The number one single today in 1965:
Today in 1970, the Jimi Hendrix Experience played the first of its 13-show U.S. tour at the Milwaukee Auditorium:
The number one single today in 1965:
Today in 1970, the Jimi Hendrix Experience played the first of its 13-show U.S. tour at the Milwaukee Auditorium:
The number one single today in 1960:
The number one British album today in 1966 was the Rolling Stones’ “Aftermath”:
Today in 1976, after a concert in Memphis, Bruce Springsteen scaled the walls of Graceland … where he was arrested by a security guard.
Today in 2003, a $5 million lawsuit filed by a personal injury lawyer against John Fogerty was dismissed.
The lawyer claimed he suffered hearing loss at a 1997 Fogerty concert.
The judge ruled the lawyer assumed the risk of hearing loss by attending the concert. The lawyer replied, “What?”
The passionate romance between Twitter and journalism suddenly seems to be on the rocks — and that’s good news for people who care about real news, delivered straight.
The latest sign of a break-up came, naturally, in the form of a tweet from Chris Licht, who’ll soon take over as CEO of CNN. Licht writes that May 2 will be his first official day at the cable channel and his last day on Twitter — which, he says, can “skew what’s really important in the world.”
That was posted less than two weeks after out-going New York Times executive editor Dean Baquet instructed his staff to “tweet less, tweet more thoughtfully and devote more time to reporting.” The paper issued fresh guidelines to “reset” the newsroom’s interactions on Twitter.
These are crucial moves in the news world because social media — Twitter included — stand for many things solid journalism should not. The damage done by the outsized influence of tweets on news judgement is only now being assessed.
Things didn’t start out this badly, of course. At first, Twitter was seen as an efficient way to distribute links to stories, at a time in the mid- to late-2000s when news outlets were desperate to establish a beachhead in the rapidly expanding digital universe. While celebrating Twitter’s ninth anniversary in 2015, founder Jack Dorsey thanked journalists as one of the main reasons “why we grew so quickly.”
But two years later, Twitter doubled the allowable size of tweets to 280 characters — which meant there was now space for the platform to deliver more than just headlines linking to content. It could also provide commentary, opinion and — most importantly — personality.
Twitter, in other words, embraced its true purpose, the one it has in common with all social media: promotion. Specifically, promotion of that phenomenon marketers term “the brand called You.”
On top of that, a lot of these social media personalities soon only appeared to care about and comment on each other. The largest single group of Twitter’s “verified users” — 25 percent — are journalists; according to research, journalists are also the most active people on the platform. One result: more and more stories seemed based on issues that “blew up on Twitter” or “went viral in the Twittersphere” — substituting this new yardstick for the concerns of real people outside the online bubble.
It’s impossible to measure, but it only makes sense that this all plays into the diminished credibility of journalism for large sections of the public. It feeds the belief that reporters are merely one part of an elitist group-think that leaves out particular story angles and points of view.
Some prominent media leaders now seem to recognize this — and have begun tackling the problem. Elon Musk’s attempt to buy Twitter might intensify journalism’s obligation to end the relationship. Still, the break-up battle will be tough. It may be very difficult to give up that “brand called You” world view; a little taste of personal fame can be addictive.
In the end, it could be too late to repair the damage and make everyone forget that awful significant other, but the news profession has to try — for itself, and for a society in dire need of institutions it can trust again.
The kids are not all alright.
Nor is bad English. “All right” is two words.
That’s the message from Vanity Fair, the May issue of which includes a report from a small but colorful corner of the intellectual and political landscape. In the after-parties and corridors of the National Conservatism conference held in Orlando last October, reporter James Pogue discovered a subterranean network of “podcasters, bro-ish anonymous Twitter posters, online philosophers, artists, and amorphous scenesters.” Attracted to the right but far from conservative, these dissidents dream of overthrowing some of the basic premises of 21st-century American life. Where others might see a threatened but legitimate constitutional order or a struggling yet still functional economy, they perceive a tyrannical yet incompetent “regime” collapsing under its own weight.
The shock value associated with these views is an important part of their appeal. As the boundaries of acceptable opinion shift to the left, at least within major institutions, the opportunities for dissent have become concentrated on the right. In universities, media, and many big companies, there’s nothing controversial about saying that white people are an essentially malign portion of the human race, that gender is independent of biological sex, or that people who voted for former President Donald Trump are an existential threat to democracy. If you aim to provoke, you’d better reject these claims, loudly and often. On social media, this countercultural quality is known as being “based.”
