, and do what you have to do to remain true to yourself.”

    Or as the great superfluous man of the Soviet Empire, Alexander Solzhenitsyn, put it, “You can resolve to live your life with integrity. Let your credo be this: Let the lie come into the world, let it even triumph. But not through me.”

    I share this—yet again—as a kind of omnibus response to all of my critics these days and the ones yet to come. I’m lucky that I don’t have to write for my desk drawer, though I am reliably informed — daily — that many people would prefer I did. But I am going to continue to write for the remnant as I see it and those I hope to convince to swell its ranks, and not for those who think that to be against what “they” are doing I must endorse what “we” are doing. Our politics may be a binary system of competing asininities these days, but just because one side of a coin is wrong, that doesn’t mean the other side is right.

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  • Presty the DJ for July 20

    July 20, 2021
    Music

    Today in 1968, Iron Butterfly’s “In-a-Gadda-da-Vita” reached the charts. It is said to be the first heavy metal song to chart. It charted at number 117.

    That was the short version. The long version takes an entire album side:

    At the other end of the charts was South African trumpeter Hugh Masekela:

    Quite a selection of birthdays today, starting with T.G. Sheppard:

    (more…)

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  • Words hurt you if you let them

    July 19, 2021
    US politics

    Charlie Sykes used to produce solid conservative/libertarian content, and does here:

    Apparently, we have to remind people about this again:

    If all printers were determined not to print anything till they were sure it would offend nobody, there would be very little printed.
    ― Benjamin Franklin

    There is more than one way to burn a book. And the world is full of people running about with lit matches.
    ― Ray Bradbury

    We’ve devoted a great deal of time lately to discussing illiberalism and authoritarianism, and justifiably so. But we have to recognize that liberalism and free expression face a two-front assault — from the intolerant Left as well as the troglodyte Right.

    ICYMI: The other day, the American Booksellers Association donned the sackcloth of wokeness and issued this statement of performative groveling:

    Twitter avatar for @ABAbookAmerican Booksellers Association @ABAbook

    Image

    The “serious, violent incident” here was sending out copies of this book:

    Irreversible Damage: The Transgender Craze Seducing Our Daughters by [Abigail Shrier]

    Some background.

    The author of the offending book, Abigail Shrier, writes for the Wall Street Journal, and is a graduate of Columbia College, Oxford University, and Yale Law School. Her book is obviously controversial, but it was named one of the best books of the year by The Economistand one of the best of 2021 by The Times of London.

    Reviewing the book in Commentary Magazine, Naomi Schaefer Riley wrote:

    “If you want to understand why suddenly it seems that (mostly) young girls from (mostly) white middle- or upper-class backgrounds (many of whom are in the same friend groups) have decided to start dressing like boys, cutting their hair short, changing their name to a masculine one, and even taking hormones, using chest compressors, and getting themselves surgically altered, you must read Abigail K. Shrier’s urgent new book, Irreversible Damage.”

    But not surprisingly, this sort of thing triggered opponents, who demanded that it be suppressed.

    After receiving two Twitter complaints, Target stopped selling the book (a decision they later reversed… and then reversed again). Hundreds of Amazon employees signed a petition demanding the company stop selling the book.

    Even the ACLU seemed to break bad on the idea that the book should be available in the marketplace of ideas. Chase Strangio, the American Civil Liberties Union’s deputy director for transgender justice, tweeted: “Abigail Shrier’s book is a dangerous polemic with a goal of making people not trans…. We have to fight these ideas which are leading to the criminalization of trans life again.”

    He declared: “Stopping the circulation of this book and these ideas is 100% a hill I will die on.”

    Shrier commented: “You read that right: Some in today’s ACLU favor book banning. Grace Lavery, a professor of English at the University of California, Berkeley, went further, tweeting: ‘I DO encourage followers to steal Abigail Shrier’s book and burn it on a pyre.’

    “This,” Shrier wrote, ”is where leftist extremism, encouraged by cowardly corporations, leads.”

    **

    Under normal circumstances, the American Booksellers Association is very much into free expression and opposed to censorship. They are the sort of people who wear buttons declaring “WE READ BANNED BOOKS.”

    Its website still includes this declaration:

    But it turns out there are limits to free expression, not just for the ABA, but for many of the nation’s booksellers. This month ABA sent a mailing to 750 bookstores, which included a copy of the heretical book. Blowback was fierce.

    Publisher’s Weekly reported that the American Booksellers Association was “facing withering criticism from booksellers after walking back its promotion of an anti-trans title to member bookstores.”

    Among booksellers… there was little disagreement about the content of the book. “As longtime @ABAbook members with beloved staff across the gender spectrum, we’re extremely disappointed and angered to see the ABA promoting dangerous, widely discredited anti-trans propaganda, and we’re calling for accountability,” the Harvard Book Store wrote on Twitter.

    Within hours, it issued the fulsome apology. Shrier’s reaction:

    If there were a Hall of Fame for capitulations to Woke bullies, the American Booksellers Association is hereby inducted. The “serious, violent incident” they perpetrated? Including my book in a large box of new book samples sent out to independent booksellers.

    Despite the tone of the apology, the wokest of the booksellers were not satisfied. The outraged booksellers, “said the statement fell short, calling out the organization’s use of the passive voice in the opening sentence.” ReportedPublishers Weekly:

    “They also demanded greater transparency about how the decision to include the book was initially made, and called for demonstrable steps to restore trust with trans book workers and authors. Some called on the ABA to offer promotions for trans authors’ books at no cost.”

    But elsewhere, the reaction to the ABA’s statement was blistering, with much of it focusing on the irony of an organization devoted to selling books apologizing for selling a book.

    Rich Horton @PurePopPub
    @ABAbook “violent incidents” My Lai, 9/11, Oklahoma City bombings, reasonable book about transgender people included in mailing list. All unspeakable horrors.

    Joanne Mason @JoanneMason11

    If mailing a book to members of your professional booksellers group is a “serious, violent incident” then words have no meaning, and we can no longer call ourselves a serious people. I’m not saying this is how you get a president Trump, but this is how you get a president Trump.

    Brian Schubert @SchubertBrian

    @ABAbook The thing about totalitarianism isn’t the gulag but society’s acquiescence in living the lie. Like, including a book title in a mailing to book sellers is “violent.”

    Howard Wall
    @ABAbook Books are violence, so says the American Violencesellers Association

    July 15th 2021

    Annie Kenney @lennysperson

    @ABAbook I understand burning books can be very cathartic for those frightened of words.

    Jon Hider @jonhider

    @ABAbook Interesting statement…”mailing to members…serious, violent incident”. Is FedEx, UPS, or the USPS an accessory to this violent act? Are they liable for any injuries? Beyond dumb world we live in these days

    __hodl__running #btc☂️🟩 @__hodl__

    @ABAbook Information is not violent JFC this is ridiculous and dangerous, go read this again Image

    Francis Wheen @FrancisWheen

    @ABAbook A “violent incident”? Oh do grow up — and move out of bookselling into a job for which you have an aptitude. Is there a vacancy anywhere for a professional crow-eater?

    Geoffrey Miller @primalpoly

    @ABAbook Thanks for making it clear that American booksellers have become witless, gutless cowards who will censor any book that offends woke online mobs. If you can’t distinguish between words and ‘violence’ you have no business doing business in a country founded on free speech.

    Marianne_Mandoe

    @ABAbook Did you run around smacking people over the head with said book? Did you tape people’s eyes open and force them to read? Did you tie people down and read quotations aloud to them? If No, then it’s not violence. It’s a BOOK!! And people can choose to read it or not.

    Craig Slizt @craig_slizt

    @ABAbook Thank you. I accidentally bought this violent book. UPS left it on my doorstep, and when I got home, it beat the crap out of me. 😠

    This is not a debate over Transgenderism, but rather a question of whether we can even have a debate at all. It is an objectively ominous moment when the folks who sell books think there are some ideas too dangerous to print… or read.

    Take note: if you are offended by a book, (1) don’t buy it, (2) don’t read it, or (3) make an effort to correct or refute it.

    Don’t burn it.

    Sykes and other anti-Trump conservatives tend to dismiss other conservatives’ claiming a culture war is taking place in this country. It’s hard to argue that we’re not in a cultural cold war when you cannot even discuss a controversial issue.

     

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  • Postgame schadenfreude, Valley of the Setting Sun edition

    July 19, 2021
    Sports

    The Arizona Republic:

    The Phoenix Suns built an early lead, and then unraveled. The Milwaukee Bucks snatched a Game 5 road win, 123-119, to take a 3-2 lead on Saturday. Trailing 16 points after the first quarter, the Bucks overcame the deficit and continued to build on their own lead. It started in the second quarter.

    “Well, both second and third,” Suns coach Monty Williams said. “You give up 79 points. And the reasoning behind it, I gotta look at the film to see, but we just didn’t have the same energy that we had in the first and fourth, when you look at the numbers.”

    In those two quarters, the Bucks scored 79 points. And they did it shooting 32-of-45, including 10-of-17 from 3.

    “It just put us in a hole,” Williams said. “I felt like we were playing from behind for a long, long time.”

    Still, guard Chris Paul didn’t want to fully boil it down to that stretch. At least, not until he could delve into it more.

    “It’s a 48-minute game,” Paul said. “I’ll go back and look at it and see, but we gotta play the way we started off the game. We gotta put a full game together like that.”

    In the third quarter, the Bucks eventually built a double-digit lead, but not until after a more evenly-matched stretch.

    “We were trading basket for basket for I think five minutes straight,” Suns guard Devin Booker said. “We’re at our best when we get stops and get out in transition. So that’s what we hang [our hats on] on defense, and we just have to be better.”

    In the second quarter, the Bucks shot 70.8%, while the Suns shot 35.7%. Booker played just 6:14 in the second quarter. Williams wouldn’t dabble in re-thinking that decision in hindsight.

    “Our team defense wasn’t up to par during that time. I’m not quite sure if that would have helped,” Williams said. “We had to get stops. They scored 43 points, we still only scored 24 to combat that.

    “You can ‘if’ all day long. But I don’t think that was it. I think our team defense was just at a low level at that point.”

    Now, the Suns will face their first must-win game of the playoffs.

    “We knew this wasn’t gonna be easy. We didn’t expect it to be,” Paul said. “Coach said all year everything you want is on the other side of hard. It don’t get no harder than this.”

     

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  • What a real violation of the First Amendment looks like

    July 19, 2021
    US politics

    Robby Soave:

    The federal government is stepping up its effort to purge the internet of COVID-19 “misinformation.” On Thursday, White House Press Secretary Jen Psaki singled out a dozen specific anti-vaccine Facebook accounts and called on the platform to ban them.

    “There’s about 12 people who are producing 65 percent of vaccine misinformation on social media platforms,” said Psaki. “All of them remain active on Facebook, despite some even being banned on other platforms, including ones that Facebook owns.”

    She was discussing a Department of Health and Human Services (HHS) report on “confronting health misinformation.” It instructs social media platforms to redesign their algorithms so that false information about COVID-19 is deprioritized, to shield journalists and medical professionals from harassment, and even to address misinformation during livestreams, a task that the report admits is “difficult” given the streams’ “temporary nature and use of audio and video.”

    “We all have the power and responsibility to confront health misinformation,” tweetedSurgeon General Vivek Murthy. “That’s why we included recommendations for individuals, educators, researchers, health professionals, tech companies, and more.”

    The federal government is not explicitly ordering tech platforms to take down content. These dictates are essentially strongly-worded suggestions. But you’re forgiven if you think Psaki’s summary of the report sounded like command.

    “Facebook needs to move more quickly to remove harmful, violative posts,” she said. “Posts that would be within their policy for removal often remain up for days, and that’s too long. The information spreads too quickly.”

    Psaki was alluding to anti-vaccine content, though the report itself impugns “medical misinformation” more broadly. Of course, the government itself has spread plenty of “medical misinformation,” from the early bad guidance on masks to White House coronavirus czar Anthony Fauci’s deliberate misstatements about the herd immunity threshold. For months, government health officials treated the lab leak theory of COVID-19’s origins as a wild conspiracy theory, and Facebook followed suit: It vigorously censored content that promoted the lab leak theory. That policy was not revised until June.

    Efforts by the government and tech platforms to suppress misinformation have undeniably resulted sometimes in the suppression of information that is either factual, or could plausibly turn out to be factual. (This has been the case outside the realm of pandemic-related content as well.) New initiatives undertaken by the federal government that would encourage Facebook to be even more heavy-handed with potential misinformation should be met with skepticism: The track record is just not very encouraging.

    The White House’s targeting of Facebook should make critics a little sympathetic to Mark Zuckerberg’s position. Prominent legislators from both political parties—as well as the current and former presidents—want to aggressively regulate his company if not break it apart entirely. Facebook’s CEO must feel tremendous pressure to give federal health bureacrats exactly what they’re asking for, or else.

    Instead of defending the rights of private companies to set their own moderation policies independent of whatever the government would like them to do, Republicans are taking this opportunity to further erode Facebook’s autonomy. Sen. Josh Hawley (R–Mo.) even suggested that the site’s submission to the feds renders it an agent of the state.

    “The social media platforms are increasingly just arms of the federal government and the Biden White House,” Hawley tweeted. “Why should the #BigTech companies continue to be treated as private companies when they function as agencies of the federal government.”

    Hawley is essentially saying that a private company complying with the government becomes a state actor, and thus should be bound to the same restrictions as any other public agency. (Former President Donald Trump’s doomed social media lawsuits rest on a version of this argument.) But Hawley and others are also attempting to punish these same private companies for not doing what the White House wants. (In Hawley’s case, he wants Facebook to suppress fewer posts.) That’s quite a Catch-22: Facebook is in trouble either way.

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  • Presty the DJ for July 19

    July 19, 2021
    Music

    David Bowie fans might remember today for two reasons. In 1974, his “Diamond Dog” tour ended in New York City …

    … six years before he appeared in Denver as the title character of “The Elephant Man.”

    (more…)

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
    • Twitter
    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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