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  • Prestegard vs. Craver et al, part 2

    July 27, 2011
    media, Wisconsin politics

    This is part two of a reaction I started Tuesday to a blog that reacted to my blog that reacted to the blog of Jack Craver of Isthmus. (I think that’s five prepositional phrases without commas.)

    Craver asked in the comments section of my blog:

    What tax rates do you propose as appropriate for the state on corporate and individual income?

    What services do you believe the state should provide with that tax revenue? Which services go beyond what you believe to be essential services and into the arena of “leftist” government? Would it include BadgerCare?

    Glad you asked, Jack! Answer number 1A: The appropriate corporate income tax rate is zero. One reason is that, as readers of this blog know, businesses don’t pay taxes; their customers pay business taxes in the cost of a product or service. Business taxes serve only to obscure the actual cost of government, and taxpayers should know exactly how much they’re being required to pay to fund government. There are three things for which businesses use profits — to reinvest back into the business; to increase compensation for employees; or to return to the business’ owners as dividends. Any of those is preferable to the trash can known as government. And if there are no taxes, there are no tax breaks, and there is no money spent on campaign contributions to encourage or discourage tax breaks.

    As for question 1B, the easy answer would be “lower than Craver wants,” but I don’t know what the correct tax rate is other than whatever tax rates (and taxes) are necessary to fund the correct functions of government. The purpose of government, generally, is to perform the correct functions of government, which does not mean employing people (except as to perform the correct functions of government), or redistributing income, or effecting trendy social change that doesn’t have a basis in our inalienable rights.

    What are those “correct functions of government?” Gov. Lee Sherman Dreyfus, economic conservative and social libertarian, identified three and only three functions of the federal government: “defending our shores, delivering our mail and staying the hell out of our lives.” (If only.) The state Constitution lists such government functions as enforcing the law, education (schools and universities), and purchase and/or construction of “land, waters, property, highways, railways, buildings, equipment or facilities for public purposes” — to wit, “public highways,” “airports or other aeronautical projects,” “veterans’ housing,” “port facilities,” “railways and other railroad facilities,” and “the forests of the state.” (The Constitution, however, says the state may fund the aforementioned list; the word shall only comes up on the subject of education.)

    That seems to be a pretty good list. Which means there’s a lot that state and local government now does that isn’t on that list, or not to the extent spending on that government function is occurring today. When asked about waste in government, Sen. Frank Lasee (R–De Pere) used to bring up rails-to-trails spending — converting abandoned rail beds to bicycle paths — not because it wasn’t a worthy function of government, but because it isn’t worthy to the level of exceeding all other states in rails-to-trails spending. The state Constitution allows using public debt to purchase land, but at the rate of $60 million per year, with zero economic return? (The aforementioned Knowles–Nelson Stewardship Fund spending is down from $86 million per year under the previous governor and Legislature.) The Constitution does not require the existence of a State Patrol responsible for writing traffic tickets instead of conducting actual law enforcement. And where is the employment of executive assistants — who are political appointees for department secretaries — a core function of government?

    What about economic development, including downtown revitalization? The answer lies in another question: How much government-funded economic development takes place to undo the effects of bad public policy? (The practical question, on the other hand, is how much government-funded economic development has to take place because other goverments are doing government-funded economic development.)

    Craver tries to bait me by asking about BadgerCare, and I imagine he’d be interested in if I’d be interested in getting rid of, say, unemployment insurance, Social Security, or other social programs. His asking that question demonstrates the left’s utter contempt for anything that would limit the role of government in our lives, such as our founding documents. To them, the U.S. and state Constitution are nothing more than scratchings on parchment written by dead white men.

    (Craver also asked what I meant in my reference to former Supreme Court Justice Louis “Loophole Louie” Butler, who got his nickname from his time as a Milwaukee public defender. What I meant was that any Supreme Court justice who ruled as he did in the lead paint case — that it was OK to sue a company that manufactured lead-based paint without proof that that company manufactured the lead-based paint that was involved in the lawsuit should be not just thrown off the Supreme Court — and Butler lost two Supreme Court races — but disbarred.)

    And now for Craver’s grand vision:

    Instead of talking superficially about “raising” and “cutting” taxes and programs, why don’t we talk about what the appropriate tax rates are for the services we expect? If we had that debate, there would be honest disagreement about what the government should provide, but at least voters would have a better idea of the system their politicians stand for.

    If such a dialogue existed in America, I don’t think there would be any question that there is no meaningful left-wing power in the country. If there were, there would be a serious push for fundamental change to our economic system. Socialism, communism, the works. In fact, in the U.S. we only have one member of Congress who calls himself a “Democratic Socialist,” and there are a few Democrats who talk seriously about even developing a welfare state that rivals that of other Western countries. The health care plan the GOP denounces as an end to America as we know it was a carbon copy of the plan the Republican Party introduced less than 20 years ago. It’s not a “government takeover,” it’s simply a government handout to corporations — something both parties have proudly supported throughout history.

    You don’t have to be a subscriber to Madison commie propaganda to believe the Democratic Party is not in the business of advancing leftism. You simply have to read a history book. I’m sure nobody is prouder of that fact than the people on the right who have been running the show for the past 30 years. Thanks to Ronald Reagan and his disciples, we don’t have a left and a right in this country. We have a center-right and a far right. And then we have some liberals watching from the bleachers.

    It doesn’t always have to be that way, however. The political character of a country can change overnight, often with horrifying results (ever heard of Nazism?). People who ridicule the suggestion that Democrats could not win by running further to the left either have no sense of history or are willfully ignoring it. Over the past 100 years American political values have changed drastically many times. We’ve gone from no income tax to a top marginal rate of 92% and then back down to 35%. We’ve gone from segregation to a black president. Soon we’ll have gay marriage, not just because people have gradually accepted it on their own, but because enough people in politics and media talked about it that people began to see the issue differently.

    Today’s liberals generally hate markets, but perhaps the reason why “Democrats could not win by running further to the left” is because Democrats have figured out that being more leftist than they already are is a non-starter among voters. (If you think about it, voting is the ultimate market.) The purpose of a political party, after all, is to get its candidates elected and keep them in office. American voters have had the choice, since before World War II, of Wisconsin’s own Fighting Bob La Follette, Henry Wallace, Adlai Stevenson, Hubert Humphrey, Ted Kennedy, Dennis Kucinich and others more left-wing than either the Democratic presidential nominee or the ultimate presidential winner and chose otherwise. (Barack Obama did not become president because of his ideology. In fact, his poor poll numbers probably could be described at least in part as voter remorse.) Ronald Reagan probably drove the GOP to the right, but voters decided to move the country rightward. If Craver and his fellow travelers don’t like that, well, to quote a former coworker of mine, it sucks to be them.

    If left-wing ideas would be more popular if only those ignorant voters (such as those who voted the wrong way according to Isthmus Nov.  2) realized how wonderful those ideas are, then, for instance, Obamacare would not be polling as poorly as it is. (For that matter, Democrats in Recallarama would be campaigning on restoring public employee collective bargaining “rights,” but they’re not, are they?) Maybe voters outside the People’s Republic of Madison are smarter than Craver seems to think. Some may even realize that monthly U.S. job growth since Obama signed health care deform into law is one-tenth what it was before Obamacare became law. And liberals have yet to satisfactorily explain why, with enough exceptions for you to be able to count using both your hands, liberal talk has been smothered on commercial radio by conservative talk.

    Craver’s blog mentions three presidents — Franklin Roosevelt, Harry Truman and Dwight Eisenhower — as, he claims, liberal icons in the White House. (Which would have come as a surprise to Eisenhower. Then again, by today’s standards, Richard Nixon was a liberal. Which makes him an even worse president than people think.) I know of no non-socialist economist who would claim the economic system the U.S. had in World War II as the ideal. I’m also unaware of any liberal who believes detaining tens of thousands of Americans based on the shape of their eyes represents the highest of liberal ideals. And as lefty as Roosevelt and Truman may comparatively have been in their day, they ultimately fail the leftist test because they believed in our country and defending it from its enemies. The reaction of the American left to the Soviet Union in the 1970s and 1980s and radical Islam in this century says all you need to know about whether the left would ever actually fight to defend this country from foreign enemies.

    Craver and readers who disagree with my philosophical bent may dismiss what I’ve written yesterday and today as the rantings of a relative of Joseph Goebbels. My views are my own, but I think my views represent the mainstream of political thought outside the People’s Republic of Madison than Craver’s do. The people I know and associate with — whether conservative, moderate or liberal — are not obsessed with politics, focus on their own lives instead of trying to control others’ lives, and seek to improve where they live by doing the work themselves instead of waiting for government to show up and bail them out.

    Maybe Craver is right after all when he claims that there is no real American left. But if there isn’t, it’s because in the marketplace of ideas, the left lost, and deserved to lose, and deserves to keep losing.

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  • Presty the DJ for July 27

    July 27, 2011
    Music

    Today in 1977, John Lennon did not get instant karma, but he did get a green card to become a permanent resident, five years after the federal government (that is, Richard Nixon) sought to deport him. So can you imagine who played mind games on whom?

    Birthdays start with Harvey Fuqua, who sang for the Moonglows:

    Nick Reynolds was one of the original members of the Kingston Trio (whose numbers totaled three times three):

    David Muse of Firefall …

    … was born the same day of Maureen McGovern, singer of the first disaster movie love song:

    Michael Vaughn of one-hit-wonder Paperlace:

    One death of note, today in 1921: Composer Englebert Humperdinck. He was not singer Englebert Humperdinck, who changed his name from ordinary but unobjectionable Arnold George Dorsey. Why someone would think Humperdinck was preferable is beyond me.

    And happy birthday to Bugs Bunny:

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  • Prestegard vs. Craver, Isthmus, Madison, Democrats, etc.

    July 26, 2011
    media, Wisconsin politics

    Last week I wrote about the tensions between the Democratic Party and those who believe the Democratic Party isn’t liberal enough.

    I excerpted a piece from Jack Craver of Isthmus and WTDY radio in Madison, a piece that combined contempt of the American voter, Democrats, and basically anyone else who isn’t as left-wing as Craver is.

    Well, it turns out Craver must at least once in a while read this blog, because he decided to devote one of his columns to what I wrote about him.

    First, some introduction: As a native of the People’s Republic of Madison and a UW graduate, I have read Isthmus on and off far longer than Craver has worked for Isthmus. My background with the weekly goes back to the days when it employed a writer with the pen name of Ursula, whose “Ursula Understands” column answered questions about relationships that few would even think to ask. And until his decision to work elsewhere, I was the occasional non-liberal foil for Isthmus’ Bill Lueders on Wisconsin Public Radio’s Joy Cardin Week in Review program.

    The proof that Isthmus has fulfilled its role in the Madison media landscape is demonstrated by The Capital Times’ decision to end daily publication and convert itself into a free tabloid that looks to many readers like Isthmus with a different name, though with similar stupid politics. Isthmus also has from time to time thrown a bone to its non-lefty readers by including columns from such people as Bob Williams, a Stevens Point PR executive who was part of Gov. Lee Sherman Dreyfus’ braintrust, Charlie Sykes (yes, that Charlie Sykes) and now David Blaska, who is that rarest of things — a former Capital  Times reporter and state employee who, as he describes himself, “swims upstream like a heretical flagellate among the collectivist majority.” The nice thing about publications like Isthmus is that you can read their entertainment writing and, if you are so inclined, skim or skip the left-wing crap in the front of the publication.

    As for my hometown, I come by my antipathy for Madison honestly — by experience. Between events like the Madison teacher strike, watching tuition money wasted by instructors’ taking my time to pass on, unbidden, their own political beliefs, and the idiotic protest du jour on days of non-inclement weather on the Library Mall, I came to the conclusion that Dreyfus’ observation that Madison is 30 (now 77) square miles surrounded by reality is a gross understatement. It was a revelation when I left Madison and discovered people who didn’t reflexively hate people who shared my political beliefs and besides that had normal non-esoteric interests. (The newspaper’s quote of the week once came from the husband of one of our account  representatives: “Never mind Nicaragua; I want sweet corn!”) Then again, if I want to go back to the old days, I don’t have to go back to Madison; I need only go to Facebook.

    Craver starts by bringing up an irrelevant comparison (for purposes of what I wrote) of Gov. James Doyle and his elected predecessor, Tommy Thompson. But there is no question that Thompson was no one’s idea of a fiscal conservative while he was in office. In the 1990s, with economic performance that made writers look for a phrase that sounded like “Roaring ’20s,” you could have your cake and eat it too, with both tax cuts and basically unrestrained spending. The term “structural deficit” may have existed before the 1990s, but it certainly got attention while Thompson was in office, but with tax revenues increasing every year despite tax cuts, well, few people and even fewer voters cared.

    Craver also demonstrates most journalists’ affinity for math — not much — with this error:

    Doyle spent most of his tenure trying to manage the structural deficit that Tommy Thompson created through his drastic expansion of state government spending on prisons, schools, health care and tax rebates. Doyle, who was raised in the “People’s Republic of Madison,” did what any other radical would do in the face of a budget deficit: Cut state jobs, furloughed state workers, closed a couple corporate loopholes, and raised taxes on incomes over $300,000 by..wait for it…one percent. The stuff of Lenin all right.

    Democrats created a new tax bracket of 7.75 percent, above the old highest tax bracket of 6.75 percent.  That is not one percent, because 7.75 divided by 6.75 equals 1.148. In other words, Doyle and Democrats didn’t increase taxes by 1 percent, they increased taxes by 15 percent for income beyond $221,670 for single people and $295,550 for married people filing jointly. That group, I suppose, fits into what Democrats and their apparatchiks are calling the “super rich,” although they’re really not.