But there’s more to the “new right,” as it’s somewhat anachronistically known (a succession of movements with similar names has emerged since the 1950s), than being based. This motley crew is composed of people in their 20s and early 30s, largely though not entirely men. A recurring theme in their conversation, in the piece as well as the blogposts, Twitter threads, and private chats where they develop their ideas, is the belief that some kind of revolution would be necessary for them to achieve goals that once would have seemed utterly mundane. Not so long ago, professional advancement, stable romantic relationships, and residential independence seemed like the birthright of young Americans industrious or lucky enough to graduate from college and make it to one of the metro areas heavily populated by others of their kind. Today, these markers of adulthood can be delayed by years or decades — and increasingly seem out of reach.
The frathouse atmosphere Pogue describes reflects that arrested development. Unlike the buttoned-up official sessions of the conference, the new right confabs revolved around late nights, many drinks, and casual attire. Despite the contempt for academia that infuses the new right, its intellectual and social style derives more from the college campus than from the “real America” that its participants idealize.
In that respect, the new right can be viewed as a negative image of the woke left. Both movements invoke a favored cohort of the truly disadvantaged. In practice, they’re more attentive to the anxieties of what George Orwell called the “lower-upper-middle class” — in updated terms, the journalists, academics, and other “knowledge workers” whose expectations outstrip their income. On the left, that encourages a fixation on symbolic diversity, student debt, radical police reform, and other issues that are distant from the actual concerns of the poor and racial minorities. On the right, it leads to otherwise perplexing obsessions with content moderation on social media, bodybuilding, and other displays of flamboyant manliness and obscure theological doctrines.
You can acknowledge the tensions between the nominal goals of extremist youth movements and their underlying inspiration without dismissing them as poseurs or fools. Moralistic tendencies dominate precisely because they’re not driven by outright material deprivation. The appeal of the new right doesn’t lie in its policy proposals, which range from sketchy to fanciful. It lies in the ability to tell a sweeping story about what’s worth fighting for, why it’s so elusive, and who is to blame.
Early in 1941, the German-Jewish political philosopher Leo Strauss delivered a consideration of the generational appeal of the far-right to his colleagues on the faculty of the New School for Social Research. Drawing on his experiences as a young intellectual in the 1920s and early ’30s, Strauss argued that opposition to the Weimar Republic among his educated contemporaries was essentially a protest against the formless boredom of modern life. Assured of survival without enjoying real security and lacking causes to inspire sacrifice, “young nihilists” turned not only against liberal democracy but against civilization itself.
In the lecture on “German nihilism,” Strauss suggested that this energy could have been diverted from its rendezvous with National Socialism by more skillful education, particularly in ancient philosophy. I have always found this conclusion dubious. The yearning for risk and commitment he describes can only rarely be satisfied in the library or classroom. For the young and the restless, ideas are appealing to the extent that they inspire action rather than merely offering the opportunity for contemplation.
To be clear, the revolutionary instincts of today’s pseudonymous bloggers, underemployed graduate students, and freelance journalists have limited appeal at the moment. As Pogue emphasizes, this strand of the new right is somewhat distinct from the more populist and electorally consequential MAGA movement. J.D. Vance and Blake Masters, both supported by their former employer Peter Thiel, have tried to bridge the gaps in campaigns for the GOP Senate nominations in Ohio and Arizona, respectively. With Trump’s endorsement, they may best divided fields in the upcoming primaries (neither is currently leading). But their efforts so far have relied more heavily on familiar culture warring than the reactionary modernism found in online conversations.
Still, the dissidents at the Orlando afterparty are both responding to a transformation of the intellectual right and helping to ensure that it continues. While they remain staples of think tank issue papers and fundraising appeals, ritualized appeals to the Founders, the Constitution, or patriotic loyalty to the existing United States have become passé among a younger generation of thinkers, writers, and readers. It’s no use to tell these elements of the new right that they’re not particularly conservative, because they already know that. With building hopes for a kind of Caesar willing to mount a frontal assault on “the regime,” the question is what comes next.
