The number one album today in 1980 was Genesis’ “Duke”:
Today in 1985, more than 5,000 radio stations played this at 3:50 p.m. Greenwich Mean Time, which is 9:50 a.m. Central time (but Standard or Daylight?):
The number one album today in 1980 was Genesis’ “Duke”:
Today in 1985, more than 5,000 radio stations played this at 3:50 p.m. Greenwich Mean Time, which is 9:50 a.m. Central time (but Standard or Daylight?):
Today in 1960, RCA Victor Records announced it would release all singles in both mono and stereo.
Today in 1964, the Beatles had 14 of the Billboard Top 100 singles, including the top five:
Today in 1956, Elvis Presley appeared on ABC-TV’s “Milton Berle Show” live from the flight deck of the U.S.S. Hancock, moored off San Diego.
An estimated one of every four Americans watched, probably making it ABC’s most watched show in its history to then, and probably for several years after that.
Today is April Fool’s Day. Which John Lennon and Yoko Ono celebrated in 1970 by announcing they were having sex-change operations.
Today in 1972, the Mar y Sol festival began in Puerto Rico. The concert’s location simplified security — it was on an island accessible only by those with tickets.
Today in 1949, RCA introduced the 45-rpm single to compete with the 33-rpm album introduced by CBS one year earlier. The first RCA 45 was …
Today in 1964, the Beatles filmed a scene of a “live” TV performance before a studio audience for their movie “A Hard Day’s Night.”
In the audience: Phil Collins.
The number one single today in 1957 was the first number one rock and roll single to be written by its singer:
The number one single today in 1963 …
… which sounds suspiciously similar to a song released seven years later:
The number one British single today in 1963 may make you tap your foot:
Today in 1966, Mick Jagger got in the way of a chair thrown onto the stage during a Rolling Stones concert in Marseilles, France.
The title and artist are the same for the number one album today in 1969:
Today in 1964, the Beatles were the first pop stars to get memorialized at Madame Tussaud’s Wax Museum …

… while in the North Sea, the pirate Radio Caroline went on the air:
The number one British single today in 1970:
Republican presidential candidate Ted Cruz announced this week (from Politico):
In an interview Tuesday on “CBS This Morning,” the Texas senator told his TV hosts that he “grew up listening to classic rock” but that that soon changed.
“My music taste changed on 9/11,” Cruz said.
“I actually intellectually find this very curious, but on 9/11, I didn’t like how rock music responded,” he said. “And country music, collectively, the way they responded, it resonated with me.” …
Cruz did not mention any specific country music that resonated with him or which rock artists did not respond well to the terror attacks.
“I had an emotional reaction that said, ‘These are my people,’” Cruz said. “So ever since 2001, I listen to country music.”
Salon has a predictable take:
But it’s interesting nonetheless that Cruz now considers himself a country fan because country music is different than it used to be. And you can trace the change to right about that time. It has traditionally valued “authenticity” giving high praise to those who know how to keep their country real. It’s debatable as to how sincere that commitment has been but the musicians and the fans used to truly believe in the small town ethos, religion and patriotism which have always been fundamental to the genre.
There is a rebellious streak as well, some of it coming from an unlikely source for such a traditional form: women. Back in the 1960s when southern culture was resisting the changes wrought by the counter culture, singers like Loretta Lynn sang about being freed from non-stop pregnancies by the invention of the pill and Jeannie C. Reilly “socked it to” the uptight conservative hypocrites of the Harper Valley PTA. Ted Cruz is probably too young to even know about those songs, but I think we can be sure he wouldn’t approve of them even today. They displayed a shocking irreverence toward family values.
But if the transformed Cruz is a fan of the modern stuff it’s a good bet that a conservative fellow like him (albeit one who once refused to associate with anyone who didn’t go to an Ivy League college) is into what they call “bro-country.” (The dudes who sing those songs like to think of themselves as “outlaws” but their juvenile commercial tropes bear as much resemblance to the original country outlaws like Waylon Jennings, Willie Nelson and Johnny Cash as they do to Mozart and Beethoven.) …
When country loving social conservatives like Cruz and Huckabee complain about violent rap lyrics or get upset about the sexual impropriety of pop music they either aren’t listening to modern country or they’re unaware that the traditional values many of “their people” are celebrating in song these days aren’t about family, God and and the red, white and blue. They’re about crude, drunken jerks treating women like whores. I suspect that’s not the image to which Senator Cruz was trying to relate when he confessed to converting to country at the age of 31.
This whole thing is silly, obviously. Ted Cruz’s musical tastes are only interesting to the extent they make him seem like a regular guy. But come on — nobody changes what music they like for political reasons. That pandering comment is so awkward and calculated it makes him sound like an automaton. In fact, it’s very hard to believe that Ted Cruz has any interest in music at all. The image that comes to mind when you see him isn’t some guy rocking out to the Stones or singing along to “The Angry American.” It’s Richard Nixon walking on the beach in his black socks and wing tips.
In addition to the obligatory slam of “bro-country,” the Salon writer threw in an obligatory mention of the Dixie Chicks, who announced in France that as Texans they were ashamed of George W. Bush. Which ended their careers in the country genre (and really as relevant music acts) not because they dissed Bush, but because they dissed all their soon-to-be-former country fans who voted for Bush.
In addition to ignoring rock music’s 9/11 responses such as Bruce Springsteen’s “The Rising,” Neil Young’s “Let’s Roll” and the U2 Super Bowl show, Cruz’s statement comes off as inauthentic pandering. (I don’t support Cruz for president because I support no one either now or formerly in Congress. Governors should be the only people allowed to run for president for the foreseeable future.) There are certainly artists who write and perform music to express their political beliefs, whether or not they should. I doubt that many music fans listen to music based on adherence to their own political worldview. I haven’t been listening to more country based on anything other than how it sounds.
Today in 1958, CBS Records announced it had developed stereo records, which would sound like stereo only on, of course, stereo record players.
The irony is that CBS’ development aided its archrival, RCA, which owned NBC but also sold record players:
(For similar reasons NBC was the first network to do extensive color. NBC was owned by RCA, which sold TVs.)