    Craver makes a valid point that he buries in more left-wing cant:

    Doyle did about the least amount one could expect a governor to do to change the current system. He slightly expanded BadgerCare for the poor, he very slightly increased taxes on the rich, and he slightly decreased the size of government. He maintained the status quo. What would you call somebody who does that? Maybe ol’ Webster can help us out. Here’s a word that seems to match: Conservative: Tending or disposed to maintain existing views, conditions, or institutions.

    If you want to claim that the terms “conservative” and “liberal” really don’t fit today’s ideologies, fine. The term “liberal” used to have “classical” before it, which describes those of us who believe in the individual rights enshrined in the U.S. Constitution. By that definition, today’s liberals aren’t liberals at all (except in such areas of personal freedom as drug use and abortion rights). Perhaps Craver prefers the term “neo-socialists.”

    Doyle did, remember, start his term (and our sentence with him) in the Executive Residence by pledging “We should not, we must not, and I will not raise taxes,” before raising taxes $2.1 billion. (I’m surprised Craver didn’t make the obligatory George “Read My Lips” Bush reference, a pledge whose reversal went a long way to getting Bush fired by the voters.) The point that goes without acknowledgment or explanation on the left side is why, when Doyle increased taxes and nibbled at the margins of government growth (as if any taxpayer noticed), this state ended up with government finances worse on a proportional basis than only our neighbors to the immediate south, Illinois.

    Craver makes another good point that he buries in rhetoric against me and, well, everyone else:

    What is most irksome about Prestegard’s post, however, is that he uses relative terms, such as “raising/lowering taxes” to describe political philosophies. This is unfortunately an aspect of political rhetoric we see on both sides of the political spectrum, but it has become especially prevalent on the right, where candidates cannot talk about taxes — only about their wish to not to raise them.

    For instance, as much as Republicans howled about the $5 billion Doyle tax hike, they still haven’t repealed them. Why not? Well, they’ve got a budget to balance. But according to their logic, they haven’t raised taxes. (Although they’ve made a few symbolic tax cuts and other corporate taxes that will go into effect in future years.)

    Candidates on the right can’t talk about taxes? The fumes where Craver works must be getting really thick. Republican elected officials and candidates at every level talk about taxes all the time. One of the interesting facets of the looming default of our federal government, or whatever the media’s going to call it in the next week, is the issue of raising taxes vs. not raising taxes vs. reforming taxes as part of a debt ceiling deal. In the latter case, the approach the GOP has favored since the days of President Ronald Reagan has been to reduce rates and reduce or eliminate exemptions and deductions. In that case, some taxes would go up, but most would go down.

    In that scenario, would demagogic politicians or candidates accuse Republicans of raising taxes because one tax went up even if 10 went down — even if the total tax take decreased? Of course. Accusing politicians of demagoguery is like accusing water of being wet. Political courage is in short supply.

    If I asked a Republican (and I’d have to, because I am not a Republican) why they didn’t cut taxes, they probably would say that they had to balance the budget after the billions of dollars of deficits that are the legacy of the Doyle administration and the previous party that controlled the Legislature. (Note that Reagan cut existing taxes in 1981 before the tax reform of 1986.) If Walker and the GOP don’t substantially cut taxes by the 2014 election, voters will be justified in asking themselves why they voted for a party that didn’t do something about our ridiculously high (for what we get) state and local taxes.

    This has gone on so long already that a second part seems appropriate. Tune in tomorrow, same bat time, same bat channel.

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  • Presty the DJ for July 26

    July 26, 2011
    Music

    Birthday-wise, today is more about quality than quality.

    One-hit wonder Brenton Wood …

    … was born one year before two-hit wonder Dobie Gray …

    … who was born one year before someone you may have heard of — Mick Jagger:

    Queen drummer Roger Taylor (the last song dedicated to the Ripon High School baseball team and the Ripon–Green Lake American Legion baseball team):

    Terri Nunn of Berlin:

    One death of note today: Mary Wells:

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  • In case you missed us …

    July 25, 2011
    media

    The latest “Sunday Insight with Charlie Sykes,” which includes me sitting on the far stage right, can be viewed here.

    Marketplace Magazine: Gone but apparently not forgotten. (At least they spelled my name right.)

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  • Had Nov. 2 turned out differently

    July 25, 2011
    Wisconsin politics

    I have written, because it is undeniably correct, that this summer’s Recallarama is occurring because Democrats, public employee unions and their apparatchiks want to undo the Nov. 2 elections because, well, they lost.

    It is not, as I wrote last week, because the aforementioned triumvirate of transgressions believes Gov. Scott Walker and Republicans pulled a fast one on the voters in enacting changes to public employee collective bargaining. The unions knew in plenty of time that that was what Walker intended on doing, because Walker said so, more than once, and to the state’s biggest newspaper more than once.

    The unions want you to believe it is out of their concern over state budget cuts, even though the state budget itself increased 7.6 percent. But as I wrote last week, the discerning voter should believe nothing the aforementioned axis of error says in their campaign ads.

    Since Recallarama is all about Nov. 2 and what’s happened since then — because of the horror of creating more jobs in May than the rest of the country combined — it is instructive to ponder what would have happened if Tom Barrett had defeated Scott Walker and had Democrats retained control of the Legislature. (I’ll pause until your shudders stop.)

    The MacIver Institute has fought through the shuddering and pondered exactly that scenario:

    Our analysts consulted with the nonpartisan Legislative Fiscal Bureau as they went through the amendment packages line by line. Their findings: If the Assembly Democrats’ twelve major packaged amendments to the budget bill had passed, Wisconsin would be looking at a $1,779,098,700 spending increase. …

    The first overt increase in spending was proposed in Amendment 4, titled the Education Package. The package would have increased spending by a total of $1,271,709,900. The largest proposed spending increase would have restored $1.2 billion in general education equalization aid. Interestingly, the Democrats attempted to use a familiar accounting gimmick, common in previous Wisconsin budgets, to make this look like only a $349.6 million spending increase. Assembly Democrats attempted to shift $897.4 million of this increase onto the 2013-2015 budget. The amendment as proposed did not reflect this but the Legislative Fiscal Bureau provided this detail. Regardless of the timing, Assembly Democrats attempted to increase spending by $1,271,709,900. …

    Amendment 7, the so-called Tax Fairness Package, would have increased taxes on capital gains and manufacturers by $356.3 million. It also attempted to restore $56.2 million for the earned income tax credit and $13.6 million for the homestead tax credit. Critics classify these programs as welfare spending even though they contain the word “tax” in their title. These credits would give “tax refunds” to people who don’t pay taxes to begin with. …

    In their package on Healthcare, Amendment 9, the Democrats attempted to remove the enrollment cap on family care, a move that would have cost the state an estimated $290 million over the biennium. The Democrats also attempted to stipulate that $466 million in unspecified cuts made by the governor’s bill could only be made through efficiencies. This was an attempt to maintain current services, remove eligibility restrictions, and not increase cost sharing by enrollees. …

    Their Environment Package, Amendment 12, proposed an increase in the bonding allowance of the land stewardship fund by $234 million as well as to the Purchase of Agricultural Conservation Easements (PACE) by $12 million. The total proposed bonding increase was $246,000,000. These increases would have cost the state $2,980,000 in principal and interest payments over the biennium. The Joint Finance Committee’s budget bill did not zero out these bonding allowances. The bill only decreased them from $86 [million] to $60 million per year from fiscal year 2011-12 through 2019-20 for the stewardship program. The amendment also increased aid for recycling by $26 million over the two-year period. This brings the total spending increase to $28,980,000. …

    As it was passed by the legislature, the new state budget erased the structural deficit and is scheduled to leave the budget $300 million in the black.

    However, had the Assembly Democrats been successful in their attempts to amend the budget,  the plan would have left the state with a $1.4 billion deficit going into the 2013-2015 budget deliberations.

    Increasing spending by $1.7 billion to create a structural deficit of $1.4 billion while raising taxes by $356.3 million two years after increasing taxes by $2.1 billion — that is what voters avoided by voting correctly Nov. 2.

    It should be pointed out that the MacIver Institute did not double-count — that is,  “If a specific spending proposal was included in more than one amendment, we only counted the spending once.” On the other hand, it could be argued that Democrats introduced some of the amendments as political theater instead of policy proposal — introducing amendments they know would lose to be able to charge that those evil Republicans cut recycling aid and money for assistant district attorneys.

    It should also be pointed out that these amendments were in reaction to the governor’s proposed 2011–13 budget as modified in the budget process by the Legislature. My guess is that, given the Democrats’ horrid record in fiscal management, had the Democrats been required to create their own budget, it would have been, in fact, worse than what MacIver identifies. That’s what happened in the 2009–11 budget, proposed by Democratic Gov. Jim Doyle, passed by Democrats and then made about 0.017 percent less fiscally irresponsible through Doyle’s vetoes.

    The actual 2011–13 budget and the budget repair bill that cut back public employee collective bargaining, Democrats claim, gut education and various other of their favorite government services. That’s their version; the Weekly Standard has the actual truth:

    But as the abstract debate over collective bargaining collides with reality, it is becoming clear just how big a lie the Big Labor line was. Now that the law is in effect, where are the horror stories of massive layoffs and schools shutting down? They don’t exist​—​except in a couple of districts where collective bargaining agreements, inked before the budget repair bill was introduced, remain in effect.

    In Milwaukee, nine schools are shutting and 354 teachers have been fired due to a drop in state funding and the end of federal stimulus funding. But if teachers there agreed to the 5.8 percent pension contribution, the school district says it would rehire 200 of those teachers. (Other changes could offset the rest of the layoffs.) …

    The only other district seeing such massive layoffs is Kenosha, where 212 teachers will be fired this year. “Kenosha is in the same boat as [Milwaukee], with a collective bargaining agreement signed before Walker took office that lasts until June 30, 2013,” the Milwaukee Journal Sentinel reported on July 16. “But most other Wisconsin districts have avoided layoffs and massive cuts to programs.”

    That includes, voters in the 14th Senate District, the Berlin school district, which closed its elementary school in Poy Sippi. Contrary to what voters are being led to believe by the latest inaccurate left-wing political ad, the closing of Poy Sippi was decided before the 2011–13 state budget was finished. And, reports WLUK-TV:

    “We explored a number of different options,” said Bob Eidahl, the Berlin Area School District Administrator.

    Eidahl says the district wanted to balance its budget with minimal impact on students.

    “This was a decision that we really wish that we didn’t have to make, but financially it was the best alternative for us at the particular time,” said Eidahl.

    The 70 or so students who previously would have went to Poy Sippi will now be bused about 20 minutes to Berlin’s elementary school.

    “No one had layoffs,” said [teacher Hargrave. “Everyone will have a position there, or throughout the district, so that’s a huge positive.”

    Neither the state’s finances nor the state’s taxes are where they need to be yet. But the state would have been worse off had not voters fired Democrats left and, well, left Nov. 2. And the state will be worse off if voters vote for Democrats in the Aug. 9 and 16 recall elections.

     

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  • Presty the DJ for July 25

    July 25, 2011
    Music

    Today in 1964, the Beatles’ “A Hard Day’s Night” hit number one and stayed there for 14 weeks:

    Today in 1973, George Harrison got a visit from the taxman, who told him he owed £1 million in taxes on his 1973 Bangladesh album and concert:

    Birthdays start with Mark Clarke of Uriah Heep …

    … born one year before Verdine White, who played bass for Earth Wind & Fire:

    Ken Greer played guitar for Red Rider:

    One death occurred today in 1995: Charlie Rich:

    A variation on covers today: They’re not the same song, but people think they have the same title, and one singer put the two songs together:

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  • Presty the DJ for July 24

    July 24, 2011
    Music

    Today in 1965, Bob Dylan released “Like a Rolling Stone,” which is not like the Rolling Stones:

    Birthdays start with Heinz Burt, bassist for the one-hit-wonder Tornados …

    … born one year before Jim McCarty of the Yardbirds …

    … who was born one year before Jim Armstrong, guitarist for Them:

    William “Junior” Campbell was the lead signer for two-hit wonder Marmalade:

    Time for a visit to coverland:

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  • Presty the DJ for July 23

    July 23, 2011
    Music

    Today in 1965, the Beatles asked for  …

    Birthdays start with Cleveland Dunkin of the Penguins:

    Dino Danelli played the drums for the Young Rascals:

    Blair Thornton played guitar for Bachman–Turner Overdrive:

    Ian Thomas was a one-hit wonder in this country and a bigger act in the Great White North:

    Janis Siegel (who we once saw in a Lawrence University concert) sang for the Manhattan Transfer:

    Depeche Mode’s Martin Gore:

    Who is Saul Hudson? Slash of Guns N Roses:

    Sam Waters of Color Me Badd:

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  • “Another challenge for the Green Hornet …”

    July 22, 2011
    media

    Our subject today is the depiction of journalists — or, as we like to call ourselves, “ink-stained wretches” — in the entertainment media.

    This isn’t exactly a Golden Age of journalists in entertainment, but it’s interesting to note how many of them have been depicted on TV in the past few years, including in “Ugly Betty,” “Dirt,” “My Boys” and “Just Shoot Me.” For a while, magazines particularly attracted the attention of TV scriptwriters, as shown in “Ugly Betty” (and the movie it seems to have been based on, “The Devil Wears Prada”), “Dirt” and “Just Shoot Me.”

    Many other movies and TV shows have featured journalists as characters, but neither “The Odd Couple” movie nor TV series was about newspapers. In most cases, journalists are plot devices to move the story along — for instance, “Then Came Bronson,” a 1969 series about a newspaper reporter who decides to travel around America after a friend of his commits suicide and leaves him his motorcycle. (Travel the country on a reporter’s salary — that’s how you know it’s fiction.)

    Charles Foster Kane, the lead character in “Citizen Kane,” was based on newspaper mogul William Randolph Hearst, but “Citizen Kane” is not a newspaper movie. “All the President’s Men” chronicled the Watergate investigation by Washington Post reporters Bob Woodward and Carl Bernstein, who are to Watergate what any number of TV reporters were to the John F. Kennedy assassination. “All the President’s Men,” based on Woodstein’s book (that’s what Post editor Ben Bradlee called the pair) All the President’s Men, helped create the brief genre of reporters as rock stars, due no doubt to casting Robert Redford and Dustin Hoffman as Woodward and Bernstein, but it’s arguable whether it’s a newspaper movie or political thriller. Jack Webb, creator of “Dragnet,” did one newspaper movie, “-30-” (which reporters typed at the end of their stories to indicate to the typesetter that that was the end of the story), which imdb.com describes as depicting an “implausibly active day in the life of a metropolitan newspaper.”

    My favorite in the newspaper movie genre is “Deadline USA,” with Humphrey Bogart as the editor of a daily newspaper about to be sold. “Deadline USA” ends what might be one of the best endings of any movie: The bad guy, a mobster, is about to be exposed in the pages of the newspaper, and as he’s threatening editor Bogart on the phone, the newspaper’s press begins to run. When the mobster says he can’t hear Bogart’s character due to the noise, Bogart’s response is: “That’s the press, baby. The press! And there’s nothing you can do about it. Nothing!”

    (The movie also includes another line: “A journalist makes himself the hero of the story. A reporter is only a witness.” That contrasts to the definition I heard in college of “journalist”: “an out-of-work reporter.” So am I a journalist or not?)

    “Citizen Kane” and “All the President’s Men” are on Best Colleges Online‘s list of 14 movies every journalism major is supposed to see. The rest of their list, though, looks more like movies for entertainment’s sake than movies for insights about journalism: “Network” (and I suppose its inclusion on this list will make you mad as hell and you’re not going to take it anymore), “Almost Famous” (a teenage boy’s fantasy about journalism), “Good Night and Good Luck” (Edward R. Murrow vs. Wisconsin’s own Joe McCarthy), “Ace in the Hole,” “Ringu” (“a reporter investigating some mysterious deaths and a popular urban legend encounters a cursed video tape that spreads like a virus and eventually kills off (almost!) everyone who pops it into the VCR”), “Zodiac” (about the real-life serial killings in San Francisco on which “Dirty Harry” was based), “The Paper,” “Broadcast News” and older flicks.

    The best known TV series about newspapers is probably “Lou Grant,” which also is notable for taking a character from a sitcom (the title character’s boss, a Minneapolis TV station news director, on “Mary Tyler Moore”) into a drama. Ed Asner played the TV news director-turned-Los Angeles newspaper city editor, the lead character in one of TV’s first ensemble drama casts. “Lou Grant” was loved by critics and those who give out awards; the series won 13 Emmy Awards, three Golden Globe awards, a Peabody award and nine other awards in its five-year run. (The first season can be seen at hulu.com.) The series was canceled, despite its being in the top 10 of the Nielsen ratings in its last month, largely because Asner used both his role in the series and his office as president of the Screen Actors Guild as a soapbox for his views on the U.S. presence in central America, to the discomfort of CBS and advertisers.

    The cult classic “Kolchak: The Night Stalker” is an example of the genre of journalist as investigator, a detective armed with a notebook and a camera instead of a gun. (Of course, police detectives carry notebooks and guns, and sometimes cameras too.) In fact, just as there are more serial killers on TV or in movies than in real life, there may be more investigative reporters depicted on TV than actually exist in real life — for instance, Raymond Burr got out of his wheelchair on “Ironside” to play the title role in “Kingston: Confidential,” described thusly: “An investigative reporter, backed by the head of a newspaper and TV chain, uncovers a plot to utilize nuclear power plants in a scheme to take over the world.” (I wonder if the staff of the Green Bay Press–Gazette or the Manitowoc Herald Times Reporter is aware of this fiendish plot involving those nuclear power plants along Lake Michigan.)

    Other TV shows that have featured journalists as major characters include:

    • “The Adventures of Hiram Holiday,” a 1956 series about a newspaper proofreader (a position unknown at Gannett Wisconsin Newspapers) who is “thought to be a meek-little nobody by everyone around him” until he’s “discovered to have a range of skills that would make James Bond green with envy.” The publisher of said newspaper, “recognizing the sales potential of Hiram’s story, sends the young man on a trip around the world” with a reporter “to document his adventures for readers back home.”
    • “Big Town,” also known as “Byline Steve Wilson,” about “The Illustrated Press, the largest and most influential newspaper in Big Town, whose driving force was crusading editor Steve Wilson.” (Every TV series set at a newspaper has a crusading publisher and/or editor, you see.) This was one of the first TV series featuring the print media, on at the same time as a series called either “News Gal,” “Byline,” or “Your Kaiser Dealer Presents Kaiser–Frazer ‘Adventures in Mystery’ Starring Betty Furness in ‘Byline.’” (For those who think advertiser tie-ins are bad now, they used to be worse.)
    • “Deadline” (not to be confused with this “Deadline,” or “Deadline for Action,” or “Deadline Midnight”), a 2000 series about a New York tabloid newspaper that got a lot of PR push from NBC, which was so successful that it lasted 13 episodes.
    • “Hard Copy” (not to be confused with the “Hard Copy” tabloid “news” show), a series that CBS premiered after Super Bowl XXI in 1987. Despite the prime premiere time slot, it lasted six episodes.
    • “The Name of the Game,” an example of the rotating-star series popular in the 1960s and 1970s, featuring Gene Barry as the head of a publishing company for whom “People Magazine” (no, not that People magazine) investigative reporter Anthony Franciosa and “Crime Magazine” editor Robert Stack worked.
    • “Slap Maxwell,” a Dabney Coleman star vehicle about a stereotypical hard-bitten sportswriter. Coleman won a Golden Globe, which didn’t stop ABC from canceling the series after one season. This is not to be confused with “Buffalo Bill,” in which Coleman played a stereotypical egotistical talk-show host. That show too won a Golden Globe (costar Joanna Cassidy), and that show too was canceled after one season. A sportswriter not played by Coleman, the title character of “Everybody Loves Raymond,” fared much better, lasting 10 seasons, but then again, how often was Raymond depicted at his employer?

    There have been a couple of journalist-as-superhero depictions. Clark Kent, of course, was a “mild-mannered reporter at the Daily Planet” when he wasn’t being Superman, either in one of the Superman movies or, on TV, “The Adventures of Superman,” “Lois and Clark: The New Adventures of Superman,” or the current “Smallville.” Some readers may remember “Electra Woman and Dyna Girl,” two reporters for something called “Newsmaker Magazine” when they weren’t battling “a bevy of costumed villains.”

    My personal favorite of that genre is “The Green Hornet,” a comic book turned into a radio series, a film serial, and then a TV series featuring the publisher of a newspaper who fought crime on his off hours, dogged by one of his own reporters who was trying to find out the secret identity of the Green Hornet, thought to be a “ruthless criminal.” (Hint to reporter Mike Axford: He signs your paychecks.) Besides having a great theme written by trumpeter Al Hirt based on Nikolai Rimsky-Korsakov’s “Flight of the Bumblebee,” “The Green Hornet” TV series was the U.S. TV debut of martial artist Bruce Lee, who played the Green Hornet’s sidekick, Kato. (It should be noted that their favorite vehicle was not a green Hornet, but “Black Beauty,” comparable probably to a black Chrysler 300 of today, but with such special features as rocket launchers, smoke guns, etc.)

    At this point you may be asking: What about the “Green Hornet” movie? I haven’t seen it, and based on these reviews collected by Rotten Tomatoes I don’t plan to see it:

    A facetious industrial product, and the first out-and-out bore of the year.

    Despite its obvious angling to become a franchise, this Green Hornet offers little that’s worth committing to even the “cult flick” chamber of your brain.

    A big, sloppy, loud, grating mess of a movie.

    [Seth] Rogen takes what should have and could have been one of the most unique antithesis’ to Batman and transforms it in to a vanity project for his one note comedy and flat one-liners…

    …an uneven, disastrously overlong piece of work.

    I’m sure you’re shocked — shocked! — to discover that Hollywood, well, Hollywoodizes its depictions of journalists. (For one thing, any media outlet depicted on TV appears to have far more staff than an actual media outlet of that size would have.) The reason there haven’t been very many good depictions of journalists is that most of what journalists do, though important, frankly isn’t very interesting to watch. (After the fact, that’s another story.) Interviews, particularly hostile interviews, can be entertaining to watch, as demonstrated by CBS-TV’s “60 Minutes.” But the process of putting words on paper (or into word processing program now) isn’t very interesting to watch if you’re not in the profession, any more than the process of watching photographers take photos, radio reporters edit sound or TV reporters put a story together in an editing bay is interesting to watch. Nor is, say, sitting in a courtroom at a trial or at a city council meeting. And if you think those wouldn’t be interesting to watch, watching an editor come up with a story list for an edition of his or her publication, or editing reporters’ stories is as exciting as watching trees grow.

    I haven’t seen very many non-TV reporters you’d want to see on the screen from an appearance standpoint either. (Guess where the phrase “you have a face for radio” came from.) Few are tall, baby-faced in a rugged sort of way, with graying curly hair, piercing blue eyes, facial hair that varies with the season … sorry, got lost in the moment there. The reporters and editors I’ve known over the years aren’t fashionably thin or, for that matter, thin at all or, for that matter, fashionable at all, and don’t have hot significant others, cool cars and funky living quarters. (Media types, however, are quite adept at violating traffic and parking laws, thanks to those pesky deadlines.) There are more married people than in your typical TV series setting (although journalism is known for its unpleasantly high divorce rate).

    One of the most bizarre incidents mixing (fictional) TV and real life occurred in 1992 over “Murphy Brown,” a sitcom set at a TV newsmagazine that looked a lot like “60 Minutes.” The title character gave birth to a child with no father in the picture. That prompted Vice President Dan Quayle to blast the show during the 1992 presidential campaign for a depicting “a character who supposedly epitomizes today’s intelligent, highly paid, professional woman — mocking the importance of fathers by bearing a child alone and calling it just another ‘lifestyle choice.’” That was misread as an attack on single mothers who were not single by “just another lifestyle choice,” criticized by others who praised the show for not having the title character get an abortion, prompted the series’ creator to have her (fictional) show give a response to Quayle’s comments, and then, from one to many years later, resulted in a series of admissions from places you’d never figure, including from Candace Bergen, who played Brown, that Quayle was, uh, right. (If this paragraph didn’t make sense to you, nothing about that made sense at the time either.)

    Most of the time, the personality of reporters doesn’t come across in their on-screen depictions. I find that to be too bad, because one reason I’ve liked working in the media is because of my fellow aberrant personalities in this profession. There is more drinking and smoking in journalism than in society as a whole (although media companies tend to frown on bottles in desks nowadays, and media owners have the same no-smoking-at-work policies as everyone else), and there is more, shall we say, use of colorful vocabulary than in your typical workplace. Black humor and situationally inappropriate humor is a trademark of this profession, as is automatic skepticism. Some media types seem to be engaging in a contest to see who can be more cynical than the next media type, particularly those who specialize in political reporting, for ample reason. That is portrayed better in “Dilbert,” which isn’t set in a media workplace, than in most TV and movie depictions I’ve seen.

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Steve Prestegard.com: The Presteblog

The thoughts of a journalist/libertarian–conservative/Christian husband, father, Eagle Scout and aficionado of obscure rock music. Thoughts herein are only the author’s and not necessarily the opinions of his family, friends, neighbors, church members or past, present or future employers.

  • Steve
    • About, or, Who is this man?
    • Facebook
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    • Adventures in ruralu0026nbsp;inkBack in June 2009, I was driving somewhere through a rural area. And for some reason, I had a flashback to two experiences in my career about that time of year many years ago. In 1988, eight days after graduating from the University of Wisconsin, I started work at the Grant County Herald Independent in Lancaster as a — well, the — reporter. Four years after that, on my 27th birthday, I purchased, with a business partner, the Tri-County Press in Cuba City, my first business venture. Both were experiences about which Wisconsin author Michael Perry might write. I thought about all this after reading a novel, The Deadline, written by a former newspaper editor and publisher. (Now who would write a novel about a weekly newspaper?) As a former newspaper owner, I picked at some of it — why finance a newspaper purchase through the bank if the seller is willing to finance it? Because the mean bank lender is a plot point! — and it is much more interesting than reality, but it is very well written, with a nicely twisting plot, and quite entertaining, again more so than reality. There is something about that first job out of college that makes you remember it perhaps more…
    • Adventures in radioI’ve been in the full-time work world half my life. For that same amount of time I’ve been broadcasting sports as a side interest, something I had wanted to since I started listening to games on radio and watching on TV, and then actually attending games. If you ask someone who’s worked in radio for some time about the late ’70s TV series “WKRP in Cincinnati,” most of them will tell you that, if anything, the series understated how wacky working in radio can be. Perhaps the funniest episode in the history of TV is the “WKRP” episode, based on a true story, about the fictional radio station’s Thanksgiving promotion — throwing live turkeys out of a helicopter under the mistaken belief that, in the words of WKRP owner Arthur Carlson, “As God is my witness, I thought turkeys could fly.” [youtube=http://www.youtube.com/watch?v=ST01bZJPuE0] I’ve never been involved in anything like that. I have announced games from the roofs of press boxes (once on a nice day, and once in 50-mph winds), from a Mississippi River bluff (more on that later), and from the front row of the second balcony of the University of Wisconsin Fieldhouse (great view, but not a place to go if…
    • “Good morning/afternoon/evening, ________ fans …”
    • My biggest storyEarlier this week, while looking for something else, I came upon some of my own work. (I’m going to write a blog someday called “Things I Found While Looking for Something Else.” This is not that blog.) The Grant County Sheriff’s Department, in the county where I used to live, has a tribute page to the two officers in county history who died in the line of duty. One is William Loud, a deputy marshal in Cassville, shot to death by two bank robbers in 1912. The other is Tom Reuter, a Grant County deputy sheriff who was shot to death at the end of his 4 p.m.-to-midnight shift March 18, 1990. Gregory Coulthard, then a 19-year-old farmhand, was convicted of first-degree intentional homicide and is serving a life sentence, with his first eligibility for parole on March 18, 2015, just 3½ years from now. I’ve written a lot over the years. I think this, from my first two years in the full-time journalism world, will go down as the story I remember the most. For journalists, big stories contain a paradox, which was pointed out in CBS-TV’s interview of Andy Rooney on his last “60 Minutes” Sunday. Morley Safer said something along the line…
  • Food and drink
    • The Roesch/Prestegard familyu0026nbsp;cookbookFrom the family cookbook(s) All the families I’m associated with love to eat, so it’s a good thing we enjoy cooking. The first out-of-my-house food memory I have is of my grandmother’s cooking for Christmas or other family occasions. According to my mother, my grandmother had a baked beans recipe that she would make for my mother. Unfortunately, the recipe seems to have  disappeared. Also unfortunately, my early days as a picky, though voluminous, eater meant I missed a lot of those recipes made from such wholesome ingredients as lard and meat fat. I particularly remember a couple of meals that involve my family. The day of Super Bowl XXXI, my parents, my brother, my aunt and uncle and a group of their friends got together to share lots of food and cheer on the Packers to their first NFL title in 29 years. (After which Jannan and I drove to Lambeau Field in the snow,  but that’s another story.) Then, on Dec. 31, 1999, my parents, my brother, my aunt and uncle and Jannan and I (along with Michael in utero) had a one-course-per-hour meal to appropriately end years beginning with the number 1. Unfortunately I can’t remember what we…
    • SkålI was the editor of Marketplace Magazine for 10 years. If I had to point to one thing that demonstrates improved quality of life since I came to Northeast Wisconsin in 1994, it would be … … the growth of breweries and  wineries in Northeast Wisconsin. The former of those two facts makes sense, given our heritage as a brewing state. The latter is less self-evident, since no one thinks of Wisconsin as having a good grape-growing climate. Some snobs claim that apple or cherry wines aren’t really wines at all. But one of the great facets of free enterprise is the opportunity to make your own choice of what food and drink to drink. (At least for now, though some wish to restrict our food and drink choices.) Wisconsin’s historically predominant ethnic group (and our family’s) is German. Our German ancestors did unfortunately bring large government and high taxes with them, but they also brought beer. Europeans brought wine with them, since they came from countries with poor-quality drinking water. Within 50 years of a wave of mid-19th-century German immigration, brewing had become the fifth largest industry in the U.S., according to Maureen Ogle, author of Ambitious Brew: The Story of American Beer. Beer and wine have…
  • Wheels
    • America’s sports carMy birthday in June dawned without a Chevrolet Corvette in front of my house. (The Corvette at the top of the page was featured at the 2007 Greater Milwaukee Auto Show. The copilot is my oldest son, Michael.) Which isn’t surprising. I have three young children, and I have a house with a one-car garage. (Then again, this would be more practical, though a blatant pluck-your-eyes-out violation of the Corvette ethos. Of course, so was this.) The reality is that I’m likely to be able to own a Corvette only if I get a visit from the Corvette Fairy, whose office is next door to the Easter Bunny. (I hope this isn’t foreshadowing: When I interviewed Dave Richter of Valley Corvette for a car enthusiast story in the late great Marketplace Magazine, he said that the most popular Corvette in most fans’ minds was a Corvette built during their days in high school. This would be a problem for me in that I graduated from high school in 1983, when no Corvette was built.) The Corvette is one of those cars whose existence may be difficult to understand within General Motors Corp. The Corvette is what is known as a “halo car,” a car that drives people into showrooms, even if…
    • Barges on fouru0026nbsp;wheelsI originally wrote this in September 2008.  At the Fox Cities Business Expo Tuesday, a Smart car was displayed at the United Way Fox Cities booth. I reported that I once owned a car into which trunk, I believe, the Smart could be placed, with the trunk lid shut. This is said car — a 1975 Chevrolet Caprice coupe (ours was dark red), whose doors are, I believe, longer than the entire Smart. The Caprice, built down Interstate 90 from us Madisonians in Janesville (a neighbor of ours who worked at the plant probably helped put it together) was the flagship of Chevy’s full-size fleet (which included the stripper Bel Air and middle-of-the-road Impala), featuring popular-for-the-time vinyl roofs, better sound insulation, an upgraded cloth interior, rear fender skirts and fancy Caprice badges. The Caprice was 18 feet 1 inch long and weighed 4,300 pounds. For comparison: The midsize Chevrolet of the ear was the Malibu, which was the same approximate size as the Caprice after its 1977 downsizing. The compact Chevrolet of the era was the Nova, which was 200 inches long — four inches longer than a current Cadillac STS. Wikipedia’s entry on the Caprice has this amusing sentence: “As fuel economy became a bigger priority among Americans…
    • Behind the wheel
    • Collecting only dust or rust
    • Coooooooooooupe!
    • Corvettes on the screen
    • The garage of misfit cars
    • 100 years (and one day) of our Chevrolets
    • They built Excitement, sort of, once in a while
    • A wagon by any otheru0026nbsp;nameFirst written in 2008. You will see more don’t-call-them-station-wagons as you drive today. Readers around my age have probably had some experience with a vehicle increasingly rare on the road — the station wagon. If you were a Boy Scout or Girl Scout, or were a member of some kind of youth athletic team, or had a large dog, or had relatives approximately your age, or had friends who needed to be transported somewhere, or had parents who occasionally had to haul (either in the back or in a trailer) more than what could be fit inside a car trunk, you (or, actually, your parents) were the target demographic for the station wagon. “Station wagons came to be like covered wagons — so much family activity happened in those cars,” said Tim Cleary, president of the American Station Wagon Owners Association, in Country Living magazine. Wagons “were used for everything from daily runs to the grocery store to long summer driving trips, and while many men and women might have wanted a fancier or sportier car, a station wagon was something they knew they needed for the family.” The “station wagon” originally was a vehicle with a covered seating area to take people between train stations…
    • Wheels on theu0026nbsp;screenBetween my former and current blogs, I wrote a lot about automobiles and TV and movies. Think of this post as killing two birds (Thunderbirds? Firebirds? Skylarks?) with one stone. Most movies and TV series view cars the same way most people view cars — as A-to-B transportation. (That’s not counting the movies or series where the car is the plot, like the haunted “Christine” or “Knight Rider” or the “Back to the Future” movies.) The philosophy here, of course, is that cars are not merely A-to-B transportation. Which disqualifies most police shows from what you’re about to read, even though I’ve watched more police video than anything else, because police cars are plain Jane vehicles. The highlight in a sense is in the beginning: The car chase in my favorite movie, “Bullitt,” featuring Steve McQueen’s 1968 Ford Mustang against the bad guys’ 1968 Dodge Charger: [youtube=http://www.youtube.com/watch?v=GMc2RdFuOxIu0026amp;fmt=18] One year before that (but I didn’t see this until we got Telemundo on cable a couple of years ago) was a movie called “Operación 67,” featuring (I kid you not) a masked professional wrestler, his unmasked sidekick, and some sort of secret agent plot. (Since I don’t know Spanish and it’s not…
    • While riding in my Cadillac …
  • Entertainments
    • Brass rocksThose who read my former blog last year at this time, or have read this blog over the past months, know that I am a big fan of the rock group Chicago. (Back when they were a rock group and not a singer of sappy ballads, that is.) Since rock music began from elements of country music, jazz and the blues, brass rock would seem a natural subgenre of rock music. A lot of ’50s musical acts had saxophone players, and some played with full orchestras … [youtube=http://www.youtube.com/watch?v=9CPS-WuUKUE] … but it wasn’t until the more-or-less simultaneous appearances of Chicago and Blood Sweat u0026amp; Tears on the musical scene (both groups formed in 1967, both had their first charting singles in 1969, and they had the same producer) that the usual guitar/bass/keyboard/drum grouping was augmented by one or more trumpets, a sax player and a trombone player. While Chicago is my favorite group (but you knew that already), the first brass rock song I remember hearing was BSu0026amp;T’s “Spinning Wheel” — not in its original form, but on “Sesame Street,” accompanied by, yes, a giant spinning wheel. [youtube=http://www.youtube.com/watch?v=qi9sLkyhhlE] [youtube=http://www.youtube.com/watch?v=OxWSOuNsN20] [youtube=http://www.youtube.com/watch?v=U9U34uPjz-g] I remember liking Chicago’s “Just You ‘n Me” when it was released as a single, and…
    • Drive and Eat au0026nbsp;RockThe first UW home football game of each season also is the opener for the University of Wisconsin Marching Band, the world’s finest college marching band. (How the UW Band has not gotten the Sudler Trophy, which is to honor the country’s premier college marching bands, is beyond my comprehension.) I know this because I am an alumnus of the UW Band. I played five years (in the last rank of the band, Rank 25, motto: “Where Men Are Tall and Run-On Is Short”), marching in 39 football games at Camp Randall Stadium, the Hubert H. Humphrey Metrodome in Minneapolis, Michigan Stadium in Ann Arbor, Memorial Stadium at the University of Illinois (worst artificial turf I had ever seen), the University of Nevada–Las Vegas’ Sam Boyd Silver Bowl, the former Dyche Stadium at Northwestern University, five high school fields and, in my one bowl game, Legion Field in Birmingham, Ala., site of the 1984 Hall of Fame Bowl. The UW Band was, without question, the most memorable experience of my college days, and one of the most meaningful experiences of my lifetime. It was the most physical experience of my lifetime, to be sure. Fifteen minutes into my first Registration…
    • Keep on rockin’ in the freeu0026nbsp;worldOne of my first ambitions in communications was to be a radio disc jockey, and to possibly reach the level of the greats I used to listen to from WLS radio in Chicago, which used to be one of the great 50,000-watt AM rock stations of the country, back when they still existed. (Those who are aficionados of that time in music and radio history enjoyed a trip to that wayback machine when WLS a Memorial Day Big 89 Rewind, excerpts of which can be found on their Web site.) My vision was to be WLS’ afternoon DJ, playing the best in rock music between 2 and 6, which meant I wouldn’t have to get up before the crack of dawn to do the morning show, yet have my nights free to do whatever glamorous things big-city DJs did. Then I learned about the realities of radio — low pay, long hours, zero job security — and though I have dabbled in radio sports, I’ve pretty much cured myself of the idea of working in radio, even if, to quote WAPL’s Len Nelson, “You come to work every day just like everybody else does, but we’re playing rock ’n’ roll songs, we’re cuttin’ up.…
    • Monday on the flight line, not Saturday in the park
    • Music to drive by
    • The rock ofu0026nbsp;WisconsinWikipedia begins its item “Music of Wisconsin” thusly: Wisconsin was settled largely by European immigrants in the late 19th century. This immigration led to the popularization of galops, schottisches, waltzes, and, especially, polkas. [youtube=http://www.youtube.com/watch?v=yl7wCczgNUc] So when I first sought to write a blog piece about rock musicians from Wisconsin, that seemed like a forlorn venture. Turned out it wasn’t, because when I first wrote about rock musicians from Wisconsin, so many of them that I hadn’t mentioned came up in the first few days that I had to write a second blog entry fixing the omissions of the first. This list is about rock music, so it will not include, for instance, Milwaukee native and Ripon College graduate Al Jarreau, who in addition to having recorded a boatload of music for the jazz and adult contemporary/easy listening fan, also recorded the theme music for the ’80s TV series “Moonlighting.” Nor will it include Milwaukee native Eric Benet, who was for a while known more for his former wife, Halle Berry, than for his music, which includes four number one singles on the Ru0026amp;B charts, “Spend My Life with You” with Tamia, “Hurricane,” “Pretty Baby” and “You’re the Only One.” Nor will it include Wisconsin’s sizable contributions to big…
    • Steve TV: All Steve, All the Time
    • “Super Steve, Man of Action!”
    • Too much TV
    • The worst music of allu0026nbsp;timeThe rock group Jefferson Airplane titled its first greatest-hits compilation “The Worst of Jefferson Airplane.” Rolling Stone magazine was not being ironic when it polled its readers to decide the 10 worst songs of the 1990s. I’m not sure I agree with all of Rolling Stone’s list, but that shouldn’t be surprising; such lists are meant for debate, after all. To determine the “worst,” songs appropriate for the “Vinyl from Hell” segment that used to be on a Madison FM rock station, requires some criteria, which does not include mere overexposure (for instance, “Macarena,” the video of which I find amusing since it looks like two bankers are singing it). Before we go on: Blog posts like this one require multimedia, so if you find a song you hate on this blog, I apologize. These are also songs that I almost never listen to because my sound system has a zero-tolerance policy — if I’m listening to the radio or a CD and I hear a song I don’t like, it’s, to quote Bad Company, gone gone gone. My blonde wife won’t be happy to read that one of her favorite ’90s songs, 4 Non Blondes’ “What’s Up,” starts the list. (However,…
    • “You have the right to remain silent …”
  • Madison
    • Blasts from the Madison media past
    • Blasts from my Madison past
    • Blasts from our Madison past
    • What’s the matter with Madison?
    • Wisconsin – Madison = ?
  • Sports
    • Athletic aesthetics, or “cardinal” vs. “Big Red”
    • Choose your own announcer
    • La Follette state 1982 (u0022It was 30 years ago todayu0022)
    • The North Dakota–Wisconsin Hockey Fight of 1982
    • Packers vs. Brewers
  • Hall of Fame
    • The case(s) against teacher unions
    • The Class of 1983
    • A hairy subject, or face the face
    • It’s worse than you think
    • It’s worse than you think, 2010–11 edition
    • My favorite interview subject of all time
    • Oh look! Rural people!
    • Prestegard for president!
    • Unions vs. the facts, or Hiding in plain sight
    • When rhetoric goes too far
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