NatCon, as this conference is known, has grown into a big-tent gathering for a whole range of people who want to push the American right in a more economically populist, culturally conservative, assertively nationalist direction. It draws everyone from Israel hawks to fusty paleocon professors to mainstream figures like Ted Cruz and Marco Rubio. But most of the media attention that the conference attracts focuses on a cohort of rosy young blazer-wearing activists and writers—a crop of people representing the American right’s “radical young intellectuals,” as a headline in The New Republic would soon put it, or conservatism’s “terrifying future,” as David Brooks called them in The Atlantic. …They have a wildly diverse set of political backgrounds, with influences ranging from 17th-century Jacobite royalists to Marxist cultural critics to so-called reactionary feminists to the Unabomber, Ted Kaczynski, whom they sometimes refer to with semi-ironic affection as Uncle Ted. Which is to say that this New Right is not a part of the conservative movement as most people in America would understand it. It’s better described as a tangled set of frameworks for critiquing the systems of power and propaganda that most people reading this probably think of as “the way the world is.” And one point shapes all of it: It is a project to overthrow the thrust of progress, at least such as liberals understand the word.This worldview, these worldviews, run counter to the American narrative of the last century—that economic growth and technological innovation are inevitably leading us toward a better future. It’s a position that has become quietly edgy and cool in new tech outposts like Miami and Austin, and in downtown Manhattan, where New Right–ish politics are in, and signifiers like a demure cross necklace have become markers of a transgressive chic. No one is leading this movement, but it does have key figures. …At one end are the NatCons, post-liberals, and traditionalist figures like Benedict Option author Rod Dreher, who envision a conservatism reinvigorated by an embrace of localist values, religious identity, and an active role for the state in promoting everything from marriage to environmental conservation. But there’s also a highly online set of Substack writers, podcasters, and anonymous Twitter posters—“our true intellectual elite,” as one podcaster describes them. This group encompasses everyone from rich crypto bros and tech executives to back-to-the-landers to disaffected members of the American intellectual class, like Up in the Air author Walter Kirn, whose fulminations against groupthink and techno-authoritarianism have made him an unlikely champion to the dissident right and heterodox fringe. But they share a the basic worldview: that individualist liberal ideology, increasingly bureaucratic governments, and big tech are all combining into a world that is at once tyrannical, chaotic, and devoid of the systems of value and morality that give human life richness and meaning—as Blake Masters recently put it, a “dystopian hell-world.” …Vance believes that a well-educated and culturally liberal American elite has greatly benefited from globalization, the financialization of our economy, and the growing power of big tech. This has led an Ivy League intellectual and management class—a quasi-aristocracy he calls “the regime”—to adopt a set of economic and cultural interests that directly oppose those of people in places like Middletown, Ohio, where he grew up. In the Vancian view, this class has no stake in what people on the New Right often call the “real economy”—the farm and factory jobs that once sustained middle-class life in Middle America. This is a fundamental difference between New Right figures like Vance and the Reaganite right-wingers of their parents’ generation. To Vance—and he’s said this—culture war is class warfare.
Twitter has a new sheriff in town, and his name is Elon Musk. The world’s wealthiest man offered to buy the social media site for $44 billion, and the company’s board accepted the offer yesterday.
Musk has many reasons for buying the company, but his main drive appears to be to preserve—or even strengthen—the site’s commitment to the principles of free speech.
“Twitter is the digital town square, where matters vital to the future of humanity are debated,” tweeted Musk.
Admittedly, the town square analogy is imperfect, as my colleague Liz Wolfe highlighted in her excellent post on the subject. For one thing, Twitter is a private company, rather than a genuinely public space, which means that it is not bound by the First Amendment. Unlike the actual town square, Twitter retains the right to punish users for perfectly legal speech. It’s also the case that while Twitter is incredibly important for the political class, journalists, business leaders, and other social influencers, it’s not nearly as big or as frequently visited as Facebook, YouTube, or TikTok. As Techdirt’s Mike Masnick put it, the entire internet is really the town square; Twitter is one small space that’s part of it.
The number one single today in 1963 was recorded by a 15-year-old, the youngest number one singer to date:
The number one British single today in 1967 was that year’s Eurovision song contest winner:
The number one single today in 1985:
Over the last week, SpaceX and Tesla founder Elon Musk arranged $46.5 billion in financing to follow through on his unsolicited offer to Twitter’s board to buy the social media site from them. This afternoon, the board accepted Musk’s offer to buy the company for $54.20 a share.
Long a Twitter power user/troll/loudmouth, Musk bought a 9.2 percent stake in the company last month, becoming the largest shareholder, before deciding he’d rather have the whole thing.
Cue hysteria! Musk haters have taken to the site to declare that Donald Trump will now probably win the 2024 election, that Musk’s bid is really about white power, that Section 230 must be reformed, and that, yes, Musk’s new policies will be lethal. (Perhaps the death toll will be even larger than net neutrality‘s!)
So, for users of the platform, what’s likely to change?
Musk has panned the site’s existing content moderation policies, saying they are too restrictive and encroach on people’s ability to speak freely without being censored. Some liberalization of these policies and the re-platforming of controversial figures like former President Donald Trump—who was banned in the wake of the January 6 riot for inciting violence among his fans—seems likely, though unpopular with droves of users.
Imagine having tickets to today’s 1964 NME winner’s poll concert at Wembley Empire Pool in London: